Готові списки джерел за темами / Aunt’s Story

Добірка наукової літератури з теми "Aunt’s Story"

Автор: Grafiati
Опубліковано: 10 грудня 2022
Оновлено: 28 січня 2023

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Статті в журналах з теми "Aunt’s Story"

1

Muhamed, Asaad Faqe. "Significant Relationship in Patrick White’s The Aunt’s Story." International Journal of Literature and Arts 2, no. 6 (2014): 15. http://dx.doi.org/10.11648/j.ijla.s.2014020601.13.

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Riem Natale, Antonella. "Theodora as an Unheard Prophetess in Patrick White’s The Aunt’s Story." Le Simplegadi, no. 16 (November 2016): 37–49. http://dx.doi.org/10.17456/simple-41.

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John Beston. "Going into Dreamland: From Lewis Carroll’s Alice in Wonderland to Patrick White’s The Aunt’s Story." Antipodes 29, no. 2 (2015): 343. http://dx.doi.org/10.13110/antipodes.29.2.0343.

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4

Richardson, Heather. "Waving at Soldiers." European Journal of Life Writing 4 (July 19, 2015): C7—C18. http://dx.doi.org/10.5463/ejlw.4.158.

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Анотація:
For most writers the first experience of narrative comes from within the family. Facts, opinions, distortions and – very occasionally – truth, are shaped into family stories. A first-time memoirist such as myself has to acknowledge her own unreliability as a narrator, and must unpick real from false memory, the accidently misremembered from the downright lie. In this piece I chart the uncomfortable experience of remembering and writing about growing up during the Northern Irish ‘Troubles’, focusing on the life and death of my Aunt’s husband. He was a British soldier serving in Northern Ireland during the worst years of the Troubles in the early 70s and latterly a constable in the Royal Ulster Constabulary (RUC). From their peculiar wedding in my parents’ front room to his death in a car crash five years later, exploring his story has confronted me with the long-denied impact of the Northern Irish conflict on my practice as a writer and teacher of creative writing. This article was submitted to the European Journal of Life Writing on 20 April 2015 and published on 19 July 2015.
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Vanagaitė, Gitana. "Uncles and Aunts by Vaižgantas in Literary History, Cinema and Theatre." Colloquia 41 (December 20, 2018): 51–71. http://dx.doi.org/10.51554/col.2018.28670.

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In the article, by combining several theoretical accesses (narratology, intermediality and hermeneutics), the author analyzes Uncles and Aunts (Dėdės ir dėdienės) – the long story by Vaižgantas which is accounted for literary classics, and also its theatre and cinema versions: the film That Cursed Humility (Tas prakeiktas nuolankumas) and two theatre productions of the same title. She raises the following questions: what kind of canon of reading and comprehending Vaižgantas’ story has been circulating in the culture circle, and how have the film and performances been affecting this canon?Another question in the article is related to the relations between literary / cinema / theater texts. Both the film and theatre performances have explicit references to the story by Vaižgantas, as if recognizing the original, or authorly, status of this story. However, in spite of the relationship establishing this hierarchy, the film version and theatre productions, which took place in different historical-political times, regarded the ideological specificity of their times rather than the axiological plane of the story that claims versatility (except the production directed by Regina Steponavičiūtė). Perhaps, that is why today there is still no solid canon of reading / comprehending Uncles and Aunts, which would be required by the literary classics standard. On the one hand, this proves the openness and versatility of the messages of the story by Vaižgantas, which is strongly related to the specificities of a certain period of time – the serfdom. On the other hand, this once again questions the concept of dialogue proposed by adaptation theories, on the basis of which the artistic hierarchy should be rejected and the cinema / theatre text perceived independently.
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Moyano, Daniel. "Aunt Lila." Index on Censorship 17, no. 5 (May 1988): 120. http://dx.doi.org/10.1080/03064228808534459.

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Nowak, Tomasz Łukasz. "Przez język ukrycia po słowo na „g”. Kim są bohaterowie czasów queer before gay?" Poznańskie Studia Slawistyczne, no. 16 (August 14, 2019): 193–208. http://dx.doi.org/10.14746/pss.2019.16.11.

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Who (and what) was silent about the story told by heteronormative society? And how is the fragment of this story seen by “Others”? The article shows that the time of “queer before gay” includes (in Polish) not only well-known names such as: aunt or pedal, but also slang: ‘lala’ (doll), ‘przyjaciółki’ (friends), ‘siostry’ (sisters in Polish, girls in English), gays “from the outside of society”, as well as heterosexuals who got a ticket to the alternative world of the excluded. I tell this story from the perspective of the performative function of language (Althusser, Austin, Butler) and mechanisms of knowledge/power (Foucault). I focus on the activities of homosexual men encoded in their “hiding language” (sociopolitan gay). I show how the creation of the “homosexual” identity closed the community of aunts and pedals in a precisely defined form. And how camp and queering reality allowed them to function in this form. This article is thus another element of decoding the so-called language of concealment, so-called sociolect of Polish gays (aunts and pedals) and queering history of Poland (part of the queering history of Central and Eastern Europe).
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Mishne, Laura, Erica Warner, Brandon Willis, and Robert Shomaker. "Breaking Down Barriers: Student Experiences of the Inside-Out Prison Exchange Program." Undergraduate Journal of Service Learning & Community-Based Research 1 (November 22, 2012): 1–14. http://dx.doi.org/10.56421/ujslcbr.v1i0.87.

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The majority of the incarcerated population will be released back into society, so why isn’t society helping to reintegrate ex-prisoners and advocate for them? How can society better understand who is incarcerated when the media floods us with violent images of the incarcerated population and primarily blames African Americans for most crimes? The citizens society incarcerates are fathers, mothers, brothers, sisters, uncles, and aunts, yet the prison facilities are often miles away from their families, creating hardship and alienation. Members of society usually only hear one side of the story (from mass media outlets), but what if members of society could hear the other side of the story from incarcerated individuals themselves?
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Vanagaitė, Gitana. "Vaižgantas in Lithuanian Schools." Colloquia 47 (June 1, 2021): 55–75. http://dx.doi.org/10.51554/coll.21.47.04.

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The author of the article examines the representation of Juozas Tumas - Vaižgantas’s biography and works in gymnasium literature curricula and textbooks from 1916 to the present day. The focus is on the canonical short story “Dėdės ir dėdienės” [Uncles and Aunts], highlighting its place in gymnasium literature curricula and the semantic-interpretive points of reference in literature textbooks.The research had revealed that Vaižgantas was included in gymnasium literature curricula in the second decade of independence of Lithuania, when the state was already being established and the opportunities for the creation of a national education system opened up. The gymnasium curricula in interwar Lithuania included a number works by Vaižgantas: extracts from “Pragiedruliai” [Cloud Clearing], impressions, journalistic articles, and fragments of the short story “Uncles and Aunts.” Vaižgantas’s stories were studied in lower and upper grades. Only starting in 2002, they were no longer part of the lower secondary school curricula.Even before World War I, excerpts from Vaižgantas’s works entered various reading books (earlier than gymnasium curricula). Soon after the publication of author’s main works, “Cloud Clearing” and “Uncles and Aunts,” Vaižgantas was added in school curricula as an important 20th century Lithuanian author. His reception in literary science and Lithuanian school went hand in hand, as the major academic studies of Vaižgantas’s works appeared after his death. Undoubtedly, the school played the role of preserving or memorializing Vaižgantas’s life and works, and to some extent began the process of canonizing his oeuvre.The ideologies of different political periods led to distinct idea- and value-based points of reference for reading the Vaižgantas’s biography and works, which prevented the creation of a solid approach to perception and interpretation of his oeuvre that was binding on the canon. The obligatory ideological interpretation in the Soviet period overshadowed the aesthetic dimension of writer’s works; even though it was this dimension that had guaranteed constant renewal and change of Vaižgantas’s works in the literary canon.
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Karpinchuk, Halyna. "Genealogy of Shevchenko’s mother Kateryna Boyko." Академічний журнал "Слово і Час", no. 3 (March 30, 2019): 3–26. http://dx.doi.org/10.33608/0236-1477.2019.03.3-26.

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The article explores the genealogy of Shevchenko’s mother Kateryna Boyko based on archival materials of the Central State Historical Archive of Ukraine in Kyiv, the State Archive of Kyiv Region and the State Archive of Cherkasy Region. The author investigated this family tree starting from the end of the 18th century and until 1859, when Shevchenko visited Ukraine for the last time. In particular, the history of the poet’s family in connection with his grandfather Omelian Boyko was analyzed. The assumption that family line of Shevchenko’s mother originates from Carpathian rebel and contemporary of Oleksa Dovbush Ivan Boyko was rejected. Some details about the closest relatives of T. Shevchenko, namely his uncle Pavlo, aunts Dariya, Yevdokiya and Anna, have been clarified. Information about two unknown writer’s aunts Varvara and Motria has been found. The assertion that the mother’s family line lacked descendants was refuted. The surnames in marriage of the five Shevchenko’s aunts, having maiden surname Boyko, have been determined. They were Varvara Kryvenko, Motria Zavaliy, Dariya Diachenko, Yevdokiya Diadenko, Hanna Shkurup. By now we have information about forty nine poet’s cousins, seventy four nephews and three great-grandchildren of his aunts. The comprehensive analysis of the archival materials allows the researcher to deny the existence of Ahafiya Yakymivna Boyko, the alleged poet’s mother according to some media reports. The article also refers to the administrative structure, nature and geography of the village Moryntsi in the first half of the 19th century. The life of Ukrainian peasants is discribed based on the story “Kniahynia” (“Princess”) by T. Shevchenko as well as archival documents and research works by V. Hrabovetskyi, V. Orlyk, L. Pohylevych, O. Stepanyshyna.
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Дисертації з теми "Aunt’s Story"

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Plush, Vincent Patrick. "Music in the life and work of Patrick White." Thesis, 2017. http://hdl.handle.net/2440/113616.

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Arguably, Patrick White (1912-1990) is Australia’s best known and most celebrated writer. In a working life spanning almost seven decades, he produced twelve novels, eight produced plays, three books of short stories and several collections of poetry, as well as several film scripts (only one of which was produced during his lifetime), countless essays and possibly around 5,500 letters. This study traces the role of music in White’s life, and details the extent to which music played a part in his literary praxis, both at the narrative level, and as a structural framework. A survey of White’s exposure to, and subsequent embrace of music over the course of his life is followed by a critical overview the extent to which music shaped four significant works. These case studies comprise three published novels – The Aunt’s Story (1948), Voss (1957) and The Vivisector (1970) – as well as an unpublished film script – The Monkey Puzzle (1978). Together, they represent four distinct periods of his creative life and exemplify not simply the growing importance of music in his creativity, but the maturation of his musical tastes and knowledge of music.
Thesis (Ph.D.) -- University of Adelaide, Elder Conservatorium of Music, 2018
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Daniels, Leona J. "Grannies, aunties, mothers and daughters, all the skeletons are out : a story of truth and healing." Thesis, 2005. http://hdl.handle.net/1828/1855.

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This thesis is a bridge to healing Between my grandmothers who have gone on before me And me and my daughter I've been told that I have a keen ability to expose and look at both sides of the story. No matter how ugly the truth may look I am likely to name it, voice it and admit it. This thesis looks at both sides of an Aboriginal adoption and reconnecting story. By both sides I do not mean the sides of the government and First Nations people. I will not give the government such pleasure to voice their opinion to my story. I will tell the sides of the stories of women who have been affected by the adoption scoops. The women, connected through genetics and sisterhood, all have similar roots but different stories. Different stories with different truths.
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Книги з теми "Aunt’s Story"

1

White, Patrick. The aunt's story. North Sydney, N.S.W: Vintage, 2008.

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Patrick, White. The aunt's story. London: Vintage, 1994.

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3

Beiler, Anne. Auntie Anne: My story. Gap, PA: Auntie Anne's, Inc. Publications, 2002.

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4

1832-1888, Alcott Louisa May, ed. Jo's story. New York, N.Y: Delacorte Press, 1997.

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5

Margaret, Mahy. My wonderful aunt: Story 1. London: Heinemann Educational Books, 1987.

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6

Storm bird. New York: Farrar, Straus, Giroux, 1987.

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7

A family story. New York: Greenwillow Books, 1987.

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8

Tenorio-Coscarelli, Jane. The piñata quilt: Story, quilt pattern, piñata project. Murrieta, Calif: 1/4 Inch Pub., 1999.

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9

Tripp, Valerie. Happy birthday, Kit!: A springtime story, 1934. Middleton, WI: Pleasant Company Publications, 2001.

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Tripp, Valerie. Happy birthday, Kit!: A springtime story, 1934. Middleton, WI: Pleasant Company Publications, 2001.

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Частини книг з теми "Aunt’s Story"

1

Nünning, Ansgar. "White, Patrick: The Aunt's Story." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17366-1.

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2

McVeigh, Jane. "Birth of Auntie and the Story of a Marriage." In Richmal Crompton, Author of Just William, 89–100. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-96511-2_7.

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"Stormy Verbs." In On My Aunt’s Shallow Grave White Roses Have Already Bloomed, 113–28. Yale University Press, 2018. http://dx.doi.org/10.12987/9780300240467-014.

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"43 Xi-feng Squeezes Aunt Zhou and Aunt Zhao for Her Party; Bao-yu Makes an Offering to Golden." In A Companion to The Story of the Stone, 93–94. Columbia University Press, 2021. http://dx.doi.org/10.7312/alpe20002-046.

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Lounsberry, Barbara. "Adept Sailing before the Storm." In Virginia Woolf, the War Without, the War Within, 68–100. University Press of Florida, 2018. http://dx.doi.org/10.5744/florida/9780813056937.003.0003.

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Woolf's next two diary books, her 1932 diary and her 1933–34 diary, help her to navigate the difficult strait between the outer and the inner conflicts. She needs these diaries’ support, for, as the gathering outer storm forms, she faces both the strains of her inner artistic self and the loss of her friends. In late November of 1933, she consciously turns from the troubling outer world to the dual-voiced diary of Katherine Bradley and Edith Cooper, the aunt and niece verse dramatists who published together under the name Michael Field. There, she finds not only lesbian playwrights and their trials but also the word “outsiders.” In February 1934, her response to a famous travel diary—Arthur Young’s Travels in France during the years 1787, 1788, 1789—shows her recoil from war.
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"61 Fivey Is Accused of Theft; Chess Tries to Replace Cook Liu with Her Own Aunt." In A Companion to The Story of the Stone, 129–30. Columbia University Press, 2021. http://dx.doi.org/10.7312/alpe20002-064.

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"25 Jia Huan and Aunt Zhao Exact Their Revenge; the Monk and the Taoist Come to the Rescue." In A Companion to The Story of the Stone, 55–56. Columbia University Press, 2021. http://dx.doi.org/10.7312/alpe20002-028.

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"60 The Ex-Actresses Gang Up to Assault Aunt Zhao; Parfumée Tries to Help Fivey Join Bao-yu’s Staff." In A Companion to The Story of the Stone, 127–28. Columbia University Press, 2021. http://dx.doi.org/10.7312/alpe20002-063.

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Long, Kathryn T. "An Invitation to Meet Dayomæ’s Kin." In God in the Rainforest, 80–96. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190608989.003.0006.

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This chapter covers the growing importance of the missionary-Waorani story among American evangelicals and events in Ecuador that led to an invitation for Rachel Saint, Elisabeth Elliot, and Elliot’s three-year-old daughter, Valerie, to visit Dayomæ’s extended family, the Wao kinship group that had killed the five missionaries. In the US, donations poured in to the Five Missionary Martyrs Fund, an account established for the widows and their children. The widows clashed with the three-man board who administered the fund, a conflict exacerbated by mid-twentieth-century gender norms. After Rachel Saint and Dayomæ returned to Ecuador from the US, gender norms also contributed to concerns over missionary women attempting to contact a group that had speared the five men. However, Dayomæ served as a cultural broker; Mintaca and Mæncamo were Dayomæ’s aunts; and the three Wao women made an exploratory trip to ensure that their family members would not kill.
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Bumble, Anna Petrov. "Ann Charney Dobryd." In Polin: Studies in Polish Jewry Volume 15, 509–12. Liverpool University Press, 2002. http://dx.doi.org/10.3828/liverpool/9781874774716.003.0043.

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This chapter considers Ann Charney’s Dobryd, a memoir with a profound treatment of the aftermath of the Holocaust. Reported from a child’s point of view, the narrative provides a glimpse into the deepest workings of Charney’s psyche from the age of 3 until the age of 10. Though not a feminist fable, Dobryd is a story in which all the protagonists — Charney, her mother, and her aunt — are women who struggle and succeed on their own during the war and in the chaos of post-war Poland. Named after a Polish town near Lviv, the memoir encompasses the lives of members of three generations of a Jewish family as they and their community suffer through the horrors of the Holocaust. The story follows family members over a period of about forty years, penetrating deep into their inner world.
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