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Статті в журналах з теми "Catacombs in art"
Fatyushyna, N. Yu. "Basic features of early Christian art (painting, mosaic, architecture, music)." Ukrainian Religious Studies, no. 25 (December 27, 2002): 110–17. http://dx.doi.org/10.32420/2003.25.1434.
Повний текст джерелаKardis, Mária, and Dominika Tlučková. "The Symbol of the Phoenix in the Catacombs of Priscilla in Rome and Its Transformation in Early Christianity." Biblical Annals 12, no. 1 (January 27, 2022): 65–88. http://dx.doi.org/10.31743/biban.12903.
Повний текст джерелаYavorska, V. V., V. A. Sych, K. V. Kolomiyets, and A. M. Shashero. "Odessa catacombs as an integral part of the tourist image of the Black Sea region." Вісник Дніпропетровського університету. Геологія, географія 26, no. 1 (March 30, 2018): 219–26. http://dx.doi.org/10.15421/111822.
Повний текст джерелаSzkołut, Paweł. "Sceny męczeństwa i ocalenia w późnoantycznej sztuce synagogalnej." Vox Patrum 44 (March 30, 2003): 381–96. http://dx.doi.org/10.31743/vp.8093.
Повний текст джерелаPresti, Olga Lo, and Maria Rosaria Carli. "Italian Catacombs and Their Digital Presence for Underground Heritage Sustainability." Sustainability 13, no. 21 (October 30, 2021): 12010. http://dx.doi.org/10.3390/su132112010.
Повний текст джерелаNovikoff, Alex J. ":Judaism and Christian Art: Aesthetic Anxieties from the Catacombs to Colonialism." Sixteenth Century Journal 44, no. 1 (March 1, 2013): 240–42. http://dx.doi.org/10.1086/scj24245320.
Повний текст джерелаOlin, Margaret. "Judaism and Christian Art: Aesthetic Anxieties from the Catacombs to Colonialism (review)." Shofar: An Interdisciplinary Journal of Jewish Studies 31, no. 2 (2013): 174–77. http://dx.doi.org/10.1353/sho.2013.0007.
Повний текст джерелаKuvatova, Valeria. "SYMBOLISM OF EARLY CHRISTIAN PRAYERS IN ROMAN, GREEK AND EGYPTIAN FUNERARY ART." Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, no. 1 (2024): 177. http://dx.doi.org/10.31857/s086919080029093-9.
Повний текст джерелаRabinovich, Irina. "Hawthorne’s Rome – A city of evil, political and religious corruption and violence." Ars Aeterna 9, no. 1 (June 27, 2017): 1–6. http://dx.doi.org/10.1515/aa-2017-0001.
Повний текст джерелаPedro, Julia Valeryevna. "Polytheism in the symbols of Roman Catacomb painting." Voprosy kul'turologii (Issues of Cultural Studies), no. 7 (June 5, 2012): 38–42. http://dx.doi.org/10.33920/nik-01-1207-07.
Повний текст джерелаДисертації з теми "Catacombs in art"
Sutherland, Reita J. "Prayer and Piety: The Orans-Figure in the Christian Catacombs of Rome." Thèse, Université d'Ottawa / University of Ottawa, 2013. http://hdl.handle.net/10393/24259.
Повний текст джерелаIngle, Gabriela Elzbieta. "The significance of dining in Late Roman and Early Christian funerary rites and tomb decoration." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/25949.
Повний текст джерелаMarin, Françoise. "La catacombe de Santa Lucia de Syracuse : genèse et développement." Paris 4, 2009. http://www.theses.fr/2009PA040019.
Повний текст джерелаThe catacomb of Santa Lucia is a part of main Christian community cemeteries of Syracuse. She is situated in the heart of the district of Acradina and is connected with a basilica, a monastery and the Church of the Holy grave. She is constituted by four regions which develop in oily mark around the grave of Saint Lucie. Four regions (A,B,C,D) were successively fitted out, both first ones before and both following ones after the Peace of the Church. Regions A and B were fitted out according to the same architectural techniques. Galleries are installed in aquducts, graves fitted out their walls and the increases are made by deepening the grounds. The plan of the region C was preconceived: it obeys rules of a symmetry as the alternation cubiculi / loculi charactéristic of the site. Thereis almost no more track of the topographic evolution of the region D. Each of these regions is endowed with an oratory. The first one was restored in the Byzantine time (fresco of Forty Martyrs). The existence of the oratory B remains hypotetical. Oratories C and D were fitted be know to be known and emphasised. The research work allowed to redraw the genesis and the topographic development and as a consquence to re-place it in its historic context. The questions of the modalities of its funeral and religious use were also approached
Buhagiar, Mario. "The christianisation of Malta : catacombs, cult centres and churches in Malta to 1530 /." Oxford : Archaeopress, 2007. http://catalogue.bnf.fr/ark:/12148/cb41146227n.
Повний текст джерелаGuyon, Jean. "Le Cimetière aux Deux Lauriers : recherches sur les catacombes romaines /." Rome : Paris : École française de Rome : Pontificio istituto di archeologia cristiana ; diff. de Boccard, 1987. http://catalogue.bnf.fr/ark:/12148/cb36626462r.
Повний текст джерелаCappelletti, Sylvia. "The Jewish community of Rome : from the second century B.C. to the third century C.E. /." Leiden : Brill, 2006. http://catalogue.bnf.fr/ark:/12148/cb402434025.
Повний текст джерелаZibaoui, Mahmoud. "Peintures paléochrétiennes d'Egypte : Karmouz, Wardian, Abou-Girgeh, Abou-Hennis, Bagawat." Paris 1, 2002. http://www.theses.fr/2002PA010565.
Повний текст джерелаVAROQUI, JACQUES. "Le temoignage iconographique sur le christianisme preconstantinien." Université Marc Bloch (Strasbourg) (1971-2008), 1987. http://www.theses.fr/1987STR20025.
Повний текст джерелаThis thesis locates the christian art in the oldest areas of the catacombs of lucina, callixt, domitilla and priscilla in rom, as well as that of the mausoleum m of the vatican necropolis, of the babtistery of dura-europos and the sacophages, in the global artistic context of the third century, in its technical and artistic evolution, its stylistic chronology, the psycho-social, philosophical, mystical and ecclesial area. It proposes a semantic analysis of the figurative representations and the non christian and patristic litterary signs that are connected to it. Concerned with bringing to light the isomorphism in sens and the cultural adequation, we study the traditional fund of roman iconography (landscapes, festoons, basins, crowns and the allegories of the seasons), the newness of the new testament representations (the mother and child, wise men, baptism of christ, healings, lazarus), the old testament representations (adam and eva, noah, abraham, isaac, moses, daniel, the furnace, suzanna), the neo-platonic stereotypes in its ideographical images (dove, fish, anchor, angler, lyre), its anthropomorphics (orant, criophorus, pedagogus), and its worship figures (meal and sacral aliments). The iconographic apolog of jonas is treated separately. A special attention is given to the analogical connections on a naturalistic and cosmological, bio-physiological and anthropological, mystagogical and chritological level, and to the symbolic, allegorical, metaphorical and paradigmatic functions of the representations. A chronological, iconological synthesis on art in its vision to universe, man and god as well as a methodological evaluation will conclude the thesis, which includes abondant illustrations
Arango, Restrepo Luz. "El Alimento y la muerte en el ritual y las prácticas estéticas contemporáneas." Doctoral thesis, Universitat Pompeu Fabra, 2017. http://hdl.handle.net/10803/460894.
Повний текст джерелаIn a game of history counter opposition, death and food come together in the Día de Muertos [Day of the Dead] ritual and in five works of contemporary artists. The goal set for this research is to explore this intrinsic relationship. In the ritualistic portion of this research, we explore two separate practices: the offerings on the altar for the dead’s consumption and the exchange of sugar skulls. In contemporary art, Joseph Beuys and Marina Abramović use food and organic matter as expressive factors in works aspiring to tie the ritual to art itself. Furthermore, both Félix González-Torres and Jana Sterbak have used food in their works, thus transferring their symbolic properties to the works. Every work and aesthetic manifestations studied provides a different vision of death.
Magill, Kelley Clark. "The catacombs, martyrdom, and the reform of art in Post-Tridentine Rome: picturing continuity with the Christian past." Thesis, 2014. http://hdl.handle.net/2152/30321.
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Книги з теми "Catacombs in art"
Wiesbaden, Museum, ed. Thomas Virnich: Fliegende Katakomben = flying catacombs. Nürnberg: Verlag für moderne Kunst Nürnberg, 2001.
Знайти повний текст джерелаJudaism and Christian art: Aesthetic anxieties from the catacombs to colonialism. Philadelphia: University of Pennsylvania Press, 2011.
Знайти повний текст джерелаStützer, Herbert Alexander. Frühchristliche Kunst in Rom: Ursprung christlich-europäischer Kunst. Köln: DuMont, 1991.
Знайти повний текст джерелаTeresa, Natale Maria, ed. Guide to the catacombs of Rome and its surroundings. Roma: Bonsignori, 2000.
Знайти повний текст джерелаCioffarelli, Ada. Guide to the catacombs of Rome and its surroundings. Roma: Bonsignori, 2000.
Знайти повний текст джерелаSociety, International Catacomb, ed. Vaults of memory: Jewish and Christian imagery in the catacombs of Rome : an exhibition. Boston, Mass: International Catacomb Society, 1985.
Знайти повний текст джерелаFabrizio, Bisconti, and Mazzoleni Danilo, eds. The Christian catacombs of Rome: History, decoration, inscriptions. 3rd ed. Regensburg: Schnell & Steiner, 2009.
Знайти повний текст джерелаThe Catacombs of San Gennaro: Historical and artistic guide. Napoli: Edizioni San Gennaro, 2019.
Знайти повний текст джерелаPergola, Philippe. Le catacombe romane: Storia e topografia. Roma: Carocci, 1999.
Знайти повний текст джерелаFerrua, Antonio. The unknown catacomb: A unique discovery of early Christian art. New Lanark: Geddes & Grosset, 1991.
Знайти повний текст джерелаЧастини книг з теми "Catacombs in art"
Smith, Eric C. "Art and Heterotopia." In Foucault’s Heterotopia in Christian Catacombs, 39–70. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137468048_5.
Повний текст джерелаZimmermann, Norbert. "Catacombs and the Beginnings of Christian Tomb Decoration." In A Companion to Roman Art, 452–70. Chichester, UK: John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781118886205.ch23.
Повний текст джерелаSiano, S., F. Fratini, M. Mascalchi, G. Patrizi, and B. Mazzei. "CHAPTER 2. Study and Laser Uncovering of Hypogean Early Christian Wall Painting of Roma's Catacombs of Santa Tecla and Domitilla." In Science and Art, 28–45. Cambridge: Royal Society of Chemistry, 2020. http://dx.doi.org/10.1039/9781839161957-00028.
Повний текст джерелаZimmermann, Norbert. "Catacomb Painting and the Rise of Christian Iconography in Funerary Art." In The Routledge Handbook of Early Christian Art, 21–38. First [edition]. | New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315718835-2.
Повний текст джерелаBondar, Kseniia M., Yurii Yu Bashkatov, Ruslan V. Khomenko, Serhii V. Didenko, Iryna V. Tsiupa, and Serhii A. Popov. "Geophysical Survey in Support of Archaeological Rescue Excavations at Industrial Area of Kremenchuk Magnetic Anomaly in Ukraine." In One World Archaeology, 463–82. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-57900-4_18.
Повний текст джерелаOryshkevich, Irina. "Cultural History in the Catacombs: Early Christian Art and Macarius’s Hagioglypta *." In Sacred History, 250–66. Oxford University Press, 2012. http://dx.doi.org/10.1093/acprof:oso/9780199594795.003.0012.
Повний текст джерелаWhitlark, Jason A. "A Reception History of the Letter to the Hebrews." In The Oxford Handbook of Hebrews and the Catholic Epistles, 321–46. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780190904333.013.23.
Повний текст джерелаNicholson, Paul T., Steve Mills, Scott Williams, and Hendrikje Nouwens. "THE CATACOMB." In The Catacombs of Anubis at North Saqqara, 51–134. Peeters Publishers, 2021. http://dx.doi.org/10.2307/j.ctv1vwbtfm.12.
Повний текст джерелаFinney, Paul Corby. "The Earliest Christian Art." In The Invisible God, 146–274. Oxford University PressNew York, NY, 1994. http://dx.doi.org/10.1093/oso/9780195082524.003.0006.
Повний текст джерелаNICHOLSON, Paul T., and John P. HARRISON. "CREATING THE CATACOMB." In The Catacombs of Anubis at North Saqqara, 39–50. Peeters Publishers, 2021. http://dx.doi.org/10.2307/j.ctv1vwbtfm.11.
Повний текст джерелаТези доповідей конференцій з теми "Catacombs in art"
Tanasi, Davide, David Cardona, S. Hassam, K. Kingsland, Paolino Trapani, Dario Calderone, Lara De Giorgi, and Giovanni Leucci. "Preliminary results from remote sensing surveying at the Abbattija tad-Dejr Catacombs (Rabat, Malta)." In 2022 IMEKO TC4 International Conference on Metrology for Archaeology and Cultural Heritage. Budapest: IMEKO, 2023. http://dx.doi.org/10.21014/tc4-arc-2022.050.
Повний текст джерелаGalone, Luciano, Sebastiano D'Amico, Emanuele Colica, Jonathan Borg, and David Cardona. "Non-invasive investigation and digital reconstruction of a small catacomb complex in Rabat (Malta)." In 2022 IMEKO TC4 International Conference on Metrology for Archaeology and Cultural Heritage. Budapest: IMEKO, 2023. http://dx.doi.org/10.21014/tc4-arc-2022.084.
Повний текст джерелаDyachenko, Alexander. "AN �NTHROPOLOGICAL MARKER FOR MIGRATIONS IN CATACOMB CULTURE ARCHAEOLOGICAL COMPLEXES FROM THE LOWER VOLGA KURGAN CEMETERIES." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/2.2/s06.002.
Повний текст джерелаСуханов, Е. В. "POLISHED POTTERY OF THE NON-ALAN POPULATION OF THE SALTOVO-MAYAKI CULTURE FROM THE MIDDLE DON RIVER: SELF-PRODUCED OR IMPORTED WARES?" In Вестник "История керамики". Crossref, 2020. http://dx.doi.org/10.25681/iaras.2020.978-5-94375-316-9.79-90.
Повний текст джерелаN., Stepanova. "CENSERS OF THE EARLY BRONZE AGE FROM THE ALTAI MOUNTAINS." In MODERN SOLUTIONS TO CURRENT PROBLEMS OF EURASIAN ARCHEOLOGY. Altai State Univercity, 2023. http://dx.doi.org/10.14258/msapea.2023.3.26.
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