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Статті в журналах з теми "Capitolium"
1
Marchionni, Luca. "Ancora su umbro grabouio- e latino Capitolium/Capitolinus." Aristonothos. Rivista di Studi sul Mediterraneo Antico, no. 18 (July 18, 2022): 167–89. http://dx.doi.org/10.54103/2037-4488/18103.
Повний текст джерелаАнотація:
Si riconsidera, in questa sede, la questione dell’etimologia dell’epiteto iguvino grabouio-, oggetto negli ultimi due secoli di svariate proposte etimologiche: in particolare, si mette in luce l’opportunità di riprendere in considerazione una proposta di Ugo Bianchi, il quale sospettò che l’epiteto umbro fosse da interpretare alla luce del confronto con il latino Capitolinus. La validità della tesi dello Studioso è qui sostenuta dall’accordo fra i dati linguistici e quelli antiquari e storico-religiosi, inquadrando la spiegazione di grabouioall’interno di un più ampio contesto di condivisione di tratti culturali fra le comunità dell’Italia antica. The etymology of the Umbrian epithet grabouio- has been studied according to a number of etymological proposals over the last two centuries. Among these is Ugo Bianchi’s suggestion to interpret grabouio- in the light of Latin Capitolinus. The merits of the arguments put forward by this scholar are supported through a comparison between the linguistic and the antiquarian and religious evidence. This makes it possible to incorporate grabouio- into the more broadly shared cultural traits of Ancient Italy.
2
Palombi, Domenico. "L. Calpurnius L.F. Capitolinus = costruttore del Capitolium di Puteoli?" Mélanges de l’École française de Rome. Antiquité 114, no. 2 (2002): 921–36. http://dx.doi.org/10.3406/mefr.2002.9738.
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3
Quinn, Josephine Crawley, and Andrew Wilson. "Capitolia." Journal of Roman Studies 103 (July 29, 2013): 117–73. http://dx.doi.org/10.1017/s0075435813000105.
Повний текст джерелаАнотація:
AbstractCapitolia, temples to the triad of divinities Iuppiter Optimus Maximus, Iuno Regina and Minerva Augusta, are often considered part of the standard urban ‘kit’ of Roman colonies. Their placement at one end of the forum is sometimes seen as schematizing and replicating in miniature the relationship between the Capitolium at Rome and the Forum Romanum below it. Reliably attested Capitolia are, however, rarer in the provinces than this widespread view assumes and there seems to be no relationship between civic status and the erection of a Capitolium. Indeed, outside Italy there are very few Capitolia other than in the African provinces, where nearly all known examples belong to the second or early third century a.d., mostly in the Antonine period. This regional and chronological clustering demands explanation, and since it comes too late to be associated with the foundation of colonies, and there is no pattern of correlation with upgrades in civic status, we propose that the explanation has to do with the growing power and influence of North African élites, who introduced the phenomenon from Rome. Rather than being a form of temple imposed from the centre on the provinces, Capitolia were adopted by provincial élites on the basis of their relationship with Rome.
4
Walbank, Mary E. Hoskins. "Pausanias, Octavia and Temple E at Corinth." Annual of the British School at Athens 84 (November 1989): 361–94. http://dx.doi.org/10.1017/s0068245400021055.
Повний текст джерелаАнотація:
This article considers the identification and attribution of the Temple E, one of the most important monuments of Roman Corinth. It argues against the present general identification of it as the temple of Octavia (referred to by Pausanias) and iherefore a building dedicated to the Imperial cult. The evidence for the form, date and identity is reassessed. It involves a reexamination of the significance and relevance of the numismatic evidence cited in connection with it: a discussion of Octavia as a major recipient of cult and the worship of Jupiter Capitolinus at Corinth. It is argued, as a hypothesis for general consideration, that Temple E is the Capitolium of Corinth.
5
Gruchalski, Jakub. "Capitolium Vetus: A New Street in Rome?" Classical Philology 116, no. 4 (October 1, 2021): 599–603. http://dx.doi.org/10.1086/715520.
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Strömholm, Stig. "Från Parnassen till Capitolium - en översättningshistorisk studie." Moderna Språk 90, no. 1 (June 1, 1996): 97–98. http://dx.doi.org/10.58221/mosp.v90i1.10018.
Повний текст джерела
7
Bettegazzi, Nicolò, Han Lamers, and Bettina Reitz-Joosse. "Viewing Rome in the Latin Literature of the Ventennio Fascista: Francesco Giammaria’s Capitolium Novum." Fascism 8, no. 2 (December 17, 2019): 153–78. http://dx.doi.org/10.1163/22116257-00802002.
Повний текст джерелаАнотація:
Abstract This article analyses Francesco Giammaria’s Capitolium Novum, a Latin poem describing a tour of the historic center of Rome in 1933, in its historical, architectural, and intellectual contexts. It offers a detailed analysis of three key sections of the poem, which deal with the Colosseum, the Arch of Constantine, and the Ara dei caduti fascisti respectively. The authors show how Giammaria’s poem responds to urbanistic interventions in the city center during the ventennio, and specifically to the Fascist ‘recoding’ of the city as the ‘Third Rome’, with a narrative emphasizing the historically layered nature of Rome. Giammaria offers his own interpretation of the respective importance and interrelation of the city’s historic layers: the rhetoric of his poem is aimed at superimposing Catholic Rome over pagan Rome, and at framing all historical layers of the city, including the Fascist one, as part of its Christian mission and destiny. Thus, Capitolium novum resonates with efforts of intellectuals gathered around Carlo Galassi Paluzzi’s Istituto di Studi Romani, who aimed to promote a cultural reconciliation between Fascism and Catholicism.
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Fortes, José Beltrán, and María Luisa Loza Azuaga. "The Capitolium at Baelo Claudia (Bolonia): new data from the sculptures." Journal of Roman Archaeology 33 (2020): 383–400. http://dx.doi.org/10.1017/s1047759420001075.
Повний текст джерелаАнотація:
The excavations carried out between 1917 and 1921 at Baelo Claudia (Bolonia, Tarifa, province of Cádiz)1 were led by P. Paris and his team2 working with the Anglo-French archaeologist G. Bonsor3 and with A. Laumonier and R. Ricard, as well as with Cayetano de Mergelina4 in 1918-19. Work focused on the N part of the forum where three temples were exposed.5 A minor intervention was carried out in the theatre together with more extensive excavations in the area of the fish-salting factory that included two domus, and in the E necropolis. The outcome was two publications, one on the city,6 the other on the necropolis,7 that are outstanding for those days.
9
Albo, Carlo. "Il Capitolium di Ostia. Alcune considerazioni sulla tecnica edilizia ed ipotesi ricostruttiva." Mélanges de l’École française de Rome. Antiquité 114, no. 1 (2002): 363–90. http://dx.doi.org/10.3406/mefr.2002.10702.
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Riesco Álvarez, Hipólito Benjamín. "El Capitolio y el templo de Júpiter Capitolino: un posible centro del mundo en Roma." Estudios Humanísticos. Filología, no. 13 (December 1, 1991): 11. http://dx.doi.org/10.18002/ehf.v0i13.4307.
Повний текст джерелаАнотація:
<p>A raíz de la construcción del templo de Júpiter Capitolino, algunos augurios y sucesos extraños mostraron a los ojos de los romanos que el Capitolio iba a ser el centro de un gran imperio. Visto, por ello, probablemente, como 'Centro del Mundo', en la bóveda del templo se dejó un agujero, tal como ocurría -según M. ELIADE- con numerosas construcciones sagradas antiguas identificadas con el centro cósmico.</p><p>As a result of the building process of the temple of Jupiter Capitoline some auguries and extraordinary events made evident in the eyes of the Roman people that the Capitol was bound to become the centre of a great empire. Seen, because of that, as the `Centre of the World', they left a hole in the vault of the temple, as was the habit -according to M. ELIADE- with many ancient sacred buildings devoted to the cosmic centre</p>
Дисертації з теми "Capitolium"
1
Fuertes, Pérez Pere. "Le Corbusier desde el palacio del Gobernador - un análisis de la arquitectura del Capitolio de Chandigarh." Doctoral thesis, Universitat Politècnica de Catalunya, 2006. http://hdl.handle.net/10803/6805.
Повний текст джерелаАнотація:
La tesis reúne un conjunto de cinco observaciones a partir del proyecto no construido para el palacio del Gobernador de Chandigarh (1951-1957) que -sin intención de agotar las direcciones posibles- profundizan en aquéllas que ponen en relación los aspectos formales y materiales de la obra de Le Corbusier, insistiendo en el ascendente que la materia ejerce sobre la forma, antes de que ésta cristalice.La primera observación sigue una dirección reflexiva, hacia el propio edificio, que ha de permitir advertir las estrechas relaciones que se desgranan entre la imaginación de la materia y la vida de las formas. No puede haber un «desde el palacio del Gobernador» sin una toma de contacto con el propio Palacio y, por lo tanto, es necesario que se planteen aquí temas que se desarrollarán en las observaciones siguientes; todos ellos como parte de un denso y complejo tejido de correspondencias mutuas que Le Corbusier ha trabado teórica y poéticamente con los años.La segunda observación es sobre el propio material que constituye el edificio y el Capitolio: el hormigón aparente, vinculado originariamente al agua en tanto que materia plástica que toma forma mediante la construcción de recipientes que, a su vez, llegan a contener el agua de lluvia y que pueden ser imaginados como producto de la acción combinada de unas manos que actúan y unos ojos que analizan. Aquí el béton brut es materia que sobrepasa el plano de la técnica; que se transporta, se vierte y se muestra con el mismo cuidado con el que se recoge el agua de lluvia para llenar las balsas del Capitolio.La tercera es, pues, una observación sobre el agua y sus propiedades como sustrato material y poético de la obra de Le Corbusier que alcanza incluso sus escritos, manifestándose con igual intensidad, a partir de la clasificación aristotélica de los cuatro elementos o de la noción de espacio denso cubista. El agua es fuente de complicidades y dualidades, fuente de ambigüedad controlada; es lluvia devuelta a la tierra mediante la construcción de un mecanismo formal de captación. La facilidad de penetración del agua la convierte en el elemento apropiado para impregnar transversalmente otros elementos trastornando sus propiedades.La cuarta, analiza la luz y la sombra como resultado de la acción de la arquitectura sobre los rayos de sol, gracias a las incisivas aristas de los brise-soleil, que actúan como compuertas de espacios en penumbra cruzados por corrientes de aire. Le Corbusier confía a la densidad que toman los límites de la arquitectura, la capacidad de retener un 'rumor visual' sobre la superficie de béton brut que se amplifica hasta devenir volumetría en claroscuro. Esta convergencia de recursos en escalas sucesivas, con la luz y la sombra como base, parece contener la manifestación de un orden arquitectónico nuevo, hecho de concordancias y disonancias.La quinta es la observación del modo en que Le Corbusier manipula la tierra que constituye la base de toda la operación topográfica que sustenta una idea de Capitolio, en la cual los edificios se manifiestan como emergencias. Una manipulación del espacio exterior, externo, hasta convertirlo en espacio interior, interiorizado, aprehensible; que se concreta en la definición de sus límites y en las operaciones de relieve por encima y por debajo de la línea de tierra, y que resuenan en otros relieves en béton brut, ayudados por el potencial especular del agua, que los vincula de nuevo a las capacidades de la materia.Planteando el Capitolio como un sistema, como un conjunto cuyas partes están coordinadas por una suma de principios, entonces el Palacio se manifiesta como el objeto que más sui generis las pone en práctica. «Governor's House» -tal como la designa Le Corbusier- es antes que nada, una casa transpuesta al papel de palacio y cabeza del Capitolio; y, en tanto que casa, se singulariza y singulariza sus elementos y se sitúa en una posición focal en la obra de Le Corbusier análoga a la que ocupa el Palacio en el Capitolio.The thesis is structured around five observations on -and 'from'- the unbuilt Governor's Palace in Chandigarh (1951-1957). Among the possible subjects to discuss, the thesis develops those that relate formal and material features of Le Corbusier's work, emphasizing the influence of matter over form, before the latter crystallizes.The first observation is a reflexive one, towards the building itself. It is expected to reveal the close relations between the imagination on matter and the life of forms. There is no «from the Governor's Palace» without an initial contact with the Palace itself. This contact provides topics that develop in later observations, as a part of a dense and complex mesh of mutual correspondences that Le Corbusier has combined theoretically and poetically over the years.The second observation is about the material that constitutes the Palace and the Capitol as a whole: rough concrete. Béton brut is originally related to water as a plastic matter. Béton is given form by means of shuttering moulds, shaped as vases that will later capture rainwater; all as the product of a combined action of analyzing eyes and acting hands. Béton brut is matter that exceeds a mere technical condition: it is transported, poured and cast as carefully as rainwater is collected to fill the Capitol ponds.The third one is therefore an observation on water and its properties both as a material and as a poetic substrate of Le Corbusier's work, as his own writings sustain; presenting itself with the same intensity as one of the four Aristotelian elements or through the Cubist notion of dense space. Water is a source of complicities and dualities; a source of controlled ambiguity. It is rain returned to the ground by means of constructing a formal mechanism of capture. The ability of water to penetrate substances is responsible for impregnating other elements, altering their properties.The fourth observation analyzes light and shade as the result of architecture dividing sun rays, thanks to the incisive edges of brise-soleil, operating as floodgates of spaces in penumbra, crossed by airflows. Le Corbusier assigns to the new density of architectural limits the capacity of retaining a 'visual rumor' on the surface of béton brut; amplified to become a volumetric chiaroscuro. This convergence of resources in successive scales -based upon light and shade- seems to contain the manifestation of a new architectonic order, made of correspondences and dissonances. The fifth one is the observation on the way Le Corbusier manipulates the ground that constitutes the base of all topographic operations that sustain an idea of Capitol in which buildings manifest themselves as relief. A manipulation of exterior -external- spaces to become interior -interiorized, conceivable- space, by means of boundary definition and topographic activation. Such artificial relief echoes those other reliefs cast in béton brut, close to the specular quality of water, associated again to the potentialities of matter.Conceiving the Capitol as a system -as a set of coordinated principles- the Palace reveals itself as an object that interprets sui generis those principles. The «Governor's House» -as called by Le Corbusier- is first of all, a house in the role of a palace, the head of the Capitol. As a house, it stands out and differentiates its elements; it takes a key position in the work of Le Corbusier analogous to the one occupied by the Palace in the Capitol.
2
MAZZOTTA, MARIA CHIARA. "CINCINNATO E LA GENS QUINZIA: GENESI DI UN PARADIGMA." Doctoral thesis, Università Cattolica del Sacro Cuore, 2016. http://hdl.handle.net/10280/11129.
Повний текст джерелаАнотація:
la ricerca si propone lo studio della figura di Lucio Quinzio Cincinnato, paradigma di vir Romanus della prima età repubblicana, e della sua gens di appartenenza, la gens Quinzia, lungo tutto l'arco della sua esistenza. Scopo del lavoro è quello di decodificare come è stata costruita nel tempo, da parte della cultura romana, la figura esemplare di Cincinnato, evidenziando gli eventuali aspetti storici della sua vicenda e le possibili stratificazioni storiografiche e “ideologiche” successive che ne hanno fatto un personaggio paradigmatico della storia di Roma.The research aims to study the figure of Lucius Quinctius Cincinnatus, a paradigmatic vir Romanus of the early roman Republic, and his belonging clan, the gens Quinctia, throughout its existence. Aim of the work is to decode how it was built over time by the roman culture, the exemplary figure of Cincinnatus, highlighting any historical aspects of his story and the subsequent historiographical and "ideological" layers that have made it a paradigmatic character of the roman history.
3
MAZZOTTA, MARIA CHIARA. "CINCINNATO E LA GENS QUINZIA: GENESI DI UN PARADIGMA." Doctoral thesis, Università Cattolica del Sacro Cuore, 2016. http://hdl.handle.net/10280/11129.
Повний текст джерелаАнотація:
la ricerca si propone lo studio della figura di Lucio Quinzio Cincinnato, paradigma di vir Romanus della prima età repubblicana, e della sua gens di appartenenza, la gens Quinzia, lungo tutto l'arco della sua esistenza. Scopo del lavoro è quello di decodificare come è stata costruita nel tempo, da parte della cultura romana, la figura esemplare di Cincinnato, evidenziando gli eventuali aspetti storici della sua vicenda e le possibili stratificazioni storiografiche e “ideologiche” successive che ne hanno fatto un personaggio paradigmatico della storia di Roma.The research aims to study the figure of Lucius Quinctius Cincinnatus, a paradigmatic vir Romanus of the early roman Republic, and his belonging clan, the gens Quinctia, throughout its existence. Aim of the work is to decode how it was built over time by the roman culture, the exemplary figure of Cincinnatus, highlighting any historical aspects of his story and the subsequent historiographical and "ideological" layers that have made it a paradigmatic character of the roman history.
4
Desbordes, Olivier. "Scriptores historiae augustae : maximini duo iuli capitolini : edition critique." Paris 10, 1988. http://www.theses.fr/1988PA100146.
Повний текст джерелаАнотація:
Prenant son point de départ dans les travaux d’Ernst HOHL, de Susan H. BALLOU et de Blanche B. Boyer, et fondée sur une étude d'ensemble de la tradition manuscrite, cette Edition de la VITA MAXIMINORVM établit dans le détail le classement des différents groupes de manuscrits. L’archétype carolingien est au point de départ de deux lignées: la première a donné le jour à l'ancêtre des Vaticans Palatins latins 899 et 886; elle était connue dans ses grandes lignes, mises au point par HOHL; ayant refait nous-même le travail, nous avons fixe la position des témoins de ce rameau dont il ne faisait pas état, affine et redresse ses propositions. La seconde lignée a donné naissance à une copie, soumise très tôt à une révision attentive et qui a abouti à quatre branches; d'une de ces branches est sortie, après recension, une sous-famille qui se divise en deux sections de trois et cinq témoins. L’étude du texte de la VITA MAXIMINORVM a permis d'examiner dans le détail ces deux recensions, de voir quel genre d'améliorations - ou d'outrages - elles ont fait subir au texteStarting from the research work done by Ernst HOHL, Susan H. Ballou and Blanche B. Boyer, and based on a full study of the manuscript tradition, this edition of the VITA MAXIMINORUM establishes a detailed classification of the various groups of manuscripts. The Carolingian archetype splits into two classes: the first one produced the common ancestor of the two Vatican, Pal. Lat. 899 and 886; it was known in its main outlines, worked out by HOHL; having undertaken this study ourselves, we have determined the position of the witnesses of the group he did not mention, refined or emended his propositions. The second line of descent generated a copy which was soon thoroughly revised and fell into four branches; after recension one of them led to a sub-group divided into two sections of three and five witnesses. The study of the text of the VITA MAXIMINORUM has allowed an investigation of these two recensions in order to track down the improvements or deteriorations - they produced
5
Desbordes, Olivier. "Scriptores historiae augustae maximini duo Iuli Capitolini édition critique /." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37613208m.
Повний текст джерела
6
Demuro, Antonietta. ""Le operazioni distributive" di Salvatore Pincherle: Primi Capitoli." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2013. http://amslaurea.unibo.it/4907/.
Повний текст джерела
7
Cabaret, Dominique-Marie. "L'urbanisme du nord de Jérusalem : du 2è s. av. au 2è s. ap. J.-C." Thesis, Paris 1, 2019. http://www.theses.fr/2019PA01H009.
Повний текст джерелаАнотація:
La «loi de persistance du plan», appliquée autrefois par J. Sauvaget à Damas, se montre féconde pour Jérusalem. Selon ce principe, l’analyse des quartiers septentrionaux de la ville délimités par le «deuxième mur», respectivement intra-muros et extra-muros à l’ouest et à l’est, en manifeste le réseau viaire originel et son évolution. Les récents progrès réalisés à propos de l’arpentage antique, confrontés à la reconsidération de l’arc de l’Ecce Homo, fonction et chronologie – une porte urbaine hérodienne plutôt qu’un arc de triomphe d’Hadrien –, mettent en évidence un urbanisme soigné conçu par Jean Hyrcan autour d’une patte d’oie centrée sur la porte septentrionale de la ville (l’actuelle porte de Damas). Hérode le Grand, dont les grands travaux ont tendance à occulter ce qui précède, dut composer avec l’urbanisme bien-pensé de Hyrcan, développant un nouveau quartier orthonormé au nord du temple, auquel l’arc de l’Ecce Homo donnait accès. Hadrien ne fit qu’embellir selon la mode de son époque, y ajoutant les organes vitaux d’une colonie romaine. Le grand forum d’Ælia fut dominé par le temple capitolin ad orientem. L’ancienne esplanade du temple juif fut transformée en aedes dédié au culte impérial : une statue équestre de l’empereur y trônait près du lieu le plus sacré du temple juif. L’histoire mouvementée de la ville ne parvint jamais à occulter le réseau viaire hasmonéen, encore utilisé de nos jours par les hiérosolymitains aux abords de la porte de DamasThe "law of persistence of the plan", formerly applied by J. Sauvaget in Damascus, is proving fruitful for Jerusalem. The analysis, according to this principle, of the northern districts of the city delimited by the "Second Wall", respectively intramural and extramural to the west and east, shows the original urban network and its evolution. Advances in the science of ancient surveying, coupled with the reconsideration of the function and dating of the Ecce Homo arch – a Herodian urban gate rather than a triumphal arch of Ælia Capitolina – highlight a careful urbanism designed by John Hyrcanos around a three ways junction centred on the northern gate of the city (the current Damascus gate). Herod the Great himself, whose major works tend to obscure the above, had to deal with the well-thought-out urban planning of the high priest, developing a new orthonormal district north of the Temple. Hadrian only embellished the whole according to the fashion of his time, adding the vital organs of a Roman colony. The great forum of Ælia was dominated by the Capitolin Temple ad orientem and the former esplanade of the Jewish Temple was transformed into an aedes dedicated to imperial cult: an equestrian statue of the emperor was enthroned near the most sacred place of the Jewish Temple. The city's eventful history never succeeded in obscuring the Hasmonaean road network, which is still used today by hierosolymitans around the Damascus Gate
8
Santoliquido, Vito <1989>. "Poetica narrativa e rappresentativa nel «Devisement dou monde»: capitoli guerreschi." Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/5498.
Повний текст джерелаАнотація:
Il presente elaborato si configura sostanzialmente come un esperimento d’analisi, formale e semantica, condotto su passi specifici dal «Milione». Selezionate le schede storico-militari del libro (testo base la redazione franco-italiana ‘F’, secondo la più recente ed. a cura di Eusebi del ms. fr. 1116 BnF), capitoli a dominante narrativa imperniati sul racconto di fatti d’arme corredati, all’occorrenza, da rappresentazioni di battaglie campali o assedi, si è tentato di definirne uno schema, una ‘silhouette’ strutturale per motivi ricorrenti. Strettamente connesso a questa ricognizione delle unità di contenuto è il rilevamento, sul piano espressivo, del cosiddetto stile formulare: ho provato a compilare un regesto di formule, appunto, e di ‘semi-formule’ di vario genere (attive, descrittive), nonché dei più tipici tratti sintattici e delle forme principali d’intrusione del narratore nel tessuto discorsivo. Questa, in breve (e in parte), la prospettiva ‘sincronica’ del lavoro. In seconda battuta, si è operato similmente su brani analoghi dalla «Compilation arthurienne» (più comunemente «Meliadus») di Rustichello da Pisa (ed. di riferimento quella di Cigni, basata sul ms. fr. 1463 BnF), notoriamente co-autore del «Devisement dou monde» insieme a Marco Polo, con lo scopo di mettere in luce analogie e scarti di natura, sì morfologica, ma specialmente tematica, di materia. È proprio su queste divergenze, infatti, che si misura la distanza siderale tra il mondo occidentale feudale, con la sua violenza regolata dalle buone maniere della cavalleria, e il mondo orientale, segnatamente turco-mongolo, in cui l’‘ethos’ della guerra segue logiche a volte francamente incomprensibili. Ciò si verifica nella realtà; l'idea di fondo del lavoro era (ed è) vedere, se possibile, cosa succede nel rispecchiamento letterario, figurativo, se vogliamo, di questo stato referenziale delle cose.
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Withycombe-Taperell, Elizabeth Lucy Anne. "Building Jupiter : deconstructing the reconstruction." Thesis, The University of Sydney, 2008. https://hdl.handle.net/2123/28970.
Повний текст джерелаАнотація:
This thesis focusses on the Temple of Jupiter Optimus Maximus on the Capitoline
Hill in Rome. It deconstructs what is proposed as the ‘myth’ of the Archaic temple in
order to argue that the sixth century structure as we understand it should be understood as
an Augustan literary construct. The Augustan ideological reconstruction of the temple is
closely examined to demonstrate that there was a deliberate program designed to lessen
the significance of the temple within the city of Rome in the late first century BC.
This myth of the Archaic temple has pervaded modern scholarship particularly in
regards to the argument of the Jupiter Capitolinus’s dimensions. This is clear when
reviewing the sequence of reconstructions made since the nineteenth century. The
reconstructions of Einar Gjerstad, John W. Stamper, Anna Mura Sommella and the
Capitoline Museums are of specific interest, and the static view of the temple as one
whose form remained unchanged for a millennium is contested.
In order to move away from the emphasis on the Archaic phase ofthe temple. its
entire structural history is examined from the sixth century up to the Flavian rebuildings
in the first century AD. This establishes a complex building whose form changed
gradually over time. The most important modification was the enlargement of the temple
in the form of a two room posticum added to its plan in the first century by Vespasian.
This resulted in a form atypical to the canonical Tuscan temple. The substructure
discerned in the most recent excavations showing this plan has been dated by Mura
Sommella to the Archaic period, but it should instead be dated to the early Imperial
period. This revised dating accounts for its absence in the descriptions of the Tuscan
temple provided by the ancient sources.
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Fontana, Virginia. "Proposta di traduzione di alcuni capitoli di SQ di Tan Jiu." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2020.
Знайти повний текст джерелаКниги з теми "Capitolium"
1
Capitolium conscendimus: Kaiser Heinrich V. und Rom. Stuttgart: Steiner, 2009.
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2
Arzone, A. L'area del Capitolium di Verona: Ricerche storiche e archeologiche. [Verona]: Minisstero per i beni e la attività culturali, Soprintendenza per i Beni Archeologici del Veneto, 2008.
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3
Un luogo per gli dei: L'area del Capitolium a Brescia. Borgo San Lorenzo (FI): All'insegna del giglio, 2014.
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4
Gnosi: Nostalgia della luce : rito simbolico italiano : Collegia Mediolanum, Capitolium. Milano: Mimesis, 2012.
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5
Nuove ricerche sul Capitolium di Brescia: Scavi, studi e restauri. Milano: Et, 2002.
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6
Bethany, Powell, and Magnum Photos inc, eds. Capitolio. México, D. F: Editorial RM, 2009.
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7
Forteguerri, Niccolò. Capitoli. Bologna: Commissione per i testi di lingua, 2003.
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8
Forteguerri, Niccolò. Capitoli. Bologna: Commissione per i testi di lingua, 2003.
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9
Carmen, Prencipe Di Donna, ed. Capitoli. Bologna: Commissione per i testi di lingua, 2003.
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10
Cleopatra capitolina. Messina]: Editinera, 2009.
Знайти повний текст джерелаЧастини книг з теми "Capitolium"
1
Ghilardi, Massimiliano. "Auratum squalet Capitolium. La città di Roma al tempo di Girolamo." In Instrumenta Patristica et Mediaevalia, 103–36. Turnhout, Belgium: Brepols Publishers, 2021. http://dx.doi.org/10.1484/m.ipm-eb.5.122957.
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2
Weksler-Bdolah, Shlomit. "Aelia Capitolina 1." In Routledge Handbook on Jerusalem, 47–63. Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315676517-5.
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Cabaret, Dominique-Marie. "Ælia Capitolina, ville reconstruite ?" In Reconstruire les villes, 151–56. Turnhout: Brepols Publishers, 2019. http://dx.doi.org/10.1484/m.supsec-eb.5.118521.
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4
Albeverio, Sergio. "Introduzione ai capitoli del libro." In UNITEXT, 13–24. Milano: Springer Milan, 2021. http://dx.doi.org/10.1007/978-88-470-4008-3_2.
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5
Frisch, Peter. "Verordnung für die Capitolia von Oxyrhynchos." In Zehn agonistische Papyri, 136–43. Wiesbaden: VS Verlag für Sozialwissenschaften, 1986. http://dx.doi.org/10.1007/978-3-663-05375-0_10.
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Cotton Paltiel, Hannah M., and Avner Ecker. "Reflections on the Foundation of Aelia Capitolina." In Studi e testi tardoantichi, 681–95. Turnhout, Belgium: Brepols Publishers, 2019. http://dx.doi.org/10.1484/m.stta-eb.5.119112.
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7
Benedetti, Stefano. "Roma, settembre 1513: Spettacolo, poesia e satira in Theatro capitolino." In Poésie latine à haute voix (1500-1700), 111–31. Turnhout: Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.latin-eb.4.00142.
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Azzara, Claudio. "Il regno longobardo in Italia e i Tre Capitoli." In Studies in the Early Middle Ages, 208–22. Turnhout: Brepols Publishers, 2007. http://dx.doi.org/10.1484/m.sem-eb.3.3741.
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Frisch, Peter. "Antrag auf Privilegien für Aur.Stephanos nach einem Sieg im Wagenrennen bei den Capitolia von Antinoupolis." In Zehn agonistische Papyri, 144–50. Wiesbaden: VS Verlag für Sozialwissenschaften, 1986. http://dx.doi.org/10.1007/978-3-663-05375-0_11.
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Frisch, Peter. "Antrag des M.Aur.Sarapion auf Privilegien Nach Einem Sieg im Zweispänner bei den Capitolia in Antinoupolis." In Zehn agonistische Papyri, 152–55. Wiesbaden: VS Verlag für Sozialwissenschaften, 1986. http://dx.doi.org/10.1007/978-3-663-05375-0_12.
Повний текст джерелаТези доповідей конференцій з теми "Capitolium"
1
Cimino, Antonio, Giuseppe De Marco, and Stefano Magaudda. "L’informatizzazione e la divulgazione del Catasto Gregoriano e della cartografia storica di Roma." In International Conference Virtual City and Territory. Roma: Centre de Política de Sòl i Valoracions, 2014. http://dx.doi.org/10.5821/ctv.7993.
Повний текст джерелаАнотація:
Il progetto d’informatizzazione del Catasto Gregoriano Urbano di Roma è stato avviato circa
dieci anni fa, grazie a un finanziamento della Fondazione Cariplo, ed è ora nella sua fase
conclusiva. Il progetto è stato realizzato dal Dipartimento di Studi Urbani dell’università di
Roma Tre, dall’Archivio di Stato di Roma, dalla Sovrintendenza Capitolina e dall’Archivio
Capitolino e l’attività di ricerca ha permesso di ricostruire l'immagine urbana ed archeologica
della Roma preunitaria e post-unitaria. Le mappe del Catasto Gregoriano e i relativi brogliardi
costituiscono la base del Sistema Informativo Geografico (GIS) al quale sono stati collegati altri
documenti cartografici e documentali: la pianta di Roma di G.B. Nolli del 1748; un consistente
numero di schede relative a documenti di archivio in materia di architettura urbana e
archeologia; documenti iconografici sulla architettura della città storica. Il progetto intende
conseguire un duplice obiettivo: realizzare un sistema informativo geografico in grado di
contenere, gestire e divulgare i dati sulla città storica provenienti da fonti diverse; creare uno
strumento web a carattere partecipativo e didattico destinato ad un’ampia platea di utenti e non
solo a ricercatori e studiosi del settore. La piattaforma web e la banca dati geografica sono state
integralmente realizzate con prodotti e software Open Source. The digitization of the Gregorian Urban Cadastre of Rome (Catasto Gregoriano Urbano di
Roma) has started about ten years ago thanks to the funding by the Cariplo Foundation, and it
is now in its final stage. The project has been implemented by the Department of Urban Studies
of the “Roma Tre” University, the Archivio di Stato di Roma, the Sovrintendenza Capitolina and
the Archivio Capitolino. The research has allowed to reconstruct the archaeological and urban
image of Rome in the pre- and post-unification periods. The maps and registers of the
Gregorian Cadastre represent the basis of the Geographic Information System (GIS), which has
been linked to maps and documents from other sources: the 1748 map of Rome by G. B. Nolli,
a substantial number of datasheets from archive documents related to buildings and archeology, other iconographic documents concerning the architecture of the old town. The
project has a dual purpose: on the one hand, the implementation of a GIS able to store, manage
and disseminate data about the historic city from different sources; on the other, the activation
of a participatory and educational web tool open to a wide audience, not only to researchers
and scholars of this particular field. The web platform and the geographic database have been
fully implemented with Open Source products and software.
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Martínez Medina, Andrés. "Elogio del cuadrado: cuadrícula, cuadro, cuatro, cubo." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.837.
Повний текст джерелаАнотація:
Resumen: Un recorrido por la producción de Le Corbusier evidencia la insistente presencia del cuadrado como base de las composiciones en diversos campos (urbanismo, arquitectura, pintura, mobiliario…) y en diferentes formatos (en planta, alzado y sección, o como marco, módulo y cuadrícula). La presente comunicación realiza un análisis formal (gráfico y simbólico) de sus proyectos y obras, rastreando los modos en que se utiliza el cuadrado permaneciendo en el tiempo como una constante recurrente. Para ello se recorren cuatro áreas temáticas que descienden en escala y en dimensiones: 1) capitolios, 2) museos, 3) pabellones y 4) casas, estudiando una serie de ejemplos en cada área a partir de los planos de la Fundación Le Corbusier, generando discursos que reconstruyen un hilo del tiempo en la evolución de los procesos compositivos. De este modo, se desgrana el empleo del cuadrado, en correspondencia con las áreas de estudio, como: 1º) perímetro de la plaza pública donde insertar las arquitecturas representativas, 2º) marco o caja-fuerte donde encerrar los tesoros artísticos (o sagrados), 3º) volumen cúbico abierto y desmontable y 4º) caja definida por la retícula de la estructura. El cuadrado es siempre un medio y no un fin. Persiste un intento de sugerir algunos de los orígenes en su formación clasicista, sus viajes y sus pinturas. Abstract: A tour through the production of Le Corbusier shows the insistent presence of the square as a basis of compositions in various fields (urban planning, architecture, painting, furniture...) and in different formats (in floor, elevation and profile, or as a theme, module and grid). This communication makes a formal analysis (graphic and symbolic) of its projects and works tracing the different ways to use the square that remains as a recurring constant. We can do it through four thematic areas descending in scale and dimensions: 1) capitols, 2) museums, 3) pavilions and 4) houses, studying a series of examples in each area based on the drawings of the Foundation Le Corbusier, generating speeches that reconstruct a thread of the time in the evolution of the compositional process. In correspondence with the four themes of study, we can discovery the employment of the square as different instruments. First: the square as the perimeter of the public space where to insert the representative architectures. Second: as a frame or safety deposit box where to enclose treasures artistic (or Holy). Third: as a cubic volume open and detachable. Fourth: as box defined by the grid of the structure. The square is always a means and not an end. In addition, there is an attempt to suggest some of the origins in his classic formation, his travels and his paintings. Palabras clave: Le Corbusier, composición, cuadrícula, cuadrado, cuadro, cubo. Keywords: Le Corbusier, composition, reticle, square, frame, cube. DOI: http://dx.doi.org/10.4995/LC2015.2015.837
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Salamone, Giancarlo. "Towards the contemporary city. Reading method of post-unification restructuring of Trastevere in Rome." In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6046.
Повний текст джерелаАнотація:
Towards the contemporary city. Reading method of post-unification restructuring of Trastevere in Rome Giancarlo Salamone Dipartimento di Architettura e Progetto. Università degli Studi di Roma “La Sapienza”. Roma. via Flaminia, 359. 00196 Roma. Dottorato di Ricerca in Architettura e Costruzione. Università degli Studi di Roma “La Sapienza”. Roma. via Antonio Gramsci, 53. 00197 Roma. E-mail: giancarlo.salamone@uniroma1.it Keywords (3-5): Restructuring, Rome, Trastevere, process, reading method, tools, analysis in urban morphology Conference topics and scale: Tools of analysis in urban morphology Trastevere, the only area of the historic center of Rome (together with the Vatican / Borgo complex) located on the right side of the Tiber river, shows a morphological structure that depends on the pre-existing substrate, both road that typological, which was modified during the post-unity period by the establishment of the Tiber fronts and, above all, by the opening of Viale Trastevere. In the way of thinking about urban morphology as a scalar product of the factors that influence each other, in particular building typology, local structure, overall structure and territory, and that contribute together to generate an organism, it is therefore possible to read this part of the historical center as the last product, but not definitive, of a "process". The reading method on the consolidated structure, later renovated in a post-unification era, is based on the analysis of the most abundant building typology and on the permanence and derivations of local typological processes that led to the formulation of the “line house” in nineteenth-century line, the predominant building type of roman expansion in nineteenth-twentieth century. The reading of the restructuring, understood as synchronic action on the historical center, has been implemented instead by the analysis of synchronic variations at “line house” through the research of all projects registered for the edification of each block. Thus we can see how the blocks resulting from the transformation, in the logic of a restructuring "contromaglia" like the one for the opening of Viale Trastevere, will be the result of the disconnection of the existing blocks in which the building type adopted has had to adapt to a lower return situations: a reading of a synchronic action on a diachronic process that gives us the modern morphological apparatus. References Muratori, S., Bollati, R., Bollati, S. and Marinucci, G. (1963) Studi per una operante storia urbana di Roma (Consiglio Nazionale delle ricerche, Roma). Maffei, G. L. and Caniggia, G. (1979) Lettura dell’edilizia di base (Marsilio, Venezia). Maffei, G. L. and Caniggia, G. (1984) Progetto nell’edilizia di base (Marsilio, Venezia). Vaccaro, P. and Ameri, M. (1984) Progetto e realtà nell’edilizia romana dal XVI al XIX secolo (Edizioni Calosci, Cortona). Corsini, M. G. (2001) Il tessuto e l’edilizia progettati in Italia dal 1870 al 1930. Permanenza e derivazioni dei processi tipologici locali (Edizioni Kappa, Roma). Archivio Storico Capitolino, archival sources on restructuring area of Trastevere and permanence and derivations of local typological processes.