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Статті в журналах з теми "Bataille, Georges (1897-1962) – Surréalisme":
Pereira, Ulisses Alberto. "NOTION OF SACRED IN GEORGES BATAILLE." PÓLEMOS – Revista de Estudantes de Filosofia da Universidade de Brasília 11, no. 23 (December 19, 2022): 233–47. http://dx.doi.org/10.26512/pl.v11i23.44619.
Marqueta Calvo, Sergio. "Reflejos de jade (J. Ezquerra y J. Fortanet. [eds.], La luz de un gran frío. Ensayos sobre Georges Bataille)." Análisis. Revista de investigación filosófica 5, no. 1 (July 12, 2018): 259–64. http://dx.doi.org/10.26754/ojs_arif/a.rif.201812617.
Ernst, Gilles. "Georges Bataille et la question du corps mort." Recherche 23, no. 1 (June 7, 2011): 40–46. http://dx.doi.org/10.7202/1004021ar.
Goyatá, Júlia Vilaça. "Georges Bataille, Michel Leiris e a experiência do sagrado no entreguerras." Religião & Sociedade 34, no. 2 (December 2014): 65–85. http://dx.doi.org/10.1590/s1984-04382014000200004.
De March, François. "La notion de souveraineté chez Georges Bataille (1897-1962) éclaire-t-elle les suicides au travail ?" Revue Française de Gestion 48, no. 305 (July 2022): 79–102. http://dx.doi.org/10.3166/rfg305.79-102.
Hollywood, Amy. "“Beautiful as a wasp”: Angela of Foligno and Georges Bataille." Harvard Theological Review 92, no. 2 (April 1999): 219–36. http://dx.doi.org/10.1017/s0017816000032314.
DE MARCH, François. "Les limites des analyses et préconisations pour la gestion des « risques psychosociaux » dans les organisations en France : quel apport la pensée anthropologique de Georges Bataille pourrait-elle constituer ?" Management international 20, no. 2 (May 25, 2018): 157–67. http://dx.doi.org/10.7202/1046569ar.
Krell, David Farrell. "Paradoxes of the Pineal: From Descartes to Georges Bataille." Royal Institute of Philosophy Lecture Series 21 (March 1987): 215–28. http://dx.doi.org/10.1017/s135824610000357x.
Krell, David Farrell. "Paradoxes of the Pineal: From Descartes to Georges Bataille." Royal Institute of Philosophy Lecture Series 21 (March 1987): 215–28. http://dx.doi.org/10.1017/s0957042x00003576.
Sørensen, Asger. "OM ARBEJDETS PATOLOGI – og suverænitetens mirakuløse umenneskelighed ifølge Bataille." Psyke & Logos 26, no. 2 (December 31, 2005): 23. http://dx.doi.org/10.7146/pl.v26i2.8263.
Дисертації з теми "Bataille, Georges (1897-1962) – Surréalisme":
Scrivener, Samardzija Ana. "Georges Bataille, Walter Benjamin : divergences du matérialisme (1929-1939)." Electronic Thesis or Diss., Paris 8, 2019. http://www.theses.fr/2019PA080085.
In 1934, Bataille and Benjamin met in the Bibliothèque nationale, Paris. Their writings from the period of 1929 to 1939 show how their thoughts responded to the constraints and the impulses of their present time, its conflicts and its inventiveness in arts and politics. Three events have structured our dissertation: the publication of the novel Man’s Fate (La Condition humaine) by Malraux; their proximity to surrealism as an experience of illumination or intoxication with the image; the confrontation with fascism, as a political force to be fought against, but also as a form of thinking and sensibility that should be understood in order to be vanquished. Both Bataille and Benjamin claimed that their intellectual attitudes belonged to materialism, sharing this crucial postulate: they place a high importance upon images, how they affect bodies, acting within them, that cannot be evinced from conceptual thinking and political action. Both thinkers play out a materialist reconfiguration of surrealist experience. This enables us to envisage a prism of a surrealist materialism, as an intersection between their respective insights. Furthermore, by studying both authors attempt to think fascism, this work reveals a sharp divergence between bataillien heterology and the benjaminien concept of the aestheticisation of politics. Both these conceptual devices show how the fascist imaginary is rooted in the imperialist structure of capitalism; Benjamin allows us to grasp the specificity of the crucial theoretical operation that fascism feeds upon, while Bataille’s heterological prism opens the way to the core of what, in fascism, constituted a force of collective attraction
Aribit, Frédéric. "André Breton, Georges Bataille : à l'impossible tenus... : essai d'une confrontation interprétative des romans familiaux jusqu'à la seconde guerre mondiale." Pau, 2006. http://www.theses.fr/2006PAUU1005.
The aim that has been given to this work is to start one more time the comparison between André Breton and Georges Bataille, starting from the premise of an original way of communication whose direct dialogue is but one of the forms, and trying to clarify its issues in the successively concerned fields of knowledge. Its –diachronic- reasoning starts from the family novels and ends at the beginning of World War II, after a community fervour on each side collapsed, opening a completely different period of the same exchange. It thus goes through a wide period of the history of that comparison, which, among others, deals with the conditions in which they met, how they met with psychoanalysis, the way their philosophical positioning or their ideological inscription on the fringe of the revolutionary left developed. This general approach helps think again about, among others, two especially crucial moments of the discussion, i. E. The violent climax of their 1929-1930 disagreement, and their 1935 attempt to get closer again, on the basis of a political reactivation of the myth. More generally, it invites to ask the question of the relationship to language and poetry, and questions about the incentive to write, suggesting at the same time a crossed foray into the major narrative works of the time. Such a work, as it seems, goes beyond the “literary thing” in the strict sense of the term, or rather takes its place at the meeting point of a set of topics related to the social sciences (philosophy, politics, psychoanalysis, art…), precisely where the global thought about man that each of them will have decided to lead is fixed
Sangouard-Berdeaux, Céline. "Pensée et écriture du sublime Breton, Bataille, Blanchot et Gracq (1924-1969)." Paris 7, 2012. http://www.theses.fr/2012PA070011.
Despite a deep and enduring disaffection in thought and artistic création from the end of the 19th century. The sublime, a category at the junction of rhetorics. Aesthetics and philosophy. Is used again by several art and literature thinkers in the last third of the 20th century (J. F. Lyotard. J. Derrida. J. L. Nancy, etc). At the extent of being sometimes presented as the privileged read mode of 20th century art. This thesis sets out to observe to which extent. Although the authors themselves don't claim to belong to an aesthetic of the sublime, the works of Breton. Bataille. Blanchot and Gracq come close to such aesthetic and meamvhile renew its meaning. Its stakes and its implications. This work First sets out to analyze in setting these works back in context. The political dimension of such aesthetic and to highlight the influence of the Terror as a myth of writing in the work s of Breton. Bataille, Blanchot. And to a lesser extent. Gracq. Subsequently. This study shows how these works. Influenced by new psvchoanalytic sciences and the development of anthropological and prehistoric knowledge proceed to a reversal of the traditional movement and values of the sublime and which are constructed as a quest for an original sublime situated on this side of Man even more than in any afterlife. The last two parts study the two types of aesthetics that emanate from this corpus: an aesthetic of the sublime \\hich is positive \\ith Breton and Gracq and negative with Bataille and Blanchot
Baumann, Roland. "Georges Bataille et le cinéma." Paris 10, 2002. http://www.theses.fr/2002PA100150.
Nowadays, philosophy which has become lost among other discourses, is in the midst of dissolution. Confronted with the impossibility of analyzing the totality of the technical world, it is swallowed up by unawareness. While in the process of vanishing, it can only show the conditions of its own impossibility. Despite this pessimistic vision of the future of philosophy, we haven't resorted in our study, to scale down such a multiple and dissimilar work, as that of Bataille - which would be an act short of any philosophic signification - into a collection of biographical facts. Cinema plays a decisive role in the life and thoughts of Bataille. It has profoundly influenced his work. Above ail, we want to show this role, and in particular The Inner Experience and other writings of the Somme (so called Atheologic), as well as in the principal Posthumous Literary Works
Taylor, John. "Hierarchy : Georges Bataille and religious studies." Thesis, University of Wales Trinity Saint David, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683273.
Thévenieau, Yves. "La question du recit dans l'oeuvre de georges bataille." Lyon 2, 1986. http://www.theses.fr/1986LYO20017.
In his 'sur nietzsche', georges bataille himself elaborates the idea of narrative as being that which comes to the rescue of reason; its manifestation in his work is all the more pregnant with meaning for being the child of necessity. Far from being merely one among other structures to be found in his work, narrative represents a most particular double-take breaking out in the very development of the text -text suddenly lodged in its own present moment by this necessitation which in turn is there by witnessed to and little by little revealed. Hence: "if sentences have any meaning, they have it by constellating that which was seeking to be. When they cry out freely, they die of their own brillance". This term 'narrative' (recit) comes naturally as being apt to describe seven texts (those fictions which the author published in his lifetime) characterised at once as fiction and by the presence of the narrator (recitant). In order of publication, these are 'histoire de l'oeil', 'madame edwarda', 'le petit', 'la scissiparite', 'l'abbe c. ', 'le bleu du ciel' and 'l'impossible'. We begin by showing, on the basis of these texts, how narrative manifests, gradually bringing out those signs whereby narrative writing can in general be identified. In this we are not involved in the giving of any personal 'reading': the idea of 'narrative' is neutral, underlining the way in which the text constitutes its own reading, or publication of a reading. Secondly, we demonstrate this 'narrative writing' working out from an example, 'le bleu du ciel'. Finally, we consider narrative from the point of view of textual heterogeneity- a key notion for bataille, and one to which the collection of his complete works has now given its full importance
Kanda, Koichi. "L'inscription de la mort chez Georges Bataille." Paris 7, 2004. http://www.theses.fr/2004PA070005.
To specify the notion of death in Bataille's works, to show the evolution of his idea on this topic and to examine the way in which the death is represented in his fictions, such are the aims of this thesis. The course of his philosophy about the death is divided into three stages. Before the Second World war, Bataille aspires to death that permits to deify the human being. However, when Bataille becomes aware of the idea of the impossibility of knowing what death is really like, the mimetic death is the only way to approach death while still living. The "mortal writing", being at the same time experience of the mimetic death and its transcription, occupies a crucial place in the thought of Bataille. His literary works are based on this "mortal writing". After the war, he systematizes his philosophy of the "not-knowledge" and writes a "Universal History". The death in the thoughts of Bataille, which means especially the experience of the loss of oneself, passes thus from the psychological drama to the philosophy of the "not-knowledge"
Ichikawa, Takashi. "L'operation fictive et la conception du sujet chez georges bataille." Paris 7, 1997. http://www.theses.fr/1997PA070126.
This study deals with philosophical and literary themes. It considers, in particular, the subject's concept in the work of georges bataille, a french author, who was born in 1897 and died in 1962, and who wrote many texts about sociologicals, philosophicals and literary matters. In the first part, the thesis covers the philosophical and literary path of this author, wich leads him to collaborate, during the 20 s and the 30 s , with various writers groups to conceive his original materialism. The second part, sets the problems of the potential influence of the german philosopher martin heidegger on georges bataille, considering the similarities and the differences between the concept of heidegger's dasein, and the subject's concept in bataille. Finally, the thesis try to show that his subject's concept was built up by its close ties with the literary problems, especially, those wich concern the act of writing, being himself, at the same time, writer and a literary critic. In this context, the " fictional operation" allows the writer to affirm the singularity of his existence, if only as a precarious balance of multiple forces, and also to denounce the solipcistic illusion shunning alterity
Lahouar, Fredj. "L'écriture du désir chez Georges Bataille." Rennes 2, 2005. http://www.theses.fr/2005REN20049.
Desire is appraised by the modern poetic and philosophic discourse and it enables one to approach the unclassifiable works of Georges Bataille, in which it is the theme and the text's thoughtful logic at once. Unappeasable, excessive, violent and object-free desire is displayed through techniques of repetition, articulating the inevitability of contradiction and highlighting the heterological ambition of the author to unwrap concepts, disciplines and genres beyond their sphere. Equally a methodical option and a mode of knowledge, desire allows one to identify the act of writing with the Nietzschean category of the philosopher-artist and makes his literature a miscellanous one, producing a refractory text that transgresses the established normative codes where mingle scriptable with non-scriptable elements, such as the cry, silence, emptiness and secret. The notion of desire is at the heart of Bataille's poetic pre-requisite and is defined as the will to counteract the annulment that the systematic progression implies. Bataille equally juxtaposes the latter with the non-systematic answer that opens out the act of writing into the prospect of oblivion and sets the impossible as its ultimate end
Iwano, Takuji. "L’expérience et la divinité chez Georges Bataille." Paris 4, 2007. http://www.theses.fr/2007PA040070.
While undertaking a revolution of value in the philosophy, the theology, the literature and the economy (experience itself, new divinity, empirical truth, general economy), the thought of Georges Bataille remains in the tradition of the metaphysics on several aspects : nudity, origin, presence, phallocentrism, dualism, domination of the literature by the truth. But in his works we can read, beyond the intention of the author, what outwits and dislocates this tradition. It is possible to pursue the two in two main aspects : experience and divinity. As for the experience, one discovers the duplication of the inside and the outside, the interplay of the nudity and the truth, the play of difference and of repetition. As for the divinity, there is multiplication of duplication, the aporia of the dualism and the totality, the play of the death. All these are at the bottom of the tradition and they are irreducible to it, opening it to the outside for its alteration
Книги з теми "Bataille, Georges (1897-1962) – Surréalisme":
Champagne, Roland A. Georges Bataille. New York: Twayne Publishers, 1998.
Michael, Richardson. Georges Bataille. London: Routledge, 1994.
Hegarty, Paul. Georges Bataille. London: SAGE Publications, 2000.
Bataille, Georges. The Bataille reader. Oxford, UK: Blackwell, 1997.
Lala, Marie-Christine. Georges Bataille: Poète du réel. Oxford: Peter Lang, 2009.
Fourny, Jean-François. Introduction à la lecture de Georges Bataille. New York: P. Lang, 1988.
Stoekl, Allan. Bataille's peak: Energy, religion, and postsustainability. Minneapolis, MN: University of Minnesota Press, 2007.
Noys, Benjamin. Georges Bataille: A critical introduction. London: Pluto Press, 2000.
1970-, Mitchell Andrew J., and Winfree Jason Kemp, eds. The obsessions of Georges Bataille: Community and communication. Albany: State University of New York Press, 2009.
Dawn, Ades, Baker Simon 1972-, Bradley Fiona, and Hayward Gallery, eds. Undercover surrealism: Georges Bataille and Documents. London: Hayward Gallery, 2006.
Частини книг з теми "Bataille, Georges (1897-1962) – Surréalisme":
Cheval, Olivier. "Bataille, Georges (1897-1962)." In Dictionnaire d'iconologie filmique, 65–70. Presses universitaires de Lyon, 2022. http://dx.doi.org/10.4000/books.pul.47393.
"BATAILLE, GEORGES (1897–1962)." In Cultural Theory: The Key Thinkers, 19–21. Routledge, 2005. http://dx.doi.org/10.4324/9780203996423-8.
Arya, Rina. "Georges Bataille (1897–1962)." In Religion and European Philosophy, 222–34. Routledge, 2017. http://dx.doi.org/10.4324/9781315642253-20.
Plotnitsky, Arkady. "Georges Bataille (1897-1962) and Maurice Blanchot (1907-)." In Introducing Literary Theories, 174–87. Edinburgh University Press, 2019. http://dx.doi.org/10.1515/9781474473637-023.
Plotnitsky, Arkady. "22. Georges Bataille (1897-1962) and Maurice Blanchot (1907-)." In Modern European Criticism and Theory, 172–85. Edinburgh University Press, 2006. http://dx.doi.org/10.1515/9780748626793-023.
Besnier, Jean-Michel. "Georges Bataille (1897-1962) : le « pur bonheur » anti-utilitariste." In Histoire raisonnée de la philosophie morale et politique, 668–72. La Découverte, 2001. http://dx.doi.org/10.3917/dec.caill.2001.01.0668.
Currie, Keith. "Not Falling Apart in the Face of Horror." In Encountering Pennywise, 93–112. University Press of Mississippi, 2022. http://dx.doi.org/10.14325/mississippi/9781496842220.003.0007.