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Статті в журналах з теми "Brakhage, Stan"
MacDonald, Scott. "The Filmmaker as Visionary: Excerpts from an Interview with Stan Brakhage." Film Quarterly 56, no. 3 (2003): 2–11. http://dx.doi.org/10.1525/fq.2003.56.3.2.
Повний текст джерелаPeterson, Jennifer. "Barbara Hammer's Jane Brakhage." Feminist Media Histories 6, no. 2 (2020): 67–94. http://dx.doi.org/10.1525/fmh.2020.6.2.67.
Повний текст джерелаMcClure, Michael, and Steve Anker. "Realm Buster: Stan Brakhage." Chicago Review 47/48 (2001): 171. http://dx.doi.org/10.2307/25304814.
Повний текст джерелаSihvonen, Jukka. "Stan Brakhage, näkyjen kuljettaja." Lähikuva – audiovisuaalisen kulttuurin tieteellinen julkaisu 30, no. 4 (January 11, 2018): 57–66. http://dx.doi.org/10.23994/lk.69011.
Повний текст джерелаMichelson, Annette. "Stan Brakhage (1933–2003)." October 108 (April 2004): 112–15. http://dx.doi.org/10.1162/016228704774115744.
Повний текст джерелаDorsky, Nathaniel. "Stan Brakhage: Four Silent Nights." Chicago Review 47/48 (2001): 192. http://dx.doi.org/10.2307/25304817.
Повний текст джерелаSimon, Emőke. "(Re)framing Movement in Stan Brakhage’s Visions in Meditation N°1." Acta Universitatis Sapientiae, Film and Media Studies 6, no. 1 (August 1, 2013): 35–48. http://dx.doi.org/10.2478/ausfm-2014-0003.
Повний текст джерелаNesthus, Marie. "The "Document" Correspondence of Stan Brakhage." Chicago Review 47/48 (2001): 133. http://dx.doi.org/10.2307/25304811.
Повний текст джерелаValles, Rafael. "Stan Brakhage, Maya Deren e Jonas Mekas: por uma poética do amateur." Intexto, no. 48 (January 1, 2020): 176–93. http://dx.doi.org/10.19132/1807-8583202048.176-193.
Повний текст джерелаAraújo, Mateus, and Patrícia Kauark-Leite. "Notas sobre a visão não tutelada em Brakhage e Kant." Estudos Kantianos [EK] 9, no. 1 (July 10, 2021): 59. http://dx.doi.org/10.36311/2318-0501.2021.v9n1.p59.
Повний текст джерелаДисертації з теми "Brakhage, Stan"
Vergé, Emilie. "Une étude stylistique du cinéma de Stan Brakhage (1952-2003)." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030154.
Повний текст джерелаThis monographic thesis, dedicated to the film work of the experimental film-maker Stan Brakhage, constitutes a contribution in film history and aesthetics. A research in archives allowed the analysis of the complete filmography of the film-maker composed of about four hundred films made between 1952 and 2003, and the study of its non-film archives. This thesis provides a synthesis of these analyses, in a stylistic study of the film work of the film-maker.Stylistic study is founded on aesthetic, formalist and iconographic analyses. A naturalist style could be identified and defined, with particularly the theories of the naturalism byWorringer in Abstraction and Einfühlung, by Kris on rustic style, and by Zola with experimentalmethod, updated with the theories of modernism including by Greenberg, and adapted to filmforms with the theories of Eisenstein and Brakhage. This stylistic thesis pretends to give anoverall monographic synthesis
Evans, Gareth David. "Images of indetermination : the emancipation of vision in the work of Stan Brakhage." Thesis, University of Bristol, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.715830.
Повний текст джерелаAndrade, Patrícia Mourão de. "A invenção de uma tradição: caminhos da autobiografia no cinema experimental." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/27/27161/tde-22092016-153733/.
Повний текст джерелаOn the threshold of the seventies, the autobiographical genre emerged as one of the main tendencies of the north-american avant-garde film. This event was followed by a growing interest in other forms of self representation and life narratives in painting and literature and by an intellectual effort to reflect on the uses, qualities, possibilities and predecessors of the new form in film. Understanding that autobiography becomes a field of interest for filmmakers, critics and public alike only at this moment in time, this dissertation intends to broach how autobiography is fashioned by filmmakers into a form viable for cinema. Relying on a vast documentation of writings by Jonas Mekas, Stan Brakhage and Hollis Frampton, three filmmakers whom we consider to be central to the understanding of the genre as such, and on close readings of their autobiographical films we demonstrate the role played by the genre in the transformation of a creative and artistic environment. As will be seen, the emergence of the genre responds to a historical and aesthetic transformation in experimental films and offers itself as a peronal narrative for this changing history.
Vokjan, Viktor. "Poetické mýty Stana Brakhage." Master's thesis, Akademie múzických umění v Praze. Filmová a televizní fakulta AMU. Knihovna, 2007. http://www.nusl.cz/ntk/nusl-78759.
Повний текст джерелаLori, Marco. "Stan Brakhage's spiritual imperative : its origins, corporeality, and form." Thesis, Birkbeck (University of London), 2017. http://bbktheses.da.ulcc.ac.uk/257/.
Повний текст джерелаArsenault, Nadia. "La divine comédie de Stan Brakhage : une lecture du film lyrique The Dante Quartet." Thèse, 2011. http://hdl.handle.net/1866/8343.
Повний текст джерелаThe Dante Quartet by Stan Brakhage is a personal adaptation of The Divine Comedy of Dante who took the form of an abstract movie made from hand painted images on recycled footage. Acting as a palimpsest in which each layer reveals characteristic features of Brakhage's work and the influence of different poets and artists on it, The Dante Quartet also includes some features of ekphrasis. In this thesis, I work with the heuristic assumption that The Dante Quartet is an ekphrasis, specifically a reverse ekphrasis. This thesis looks at what remains of the pre-text after the transfer from one medium to another. Given the temporal interval between these two works, I will also discuss of certain contemporary influences to Brakhage's work. As the filmmaker based his work on vision phenomena (especially on hypnagogic visions in that movie), the point will be made regarding Brakhage's thinking about this, thought that he describes in his manifesto Metaphors on Vision.
Kashmere, Brett. "Freedom of expression : John Coltrane, Stan Brakhage and the American avant-garde, 1957-67." Thesis, 2004. http://spectrum.library.concordia.ca/8007/1/MQ94776.pdf.
Повний текст джерелаRocha, Sara Maria do Valle 1987. "A materialidade da imagem : anatomias inventadas." Master's thesis, 2013. http://hdl.handle.net/10451/9465.
Повний текст джерелаThe theoretical-practical dissertation entitled ‘A Materialidade da Imagem: Anatomias Inventadas’, has tautology of media as fundamental reflective activity. It has deep connections between Body, Medicine, Science and Art. Since Renaissance, Investigation is guided by the parameters of exploration, experimentation and proposed problem resolution. The constituent phases of systematic methodology show the complementarity versus conflict between Art and Science. The body-body – human, real, in praesentia –, and the body-image or the graphical representation of the body are compared in artistic practice to a canal or synthesized body, in which runs a constant stream of material. This refers primarily to a combination of liquids and organic products that flow through the body and secondly to media that carry images and use time and wear as essential conditions for apperception. Study of image is combined with the study of language origin. The language units of verbal/textual discourse feature a close link with the units of cinematography language, engaged with time and duréé (Bergson). The visual product of this project results from selection and recycling processes of analog support medium images designed to forgetfulness, that by a clinical look, thoroughly filtered time, rhythm and shape
Larouche, Peggy. "Le boulevard des allongés : la représentation de la morgue au cinéma et dans les autres arts." Thèse, 2008. http://hdl.handle.net/1866/7366.
Повний текст джерелаPour respecter les droits d'auteur, la version électronique de cette thèse ou ce mémoire a été dépouillée, le cas échéant, de ses documents visuels et audio-visuels. La version intégrale de la thèse ou du mémoire a été déposée au Service de la gestion des documents et des archives de l'Université de Montréal.
Книги з теми "Brakhage, Stan"
1945-, James David E., ed. Stan Brakhage: Filmmaker. Philadelphia: Temple University Press, 2005.
Знайти повний текст джерелаJames, David, ed. Stan Brakhage: Filmmaker. Philadelphia: Temple University Press, 2005.
Знайти повний текст джерелаElder, Bruce. The films of Stan Brakhage in the American tradition of Ezra Pound, Gertrude Stein and Charles Olson. Waterloo, Ont: Wilfrid Laurier University Press, 1998.
Знайти повний текст джерелаElder, R. Bruce. The Films of Stan Brakhage in the American tradition of Ezra Pound, Gertrude Stein and Charles Olson. Waterloo, Ont: Wilfrid Laurier University Press, 1998.
Знайти повний текст джерелаBaracco, Alberto. Philosophy in Stan Brakhage's Dog Star Man. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-12426-7.
Повний текст джерелаinterviewer, Momo Alberto, ed. Atlante sentimentale del cinema per il XXI secolo: Conversazioni con Abel Ferrara, Adolfo B. Alix jr., Aki Kaurismaki, Alberto Grifi, Aleksandr Sokurov, Amir Naderi, Amos Gitai, Andrej Ujica, Angela Ricci Lucchi, Atom Egoyan, Béla Tarr, David Lynch, Enrico Ghezzi, Franco Maresco, Frederick Wiseman, George Romero, Goutam Ghose, Hou Hsiao-hsien, Jean-Marie Straub, Jia Zhang-ke, John Torres, Johnnie To, Julio Bressane, Khavn de la Cruz, Kira Muratova, Kiyoshi Kurosawa, Lav Diaz, Lee Kang-sheng, Lisandro Alonso, Manoel de Oliveira, Mohsen Makhmalbaf, Monte Hellman, Naomi Kawase, Onde filippine, Otar Iosseliani, Paulo Rocha, Pedro Costa, Philippe Garrel, Quentin Tarantino, Raoul Ruiz, Raya Martin, Roger Corman, Shinya Tsukamoto, Stan Brakhage, Takeshi Kitano, Tonino De Bernardi, Tsai Ming-liang, Wai Ka-fai, Wang Bing, Werner Herzog, Yervant Gianikian, Želimir Žilnik. Roma: DeriveApprodi, 2013.
Знайти повний текст джерелаBrakhage, Stan. Stan Brakhage. Centre Georges Pompidou Service Commercial,France, 1998.
Знайти повний текст джерелаStan Brakhage films. Paris expérimental, 2016.
Знайти повний текст джерелаGanguly, Suranjan. Stan Brakhage: Interviews. University Press of Mississippi, 2019.
Знайти повний текст джерелаGanguly, Suranjan. Stan Brakhage: Interviews. University Press of Mississippi, 2017.
Знайти повний текст джерелаЧастини книг з теми "Brakhage, Stan"
Grice, Malcolm Le. "Stan Brakhage and Malcolm Le Grice Debate [1978]." In Experimental Cinema in the Digital Age, 85–127. London: British Film Institute, 2001. http://dx.doi.org/10.1007/978-1-349-91371-8_9.
Повний текст джерелаBaracco, Alberto. "Introduction." In Philosophy in Stan Brakhage's Dog Star Man, 1–18. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-12426-7_1.
Повний текст джерелаBaracco, Alberto. "DSM and Philosophy." In Philosophy in Stan Brakhage's Dog Star Man, 19–34. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-12426-7_2.
Повний текст джерелаBaracco, Alberto. "Understanding DSM’s Film World." In Philosophy in Stan Brakhage's Dog Star Man, 35–74. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-12426-7_3.
Повний текст джерелаBaracco, Alberto. "Explaining DSM’s Film World." In Philosophy in Stan Brakhage's Dog Star Man, 75–111. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-12426-7_4.
Повний текст джерелаBaracco, Alberto. "Critical Understanding of DSM’s Film World." In Philosophy in Stan Brakhage's Dog Star Man, 113–22. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-12426-7_5.
Повний текст джерелаBaracco, Alberto. "Conclusion." In Philosophy in Stan Brakhage's Dog Star Man, 123–34. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-12426-7_6.
Повний текст джерела"Letter to Stan Brakhage." In On the Camera Arts and Consecutive Matters. The MIT Press, 2009. http://dx.doi.org/10.7551/mitpress/7851.003.0024.
Повний текст джерелаSheehan, Rebecca A. "“Here Are Materials Strewn Along the Ground”." In American Avant-Garde Cinema's Philosophy of the In-Between, 35–86. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190949709.003.0002.
Повний текст джерелаAndré, Emmanuelle. "Visible et vivant. Mothlight (Stan Brakhage, 1963)." In Les images et les mots, 47–57. Presses universitaires du Septentrion, 2014. http://dx.doi.org/10.4000/books.septentrion.110755.
Повний текст джерелаТези доповідей конференцій з теми "Brakhage, Stan"
Uya, Yifan. "Collaborative Vibration: The Mythic Journey of A Coal Boy." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.119.
Повний текст джерела