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Статті в журналах з теми "Bel canto singing"
Ke, Feng. "Research on Machine Semantic Recognition in Different Bel Canto Music Backgrounds." Advances in Multimedia 2022 (July 12, 2022): 1–10. http://dx.doi.org/10.1155/2022/9509672.
Повний текст джерелаGladfelder, Hal. "The Decay of Singing: Remembering the Castrato." Modern Language Quarterly 83, no. 3 (September 1, 2022): 275–302. http://dx.doi.org/10.1215/00267929-9790990.
Повний текст джерелаJIANG, Ming, and Chao-Jung WU. "Investigation and Reflections on Gender Differences in Vocal Music Education." Revista de Cercetare si Interventie Sociala 79 (December 15, 2022): 59–69. http://dx.doi.org/10.33788/rcis.79.4.
Повний текст джерелаWang, Jingtao. "Exploration on the Artistic Value and Realization Path of the Nationalization of Bel Canto Singing." Advances in Higher Education 3, no. 3 (August 30, 2019): 112. http://dx.doi.org/10.18686/ahe.v3i3.1479.
Повний текст джерелаYoo, Hyesoo. "Multicultural Choral Music Pedagogy Based on the Facets Model." Music Educators Journal 104, no. 1 (September 2017): 34–39. http://dx.doi.org/10.1177/0027432117708602.
Повний текст джерелаMcHenry, Monica A., Joseph Evans, and Eric Powitzky. "Effects of Bel Canto Training on Acoustic and Aerodynamic Characteristics of the Singing Voice." Journal of Voice 30, no. 2 (March 2016): 198–204. http://dx.doi.org/10.1016/j.jvoice.2014.11.009.
Повний текст джерелаStark, James A. "On the Role of Vocal Idioms in Singing." Canadian University Music Review, no. 15 (March 1, 2013): 70–90. http://dx.doi.org/10.7202/1014393ar.
Повний текст джерелаLi, Zhen Hua. "Historical Considerations of Chinese-Korean Vocal Arts: Focusing on Characteristics of Bel Canto Vocal Singing." Academic Association of Global Cultural Contents 35 (August 30, 2018): 127–49. http://dx.doi.org/10.32611/jgcc.2018.8.35.127.
Повний текст джерелаMayr, Alexander. "Investigating the Voce Faringea : Physiological and Acoustic Characteristics of the Bel Canto Tenor's Forgotten Singing Practice." Journal of Voice 31, no. 2 (March 2017): 255.e13–255.e23. http://dx.doi.org/10.1016/j.jvoice.2016.06.010.
Повний текст джерелаBAJEA (STANCIU), Mihaela-Elena. "Vocal Ornamentation in the 18th century - Tosi and Mancini, first Theorists of Bel Canto." Bulletin of the Transilvania University of Braşov. Series VIII:Performing Arts 14(63), Special Issue (January 27, 2022): 21–32. http://dx.doi.org/10.31926/but.pa.2021.14.63.3.2.
Повний текст джерелаДисертації з теми "Bel canto singing"
Ruškienė, Aistė. "Bel canto dainavimo mokymo Lietuvoje tradicijos." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2007. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2007~D_20070816_171602-75730.
Повний текст джерелаBel canto is the most world known school of classical singing. Lithuanian vocal school is mostly based on Bel canto professional system and teaching methodology. As this school has been existing not for a long time, the educological research of Lithuanian Bel canto school is an important pedagogical problem, the analysis of which would contribute to better understanding the practical and theoretical particularities of the spread of this school. This thesis analyses the general pedagogical principles of Lithuanian and Italian singing schools. The major analysis aspects are as follows: • History of the Bel canto singing school; • Bel canto singing conception, principles and methods; • History of the Bel canto singing pedagogical schools; • The origin and development of the Lithuanian singing school; • The relation of the Lithuanian singing school to Bel canto school; • The particularities of Bel canto school development in Lithuania; • The pedagogical principles and vocal teaching methods in the Lithuanian singing school. There is no precise analysis in Lithuanian about Bel canto singing. Thus, this study is expected to fulfill the gap. It is the first work which summarizes the principles of the Bel canto singing school. It could serve as the vocal pedagogical-methodological means to both students and teachers.
Harper, Portia. "Comparative Study of the Bel Canto Teaching Styles and their Effects on Vocal Agility." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc278170/.
Повний текст джерелаGlover, Sandra Lee. "Cornelius L. Reid : interpreting the vocal registration tradition of bel canto /." Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/11384.
Повний текст джерелаPérez, Arquillo Julia. "Experiencing Bel Canto : Getting deep into the style." Thesis, Stockholms konstnärliga högskola, Institutionen för opera, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uniarts:diva-922.
Повний текст джерелаBrown, Shaun (Shaun Joseph). "Ensemble Singing in the Bel Canto Salon Repertory: A Pedagogical Reconsideration." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1609069/.
Повний текст джерелаWiger, Pilotti Katarina. "Vägen till Bel Canto : Om min omskolning till Chiaroscuro." Thesis, Örebro University, School of Music, Theatre and Art, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-9326.
Повний текст джерелаI am a practising classical soprano. After more than 20 years of professional singing, I re-trained my voice according to principles of the old Italian school of singing. In this essay, I examine the origins and priciples of bel canto, with special focus on appoggio and chiaroscuro, two key ingredients in the bel cantao tradition. I explore the relationship between science and the craft of singing, and what modern voice science has to say about the efficiency and health aspects of this technique, I also describe the profound effect it has had on me as an artist.
Dyo, Vladimir. "The Application of Bel Canto Principles to Violin Performance." Diss., Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/193273.
Повний текст джерелаD.M.A.
Bel canto is "the best in singing of all time." Authors on vocal literature (Miller, Celletti, Duey, Reid, Dmitriev, Stark, Whitlock among others) agree that bel canto singing requires complete mastery of vocal technique. The "best in singing" means that the singer should possess immaculate cantilena, smooth legato, a beautiful singing tone that exhibits a full palette of colors, and evenness of tone throughout the entire vocal range. Furthermore, the singer should be able to "carry the tone" expressively from one note to another, maintain long lasting breath, flexibility, and brilliant virtuosity. Without these elements, the singer's mastery is not complete. In addition, proper mastery of bel canto technique prolongs the longevity of the voice. For centuries, --emulating beautiful singing has been a model for violin performers. Since the late Renaissance and early Baroque periods, a trend toward homophonic style, melodious songs, and arias had a tremendous influence on pre-violin and violin performers, and even on luthiers. The earliest known four-stringed violins created by Andrea Amati, and Gasparo da Saló in the sixteenth century already possessed a tone that resembled the qualities of a human voice. Today, it has become more difficult to differentiate the tone of one violinist from another. The individual quality of the singing tone, which was the hallmark in violin playing of the golden age of Ysaye, Kreisler, Heifetz, Menuhin, Oistrakh etc. has deteriorated. The purpose of this monograph is to analyze the fundamental principles of bel canto and to apply these principles to violin performance. Teachers, students, and performers will find practical ideas to improve or solve various aspects of violin playing. I will focus primarily on tone production and tone formation (breathing, resonance, vibrato etc.), tonal shading (messa di voce), and range (blending positions). Through understanding the bel canto principles of singing and applying those principles to violin performance, one would have more means to give the tone its distinctive qualities.
Temple University--Theses
Johnson, Brock. "The Use of Classic Musical Theatre Repertoire for Training Bel Canto Techniques in the Undergraduate Baritone Voice." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984217/.
Повний текст джерелаPowell, Alyssa Rose. "Making the Clarinet Sing: Enhancing Clarinet Tone, Breathing, and Phrase Nuance through Voice Pedagogy." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1589808462811083.
Повний текст джерелаCanário, João Pedro Gonçalves. "O impacto da atividade do canto em grupo, como estratégia de recuperação, no bem estar subjetivo dos indivíduos." Master's thesis, ISPA - Instituto Universitário, 2013. http://hdl.handle.net/10400.12/2812.
Повний текст джерелаEste estudo é de caráter pré-experimental com medidas repetidas e permite analisar o impacto da atividade do canto em grupo/ coro, enquanto estratégia de recuperação, no Bem-Estar subjetivo das pessoas. Foram utilizadas cinco escalas, em que a “Satisfação com a vida”, “SPANE” e “Flourishing” permitiram analisar o Bem-estar subjetivo e a “Need for Recovery Scale” e “Auto-Percepção de Desempenho individual” permitiram analisar variáveis ligadas à fadiga e atividade laboral. Recolheu-se uma amostra de 69 indivíduos de quatro grupos de canto/ coros independentes, em que um dos grupos tinha influência religiosa/ espiritual. Os resultados revelaram uma estabilidade temporal (3 semanas) nas cinco escalas, tendo a correlação variado entre 0,60 e 0,81. Verificou-se também um decréscimo estatisticamente significativo do nível de afeto positivo e um incremento estatisticamente significativo do nível de afeto positivo, após a participação na atividade de canto em grupo/ coro. A influência religiosa/ espiritual tende a constituir um papel moderador das respostas afetivas após a participação na atividade, embora não seja estatisticamente significativo. Verificou-se, na amostra total, que um nível alto de afeto negativo (SPANE versão estado) e níveis baixos na escala “Satisfação com a vida” podem ser preditores de uma elevada necessidade de recuperação. Para os indivíduos que trabalham, verificou-se que níveis elevados na escala “Flourishing” constituem um preditor para níveis elevados na escala “Auto-Percepção de Desempenho individual”.
ABSTRACT: This is a pre - trial basis study with repeated measures that allows to analyze the impact of the activity of the group singing / choir, as a recovery strategy, the subjective welfare of the people . Five scales were used, as " Life satisfaction " , " Spane " and " Flourishing " helped analyze the Subjective well -being and "Need for Recovery Scale" and " Self- Perception of Individual Performance " helped analyze variables related to fatigue and labor activity . A sample was collected from 69 subjects in groups of four singing groups/ independent choruses, wherein one of the groups had religious/spiritual effect. The results revealed a temporal stability (3 weeks) in five scales, and the correlation varied between 0.60 and 0.81. There was also a significant statistically decrease in the level of positive affect, and a statistically significant increase in the level of positive affect after participation in the activity of group singing / choir. The religious/ spiritual influence tends to be a moderator of affective responses after participation in the activity role , although not statistically significant. It was found in the total sample, a high level of negative affect ( Spane state version ) and lower levels in the scale " Satisfaction with life " can be predictors of a high need for recovery. For individuals who work, it was found that high levels on the scale " Flourishing " constitute a predictor for elevated levels in the " Self- Perception of Individual Performance " scale.
Книги з теми "Bel canto singing"
Damoreau, Laure-Cinthie. Classic bel canto technique. Mineola, NY: Dover, 1997.
Знайти повний текст джерелаCelletti, Rodolfo. Histoire du bel canto. [Paris]: Fayard, 1987.
Знайти повний текст джерелаBel canto: A history of vocal pedagogy. Toronto: University of Toronto Press, 1999.
Знайти повний текст джерелаIskusstvo bel canto v italʹi︠a︡nskoĭ opere XVII-XVIII vekov: Monografii︠a︡. Kharʹkov: Kharʹkovskai︠a︡ gos. akademii︠a︡ kulʹtury, 2000.
Знайти повний текст джерела1908-, Fuller Frederick, ed. A history of bel canto. Oxford [England]: Clarendon Press, 1996.
Знайти повний текст джерелаA history of bel canto. Oxford [England]: Clarendon Press, 1991.
Знайти повний текст джерелаBel canto: A performer's guide. New York: Oxford University Press, 2012.
Знайти повний текст джерелаBonotto, Alcide. Le due tecniche di canto: Manuale per cantanti lirici : il fenomeno Gigli. Paese (Treviso): Pagus Edizioni, 1991.
Знайти повний текст джерелаKlausmeier, Friedrich. Belcanto and Pop: Zwei Arten des Singens. Augsburg: Wissner, 1999.
Знайти повний текст джерелаLucie, Manén, ed. Belcanto: The teaching of the classical Italian song-schools, its decline and restoration. Oxford: Oxford University Press, 1987.
Знайти повний текст джерелаЧастини книг з теми "Bel canto singing"
Elliott, Martha. "Style and Ornamentation in Classical and Bel Canto Arias." In Teaching Singing in the 21st Century, 237–62. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-017-8851-9_15.
Повний текст джерела"Chapter 4. Italian Bel Canto." In Singing in Style, 126–59. Yale University Press, 2017. http://dx.doi.org/10.12987/9780300138085-006.
Повний текст джерелаMiller, Richard. "The Two Poles of Bel Canto." In On the Art of Singing, 102–3. Oxford University Press, 1996. http://dx.doi.org/10.1093/acprof:osobl/9780195098259.003.0028.
Повний текст джерелаParr, Sean M. "Introduction." In Vocal Virtuosity, 1–27. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197542644.003.0001.
Повний текст джерелаRosenblum, Sandra P. "Chopin Among the Pianists in Paris." In Chopin and His World. Princeton University Press, 2017. http://dx.doi.org/10.23943/princeton/9780691177755.003.0012.
Повний текст джерелаWink, Paul. "I Gave You Everything." In Prima Donna, 159–94. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190857738.003.0007.
Повний текст джерелаТези доповідей конференцій з теми "Bel canto singing"
Van, Kesin. "Bel Canto's Influence on the Development of Modern Chinese Opera Singing." In All-Russian Scientific Conference with International Participation. Publishing house Sreda, 2021. http://dx.doi.org/10.31483/r-98545.
Повний текст джерелаZhang, Hui. "Study on Bel Canto in Singing Skill Training." In 2016 International Conference on Education, Sports, Arts and Management Engineering. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icesame-16.2016.62.
Повний текст джерела"Integrating the Two Singing Methods of Folk Style Singing and Bel Canto in Teaching." In 2018 International Conference on Education, Psychology, and Management Science. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icepms.2018.112.
Повний текст джерела"Integrating and Mastering the Folk Style Singing and Bel Canto in Teaching." In 2018 2nd International Conference on Social Sciences, Arts and Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/ssah.2018.104.
Повний текст джерела