Готові списки джерел за темами / Baronio

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Добірка наукової літератури з теми "Baronio"

Автор: Grafiati
Опубліковано: 10 березня 2023

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Статті в журналах з теми "Baronio"

1

Machielsen, Jan. "An Aspiring Saint and His Work: Cesare Baronio and the Success and Failure of the Annales ecclesiastici (1588–1607)." Erudition and the Republic of Letters 2, no. 3 (2017): 233–87. http://dx.doi.org/10.1163/24055069-00203001.

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The Annales ecclesiastici (12 vols, 1588–1607), composed by the Italian cardinal Cesare Baronio, rank amongst the most important publications of the Counter-Reformation era. Their fame earned Baronio his cardinal’s hat, while their impact on the Catholic world far exceeded that of the rival Magdeburg Centuries among Protestants. Recent scholarship has thrown new light on the aims and reception of the Annales. In particular, scholars have shown that Baronio was preoccupied more with the conversion of heretics than with their confutation, and they have demonstrated that the reception of the Annales, especially in the Iberian Peninsula, was less unanimously positive than hitherto supposed. Building on these insights, this article turns to Baronio’s much neglected authorial persona, not only as an ecclesiastical historian but also as an aspiring saint. It studies the ways in which Baronio’s own personal virtues and those of his mentor, Philip Neri, were used to present the Annales as a work of, quite literally, divine inspiration, before turning to the reception of the Annales in Catholicism’s northern borderlands. The article suggests that even there the Annales were more controversial than realized, but that ambivalence was masked by the dictates of time and place.
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2

Conley, Thomas. "Vituperation in Early Seventeenth Century Historical Studies." Rhetorica 22, no. 2 (2004): 169–82. http://dx.doi.org/10.1525/rh.2004.22.2.169.

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Abstract While insults and name-calling are no strangers to scholarly debate, exchanges between Gretser and the elder Junius, Scaliger and Petau, Casaubon and Baronio, and others in the early decades of the seventeenth century exhibit a remarkable level of bitter and insulting vituperation. The present paper presents some examples and suggests some motives for their violent rhetorical behavior
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3

Olds, Katrina B. "The “False Chronicles,” Cardinal Baronio, and Sacred History in Counter-Reformation Spain." Catholic Historical Review 100, no. 1 (2014): 1–26. http://dx.doi.org/10.1353/cat.2014.0029.

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4

Machielsen, Jan. "Sacrificing Josephus to Save Philo: Cesare Baronio and the Jewish Origins of Christian Monasticism." International Journal of the Classical Tradition 23, no. 3 (2016): 239–45. http://dx.doi.org/10.1007/s12138-016-0407-5.

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5

Bragagnolo, Manuela. "Giuseppe Antonio Guazzelli, Raimondo Michetti e Francesco Scorza Barcellona (a cura di), Cesare Baronio tra santità e scrittura storica." Laboratoire italien, no. 14 (November 13, 2014): 163–66. http://dx.doi.org/10.4000/laboratoireitalien.780.

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6

Oryshkevich, Irina. "Cesare Baronio tra santità e scrittura storica. Giuseppe Antonio Guazzelli, Raimondo Michetti, and Francesco Scorza Barcellona, eds. Studi e ricerche 29. Rome: Viella, 2012. 536 pp. €34." Renaissance Quarterly 68, no. 1 (2015): 337–38. http://dx.doi.org/10.1086/681384.

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7

Brala-Mudrovčić, Jasminka, and Željka Štrkalj. "Judita i druge žene u hrvatskim renesansnim i baroknim književnim djelima." Senjski zbornik 45, no. 1 (2018): 465–502. http://dx.doi.org/10.31953/sz.45.1.9.

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Анотація:
U radu se analizira široki spektar ženskih likova kod najpoznatijih hrvatskih renesansnih i baroknih autora. Promatranje likova vrši se s obzirom na determinante književnopovijesnog razdoblja, manire izražavanja i književne ideje ili svrhe lika unutar piščeve koncepcije svijeta. Renesansni autori su idealizirali žensku ljepotu, a barokni su je prikazali u dihotomnom obliku: kao izvor grešnosti (posljedica moralističke didaktičnosti), ali i izvor novih i smionih erotičnih imaginacija ili pak ideal duhovnih i etičkih vrlina. Uočeno je formiranje pet različitih tipova žena s obzirom na njihovu jaču realističku, simbolično-alegorijsku ili apstraktnu narav: petrarkističke gospoje, žene ratnice, dobre žene, žene bludnice i žene čarobnice. Posebno se proučio položaj Judite u promatranom korpusu. To djelo oduvijek je privlačilo pažnju književnih teoretičara, ali i jezikoslovaca jer se upravo njime hrvatska srednjovjekovna pismenost brzo transformirala u autorsku i nacionalnu literaturu.
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8

Babić, Vanda. ""Musarum chorus" Vicka Zmajevića." Croatica et Slavica Iadertina, no. 2 (January 18, 2017): 237. http://dx.doi.org/10.15291/csi.342.

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Za vrijeme studija u Rimu, Vicko je Zmajević, 1694. godine ispjevao i tiskao zbirku pjesama Musarum Chorus na latinskom jeziku, u čast Antona Zena koji je bio zapovjednik mletačke vojske. Zbirka ima 28 stranica, pisana je latinskim jezikom i do sada je neprevedena. Iako je to Zmajevićeva mladenačka rukotvorina, iako je prepuna baroknih sintagmi i kićenih izričaja, u književnom smislu zbirka svjedoči o njegovoj pjesničkoj obrazovanosti, ali i o njegovoj poetskoj nadarenosti i posebnom smislu za književna ostvarenja. U daljnjem svom životu Zmajević se nije upuštao u pjesnička stvaranja, tako da se ona svode na zbirku pjesama Musarum Chorus i na zbirku propovijedi Razgovor Duhovni (1682.). No, i s ova dva djela Zmajević nam se predstavio kao hrvatski barokni književnik iako je kasniji svoj interes za književnost iskazao praktičnom aktivnošću te se često javljao kao mecena hrvatskih pjesnika pomažući im u tiskanju njihovih djela.
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9

Pajur, Franjo. "Hilarion Gašparoti." Kaj 51, no. 5-6 (2018): 23–43. http://dx.doi.org/10.32004/k.51.5-6.3.

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Анотація:
Posljednji član pripovjedačkog trolista kajkavske barokne propovjedne književnosti – nakon Turopoljca Jurja (Habdelića) i Zagrepca Štefana – Samoborec Hilarion (Ivan) Gašparoti, pavlinski redovnik a kasnije i dopoglavar lepoglavskog pavlinskog samostana, autor je četverosveščane svetačke enciklopedije „Cvet sveteh“, najopsežnijeg djela stare kajkavske književnosti. U literaturi nalazimo dva oprečna mišljenja o njemu: 1) da je „više historik a manje pripovjedač“ (Galinec) odnosno 2) da je „rasni pripovjedač koji se predstavljao čas pod krinkom znanstvenika, a čas pod odorom propovjednika“ (Prosperov Novak) te se u radu nastoji utvrditi koja je od ovih postavki bliža istini. U Gašparotijevu je djelu, kako su pojedine usporedbe pokazale, očevidan utjecaj srednjoeuropske barokne propovjedne književnosti: katkada u doslovnom a većinom u strukturalnom smislu. U raščlambi se djela lučilo „žitke svecov“ od stanovitog broja prodeka u njemu te u „prilošku“ tj. daleko veći hagiografski dio od puno manjeg propovjednog dijela. Životopisi su svetaca inače utemeljeni uglavnom na legendama, pričama o čudima i drugim Jollesovim „jednostavnim oblicima“ koje su brojni barokni propovjednici koristili kao primjere (pelde, exempla) u svojim propovijedima i oni zapravo čine pripovjedački korpus barokne propovjedne književnosti. Gašparoti međutim kritički pristupa hagiografskoj građi i koristi samo „vredne“ pisce i „istinskeša“ djela te je zato „čudoviteh“ peldi kao i baroknog ornatusa u tom dijelu manje. Raščlamba propovijedi „Na fašenski pondelek“ iz „priloška“ pokazuje da je Gašparotijev procédé, iako nešto skromnije od Zagrepčevog, ipak barokno strukturiran: antitetičkim simbolima, kontrastnim i nekontrastnim gomilanjima itd. Glede uvodne dileme pak možemo reći da je Gašparoti posljednji veliki kajkavski barokni propovjednik a time i pripovjedač, posebice sjajnih kratkih priča.
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10

Solomon, Claire. "Baroni: A Journey." Review: Literature and Arts of the Americas 52, no. 2 (2019): 290–91. http://dx.doi.org/10.1080/08905762.2019.1681839.

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Більше джерел

Дисертації з теми "Baronio"

1

Rico, Dominguez Marcos <1979&gt. "Gadda neobarocco. Corrispondenze fra Barocco storico e Barocco moderno." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2013. http://amsdottorato.unibo.it/5516/1/Rico_Dom%C3%ACnguez_Marcos_tesi.pdf.

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Анотація:
Nei primi due capitoli mi occupo del recupero del Barocco in ambito novecentesco e delle diverse letture e interpretazioni del Barocco e del Neobarocco, concetto che nasce dalla riflessione sul Barocco lungo tutto il Novecento. Riflessione che è stata anche una rivendicazione, a livello estetico, ma non solo, di una attualità o contemporaneità del Barocco, che accomuna tutta la riflessione sulla scoperta della cultura di un secolo, da Wölfflin a Benjamin, da Riegl a Anceschi. Si tratta anche di un rapporto fra Barocco storico e Neobarocco: se la stessa rivalutazione e riscoperta dell’arte del XVII secolo, dalla fine dell’Ottocento e lungo tutto il Novecento, ha coinciso con la sua costruzione terminologica ed ermeneutica, di questa nuova categoria è lo stesso approccio intellettuale contemporaneo che può definirsi, nella più ampia accezione, «neobarocco». Nel terzo capitolo, invece, ho approfondito il rapporto fra Gadda e il Barocco, partendo dal concetto di allegoria moderna di Walter Benjamin. Fondamentale per la mia ricerca è stato il libro di Gilles Deleuze, La piega. Leibniz e il barocco, che ha visto nell’opera del filosofo Leibniz (studiato anche dal proprio Gadda) la chiave di lettura per capire il Barocco nelle sue diverse manifestazioni. E anche il libro di Robert Dombroski, Gadda e il barocco, in cui si parte appunto dal concetto di barocco/neobarocco come punto di approccio per studiare il barocco di Gadda. Infatti, lo stile di Gadda risponde al canone barocco che il poststrutturalismo ha riaccolto nel vivo del dibattito estetico, si pensi ai contributi di Roland Barthes e di Severo Sarduy e, posteriormente, all’opera proprio di Deleuze. Nell’ultimo capitolo, poi, faccio un’analisi di Gadda traduttore di opere del Seicento spagnolo, opere che vengono da lui riscritte grazie alla rielaborazione del passato attraverso il suo linguaggio neobarocco.<br>In the first two chapters I deal with the recovery of the Baroque in the twentieth-century and the different interpretations of Baroque and Neo-Baroque, a concept that arises from a reflection on the Baroque throughout the twentieth century. Reflection that was a claim on an aesthetic level, but not only, of a contemporary Baroque, which unites the whole reflection on the discovery of the culture of a century, from Wölfflin to Benjamin, from Riegl to Anceschi. It is also an historical relationship between Baroque and Neo-Baroque: it is the same appreciation and rediscovery of Baroque art, that we have from the late nineteenth and throughout the twentieth century. This has coincided with its construction, terminology and interpretation, of this new category is the same approach that contemporary intellectual can be defined in the broadest sense, “neo-baroque”. In the third chapter, I explored the relationship between Gadda and the Baroque style, starting from Walter Benjamin’s concept of modern allegory. Gilles Deleuze’s The Fold. Leibniz and the Baroque was fundamental for my research. In this book the French philosopher has studied the work of the philosopher Leibniz (also studied by Gadda himself) and he has found the key to understand Baroque in its various manifestations. Following Deleuze’s concept baroque/neo-baroque, Robert Dombroski in Gadda and the Baroque, explore the Baroque’s way of Carlo Emilio Gadda. In fact, the style of Italian writer responds to the baroque canon that poststructuralism has welcomed back into the heart of aesthetic debate. Let’s think about the contributions of Roland Barthes and Severo Sarduy and, subsequently, the work of Deleuze. In the last chapter, I do an analysis of Gadda as a translator of Spanish works of the seventeenth century, works that are rewritten by him due to the revision of the past through its neo-baroque language.
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2

Rico, Dominguez Marcos <1979&gt. "Gadda neobarocco. Corrispondenze fra Barocco storico e Barocco moderno." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2013. http://amsdottorato.unibo.it/5516/.

Повний текст джерела
Анотація:
Nei primi due capitoli mi occupo del recupero del Barocco in ambito novecentesco e delle diverse letture e interpretazioni del Barocco e del Neobarocco, concetto che nasce dalla riflessione sul Barocco lungo tutto il Novecento. Riflessione che è stata anche una rivendicazione, a livello estetico, ma non solo, di una attualità o contemporaneità del Barocco, che accomuna tutta la riflessione sulla scoperta della cultura di un secolo, da Wölfflin a Benjamin, da Riegl a Anceschi. Si tratta anche di un rapporto fra Barocco storico e Neobarocco: se la stessa rivalutazione e riscoperta dell’arte del XVII secolo, dalla fine dell’Ottocento e lungo tutto il Novecento, ha coinciso con la sua costruzione terminologica ed ermeneutica, di questa nuova categoria è lo stesso approccio intellettuale contemporaneo che può definirsi, nella più ampia accezione, «neobarocco». Nel terzo capitolo, invece, ho approfondito il rapporto fra Gadda e il Barocco, partendo dal concetto di allegoria moderna di Walter Benjamin. Fondamentale per la mia ricerca è stato il libro di Gilles Deleuze, La piega. Leibniz e il barocco, che ha visto nell’opera del filosofo Leibniz (studiato anche dal proprio Gadda) la chiave di lettura per capire il Barocco nelle sue diverse manifestazioni. E anche il libro di Robert Dombroski, Gadda e il barocco, in cui si parte appunto dal concetto di barocco/neobarocco come punto di approccio per studiare il barocco di Gadda. Infatti, lo stile di Gadda risponde al canone barocco che il poststrutturalismo ha riaccolto nel vivo del dibattito estetico, si pensi ai contributi di Roland Barthes e di Severo Sarduy e, posteriormente, all’opera proprio di Deleuze. Nell’ultimo capitolo, poi, faccio un’analisi di Gadda traduttore di opere del Seicento spagnolo, opere che vengono da lui riscritte grazie alla rielaborazione del passato attraverso il suo linguaggio neobarocco.<br>In the first two chapters I deal with the recovery of the Baroque in the twentieth-century and the different interpretations of Baroque and Neo-Baroque, a concept that arises from a reflection on the Baroque throughout the twentieth century. Reflection that was a claim on an aesthetic level, but not only, of a contemporary Baroque, which unites the whole reflection on the discovery of the culture of a century, from Wölfflin to Benjamin, from Riegl to Anceschi. It is also an historical relationship between Baroque and Neo-Baroque: it is the same appreciation and rediscovery of Baroque art, that we have from the late nineteenth and throughout the twentieth century. This has coincided with its construction, terminology and interpretation, of this new category is the same approach that contemporary intellectual can be defined in the broadest sense, “neo-baroque”. In the third chapter, I explored the relationship between Gadda and the Baroque style, starting from Walter Benjamin’s concept of modern allegory. Gilles Deleuze’s The Fold. Leibniz and the Baroque was fundamental for my research. In this book the French philosopher has studied the work of the philosopher Leibniz (also studied by Gadda himself) and he has found the key to understand Baroque in its various manifestations. Following Deleuze’s concept baroque/neo-baroque, Robert Dombroski in Gadda and the Baroque, explore the Baroque’s way of Carlo Emilio Gadda. In fact, the style of Italian writer responds to the baroque canon that poststructuralism has welcomed back into the heart of aesthetic debate. Let’s think about the contributions of Roland Barthes and Severo Sarduy and, subsequently, the work of Deleuze. In the last chapter, I do an analysis of Gadda as a translator of Spanish works of the seventeenth century, works that are rewritten by him due to the revision of the past through its neo-baroque language.
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3

MIRANDA, ARMANDO. "Corona, baroni, comunità nel Molise aragonese." Doctoral thesis, Università degli studi del Molise, 2020. http://hdl.handle.net/11695/97971.

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Анотація:
L’area regionale molisana all’alba della conquista aragonese del Regno di Napoli vedeva la presenza di una società caratterizzata da una pluralità di poteri − gravitanti attorno ai tre poli della monarchia, dei signori feudali e delle comunità locali − aventi tra loro relazioni complesse e dinamiche. La nuova dominazione determinò profondi mutamenti non solo nella titolarità dei poteri locali, ma anche, se non soprattutto, nei loro equilibri e reciproche relazioni e nei rapporti con il potere centrale. Il trittico crisi-disfacimento-riorganizzazione della rete dei poteri territoriali, delle loro reti di relazioni e dei loro equilibri reciproci e con la monarchia in un’area geografica compatta e non troppo limitata, si è prestato ad un’analisi storica che avesse come obiettivo quello di giungere ad un quadro interpretativo con valenza sovra-locale che potesse essere elemento di comparazione per il Regno di Napoli e per gli altri stati territoriali italiani. Nell’affrontare il tema considerato, si è adottato un metodo empirico-induttivo partendo dallo studio e dall’analisi degli elementi raccolti per giungere ad un modello interpretativo del fenomeno storico analizzato che si reggesse su salde fondamenta documentarie, considerando la varietà e la validità delle fonti utilizzate una condizione necessaria della ricerca. A tal fine è stato condotto uno spoglio molto ampio di fonti primarie, in gran parte inedite, prodotte direttamente dai protagonisti o da testimoni diretti: la documentazione su cui si basa questa ricerca è, infatti, tipologicamente varia e conservata in archivi e biblioteche napoletani, molisani, italiani e stranieri. Tra tutte le fonti utilizzate segnaliamo i dispacci diplomatici, i capitoli concessi dai sovrani aragonesi alle università e le lettere contenute nei registri Litterarum Partium della Regia Camera della Sommaria conservanti documentazione afferente all’età aragonese che sono stati spogliati integralmente per la prima volta. Il quadro dei rapporti tra Corona, baroni e comunità nell’età aragonese che emerge dalla ricerca rivela una monarchia che non escludeva, ma riconosceva, gli altri due poli del baronaggio e delle comunità e li chiamava ad una gestione partecipata della società politica del Regno, seppure a nuove condizioni. Possiamo quindi dire che, in generale, la cornice formale dei rapporti reciproci tra Corona, baroni e comunità restò inalterata, ma la sostanza di essi venne profondamente mutata perché mutarono profondamente gli equilibri di potere tra i tre poli a favore della monarchia. In virtù delle riforme introdotte e dell’azione combinata degli interventi diretti del re e della penetrante azione di controllo operata dalla rete dei funzionari pubblici sotto il controllo e la guida della Regia Camera della Sommaria, la Corona divenne una presenza forte e costante nella società e il potere principale e dominante, seppure evidentemente non unico e assoluto: un potere che si poneva al fianco di tutti − baroni, comunità, enti ecclesiastici e singole persone − a volte per aiutarli, altre per punirli, ma in generale per guidarli ed esser certa che facessero la loro parte nel perseguimento della pace, della giustizia e del bonum rei publice.<br>At the dawn of the Aragonese conquest of the Kingdom of Naples, in the Molise regional area a society characterized by a plurality of powers − gravitating around the three poles of the monarchy, the feudal lords and the local communities − had developed complex and dynamic relationships between all its elements. The new domination brought about profound changes not only in the formal definition of local authorities, but above all, in their balance and mutual relations, and in their relations with central power. In such a compact and not too limited geographical area, the triptych crisis-disintegration-reorganization of the network of territorial powers, their networks of relationships and their mutual balance with the monarchy, has allowed me to focus on a historical analysis aiming to elaborate an interpretative frame with super-local value that could offer elements of comparison for the Kingdom of Naples and for the other Italian territorial states. In addressing the topic considered, an empirical-inductive method was adopted: I therefore started by studying and analysing all the collected documentary data. Their variety and validity has been understood as the main and necessary ground for the research in order to build an interpretative model of the chosen historical case-study that at once was based on firm documentary foundations, and could be applied to other contexts. A very large survey of primary sources, mainly unpublished, and produced directly by the protagonists or by direct witnesses was conducted: the documentation on which this research is based on, in fact, is typologically varied and scattered in Neapolitan, Molise, Italian and foreign archives and libraries. Among all the sources used, we point out the diplomatic dispatches, the chapters granted by the Aragonese rulers to the Universities and the letters contained in the Litterarum Partium registers of the Regia Camera della Sommaria, which preserves documents relating to the Aragonese age that were completely stripped in full for the first time. The picture of the relationships between the crown, barons and communities in the Aragonese age that emerges from the research reveals a monarchy that did not exclude, but recognized, the other two poles of baronage and communities and called them to take part of the management of the political society of the Kingdom, albeit under new conditions. We can therefore say that, in general, the formal picture of reciprocal relations between the crown, barons and communities remained unchanged, but the substance of them was profoundly transformed because the balance of power between the three poles changed significantly in favour of the monarchy. By virtue of the reforms introduced by the crown and the combined action of the king’s direct interventions and the penetrating control exercised by the network of public officials under the rule and guidance of the Regia Camera della Sommaria, the monarchy became a strong and constant presence in society and the main and dominant power, although evidently not unique and absolute: a power that stood by everyone – barons, communities, ecclesiastical bodies and individuals – sometimes to help them, others to punish them, but in general to guide them and to be sure that they did their part in the pursuit of peace, justice and bonum rei publice.
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4

Prokop, Jan. "Barocco Sempre Giovane." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-177699.

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Анотація:
The diploma thesis discusses chamber ensemble from Pardubice, Barocco sempre giovane. It includes the history of ensemble, discography and abroad tours, permanent members and the founder and art manager of the ensemble Josef Krečmer, significant soloists and the other czech ensembles with the similar specialization. A special chapters deals with important festivals and musical courses which are closely connected with the ensemble. Even the repertory of the ensemble with the authentic interpretation is not missing.
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5

Fasoli, Paolo. "Gabriello Chiabrera, letterato barocco." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1995. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ28140.pdf.

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6

BALDASSARRI, ELISA. "La progettazione del vuoto barocco." Doctoral thesis, Università Politecnica delle Marche, 2008. http://hdl.handle.net/11566/243025.

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7

Maxson, Brian Jeffrey. "Hans Baron." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/2673.

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This entry briefly examines the major contributions of Hans Baron to the intellectual history of the Italian Renaissance and beyond. It emphasizes Baron’s conception of “civic humanism” and how this concept remains influential even a century after its first introduction.
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Lucey-Roper, Michelle M. "The Visio Baronti in its early medieval context." Thesis, University of Oxford, 2000. https://ora.ox.ac.uk/objects/uuid:955edffb-dab7-4cb7-8810-6e719b02231f.

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The focus of this thesis is the Visio Baronti (VB), an account of a seventh-century monk's journey to the other world. This text serves as a metaphoric fulcrum to support a more extensive study of early medieval conceptions of the other world and the historical context in which visionary accounts were produced. Chapter 1 contains an introduction to ideas of the other world, a survey of types of visionary experiences, their uses, imitations and historiographical responses to them. Chapter 2 focuses on medieval and modern responses to visions. This chapter includes a survey of the terminology for dreams and visions found in theoretical writings, compares dream theory with otherworld visions and identifies medieval methods of determining the validity of a visionary experience. Chapter 3 investigates the manuscript tradition of the VB, in order to illuminate medieval receptions and treatments of this text. Because the text appears unusual for the seventh century, chapter 4 provides an analysis of the grounds for dating the VB to the seventh century, while chapter 5 treats the VB in its seventh-century monastic context and assesses what influences shaped this text. Chapter 6 compares Barontus's vision with ninth-century visions and other Carolingian writings to consider Carolingian interest in the VB in light of their contributions to the genre. Chapter 7 examines the artistic response to this text through an examination of the illustrations which accompany the text in the ninth-century St Petersburg manuscript. A brief conclusion to this study follows.
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Serra, Eva. "Pagesos i senyors a la Catalunya del segle XVII : baronia de Sentmenat, 1590-1729 /." Barcelona : Crítica, 1988. http://catalogue.bnf.fr/ark:/12148/cb35533514b.

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Giuliani, Anna <1981&gt. "La meraviglia e il contagio. Salman Rushdie scrittore barocco." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2009. http://amsdottorato.unibo.it/2201/1/Giuliani_Anna_tesi.pdf.

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Книги з теми "Baronio"

1

Antonio, Guazzelli Giuseppe, Michetti Raimondo, and Scorza Barcellona Francesco, eds. Cesare Baronio tra santità e scrittura storica. Viella, 2012.

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Zen, Stefano. Baronio storico: Controriforma e crisi del metodo umanistico. Vivarium, 1994.

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3

Cesare Baronio e la tipografia dell'Oratorio: Impresa e ideologia. L. S. Olschki, 2005.

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Centro di studi sorani "Vincenzo Patriarca" (Sora, Italy), ed. Baronio e l'arte: Atti del convegno internazionale di studi, Sora 10-13 ottobre 1984. Centro di studi sorani "Vincenzo Patriarca", 1985.

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Luigi, Gulia, ed. Baronio e le sue fonti: Atti del Convegno internazionale di studi, Sora, 10-13 ottobre 2007. Centro di studi sorani "Vincenzo Patriarca", 2009.

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6

1942-, La Monica Giuseppe, Veneziano Antonio 1543-1593, Baronio Manfredi Francesco 1593-1654, et al., eds. Pantheon ambiguo: La Fontana Pretoria di Palermo nell'analisi formale e nel commento di Antonio Veneziano e Francesco Baronio Manfredi. S.F. Flaccovio, 1987.

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Convegno, internazionale di studi Arte e. committenza nel Lazio nell'età di Cesare Baronio (2007 Frosinone Italy and Sora Italy). Arte e committenza nel Lazio nell'età di Cesare Baronio: Atti del Convegno internazionale di studi, Frosinone, Sora, 16-18 maggio 2007. Gangemi, 2009.

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Patrizia, Tosini, ed. Arte e committenza nel Lazio nell'età di Cesare Baronio: Atti del Convegno internazionale di studi, Frosinone, Sora, 16-18 maggio 2007. Gangemi, 2009.

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9

Calvino, Italo. Baroni rebel. Elite, 2002.

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Vácha, Stanislav. Sametoví baroni. Futura, 2000.

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Частини книг з теми "Baronio"

1

Merz, Jörg Martin. "Kardinal Baronio korrigiert den Entwurf zu einem Fresko in Santi Nereo ed Achilleo." In Maraviglia. Böhlau Verlag, 2021. http://dx.doi.org/10.7788/9783412522391.211.

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2

Malesevic, Filip. "The Visibility of the Romana Ecclesia: Cesare Baronio and the Evidence of the Invisible." In International Archives of the History of Ideas Archives internationales d'histoire des idées. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91869-3_6.

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Russo, Nino, Nadia Rega, and Carlo Adamo. "Preface to the special collection in honour of Vincenzo Barone." In Vincenzo Barone. Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-34462-6_1.

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Jaccob, Madhavan, Gopalan Rajaraman, and Federico Totti. "On the kinetics and thermodynamics of S–X (X = H, CH3, SCH3, COCH3, and CN) cleavage in the formation of self-assembled monolayers of alkylthiols on Au(111)." In Vincenzo Barone. Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-34462-6_10.

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Meskaldji, Samir, Abdellah Zaiter, Lotfi Belkhiri, and Abdou Boucekkine. "A relativistic DFT study of magnetic exchange coupling in ketimide bimetallic uranium(IV) complexes." In Vincenzo Barone. Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-34462-6_11.

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Terentjevs, Aleksandrs, Eduardo Fabiano, and Fabio Della Sala. "Theoretical investigation of molecular excited states in polar organic monolayers via an efficient embedding approach." In Vincenzo Barone. Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-34462-6_12.

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Poater, Albert, and Luigi Cavallo. "Deactivation of Ru-benzylidene Grubbs catalysts active in olefin metathesis." In Vincenzo Barone. Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-34462-6_13.

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Malrieu, Jean-Paul, Hongjiang Zhang, and Jing Ma. "Is the dynamical polarization a significant part of the contribution of the triples to the correlation energy?" In Vincenzo Barone. Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-34462-6_14.

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Biancardi, Alessandro, Roberto Cammi, Chiara Cappelli, Benedetta Mennucci, and Jacopo Tomasi. "Modelling vibrational coupling in DNA oligomers: a computational strategy combining QM and continuum solvation models." In Vincenzo Barone. Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-34462-6_15.

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Ferrante, Francesco, Giampaolo Barone, and Dario Duca. "Relativistic coupled cluster calculations of the electronic structure of KrH+, XeH+ and RnH+." In Vincenzo Barone. Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-34462-6_16.

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Тези доповідей конференцій з теми "Baronio"

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Shah, Zalak, D. P. Rathaud, and Ajay Kumar Rai. "Mass Spectra of Di-baronic Systems in Charm sector." In XVII International Conference on Hadron Spectroscopy and Structure. Sissa Medialab, 2018. http://dx.doi.org/10.22323/1.310.0244.

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2

Masseron, Herve. "Meta Baron." In ACM SIGGRAPH 98 Conference abstracts and applications. ACM Press, 1998. http://dx.doi.org/10.1145/280953.289334.

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Sofian, M. Anas, Christophe Leuranguer, Noor Farahana Bt Musiran, Afiqah Fathiah Ahmad Saifuddin, Thomas Wong, and Ilen Kardani. "Optimized Platform Placement to Cover All Geological Targets in Baronia Field." In Offshore Technology Conference-Asia. Offshore Technology Conference, 2014. http://dx.doi.org/10.4043/24839-ms.

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Shilov, Valery V., and Vladimir V. Shilov. "Baron Pavel Schilling." In 2008 IEEE History of Telecommunications Conference - "From Semaphone to Cellular Radio Telecommunications". IEEE, 2008. http://dx.doi.org/10.1109/histelcon.2008.4668735.

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Ngieng, J. Nk, M. Z. Khalid, M. Edmondson, D. Skari, and R. Robinson. "Unique Gauge Structure and Other Bit Modifications Improve Drilling Efficiency of Baram, Baronia Fields." In SPE/IADC Asia Pacific Drilling Technology. Society of Petroleum Engineers, 1996. http://dx.doi.org/10.2118/36411-ms.

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Pratap, Mahendra, Zahari B. Ibrahim, and Mohd G. Karim. "Reservoir simulation study of Baronia field, offshore Sarawak, Malaysia indicates higher Reserves and OIIP." In SPE Asia Pacific Oil and Gas Conference and Exhibition. Society of Petroleum Engineers, 2000. http://dx.doi.org/10.2118/64442-ms.

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Jadid, Maharon Bin, and Mohd Fahmi Mustapah. "A Performance Review of 14 Horizontal Wells in Baronia Field After 12 Years of Production." In Latin American & Caribbean Petroleum Engineering Conference. Society of Petroleum Engineers, 2007. http://dx.doi.org/10.2118/107630-ms.

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Corsin, Julie. "Silvia Baron-Supervielle ou la poétique de l’eau." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.2933.

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L'eau, que ce soit l’océan Atlantique, le Río de la Plata ou la Seine, peuple l’imaginaire de Silvia Baron-Supervielle. Ces trois espaces ont marqué sa vie et sa littérature, depuis son départ d’Argentine jusqu’à son arrivée en France. Frontière naturelle qui la sépare de son pays d’origine, l’eau constitue également un chemin libre, sans frontière ni obstacle, qui l’amène de l’île Saint-Louis où elle habite jusqu’aux plages de Buenos Aires et à la baie de Montevideo qui hantent ses souvenirs. Le passé et le présent, le français et l’espagnol, s’unissent et se rejoignent à travers l’eau, pour construire une identité propre à l’auteur. L'eau est synonyme d’énergie créatrice dans son œuvre, et elle se transforme en une métaphore de l’écriture. L’eau sous toutes ces formes constitue une caractéristique fondamentale de son œuvre littéraire. De ses recueils à ses essais, en passant par ses romans, elle explique ce qui l’unit inlassablement à l’eau, sans pouvoir s’en éloigner, comment elle occupe toutes les strates de sa vie et participe à la création de son identité en tant que personne, en tant qu’exilée et en tant qu’auteur. Frontière, pont, espace créateur, chemin qui mène au passé, l’eau est l’objet auquel Silvia Baron-Supervielle s’identifie. Leitmotiv de son œuvre, elle lui permet d’évoquer le reste des thèmes qui lui sont chers, pour éviter selon elle, de « faire naufrage ». Il en résulte un témoignage intéressant et précieux qui s’inscrit parfaitement dans le thème « les mots et l’imaginaire de l’eau ».DOI: http://dx.doi.org/10.4995/XXVColloqueAFUE.2016.2933
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Calisi, Daniele, Maria Grazia Cianci, and Matteo Molinari. "Il sistema dei Casali Fortezza. Il caso studio di Castellaccio di Monteroni." In FORTMED2020 - Defensive Architecture of the Mediterranean. Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11395.

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The Casali Fortezza system. The case study of Castellaccio di MonteroniThe landscape of Lazio’s Tyrrhenian coasts is strongly characterized by the presence of fortifications. Parallel to them, in the interland, the baronial expansion, between the tenth and eleventh centuries, paved the way to a large-scale fortification of the Roman countryside. Along the main routes were built lookout towers, farmhouses were consolidated with defense mechanism and the first castles were constructed. The research focuses on the study of Castellaccio di Monteroni in Ladispoli, built in the fifteenth century on Roman structures and on previous constructions dating back to the period of the Baronial expansion. The Castellaccio di Monteroni is one of the few remaining examples of Casale Fortificato (Fortified Manor). It is placed on the 35th kilometer of the Via Aurelia and takes its name Castellaccio from the abandonment over the centuries and Monteroni due to the heaps of the nearby Etruscan necropolis. The main function carried out over the centuries was a resting place, a sure point of reference for couriers, travelers and pilgrims traveling along the Via Aurelia. When in the nineteenth the route of the Via Aurelia was moved to the present one the fortification fell into abandonment. The analysis of this architecture is of great interest, not only for the knowledge of the geometry of the fortifications of the Roman countryside, but also because it is one of the few remaining examples of Casale Fortificato, representing a rare medieval architectural heritage.
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Albances, Xavier, Dante Binungcal, Jan Nikko Cabula, Camilo Cajayon, and Melvin Cabatuan. "RGB-D Camera Based Anthropometric Measuring System for Barong Tagalog Tailoring." In 2019 IEEE 11th International Conference on Humanoid, Nanotechnology, Information Technology, Communication and Control, Environment, and Management ( HNICEM ). IEEE, 2019. http://dx.doi.org/10.1109/hnicem48295.2019.9072869.

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Звіти організацій з теми "Baronio"

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Rabaul, Territory of Papua New Guinea, Governor-General's (The Rt. Hon. Henry, William, Baron Forster of Lepe, PC, GCNG) visit early 1920's (photo taken by officer of Rabaul branch). Reserve Bank of Australia, 2021. http://dx.doi.org/10.47688/rba_archives_pn-001883.

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