Готові списки джерел за темами / Authenticity and mass tourism

Добірка наукової літератури з теми "Authenticity and mass tourism"

Автор: Grafiati
Опубліковано: 14 березня 2023

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Статті в журналах з теми "Authenticity and mass tourism"

1

Andimarjoko, Prihartomo. "Sustainable Perceived Authenticity in Cultural Tourism: Modeling Alsace and Bali." Academic Research Community publication 2, no. 2 (May 27, 2018): 13. http://dx.doi.org/10.21625/archive.v2i2.246.

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Cultural tourism roughly contributes to 40% of the international tourism arrivals. However, marketing for it is a dilemma between maximizing the economic return and nurturing the culture’s social functions because, in cultural tourism, a culture is a “product” to be “consumed”. Marketers need to attract the “correct” segments of cultural tourism, which have cultural motives as opposed to those of mass tourism. Research shows that attracting such segments can be done through a differentiation based on authenticity. However, in cultural tourism, authenticity is a relative and negotiable term. Perceived authenticity is more applicable than the traditional, objective authenticity. Previous research has been done to understand how authenticity is perceived by tourists but how it changes over a time remains elusive to researchers. This research focuses on the dynamics of perceived authenticity; how it changes over a time. A temporary, hypothetical model is proposed that is subject to a further seeking of variables and their relationships. The research is conducted in two stages: qualitative for building the model and quantitative for confirming it. Two cases will be built i.e. Alsace in France and Bali in Indonesia. The two regions will represent two different points on a spectrum. This research is a work in progress.
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2

Wickens, Eugenia. "The consumption of cultural experiences in city tourism." Tourism and Hospitality Research 17, no. 3 (May 2, 2016): 264–71. http://dx.doi.org/10.1177/1467358416646606.

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Whilst considerable attention has been given to the role of cultural tourism in city development and the ‘gentrification’ of inner city areas, there has been little research into the experiences of cultural tourists. Past research shows that their experience is conceptualised as a ‘pre-programmed’ product made especially for mass consumption. It is often assumed that the commoditisation of urban tourism results in ‘standardised’ city environments, loss of culture and traditions, loss of place distinctiveness and subsequent loss of ‘authenticity’. According to this line of reasoning, cultural tourists consume ‘specimens of the artificial’ which are mass produced, predictable, standardised, superficial, and hence ‘inauthentic’. The central focus of this article is the ongoing debate concerning the consumption of tourists’ cultural experiences within the context of city tourism. Issues associated with the various dimensions of ‘authenticity’ that inform cultural tourism studies are critically assessed. Finally, by way of conclusion the article offers a fresh perspective for understanding the consumption of urban experiences.
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3

Corsale, Andrea. "Jewish Heritage Tourism in Krakow. Authenticity and Commodification Issues." Tourism and Hospitality 2, no. 1 (February 27, 2021): 140–52. http://dx.doi.org/10.3390/tourhosp2010008.

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Tourism destinations located within rich and complex cultural contexts tend to offer a wide range of different experiences to visitors, spanning from standardized to more alternative ones. The quest for authenticity is central in the construction of tourism image and business, but easily raises questions related to appropriation, commercialization and trivialization. This study focuses on Jewish heritage tourism, a niche segment gradually turning into a mass tourism experience, through a qualitative research made in Krakow, Poland. Jewish-themed tourism in the area has gone through intense growth in spite of its dwindling Jewish population. As a consequence, the representation and consumption of the related heritage mostly occurs independently from the Jewish community itself and shows clear signs of commercial exploitation. The study results show that, in spite of the issues related to simplified narratives and staged practices, commodification, with its partial and functional reconstruction of the past, does not interfere with the religious or secular activities of the Jewish community, which is more pragmatically focused on present-day life.
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4

Guimarães, Pedro. "Tourism and Authenticity: Analyzing Retail Change in Lisbon City Center." Sustainability 14, no. 13 (July 2, 2022): 8111. http://dx.doi.org/10.3390/su14138111.

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Retail is one of the defining elements of urban spaces. The study of commerce is largely based on its evolution and how it relates with urban environments. Currently, with the advent of mass tourism, there has been an adjustment in the commercial fabric of the area’s most sought after by tourists. Among these latter areas, the historical centers of commerce stand out. The first objective of this research is to analyze the modern evolution of the commercial fabric of Lisbon by comparing the city center with the rest of the city. For this goal, I use a quantitative approach through the quotient location for specific retail typologies. The results show dissimilarities that are associated with the geographical location of retail, which vary according to the different retail typologies being analyzed. The second goal is based on the assumption that the mere analysis of the evolution of the retail typologies is limited in the context of tourist cities. Considering this matter, a qualitative method (photo analysis, conceptually supported by the concept of authenticity) is used. The results show the usefulness of the concept of authenticity to apprehend and discuss how retail is reacting to the tourism industry, thereby contributing to the transformation of the city center into a leisure and entertainment destination.
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5

Hájek, T. "The development potential of Czech rural areas and rural tourism." Agricultural Economics (Zemědělská ekonomika) 48, No. 12 (March 1, 2012): 559–62. http://dx.doi.org/10.17221/5368-agricecon.

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In spite of the official goals of support for rural tourism promulgated by governmental bodies, rural tourism remains a marginal phenomenon. This lack of confidence in rural tourism has relatively deep roots. The basis for this is almost of an ontological nature and consists in opposition, although subconscious, against “commodified authenticity”. Another source of this lack of confidence lies in the fact that rurality, the main attractive feature of tourism, has been substantially impaired as a result of trends in the 20th century. A third reason follows from the combination of rural tourism and mass recreation, as well as inadequate response by governmental bodies and authorities to the risks for regional stability, based on unmanaged mass tourism.
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Amado, Miguel, and Evelina Rodrigues. "Sustainable Tourism Planning: A Strategy for Oecusse-Ambeno, East Timor." Urban Science 5, no. 4 (September 28, 2021): 73. http://dx.doi.org/10.3390/urbansci5040073.

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This paper aims to explore the topic of sustainable tourism activity. The subject has emerged in the last two decades from discussions about the content of the report, Our Common Future. The decision to transform developing countries into new offerings for ecological and cultural tourism brings to the discussion the imprecise and conflicting definitions of the concept and the need to distinguish between the development of tourism, and sustainable tourism supported on the principles of sustainable development. The research reviews the environmental and social contexts of the Oecusse-Ambeno region in East Timor. It discusses the new sustainable tourism activities in the region with the need to ensure that the concept includes a strong base of perceived authenticity in the human context and the physical environment. The problems of the carrying capacity control of tourism development, and the term’s relevance to mass or conventional tourism, are strategically anticipated. The region is confronted with an offer that supports more peacefulness, and that is more aligned to the culture and the natural environment. This paper provides insight into the ways in which tourists perceive the authenticity of visitor attractions and highlights the importance of the cultural and environmental values of tourism destinations for strategic planning and marketing purposes.
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Connell, J. "Bali Revisited: Death, Rejuvenation, and the Tourist Cycle." Environment and Planning D: Society and Space 11, no. 6 (December 1993): 641–61. http://dx.doi.org/10.1068/d110641.

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Since package tourism began on a small scale at the start of the 20th century, tourism and travel to Bali have gone through a series of overlapping and interlocking phases. By the 1930s the destruction of ‘authenticity’ and the process of transformation were already apparent to some. Tourism expanded and diversified. In the 1970s world travellers, and later ‘surfies’, contributed to the distinctiveness of Kuta, a way station on the Asian overland trail. Kuta grew, drew vibrant commerce, package tours, and a new youth scene, displacing world travellers to the periphery—the ‘interior’ or ‘up country’—in search of elusive authenticity. Tourism became introspective, as the gaze of mass tourists and chic tourists focused on hotels, resorts, and each other; international, as world consumer goods displaced local products; and youthful, with the emergence of specialised package holidays, centred on action and consumption. Resort cycles were grafted onto each other in an unwieldy social and geographical synthesis, as Bali, increasingly diverse yet inconspicuous, became ‘whatever you want it to be’.
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8

Purwanto, Semiarto A., Adri Febrianto, and Popy D. Patrojani. "THE WORLD’S MOST BEAUTIFUL VILLAGE ON THE INTERNET." Journal of Southwest Jiaotong University 56, no. 4 (August 30, 2021): 470–83. http://dx.doi.org/10.35741/issn.0258-2724.56.4.42.

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The article describes the high exposure and coverage of social and mass media in a village of Pariangan in Indonesia. In 2016, an online tourism publication reported the village as one of the most beautiful villages globally. This judgment, re-broadcast by local news websites and social media users, drew the attention of villagers and government officials. The government is making plans for large-scale tourism in Pariangan while many people came to visit the village only to get disappointed because the village had few tourist facilities. We used a qualitative approach to assess whether crowd attraction in news and social media resulted both from coverage of the village and differences in the imagination of tourist areas. While the media framed its beauty, villagers thought that not much had actually changed how the media described it. Likewise, tourists visiting the village find a lack of facilities and the tourist attraction they expect to be extraordinary. We conclude that differences in political and economic interests related to traditional claims and authenticity, regional development, cultural and natural conservation, and national interests produced a diverse imagination for tourism.
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9

Poch, Esther San Sebastián, Urtzi Llano Castresana, and Ander de la Fuente Arana. "Traditional Cultural Heritage vs. Film Sceneries: Evaluating the Degree of Sustainability of Cultural Landscapes." International Journal of Design & Nature and Ecodynamics 15, no. 5 (November 10, 2020): 621–30. http://dx.doi.org/10.18280/ijdne.150502.

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Cultural tourism is a good way to promote and, consequently, safeguard the cultural heritage of sites. Film tourism is an increasingly demanded form of cultural tourism more focused on the fictional rather than on the authenticity of sites, depriving them from their true identity. This article is proposing a system of indicators of sustainable development in order to evaluate and guarantee long-term sustainability in those sites identified with traditional cultural heritage and where films have been shot. The Historic Centre of Peñíscola, which was declared a Historic-Artistic Site in 1972 and has become film scenery in numerous occasions, has been chosen to be evaluated. The union of a series of film sceneries obtained from the cinema productions that best match the local heritage, through the latter has resulted in a final cultural landscape where the degree of conciliation between them is high. Therefore, the welfare of the host society is in balance with the tourist demands, which makes the Historic Centre of Peñíscola an accurate study case that can contribute to improve a methodology we aim to extrapolate to other tourist destinations threatened by a new uncontrolled mass of tourist.
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Gregory, Jenny. "Reconsidering Relocated Buildings: ICOMOS, Authenticity and Mass Relocation1." International Journal of Heritage Studies 14, no. 2 (March 2008): 112–30. http://dx.doi.org/10.1080/13527250701844027.

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Дисертації з теми "Authenticity and mass tourism"

1

Andermo, Ani. "Revealing Georgia's Tourism Potential." Thesis, Södertörns högskola, Institutionen för naturvetenskap, miljö och teknik, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-24355.

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Although Georgia has experienced dramatic increases in the number of visitors over the past decade Swedish travellers are absent in the arrival statistics. Visitors from Eastern Europeans account for the majority of the increase in arrivals. This thesis attempts to understand what is missing in order for Swedish tourists to discover Georgia as a destination. This is done by interviewing Swedish tour operators and surveying Swedish visitors to Georgia. The results are analyzed in the framework of Leiper’s theory of destination competitiveness. A SWOT analysis is also used to structure the analysis, and the thesis suggests some benchmark measures that could be used to implement a systematic effort to improve the destination. The thesis concludes that Georgia indeed has a strong attractiveness on Swedish tourists, but that the main problems are connected with low awareness and lack of convenient transportation options. It is argued that these problems can be solved through improved marketing and entrepreneurship. Furthermore, the thesis highlights the need for Georgian destination managers to make choices today in order to shape the image of the country in the future. Georgia has a challenge to strengthen the authenticity that many travellers associate with the country, but is in a position to modernize by preserving traditions. Finally, it is argued that the results from this study are generalizable to include preferences of travellers from Western Europe in general, and therefore the study points to some significant opportunities available to Georgia.
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2

ZHANG, TING. "Deciphering urban scenic area in China and Italy among HTC system." Doctoral thesis, Politecnico di Torino, 2022. http://hdl.handle.net/11583/2972555.

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3

Bolan, Peter. "Film-induced tourism : motivation, authenticity and displacement." Thesis, University of Ulster, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.551562.

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Films or movies provide us with a window into other places that broaden our knowledge and can fuel our desire to travel. What has become known as film-induced tourism has begun to gather momentum as an area of both academic research and industry interest. However, the phenomenon is wide-ranging and according to Beeton (2005), still a largely untapped and little-understood field of tourism research. Much of the literature to date has focused on the promotional aspects and the impacts of the phenomenon with little research into the motivations of the film-induced tourists themselves. Further, films are not always shot in the place where they are portraying on screen. This has become a common occurrence and it is not unusual for a film to be made in a completely different country from that it portrays. This form of displacement creates issues of authenticity and implications as to where the tourist influenced by such a film will choose to visit. This aspect in film tourism has been mentioned briefly by authors such as Beeton (2005), Hudson and Ritchie (2006) and Shandley et al. (2006) but they have not conducted investigations themselves and to date there have been no in-depth research studies into this aspect of the phenomenon. The overall aim of this thesis was to investigate what the author has termed displacement theory within the larger phenomenon of film-induced tourism and to present a clearer understanding of the inherent implications and opportunities for economic development this may bring. Within this the author sought to examine film influence on tourist motivation, tourist views on displacement and authenticity as well as industry opinion on these matters. An interpretivistic research approach was taken utilizing the power of the internet and harnessing the use of specially created blogs to collect qualitative data. The approach was designed to extract data in depth with a select set of bloggers rather than at a superficial level across a wider number of respondents through quantitative survey work. This was then followed up by semi-structured interviews with respective tourism and film organizations throughout the UK and Ireland. Findings reveal that these issues do matter to tourists and that there are three distinct markets in existence which comprise three distinct tourist types in relation to film- induced tourism. This has enabled the author to develop a model of displacement (the first such model in this field of study) which conveys the motivational factors at play on the tourist and what is happening when displacement in film tourism occurs in relation to the three distinct markets. This is then utilized to make key recommendations as to how industry can maximize future potential from film-induced tourism, especially when displacement occurs. The thesis has covered new ground in its contribution to knowledge through addressing a gap in the film-induced tourism literature and providing new theories culminating in a newly developed model to represent what is occurring. Further contribution has been made through the use of innovative methodologies. In this case the use of specially designed blogs to gather qualitative data for the research.
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4

Garcia-Wass, Febe. "Orange juice authenticity using pyrolysis mass spectrometry." Thesis, University of Reading, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.312084.

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5

Lastrapes, Lauren. "Casa Samba: Identity, Authenticity, and Tourism in New Orleans." ScholarWorks@UNO, 2012. http://scholarworks.uno.edu/td/1456.

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ABSTRACT Casa Samba is a cultural organization and samba school that has been operating in New Orleans’ performance scene since 1986. The group has been run by an American couple, Curtis and Carol Pierre, since its inception. Their son, Bomani Pierre, has been raised in the Afro-Brazilian drumming and dance practices that Casa Samba teaches and performs. Life histories of the group’s founding family are the basis of this qualitative case study. Using the details of individual lives and the context that these details provide, this dissertation seeks answers to two key questions: How and why does an American couple run a samba school? How does Casa Samba’s presence in New Orleans shape its practices? As Carol and Curtis described their early lives and young adulthoods, it became apparent that each of them was seeking a way to remake their identities. The terrain for analyzing this search became personal authenticity, and I examine how each of the adult Pierres is on a quest for personal authenticity that begins early in their lives and continues through their creation and maintenance of Casa Samba. But the sense of personal authenticity that underwrites the Pierres’ construction of Casa Samba comes into contact with another form of authenticity, one that is external, evaluative, and also the root of New Orleans’ tourism economy. Thus, further questions arose regarding Casa Samba’s location in New Orleans and its cultural landscape. How does the tourist industry shape what is “authentic”? How is Casa Samba an “authentic” New Orleans cultural organization? In what ways is it an “authentic” representative of Brazilian carnival? In the end, authenticity may be too narrow a concept from which to understand the totality of who the Pierre family is and what Casa Samba is. For this reason, this research examines Casa Samba as a utopian project, a site of cultural belonging, and an Afrocentric venture. I propose that Curtis and Carol Pierre have drawn on their knowledge of what is valuable, meaningful, and important—that is, authentic—to produce a cultural organization that reflects their sensibilities to the fullest extent possible.
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Hodgson, Renata. "Perceptions of authenticity Aboriginal cultural tourism in the Northern Territory /." View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/32902.

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Thesis (Ph.D.)--University of Western Sydney, 2007.
A thesis presented to the University of Western Sydney, College of Business, School of Management, in fulfilment of the requirements for the degree of Doctor of Philosophy. Includes bibliographies.
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Hodgson, Renata. "Perceptions of authenticity : Aboriginal cultural tourism in the Northern Territory." Thesis, View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/32902.

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Since the 1970s there has been a growing interest in Indigenous cultures globally. In Australia, the recognition that Aboriginal art and culture represents a distinct component of Australian identity has resulted in increased promotion of Aboriginal cultures and heritage sites as unique tourist attractions, mainly since the 1990s. Research indicates that there is a significant international interest in Australian Indigenous cultures. In particular, it has been suggested that tourists want to experience ‘real’ Aboriginal culture and that they desire ‘authentic and genuine’ Aboriginal cultural experiences. Despite the fact that the concept of authenticity remains important to the different stakeholder groups of Aboriginal tourism, including tourists, tour operators and promoters as well as State/Territorial Governments, limited understanding exists as to what ‘authentic’ Aboriginal culture and, in particular, ‘authentic’ Aboriginal tourism experiences constitute in the minds of these stakeholders. Whilst an abundance of research exists that has addressed the issue of authenticity in different tourism settings, the majority of studies have treated the concept of authenticity as something given and have used quantitative tools to analyse the authentic-inauthentic binary. However, research utilising such methods has failed to uncover the different perspectives and meanings respondents may hold of the notion of authenticity. Notably, the perceptions of authenticity in Indigenous tourism have received little attention. The few existing studies on authenticity in Indigenous tourism settings have given emphasis to differing agendas, and have therefore provided only a piecemeal understanding of how authenticity is perceived and interpreted by the different stakeholders of Indigenous tourism. More importantly, research on Aboriginal hosts’ perceptions of authenticity is virtually non-existent. Yet, clarification of how tourists and hosts perceive authenticity in Aboriginal tourism is essential when addressing issues of accreditation and branding as well as key marketing objectives that aim to promote ‘authentic’ Aboriginal tourism experiences. This study seeks to address the gaps within the tourism literature surrounding authenticity in Aboriginal tourism. The aim is to understand the concept of authenticity in Aboriginal tourism from a stakeholder perspective. The study is guided by two main research questions: What are the perceptions of authenticity of tourists as well as tour providers and their employees? and Are theoretical perspectives of the notion of authenticity shared by those stakeholders? More specifically, this study investigated five important issues: 1) tourists’ perceptions of authenticity at three different Aboriginal cultural tours; 2) the perceptions of three Aboriginal cultural tour operators and their employees in regard to authenticity; 3) whether there were any discrepancies and/or similarities between the perceptions of tour operators/employees and tourists about what constitutes an authentic Aboriginal tourism experience; 4) whether any of the different theoretical perspectives of authenticity were shared by tourists and tour operators/employees; and 5) whether a conceptual framework could be developed that provides an overview of salient elements explaining the formation of perceptions of authenticity within Aboriginal cultural tourism experiences. In order to examine the research questions a qualitative research methodology grounded in the constructivist paradigm was adopted. This paradigm was chosen as it reflects the exploratory nature of the research and allows for flexibility throughout the research process. This study utilised qualitative in-depth semi-structured interviews as the primary data collection method together with participant observation. Data was collected from 92 interviews, consisting of 72 tourists and 20 employees, within three Aboriginal cultural tour companies in the Northern Territory. The three different Aboriginal cultural tours chosen for the purpose of this study were: Tiwi Tours at Bathurst Island, Manyallaluk Aboriginal Cultural Tours near Katherine and Anangu Tours at the Uluru-Kata-Tjuta National Park. The results of this research revealed that respondents hold multiple constructions of the notion of authenticity. In general, however, most respondents associated an authentic Aboriginal cultural tour experience with a genuine experience which does not feel contrived, staged or ‘plastic’. In particular, the study found that respondents’ perceptions of authenticity can be grouped into four elements. The first element consisted of the background and role of the Aboriginal tour guide, which was found to be a major factor influencing respondents’ perceptions on whether the tour was offering an authentic experience. The second element is characterised by the tourists’ search for ‘real’ and ‘genuine’ Aboriginal people. Here, respondents equated authenticity with the opportunity to visit a ‘real’ Aboriginal working community and to be able to experience Aboriginal people in an everyday setting. Respondents were found to hold preconceived notions and images in their minds as to who ‘real’ Aboriginal people are and what their ‘authentic’ lifestyle should involve. In addition, the majority of respondents defined authentic Aboriginal culture as the contemporary culture of Aboriginal people. Consequently, an authentic Aboriginal cultural tour experience was conceived in terms of gaining an insight into the contemporary lifestyle of Aboriginal people. The third element that contributed to the experience of authenticity is associated with having the opportunity to see and/or purchase authentic Aboriginal arts and crafts. Respondents perceived a product as authentic if it conformed to specific criteria, such as reflecting uniqueness and originality and being handmade by a local artist. Verification of authenticity was also generated by the shopping experience itself, for example meeting the artist and watching how the craft is produced. Finally, the fourth element in the construction of authenticity is related to tourists’ perceptions of the dance performance. Some respondents recognised this as a contrived experience that lacked ‘traditional’ authenticity, while some respondents wanted to see an authentically contrived or staged cultural performance as this was regarded as an occasion for entertainment and enjoyment. Furthermore, the findings of this study suggested that respondents generally referred to the authenticity of toured objects (object authenticity) when describing their perceptions of an authentic experience. The majority of tourists and employees employed a constructivist approach within their conceptualisation of the notion of authenticity. Only a small number of tourists appeared to hold attitudes similar to the objectivist and postmodern perspectives.
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Offeh, Francis. "Heritage tourism in the Ashanti Kingdom Ghana: Authenticity, commodification and tradition." Thesis, University of Sunderland, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.528530.

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Tetley, Sarah. "Visitor attitudes to authenticity at a literary tourist destination." Thesis, Sheffield Hallam University, 1998. http://shura.shu.ac.uk/3465/.

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Cultural tourism is assuming ever greater significance, and this study examines one particular form of this tourism whose main resource is the literary work of authors. Literary tourist destinations are places visited because of their associations with books or other literary outputs and with their authors. Such destinations are becoming increasingly popular as visitor attractions. This research examines the visitors to one well-known literary tourist destination. It examines the motivations, experiences and attitudes of the visitors as they relate to the authenticity of the destination. Although literary tourism is a significant part of both the cultural and tourism industries, it is very largely under-researched. Most concentrates on the historical emergence of literary tourist destinations. The present examination uses a case study of tourists visiting the literary tourism area of Haworth, West Yorkshire, England which was home to the literary Bronte family. The nature of the links specifically between literature, authenticity and tourism remain under-researched, with little sustained attention given to questions surrounding the authenticity of literary tourist destinations. Hence, the case study investigates visitor attitudes to the character of authenticity at the destination. Authenticity is evaluated explicitly as a social construct, and the research also questions how tourists respond to the signs or markers of literary connections. In this way, the research adds to the understanding of literary tourist destinations, visitor attitudes to authenticity, and their perceptions of, and responses to, signs as markers of authenticity. The case study is based on a social survey which comprises three different semi-structured questionnaires. While these surveys shared standard questions on motivations and authenticity, each had a distinct focus, which facilitated the assessment of visitor attitudes to a wide range of potential tourism products in the literary tourist destination. This research adds to methodological sophistication in tourism research by its innovative use of visual stimuli as a projection technique, with this method rarely being used in tourism studies. Verbal stimuli were less likely to be appropriate to explore the signs that visitors use as markers of authenticity. Consequently, photographs including key potential signs were used as a stimulus to gain insights into visitor responses. The results indicate that the literary tourist destination of Haworth attracts a broad range of visitor types, and that the different types of visitors differed in their motivations and experiences. It was found that different visitors were motivated to visit Haworth by the desire to learn and by the desire to have fun to varying degrees. Such motivations affected the extent to which they were concerned about the authenticity of the various aspects of the literary tourism product. In a similar vein, the empirical data suggests that visitors varied in the extent to which they considered their experience of the destination had been authentic, and differences also emerged between the features of the literary place that visitors used as markers of authenticity or of inauthenticity.
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Burn, David Joseph. "The mass-proper cycles of Henricus Isaac : genesis, transmission, and authenticity." Thesis, University of Oxford, 2002. http://ora.ox.ac.uk/objects/uuid:cc90b91f-1666-4a9b-8cdd-47627ac670b5.

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This study reassesses the relationship between the monumental collection of Henricus Isaac's mass-proper cycles published as the Choralis Constantinus and the composer's original massproper projects. The first section charts changing views of Isaac as a historical figure, from his time to ours. Following this, the second section pursues the implications of recent redatings of major Choralis sources with a detailed investigation of the transmission of the Choralis' s music from composer to print. This analysis suggests new views for the make-up of each of the projects known to have been compiled together in the print: the earlier theory of a Constance Common of Saints is dismissed, whilst a mass-ordinary that may have belonged to the Constance project is identified; it is suggested that Isaac's mass-propers for the Imperial court cannot easily be seen as a single project, and that some anonymous propercycles not found in the Choralis may be Isaac's and may have belonged to Imperial repertory. To shed further light on the original scopes of Isaac's mass-proper projects, the third section of this thesis investigates Isaac's non-Choralis mass-propers. Particular attention is given to the large collection of such items found in two related manuscripts from latersixteenth- century Augsburg. Examination of the context and function of these manuscripts suggests that the unica they preserve attributed to Isaac are spurious. On the other hand, consideration of the Choralis's transmission and the shape of Isaac's secure Imperial repertory suggests that some anonymous cycles in the manuscript WeimB A are Isaac's. The final part of this study re-examines the attributions and de-attributions made in the first two sections at a music-stylistic level. No conflicting evidence is found. On the contrary, all earlier suggestions are reinforced.
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Книги з теми "Authenticity and mass tourism"

1

Britta, Timm Knudsen, and Waade Anne Marit, eds. Tourism, place and emotions. Buffalo, N.Y: Channel View Publications, 2010.

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2

Bramwell, Bill, ed. Coastal Mass Tourism. Bristol, Blue Ridge Summit: Multilingual Matters, 2004. http://dx.doi.org/10.21832/9781873150702.

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3

Crouch, Stanley. The artificial white man: Essays on authenticity. New York: Basic Civitas Books, 2004.

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4

Harewood, Vincent. Sustainable rural tourism in contrast with mass tourism in Spain. London: LCP, 2002.

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5

Harrison, D., and R. Sharpley, eds. Mass tourism in a small world. Wallingford: CABI, 2017. http://dx.doi.org/10.1079/9781780648545.0000.

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6

Potter, Andrew. The Authenticity Hoax. New York: HarperCollins, 2010.

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7

Salim, Kemal, and Gaskell Ivan, eds. Performance and authenticity in the arts. New York: Cambridge University Press, 1999.

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8

Jeremy, Boissevain, ed. Coping with tourists: European reactions to mass tourism. Providence, RI: Berghahn Books, 1996.

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9

Aus der Region--für die Region: Konzepte für einen Tourismus mit menschlichem Mass. Wien: Deuticke, 1997.

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10

Potter, Andrew. The authenticity hoax: How we got lost finding ourselves. [New York]: Harper/HarperCollins, 2010.

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Більше джерел

Частини книг з теми "Authenticity and mass tourism"

1

Wang, Ning, and Juergen Gnoth. "Authenticity." In Encyclopedia of Tourism, 70–73. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-01384-8_13.

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Wang, Ning, and Juergen Gnoth. "Authenticity." In Encyclopedia of Tourism, 1–4. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-01669-6_13-1.

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3

Sharpley, Richard. "Tourism and authenticity." In Tourism, Tourists and Society, 221–47. Fifth edition. | New York : Routledge, 2018. | "Fourth edition published by Elm 2008.": Routledge, 2018. http://dx.doi.org/10.4324/9781315210407-9.

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4

Meethan, Kevin. "Authenticity and Heritage." In Tourism in Global Society, 90–113. London: Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-1-349-87747-8_5.

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5

Arbogast, Douglas, Jason Kozlowski, and Daniel Eades. "Tourism, authenticity, and craft beer." In Agritourism, Wine Tourism, and Craft Beer Tourism, 173–91. Abingdon, Oxon; New York: Routledge, 2020. | Series: The dynamics of economic space: Routledge, 2020. http://dx.doi.org/10.4324/9780429464102-13.

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6

Slocum, Susan L., Abena Aidoo, and Kelly McMahon. "Mass tourism." In The Business of Sustainable Tourism Development and Management, 109–32. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781351031066-6.

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7

Fang, Wei-Ta. "Mass Tourism." In Tourism in Emerging Economies, 45–73. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-2463-9_3.

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8

Zuelow, Eric G. E. "Mass tourism." In A History of Modern Tourism, 165–79. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-0-230-36966-5_11.

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9

Naumov, Nikola, and David Green. "Mass tourism." In Encyclopedia of Tourism, 594–95. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-01384-8_378.

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10

Naumov, Nikola, and David Green. "Mass tourism." In Encyclopedia of Tourism, 1–2. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-01669-6_378-1.

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Тези доповідей конференцій з теми "Authenticity and mass tourism"

1

Ramsina, Snezhana. "Integration of Public and Private Aspects in Business Models 4.0 of the Tourism Market." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-58.

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Анотація:
The current digital opportunities that have spawned the upgrade of the business versions of tourism and hospitality have been actualised due to the hard-to-predict pandemic nature of the COVID-19 coronavirus threat and travel bans. In Business Model 4.0. the usual forms of the relationship between the public (institutional) and the private, individual in tourism and hospitality are transformed. Research objective: to characterise the integration capabilities of automated (AI-based) travel industry business processes that personalise the tourism offers to the needs and preferences of travel lers and guests. The value-based marketing 4.0 approach, supplemented by structural, network and functional approaches to the analysis of the structure, multi-level, dynamics of commercial opportunities, consumer value of business models of organisation and the implementation of tourism products, allowed the integration possibilities of Internet services in satisfying individualised consumer demands to be satisfied. Soft culture blurs the boundaries between the public and the personal, making actors’ informational behaviour transparent, transforming existing business strategies, and giving rise to ‘mass individuality’ in tourism and hospitality. The forms of correlation between the public (group, communal) and the private, individual in the practice of tourist services at all stages of a tourist trip or guest visits to HoReCa enterprises change under the influence of BigData technologies regarding operational processes; modelling and forecasting strategies; horizontal and vertical integration. The marketplace is won by those who practise personalisation, customisation and marketing authenticity of the market offer distributed on the P2P network. The basis of a stable competitive advantage of a company able to create a unique customer value in the tourism and hospitality market is represented by predictive or prognostic analytics of big data and smart technologies.
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2

I., Makaruk. "NATIONAL AUTHENTICITY OF VOLYN CUISINE." In TOURISM OF THE XXI CENTURY: GLOBAL CHALLENGES AND CIVILIZATION VALUES. Київський національний торговельно-економічний університет, 2020. http://dx.doi.org/10.31617/k.knute.2020-06-01.70.

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3

Mijoč, Josipa, Suzana Marković, and Jasna Horvat. "THE ROLE OF LOCAL AUTHENTICITY IN FORMING TOURISTS' INTENTIONS." In Tourism in Southern and Eastern Europe 2017: Tourism and Creative Industries: Trends and Challenges. University of Rijeka, Faculty of Tourism and Hospitality Management, 2017. http://dx.doi.org/10.20867/tosee.04.46.

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4

"Re-criticism of Tourism Authenticity Based on Popper's Falsificationism." In 2018 International Conference on Culture, Literature, Arts & Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icclah.18.065.

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5

Doganer, S., and W. Dupont. "Cultural heritage tourism and authenticity: San Antonio Missions Historic District." In STREMAH 2013. Southampton, UK: WIT Press, 2013. http://dx.doi.org/10.2495/str130021.

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6

Holešinská, Andrea, and Martin Šauer. "Economic transition and tourism development – mass tourism in Prague." In XXI. mezinárodní kolokvium o regionálních vědách. Brno: Masarykova univerzita, 2018. http://dx.doi.org/10.5817/cz.muni.p210-8970-2018-65.

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7

M., Kravchenko, Fedorova D., and Perepylytsya M. "NATIONAL CULINARY AUTHENTICITY OF UKRAINE AS THE PROPERTY OF THE NATION." In TOURISM OF THE XXI CENTURY: GLOBAL CHALLENGES AND CIVILIZATION VALUES. Київський національний торговельно-економічний університет, 2020. http://dx.doi.org/10.31617/k.knute.2020-06-01.53.

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8

Peng, Hongxia, Xianhao Xu, and Wen Chen. "Tourism Supply Chain Coordination by Tourism Websites." In 2011 International Conference on Management and Service Science (MASS 2011). IEEE, 2011. http://dx.doi.org/10.1109/icmss.2011.5998772.

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9

Ivars, J. A., M. A. Celdrán, A. Triviño, and J. F. Vera-Rebollo. "Tourist mobility at coastal mass destinations: implications for sustainability." In SUSTAINABLE TOURISM 2016. Southampton UK: WIT Press, 2016. http://dx.doi.org/10.2495/st160111.

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10

Markova, Anna. "THE TOURIST BLOG: BETWEEN PERSONAL TRAVELOGUE AND COMMUNICATION FOR VALORISING CULTURAL HERITAGE." In TOURISM AND CONNECTIVITY 2020. University publishing house "Science and Economics", University of Economics - Varna, 2020. http://dx.doi.org/10.36997/tc2020.65.

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Анотація:
In the context of the specifics of tourism discourse and communication through blogs, the paper presents an analysis of the image of the cultural heritage of the municipality of Kazanlak in 30 publications in French-language tourist blogs from the last ten years. The various discursive strategies and linguistic tools that can be identified in these texts are explored through the prism of their contribution to structuring a presentation that goes beyond the story of personal travel and emphasizes authenticity, identity and axiological charge, aesthetic value and the invitation to discover alterity in the described tangible and intangible cultural heritage. Elements that bring the discourse thus constructed closer to a communication that valorises cultural property. Thus, beyond the possibility of outlining the image of cultural heritage perceived by the foreign tourist, useful with a view to the efforts to promote it, the issue of the foreign tourist blog as a potential interesting component of communication campaigns in the field of cultural tourism deserves attention.
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Звіти організацій з теми "Authenticity and mass tourism"

1

Nelson, Jordan. Issues of Authenticity in Small Scale Tourism: A Study of the McDisney Experience. Portland State University Library, January 2014. http://dx.doi.org/10.15760/honors.35.

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2

Iatsyshyn, Anna V., Valeriia O. Kovach, Yevhen O. Romanenko, Iryna I. Deinega, Andrii V. Iatsyshyn, Oleksandr O. Popov, Yulii G. Kutsan, Volodymyr O. Artemchuk, Oleksandr Yu Burov, and Svitlana H. Lytvynova. Application of augmented reality technologies for preparation of specialists of new technological era. [б. в.], February 2020. http://dx.doi.org/10.31812/123456789/3749.

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Анотація:
Augmented reality is one of the most modern information visualization technologies. Number of scientific studies on different aspects of augmented reality technology development and application is analyzed in the research. Practical examples of augmented reality technologies for various industries are described. Very often augmented reality technologies are used for: social interaction (communication, entertainment and games); education; tourism; areas of purchase/sale and presentation. There are various scientific and mass events in Ukraine, as well as specialized training to promote augmented reality technologies. There are following results of the research: main benefits that educational institutions would receive from introduction of augmented reality technology are highlighted; it is determined that application of augmented reality technologies in education would contribute to these technologies development and therefore need increase for specialists in the augmented reality; growth of students' professional level due to application of augmented reality technologies is proved; adaptation features of augmented reality technologies in learning disciplines for students of different educational institutions are outlined; it is advisable to apply integrated approach in the process of preparing future professionals of new technological era; application of augmented reality technologies increases motivation to learn, increases level of information assimilation due to the variety and interactivity of its visual representation. Main difficulties of application of augmented reality technologies are financial, professional and methodical. Following factors are necessary for introduction of augmented reality technologies: state support for such projects and state procurement for development of augmented reality technologies; conduction of scientific research and experimental confirmation of effectiveness and pedagogical expediency of augmented reality technologies application for training of specialists of different specialties; systematic conduction of number of national and international events on dissemination and application of augmented reality technology. It is confirmed that application of augmented reality technologies is appropriate for training of future specialists of new technological era.
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