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Статті в журналах з теми "Cape Denison"
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Wilson, Kerry-Jayne, Chris S. M. Turney, Christopher J. Fogwill, and Estelle Blair. "The impact of the giant iceberg B09B on population size and breeding success of Adélie penguins in Commonwealth Bay, Antarctica." Antarctic Science 28, no. 3 (February 2, 2016): 187–93. http://dx.doi.org/10.1017/s0954102015000644.
Повний текст джерелаАнотація:
AbstractThe arrival of iceberg B09B in Commonwealth Bay, East Antarctica, and subsequent fast ice expansion has dramatically increased the distance Adélie penguins (Pygoscelis adeliae) breeding at Cape Denison must travel in search of food. This has provided a natural experiment to investigate the impact of iceberg stranding events and sea ice expansion along the East Antarctic coast. As part of the Australasian Antarctic Expedition 2013–14, the Adélie penguin colony at Cape Denison was censused to compare to historic counts. Whilst some 5520 pairs still bred at Cape Denison there has been an order of magnitude decline in Adélie numbers in the area in comparison to the first counts a century ago and, critically, recent estimates based on satellite images and a census in 1997. In contrast, an Adélie population on the eastern fringe of Commonwealth Bay just 8 km from the fast ice edge was thriving, indicating the arrival of B09B and fast ice expansion was probably responsible for the observed recent population decline. In conclusion, the Cape Denison population could be extirpated within 20 years unless B09B relocates or the now perennial fast ice within the bay breaks out. Our results have important implications for wider East Antarctic if the current increasing sea ice trend continues.
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McGowan, Angela. "Historical archaeology at Cape Denison, Commonwealth Bay, Antarctica." Polar Record 24, no. 149 (April 1988): 101–10. http://dx.doi.org/10.1017/s003224740000872x.
Повний текст джерелаАнотація:
AbstractArchaeological investigations formed part of the conservation work of Project Blizzard in 1985–86 at the site of Mawson's Australasian Antarctic Expedition (1911–14) huts, Cape Denison, Commonwealth Bay. The extent and nature of the archaeological resources are described, and the results of excavations inside the main hut in 1985 are summarized. Excavation stratigraphy is interpreted in the light of the documented post-abandonment history of the site, and used to measure the extent to which human activity inside the hut may be contributing to its deterioration.
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Berry, M. A., M. Absolon, and I. M. Godfrey. "Mawson’s Huts: Artefact conservation at Cape Denison, Australian Antarctic Territory." AICCM Bulletin 32, no. 1 (December 2011): 101–5. http://dx.doi.org/10.1179/bac.2011.32.1.014.
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Hughes, Janet. "Ten myths about the preservation of historic sites in Antarctica and some implications for Mawson's huts at Cape Denison." Polar Record 36, no. 197 (April 2000): 117–30. http://dx.doi.org/10.1017/s0032247400016223.
Повний текст джерелаАнотація:
AbstractA review of popular writing on the subject of preservation of historic sites in Antarctica, including buildings, graves, and artefacts, has revealed many misconceptions about the existence and cause of deterioration problems. These myths include the belief that the artefacts inside the Ross Dependency huts are in a near perfect state of preservation and that there is no corrosion in Antarctica because of the dry cold. Further examination, however, shows these views to be incorrect. These and other misconceptions are classified into three groups: (1) misunderstanding or denial of deterioration processes in Antarctic conditions; (2) simplistic assumptions about how historic buildings should be conserved in Antarctica; and (3) inappropriate comparisons between dissimilar sites.There has been considerable debate in Australia and New Zealand about how historic Antarctic buildings should be preserved. Proposed preservation methods have covered a wide range from dismantling and repatriation to a museum, re-cladding with new timber, insertion of vapour barriers inside walls to exclude ice ingress, covering buildings with a dome, and, at the other end of the spectrum of views, minimal intervention. The preservation of artefacts has also been an issue, particularly concerning whether artefacts can be effectively preserved in Antarctica or whether it is necessary to treat and store them at museums outside Antarctica. It is important to encourage consideration of all appropriate means of preservation, but it is particularly important that the causes of deterioration are understood (that is, correct diagnosis) before prescribing treatment.
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Donoghue, Shavawn, Tim H. Jacka, Vin Morgan, and Estelle Lazer. "The microclimate of Mawson's Hut based on snow and ice core analysis." Polar Record 50, no. 1 (October 9, 2012): 37–42. http://dx.doi.org/10.1017/s0032247412000423.
Повний текст джерелаАнотація:
ABSTRACTWe report the oxygen isotope ratio (δ18O) and structural analysis of four 2m long firn cores collected in 1997 from inside Mawson's Hut (consisting of a Main Hut and a Workshop), Commonwealth Bay, Antarctica, and 25 snow samples collected in 2001 in the vicinity of the huts. Our aim is to examine the microclimate within the huts. Structural analyses of the cores and snow samples indicate there were no significant melt and refreeze events, however there is evidence of water seepage into the huts from the roof. Oxygen isotope data from the two cores from the Main Hut indicate that the hut filled slowly after being abandoned in 1914. Two cores adjacent to the Workshop suggest comparatively rapid snow filling after it was cleared of snow in 1978. Oxygen isotope analysis of individual samples collected outside Mawson's Hut suggests snow, accumulated south of Cape Denison, is deposited by katabatic winds.
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Williams, Megan A., David E. Kelsey, Martin Hand, Tom Raimondo, Laura J. Morrissey, Naomi M. Tucker, and Rian A. Dutch. "Further evidence for two metamorphic events in the Mawson Continent." Antarctic Science 30, no. 1 (December 4, 2017): 44–65. http://dx.doi.org/10.1017/s0954102017000451.
Повний текст джерелаАнотація:
AbstractIn this study,in situand erratic samples from George V Coast (East Antarctica) and southern Eyre Peninsula (Australia) have been used to characterize the microstructural, pressure–temperature and geochronological record of upper amphibolite and granulite facies polymetamorphism in the Mawson Continent to provide insight into the spatial distribution of reworking and the subice geology of the Mawson Continent. Monazite U-Pb data shows thatin situsamples from the George V Coast record exclusively 2450–2400 Ma ages, whereas most erratic samples from glacial moraines at Cape Denison and the Red Banks Charnockite record only 1720–1690 Ma ages, consistent with known ages of the Sleaford and Kimban events, respectively. Phase equilibria forward modelling reveals considerable overlap of the thermal character of these two events. Samples with unimodal 1720–1690 Ma Kimban ages reflect either formation after the Sleaford event or complete metamorphic overprinting. Rocks recording only 2450–2400 Ma ages were unaffected by the younger Kimban event, perhaps as a result of unreactive rock compositions inherited from the Sleaford event. Our results suggest the subice geology of the Mawson Continent is a pre-Sleaford-aged terrane with a cover sequence reworked during the Kimban event.
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Venanzoni, Thiago S. "Encontros com a crítica." Galáxia (São Paulo), no. 37 (April 2018): 179–82. http://dx.doi.org/10.1590/1982-2554136043.
Повний текст джерелаАнотація:
Resumo O mais recente livro lançado por Denilson Lopes, professor associado da Escola de Comunicação da UFRJ, propõe-nos um debate em relação à crítica, no objeto que lhe é caro, o cinema. Porém, há em seus ensaios, fazendo referência às suas predileções, algo que cabe às obras audiovisuais de forma mais ampliada, e que está na ordem do afeto, das imagens e seus circuitos, e dos encontros que a crítica pode nos oferecer com as obras.
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SCHMELZ, PETER J. "What Was ““Shostakovich,”” and What Came Next?" Journal of Musicology 24, no. 3 (2007): 297–338. http://dx.doi.org/10.1525/jm.2007.24.3.297.
Повний текст джерелаАнотація:
The title of this article is borrowed from anthropologist Katherine Verdery's 1996 study What Was Socialism, and What Comes Next? In her book Verdery surveyed the recent changes in Eastern Europe, and specifically Romania, from her vantage point in the uncertain period following the momentous events from 1989 to 1991 in the former Soviet bloc. Similarly, this article explores how Shostakovich, widely perceived in 1975 as the musical representative of socialism, influenced what came after him. It details how Soviet composers from the younger generations, including Edison Denisov, Mieczysłław Weinberg, Boris Tishchenko, Alfred Schnittke, and Valentin Sil'vestrov, dealt with Shostakovich's legacy in their compositions written in his memory, including Denisov's DSCH, Weinberg's Symphony no.12, Tishchenko's Symphony no. 5, Schnittke's Prelude In Memoriam Dmitri Shostakovich and Third String Quartet, and Sil'vestrov's Postludium DSCH. In their memorial works, as they wrestled with the legacy of Shostakovich and his overwhelming influence, these composers also grappled with the shifting nature of the Soviet state, changing musical styles both foreign and domestic, and fundamental issues of aesthetic representation and identity associated with the move from modernism to postmodernism then affecting all composers in the Western art music tradition. The 1970s came at the heels of a decade of remarkable change in Soviet music and society, but at the time of Shostakovich's death, change in Soviet life began to seem increasingly unlikely. Despite recent interpretations by scholars such as anthropologist Alexei Yurchak that emphasize the fundamental immutability of the 1970s, however, these memorial compositions show that audible and significant developments were indeed occurring in the musical styles of the 1970s and early 1980s. Examining Shostakovich's legacy therefore also reveals the larger changes of the Soviet 1970s and early 1980s, both musical and otherwise.
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SCHMELZ, PETER J. "Andrey Volkonsky and the Beginnings of Unofficial Music in the Soviet Union." Journal of the American Musicological Society 58, no. 1 (2005): 139–207. http://dx.doi.org/10.1525/jams.2005.58.1.139.
Повний текст джерелаАнотація:
Abstract This article examines the compositional history and early reception of Soviet composer Andrey Volkonsky's two earliest and most important serial compositions, Musica Stricta and Suite of Mirrors (Syuita zerkal). These two works spurred on the formation of an unofficial music culture in the Soviet Union during the Thaw of the late 1950s and 1960s. Volkonsky (b. 1933) was the first and initially the most visible of a group of young Soviets known by officialdom as the “young composers” (“molodïïye kompozitorïï”). These “young composers”—among them Sofia Gubaidulina, Alfred Schnittke, Arvo Pärt, and Edison Denisov—came of age in the years following Stalin's death in 1953. Their compositions reflected their attempts to “catch up” with the Western avant-garde following decades of musical development that had been denied them under Stalin. The first “new” technique these composers adopted was serialism, and Volkonsky's early compositions illustrate the specifically Soviet approach to the method and demonstrate the meanings it held for Soviet officials and Soviet audiences. Volkonsky's early works also force a broadening of current interpretations of postwar European and American serialism. Much of the information in the article stems from personal interviews with Volkonsky and the other leading composers and performers of the Thaw, as well as archival research conducted in Russia.
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Childs, Wendy R. "Irish merchants and seamen in late medieval England." Irish Historical Studies 32, no. 125 (May 2000): 22–43. http://dx.doi.org/10.1017/s0021121400014632.
Повний текст джерелаАнотація:
Most studies of Anglo-Irish relations in the middle ages understandably concentrate on the activity of the English in Ireland, and unintentionally but inevitably this can leave the impression that the movement of people was all one way. But this was not so, and one group who travelled in the opposite direction were some of the merchants and seamen involved in the Anglo-Irish trade of the period. Irish merchants and seamen travelled widely and could be found in Iceland, Lisbon, Bordeaux, Brittany and Flanders, but probably their most regular trade remained with their closest neighbour and political overlord: England. They visited most western and southern English ports, but inevitably were found most frequently in the west, especially at Chester and Bristol. The majority of them stayed for a few days or weeks, as long as their business demanded. Others settled permanently in England, or, perhaps more accurately, re-settled in England, for those who came to England both as settlers and visitors were mainly the Anglo-Irish of the English towns in Ireland and not the Gaelic Irish. This makes it difficult to estimate accurately the numbers of both visitors and settlers, because the status of the Anglo-Irish was legally that of denizen, and record-keepers normally had no reason to identify them separately. They may, therefore, be hard to distinguish from native Englishmen of similar name outside the short periods when governments (central or urban) temporarily sought to restrict their activities. However, the general context within which they worked is quite clear, and this article considers three main aspects of that context: first, the pattern of the trade which attracted Irish merchants to England; second, the role of the Irish merchants and seamen in the trade; and third, examples of individual careers of merchants and seamen who settled in England.
Дисертації з теми "Cape Denison"
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Ables, Sharneigh. "The influence of organisational culture on organisational commitment amongst managerial and supervisory staff at a beverage bottling organisation in the Western Cape." University of the Western cape, 2016. http://hdl.handle.net/11394/5554.
Повний текст джерелаАнотація:
Magister Commercii (Industrial Psychology) - MCom(IPS)At present organisations are faced with considerable changes in the business environment due to globalisation illustrated through specialisation and individualisation in the workplace (Rastegar & Aghayan, 2012). To stay abreast of these changes, organisations attempt to gain competitive advantage within the competitive business environments they operate. The competitive advantage referred to is, enhancing the organisation's culture, so as to ensure the employees in the workplace stay committed (Acar, 2012). Dwivedi, Kaushik and Luxmi (2014) further add that organisation culture is a fundamental element to any activity in the organisation. The authors also purport that a good organisational culture, which yields self-actualisation needs such as capability development, empowerment, achievement and recognition leads to a greater level of commitment between employees. The inverse, that is, poor organisational culture, leads to lower levels of commitment with consequences such as increased employee turnover and lower productivity rates (Dwivedi et al., 2014). The purpose of this study was to examine the influence of organisational culture (sub-dimensions being, mission, involvement, adaptability and consistency) on organisational commitment (sub-dimensions being, affective commitment, normative commitment and continuance commitment). The sample was chosen by means of convenience sampling. Two hundred and thirty – six supervisory and managerial staff who were employed at a beverage company in the Western Cape partook in the study. Three questionnaires were utilised to collect the data namely, a self - developed biographical questionnaire, containing six items which was used to collect information pertaining to the demographics of the sample. The second questionnaire utilised was the Denison Organisational Culture Survey, which contained 60 items and the final questionnaire administered was Allen and Meyer's (1990) Organisational Commitment Questionnaire, which contained 24 items. The data was computed using the Statistical Programme for the Social Sciences (SPSS) software version 23 using a multiple regression technique, yielding the following results: The results indicated that a significant proportion of the variance in organisational commitment was explained by mission, involvement, adaptability and consistency. The most statistical significance predictors of organisational commitment were mission and consistency, however, mission contributed to the highest variance. Additionally, the results indicated that a significant proportion of the variance in affective commitment was explained by mission, involvement, adaptability and consistency amongst staff. Involvement, adaptability and mission were found to be significant predictors of affective commitment with involvement accounting for the highest variance. Furthermore, the results showed that a significant proportion of the variance in normative commitment was explained by mission, involvement, adaptability and consistency. Moreover, the most significant predictor of normative commitment was found to be consistency. Further findings found that a significant proportion of the variance in continuance commitment was explained by mission, involvement, adaptability and consistency amongst staff. Moreover, the results indicated that the most significant predictor of continuance commitment was mission. Lastly, limitations for the current study were presented and recommendations for future research and for the organisation were offered.
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Aumer, Denise [Verfasser]. "The genetic control of the social parasitism in the Cape honey bee, A. m. capensis ESCH / Denise Aumer." Halle, 2018. http://d-nb.info/117651962X/34.
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Oakshott, Stephen Craig School of Information Library & Archives Studies UNSW. "The Association of Libarians in colleges of advanced education and the committee of Australian university librarians: The evolution of two higher education library groups, 1958-1997." Awarded by:University of New South Wales. School of Information, Library and Archives Studies, 1998. http://handle.unsw.edu.au/1959.4/18238.
Повний текст джерелаАнотація:
This thesis examines the history of Commonwealth Government higher education policy in Australia between 1958 and 1997 and its impact on the development of two groups of academic librarians: the Association of Librarians in Colleges in Advanced Education (ALCAE) and the Committee of Australian University Librarians (CAUL). Although university librarians had met occasionally since the late 1920s, it was only in 1965 that a more formal organisation, known as CAUL, was established to facilitate the exchange of ideas and information. ALCAE was set up in 1969 and played an important role helping develop a special concept of library service peculiar to the newly formed College of Advanced Education (CAE) sector. As well as examining the impact of Commonwealth Government higher education policy on ALCAE and CAUL, the thesis also explores the influence of other factors on these two groups, including the range of personalities that comprised them, and their relationship with their parent institutions and with other professional groups and organisations. The study focuses on how higher education policy and these other external and internal factors shaped the functions, aspirations, and internal dynamics of these two groups and how this resulted in each group evolving differently. The author argues that, because of the greater attention given to the special educational role of libraries in the CAE curriculum, the group of college librarians had the opportunity to participate in, and have some influence on, Commonwealth Government statutory bodies responsible for the coordination of policy and the distribution of funding for the CAE sector. The link between ALCAE and formal policy-making processes resulted in a more dynamic group than CAUL, with the university librarians being discouraged by their Vice-Chancellors from having contact with university funding bodies because of the desire of the universities to maintain a greater level of control over their affairs and resist interference from government. The circumstances of each group underwent a reversal over time as ALCAE's effectiveness began to diminish as a result of changes to the CAE sector and as member interest was transferred to other groups and organisations. Conversely, CAUL gradually became a more active group during the 1980s and early 1990s as a result of changes to higher education, the efforts of some university librarians, and changes in membership. This study is based principally on primary source material, with the story of ALCAE and CAUL being told through the use of a combination of original documentation (including minutes of meetings and correspondence) and interviews with members of each group and other key figures.
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Williams, M. A. "Unravelling polymetamorphism in east Antarctica using evidence from the Cape Denison moraines, Terre Adélie Craton, and Gawler Craton, South Australia." Thesis, 2015. http://hdl.handle.net/2440/118241.
Повний текст джерелаАнотація:
This item is only available electronically.Polymetamorphic signatures in rocks can be difficult to deconvolve, especially where events have similar metamorphic grade. In situ and erratic samples from the Terre Adélie Craton, Antarctica, and in situ samples from the formerly contiguous Gawler Craton, South Australia, are examined to deconvolve microstructural, pressure–temperature and geochronological evidence of terrane-scale polymetamorphism. In situ monazite U–Pb geochronology shows that coastal and erratic samples record c. 1700 Ma and c. 2420 Ma ages, consistent with known ages of the Kimban and Sleafordian events, respectively. In situ samples from the Antarctic coast record exclusively c. 2420 Ma ages whereas most erratic samples from the glacial moraines at Cape Denison record only c. 1700 Ma ages. Phase equilibria forward modelling for the c. 2000 Ma Redbanks Charnockite uniquely constrains peak metamorphic conditions of the c. 1700 Ma Kimban Orogeny to 5.0–7.2 kbar and 700–860 ºC. Peak metamorphic conditions of the c. 2420 Ma event are ~5–8.7 kbar and 690–1000 ºC, as constrained by in situ samples from the Terre Adélie coast. As the peak pressure–temperature conditions for the two events are similar and the record of polymetamorphism is cryptic and spatially variable in the rock record, Antarctic samples that only record Kimban ages are interpreted as reflecting either a record of complete overprinting of the older (c. 2420 Ma) event, or that the rocks are younger than the c. 2420 Ma event. In such a situation polymetamorphism at a terrane scale may only be detected by differences in geochronological data. This study serves to highlight the careful approach required when investigating polymetamorphic terranes and argues that a spatially variable record of overprinting metamorphism is possibly related to locations of retrogression occurring either in the waning/exhumation stages of the earlier event or between events.
Thesis (B.Sc.(Hons)) -- University of Adelaide, School of Physical Sciences, 2015
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Caritat, de Peruzzis Patrice de. "Aspects of sediment diagenesis : empirical investigation (Denison Trough, Queensland) and theoretical modelling." Phd thesis, 1990. http://hdl.handle.net/1885/140634.
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Lee, Tara. "The decline of the Chinese matriarch : the struggle to reconcile "old" with "new"." Thesis, 2002. http://hdl.handle.net/2429/12170.
Повний текст джерелаАнотація:
The thesis examines representations of the matriarch in three Chinese Canadian texts:
SKY Lee's Disappearing Moon Cafe, Wayson Choy's The Jade Peony, and Denise Chong's The
Concubine's Children. The matriarch is the female head of the Chinese household who is able
to gain substantial power by manipulating the assets granted to her in a patriarchal system.
Dislocated from her home in China, she serves in these texts as the focal point for the collision
between the New World, Canada, and the Old World, China. Confronted by a new
environment, the matriarch must decide whether she will choose conformity or identity
experimentation. The thesis is concerned with the way Chinese Canadian writers negotiate
multiple identities through narrators who must come to terms with the divided loyalties of the
women of the past. The analysis of the matriarch's identity shifts is informed by the work of
the feminist theorists, Elspeth Probyn and Moira Gatens, who explore the productive potentials
of rebelling against binary codes.
The thesis is divided into three chapters that discuss how the texts come close to
embracing identity fluidity, but cannot overcome the need to reach a coherent representation
of the matriarch. The first chapter is devoted to Disappearing Moon Cafe, and argues that
Lee's narrator sacrifices her female characters, albeit reluctantly, in order to privilege
feminism over her Chinese heritage. The second chapter turns to The Jade Peony and discusses
how Choy's child narrators give in to binary thinking by relegating Poh-Poh, the Old One, to
the realm of memories to make room for the New Ways. The final chapter on The Concubine's
Children explores Chong's desire to redeem a grandmother who wreaked havoc on the family
when she defied traditional gender roles.
The thesis concludes by determining that Lee, Choy, and Chong are reaching for a
multi-voiced reading of the past, but cannot yet articulate a way out. The uncertainty of their
representations of the matriarch signals their efforts to move beyond binaries to a state of
coexisting identity categories.
Книги з теми "Cape Denison"
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Logan, Godden Mackay. Mawson's Huts Historic Site, Cape Denison, Commonwealth Bay, Australian Antarctic Territory: Conservation management plan. Sydney: Godden Mackay Logan, 2001.
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Macharacek, Denise. Cake & bread: [Denise Macharacek : Art Gallery of Peel, 3 July-31 August 2003]. Brampton, Ont: Art Gallery of Peel, 2003.
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Beck, Janet Parker. Too good to be true: The story of Denise Redlick's murder. Far Hills, N.J: New Horizon Press, 1991.
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Kearney, Paddy. Guardian of the light: Denis Hurley: renewing the church, opposing apartheid. New York: Continuum, 2009.
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David, Myriam. Journées de travail autour du thème "Placement familial": Du 13 au 25 novembre 1989, Domaine des Brises-La Montagne, St Denis de la Réunion. [St Denis]: Conseil général de la Réunion, 1989.
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Institution des sourdes-muettes de la province de Québec. Institution des sourdes-muettes de la province de Québec: Dirigée par les Sœurs de charité de la Providence, 595, rue St. Denis, Montréal. [S.l: s.n., 1986.
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Gaulier, Armelle, and Denis-Constant Martin. Cape Town Harmonies: Memory, Humour and Resilience. African Minds, 2017. http://dx.doi.org/10.47622/9781928331506.
Повний текст джерелаАнотація:
"Cape Town's public cultures can only be fully appreciated through recognition of its deep and diverse soundscape. We have to listen to what has made and makes a city. The ear is an integral part of the research tools one needs to get a sense of any city. We have to listen to the sounds that made and make the expansive mother city. Various of its constituent parts sound different from each other [T]here is the sound of the singing men and their choirs (teams they are called) in preparation for the longstanding annual Malay choral competitions. The lyrics from the various repertoires they perform are hardly ever written down. [] There are texts of the hallowed Dutch songs but these do not circulate easily and widely. Researchers dream of finding lyrics from decades ago, not to mention a few generations ago back to the early 19th century. This work by Denis Constant Martin and Armelle Gaulier provides us with a very useful selection of these songs. More than that, it is a critical sociological reflection of the place of these songs and their performers in the context that have given rise to them and sustains their relevance. It is a necessary work and is a very important scholarly intervention about a rather neglected aspect of the history and present production of music in the city." Shamil Jeppie, Associate Professor, Department of Historical Studies, University of Cape Town
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Martin, Denis-Constant. Sounding the Cape: Music, Identity and Politics in South Africa. African Minds, 2013. http://dx.doi.org/10.47622/978-1-920489-82-3.
Повний текст джерелаАнотація:
For several centuries Cape Town has accommodated a great variety of musical genres which have usually been associated with specific population groups living in and around the city. Musical styles and genres produced in Cape Town have therefore been assigned an ìidentityî which is first and foremost social. This volume tries to question the relationship established between musical styles and genres, and social --in this case pseudo-racial --identities. In Sounding the Cape, Denis-Constant Martin recomposes and examines through the theoretical prism of creolisation the history of music in Cape Town, deploying analytical tools borrowed from the most recent studies of identity configurations. He demonstrates that musical creation in the Mother City, and in South Africa, has always been nurtured by contacts, exchanges and innovations whatever the efforts made by racist powers to separate and divide people according to their origin. Musicians interviewed at the dawn of the 21st century confirm that mixture and blending characterise all Cape Town's musics. They also emphasise the importance of a rhythmic pattern particular to Cape Town, the ghoema beat, whose origins are obviously mixed. The study of music demonstrates that the history of Cape Town, and of South Africa as a whole, undeniably fostered creole societies. Yet, twenty years after the collapse of apartheid, these societies are still divided along lines that combine economic factors and 'racial'categorisations. Martin concludes that, were music given a greater importance in educational and cultural policies, it could contribute to fighting these divisions and promote the notion of a nation that, in spite of the violence of racism and apartheid, has managed to invent a unique common culture.
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Adventures in Parenthood Denise Van Outen. Headline, 2012.
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Too Good to Be True: The Story of Denise Redlick's Murder. Onyx, 1992.
Знайти повний текст джерелаЧастини книг з теми "Cape Denison"
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Tamizari, Fabiana. "On Women: An Analysis About the Status of Women in Denis Diderot’s Theory of Enlightenment." In Philosophy of Care, 211–23. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-75478-5_13.
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Tolstoy, Leo. "4." In War and Peace. Oxford University Press, 2010. http://dx.doi.org/10.1093/owc/9780199232765.003.0316.
Повний текст джерелаАнотація:
It was a warm rainy autumn day. The sky and the horizon were both the colour of muddy water. At times a sort of mist descended, and then suddenly heavy slanting rain came down. Denisov in a felt cloak and a sheepskin cap, from which...
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Tolstoy, Leo. "5." In War and Peace. Oxford University Press, 2010. http://dx.doi.org/10.1093/owc/9780199232765.003.0317.
Повний текст джерелаАнотація:
The rain had stopped, and only the mist was falling and drops from the trees. Denisov, the esaul, and Petya rode silently, following the peasant in the knitted cap who, stepping lightly with out-turned toes and moving noiselessly in his bast shoes over the...
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Murray, Terri. "Female Power Uncensored." In Studying Feminist Film Theory, 69–96. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325802.003.0004.
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This chapter presents case studies of the work of four contemporary female directors from world cinema: Kathryn Bigelow, Jane Campion, Claire Denis, and Céline Sciamma. Bigelow's Strange Days (1995) self-consciously interrogates the contradiction by which the voyeuristic consumer of violent and misogynist ‘entertainment’ is taken out of the equation when assigning responsibility for these cultural phenomena. It offers a unique exception to stereotypical gender roles one would expect to find in a Hollywood action film. In The Piano (1993), Campion was able to make a feminist critique of an outdated and patriarchal way of seeing women. Meanwhile, Denis's Beau Travail (1999) is an example of how the female camera can deconstruct and represent the male sex in similar ways to how men have represented women in the past. Finally, Sciamma's Girlhood (2014) is an example of how a female writer-director can construct cinema that breaks gender stereotypes, uses a ‘female gaze’ in its cinematography, and represents women's problems and issues in a complex and compassionate way.
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Zola, Émile. "Chapter 13." In The Ladies' Paradise. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199536900.003.0014.
Повний текст джерелаАнотація:
One morning in November Denise was giving her first orders in the department when the Baudus’ maidservant came to tell her that Mademoiselle Geneviève had had a very bad night, and that she wanted to see her cousin immediately. For some time the young...
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Bryant, Jan. "Claire Denis – The Intruder." In Artmaking in the Age of Global Capitalism, 112–30. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474456944.003.0010.
Повний текст джерелаАнотація:
An extended essay on Claire Denis’ L’Intrus acts as a companion piece to the chapter on Frances Barrett. Dealing with similar themes of care, hospitality, and feminism, it expands on an aspect that sat at the edges of Curator, the questioning of received ontological boundaries or defining categories. Denis covers both formerly and conceptually a taxonomy of borders, which are both physical and psychological. Her source material, Jean Luc Nancy’s essay about his heart transplant, is considered in relation to the way Denis produces a moving image work from a philosophical text, with particular concern for her treatment of narrative to produce bodily sensation. The ‘Other’ or figure of the stranger is pitted against the disintegrating power of patriarchy referenced in Denis’ casting of the actor, Michel Subor, who appears in L’Intrus and Beau Travail (1999) as well as Jean Luc Godard’s Petite Soldat (1955). [145]
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Headrick, Daniel R. "Storing Information : Dictionaries and Encyclopedias." In When Information Came of Age. Oxford University Press, 2001. http://dx.doi.org/10.1093/oso/9780195135978.003.0007.
Повний текст джерелаАнотація:
Encyclopedias and dictionaries are the workhorses of culture; almost everyone consults them from time to time, but almost no one studies them. These useful compendia of knowledge serve their purpose for a few years and then are shelved or pulped. There are some notable exceptions to this rule, works whose significance transcends the time in which they appear. The most famous example of these is the Encyclopédie, ou dictionnaire raisonné of Diderot and d’Alembert. Denis Diderot (1713 – 1784) was one of the most prolific critics and essayists of the philosophes and a star of the French Enlightenment. His friend Jean Le Rond d’Alembert (1717 – 1783) was a mathematician, astronomer, and science writer. Together, they organized and edited the most ambitious work of their age. They planned it to be a universal compendium of all knowledge, organized in a coherent manner for the edification and enlightenment of the educated reading public. At the same time, they wanted it to be useful, practical, modern, and up-to-date. Despite its steep price, it enjoyed a huge popular success and became one of the best-selling works of the century. Yet it left a poor legacy. Its sequel, the Encyclopédie méthodique, was a commercial and scientific failure that few people bought at the time and hardly anyone has looked at since. Today, intellectuals pay lip service to the original Encyclopédie, but no one goes out and buys a new edition. Contrast this fate with that of two other encyclopedias that appeared a few years after Diderot and d’Alembert’s: the Encyclopaedia Britannica and the Brockhaus. The first edition of the Britannica, which appeared in 1771, was a modest work, hastily put together by a printer, an engraver, and a penurious scribbler. The German Conversations-Lexicon was the creation of the publishing entrepreneur Friedrich Arnold Brockhaus (1772–1823), who bought up an unfinished encyclopedia, hired writers to complete it, and issued the first edition in 1809 – 1811. These were no masterpieces of erudition or compendia of all knowledge, but simple reference works.
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Kitchen, Denis. "Comic Art in Museums: An Overview." In Comic Art in Museums, 14–22. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496828118.003.0003.
Повний текст джерелаАнотація:
This 2017 essay by cartoonist, publisher, and curator Denis Kitchen touches on many of the business and practical aspects of comic art exhibitions, as well as providing us with a first-person view of the rapid evolution of comics from early strips to today’s diverse range of award-winning graphic novels. He discusses the importance of exhibit catalogs, particularly Masters of American Comics, the increasing valuation of comic art drawings, importance of collectors, Al Capp (Li’l Abner), R. Crumb, Harvey Kurtzman, Will Eisner, underground comix, having the “eye,” and the importance of narrative. Images: Will Eisner (P’Gel), catalog covers Underground Classics and Masters of American Comics
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Chalfa Ruyter, Nancy Lee. "Introduction." In La Meri and Her Life in Dance, 1–5. University Press of Florida, 2019. http://dx.doi.org/10.5744/florida/9780813066097.003.0001.
Повний текст джерелаАнотація:
As a historical context for La Meri’s work, this is a short discussion of Western cultural borrowings and fusions from the Renaissance to the 20th century. After considering the early developments, this chapter mentions Maud Allan and Loie Fuller—two early 20th century dance artists who presented themes from non-Western cultures in their performances—and the later creations of Ruth St. Denis and Ted Shawn, who also drew on international sources for their creative choreographies. It then briefly discusses how La Meri’s work gradually came to include the study and performance of authentic dances from various world cultures.
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"Introduction." In Paediatric Surgery, edited by Mark Davenport and Paolo De Coppi, 1–10. Oxford University Press, 2020. http://dx.doi.org/10.1093/med/9780198798699.003.0001.
Повний текст джерелаАнотація:
Paediatric surgery is the surgical care of children from fetus to adolescent. It is a comparatively new surgical specialty, only formally recognized after the Second World War. This chapter provides a history and overview of the specialty, including the associations related to paediatric surgery, and biographies of famous surgeons who contributed to the field throughout their careers. The main organization in the United Kingdom is the British Association of Paediatric Surgeons (BAPS) founded in 1953 with Sir Denis Browne as the first president. Though based in London, it now has many international contacts and, through its conferences and symposia inside and outside the United Kingdom, is a leading educational provider in the specialty.
Тези доповідей конференцій з теми "Cape Denison"
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Carlotti, Paolo. "Shape of cadastral plot and band of pertinence. Meaning for Architectural Design." In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6327.
Повний текст джерелаАнотація:
Some our studies of urban morphology, implemented on historical and contemporary urban fabric maps, allow us to believe that the shape of the lot and of band of pertinence of a pathway are essential to reading the formative urban process. Different phases of formative process of an urban center seems, in fact, to be recognizable in the of shape of lot and interaction between lots and path. These morphological shapes (lots) are the result of different centrality that are produced in the building fabric and, consequently, the restructuring pathways are important for understanding rules and causes of urban and architectural transformation of the city. This paper aims to offer a contribution to the definition of the elements of urban morphology. This research, part of a series of research, carried out in the Lab. Lettura e Progetto dell’Architettura of the Faculty of Roma (Sapienza), tries to be implemented in some case studies: Murcia and San Mateu. References Merlin P. (1988) Morphologie urbaine at parcellaire, Centre National de la Recherche Scientifiques, Saint Denis. Larkham P.J., Conzen M.P.,(ed) (2014) Shapers of Urban Form. Explorations in Morphological agency, Routledge, London. Strappa G, Carlotti P., Camiz A. (2016), Urban Morphology an Historical Fabrics. Contemporary design of small town in Latium, Gangemi editore, Roma