Добірка наукової літератури з теми "Artistes – France – Biographies"
Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями
Ознайомтеся зі списками актуальних статей, книг, дисертацій, тез та інших наукових джерел на тему "Artistes – France – Biographies".
Біля кожної праці в переліку літератури доступна кнопка «Додати до бібліографії». Скористайтеся нею – і ми автоматично оформимо бібліографічне посилання на обрану працю в потрібному вам стилі цитування: APA, MLA, «Гарвард», «Чикаго», «Ванкувер» тощо.
Також ви можете завантажити повний текст наукової публікації у форматі «.pdf» та прочитати онлайн анотацію до роботи, якщо відповідні параметри наявні в метаданих.
Статті в журналах з теми "Artistes – France – Biographies"
Burns, Emily C. "Circulating Regalia and Lakȟóta Survivance, c. 1900." Arts 8, no. 4 (October 31, 2019): 146. http://dx.doi.org/10.3390/arts8040146.
Повний текст джерелаOrtiz, Roberto José. "Aristocratic Rebellion: Ruben Darío and the Creation of Artistic Freedom in the World-System." Journal of World-Systems Research 21, no. 2 (August 31, 2015): 339–61. http://dx.doi.org/10.5195/jwsr.2015.6.
Повний текст джерелаLyubomudrov, Alexei M. "“You Have a Lot of Soul, This Is the Main Thing for Creativity.” The Correspondence between Ivan Shmelyov and Leonid Zurov (1928–1929)." Studia Litterarum 8, no. 3 (2023): 256–79. http://dx.doi.org/10.22455/2500-4247-2023-8-3-256-279.
Повний текст джерелаIvonina, Liudmila. "The Diplomatic Career of the English Poet Matthew Prior." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, no. 5 (November 2023): 96–107. http://dx.doi.org/10.15688/jvolsu4.2023.5.7.
Повний текст джерелаLeroy, Fabrice. "Painting the Painter." European Comic Art 5, no. 2 (December 1, 2012): 8–22. http://dx.doi.org/10.3167/eca.2012.050202.
Повний текст джерелаGarb, Tamar, and Charlotte Yeldham. "Women Artists in Nineteenth-Century France and England: Their Art Education, Exhibition Opportunities and Membership of Exhibiting Societies and Academies, with an Assessment of the Subject Matter of Their Work and Summary Biographies." Woman's Art Journal 8, no. 1 (1987): 45. http://dx.doi.org/10.2307/1358341.
Повний текст джерелаIvanyshyn, Petro. "NATIONAL AND SOCIAL IMPERATIVES OF IVAN FRANKO IN THE INTERPRETATION OF LUKA LUTSIV." Polish Studies of Kyiv, no. 35 (2019): 161–66. http://dx.doi.org/10.17721/psk.2019.35.161-166.
Повний текст джерелаKholodynska, Svitlana. "Transformational processes within french existentialism development." Bulletin of Mariupol State University Series Philosophy culture studies sociology 12, no. 23 (2022): 155–65. http://dx.doi.org/10.34079/2226-2849-2022-12-23-155-165.
Повний текст джерелаKuang, Lanlan. "Staging the Silk Road Journey Abroad: The Case of Dunhuang Performative Arts." M/C Journal 19, no. 5 (October 13, 2016). http://dx.doi.org/10.5204/mcj.1155.
Повний текст джерелаDabek, Ryszard. "Jean-Luc Godard: The Cinema in Doubt." M/C Journal 14, no. 1 (January 24, 2011). http://dx.doi.org/10.5204/mcj.346.
Повний текст джерелаДисертації з теми "Artistes – France – Biographies"
Rogerat, Marie-Claude. "L'artiste : des représentations, un mythe : étude de l'évolution des représentations de l'artiste au XXème siècle dans la société française, vue à travers les biographies de peintres." Besançon, 2003. http://www.theses.fr/2003BESA1013.
Повний текст джерелаThis research work is based upon the study of Van Gogh's, Lautrec's and Monet's biographies. It aims to bring to light the process of setting up of the collective representations people have towards artists. The artist ist mostly regarded as an outstanding, mythical character : this image is being widely spread and leans on the oldest myths and on the 19th century's literature as well. Those lives, conveyors of myth and of sacred, seem to focus the needs of a world in quest of concrete marks, but in quest of dream and imaginativeness too, those marks being the architects of social relationship inside an individualistic, unmoved and anomic society. The purpose of this research is to reveal how one society, during one definite period, can built an image of the artist, according to the values and the ideology which enliven it. An historical study about biographies of artists, added to an analytic work about both contend and form of the stories enable to get to the knowledge of those values
Ueda, Yasushi. "Pierre-Joseph-Guillaume Zimmerman (1785-1853) : l’homme, le pédagogue, le musicien." Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040204.
Повний текст джерелаBorn as the eldest son of a piano manufacturer, Pierre Joseph Guillaume Zimmerman (1785-1853) was one of the piano promoters in the first half of the nineteenth century, this can clearly be seen from his activities as a piano virtuoso, educator, composer and socialite. His unique role consisted of his dual occupation as a successor to Cherubini in academic composition, and also his role as a passionate supporter of the modernization of the piano. This thesis is a monographic study of Zimmermann, and explores the multiple aspects of the activities in which the musician became famous for in different periods of his life. In the first part, I discuss his origins and his life before 1831. I discuss his studies at the Conservatoire, his first pedagogical contributions, his marriages, his classical piano works (Sonata op.5 and two concertos) and two operas. The second part covers the period from 1831 to 1842. I consider the increase in the number of students from his class who became winners of the annual piano competition, his method Encyclopédie du pianiste compositeur – which favours the études as a genre – and the salon concerts that he organized at his apartment in the Square d’Orléans. The third and final part relates to the post-Cherubini period from 1842 to 1853 in which I focus on his contribution to the organization of the Association des artistes musiciens, his two masses, his last years as a professor of Conservatoire, and the life after his retirement in 1848. The information provided in the second volume of annexes also highly complement this study by presenting a family tree, his portraits, civil registers of the Zimmermans, his letters and the other documents
Lurin, Emmanuel. "Etienne Dupérac, graveur, peintre et architecte (vers 1535 ?-1604) : un artiste-antiquaire entre l’Italie et la France." Paris 4, 2006. http://www.theses.fr/2006PA040187.
Повний текст джерелаEtienne Dupérac is a French artist of the second half of the sixteenth-century, who was active as a painter, an etcher, an architect and a specialist of garden design. He began his career in Venice and Rome, where he passed nearly twenty years (ca. 1560-1578), then he turned back to France where he became, about 1596, one of Henri IV’s court architects. In our study, we tried to describe the whole work of Dupérac, which was quite unknown, but also the different stages of his life and of his social ascent. We have emphasized Dupérac’s versatility, his knowledge of roman antiquities and the interest of his prints, especially his views of roman ruins and modern buildings. And his reconstruction drawings of roman scenes and monuments. We proved that the historian Onofrio Panvinio played a major role in Dupérac’s initiation to antiquarian studies. We have also compared his architectural projects with his reconstruction drawings, which are very influenced by the work of Pirro Ligorio
Marguin, Séverine. "Kollektive von Individualistes Bildende Künstler in den Feldern der Zeitgenössischen Kunst von Paris und Berlin." Paris, EHESS, 2016. http://www.theses.fr/2016EHES0029.
Повний текст джерелаAt the cross-road between Art and Work sociology, this thesis intends to do a sociological study of a collective of individualities at work, using a qualitative compared investigation on different ! types of visual artist collectives in Paris and Berlin (studios community, artist-run-space, artist group). The first section includes a historical description of artists collectives for the modern and contemporary art history, and discusses the comparison Paris-Berlin: this shows a shared ; situation of precarity, despite a great difference in terms of volume in favour of Berlin. The I second part is devoted to the cohesion of such collectives of individualities. Recruitment fields of the future members are identified and the finalities of the collectives are grasped: more than artistic or political, they are professional. Three factors of cohesion are distinguished: the personnification of the collective, the type of artistic authorship and the situation of artistic parity among the members. According to the cohesive nature of the collective, it swings between a subordination or an emancipation of the individualities in its centre. The third part is devoted to ; the construction of the members' professional paths. The capability approach by Sen allows to ; revisit this unlikely choice of solo artists to engage themselves in a collective. Four ethos of artist-| in-collective are highlighted by the analysis according to the degree of artistic and collective selflessness of the members. This multi-scalar approach of the social conducts to identify typical professional paths stick to these ethos, which unfold themselves within or without the artistic field
Leribault, Christophe. "Jean-François de Troy (1679-1752)." Paris 4, 1999. http://www.theses.fr/1998PA040312.
Повний текст джерелаCondamine, Romain. "Charles Michel-Ange Challe (1716-1778) : peintre d’histoire et dessinateur de la Chambre et du Cabinet du Roi. Mobilité sociale et professionnelle d’un artiste au XVIIIe siècle." Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL013.
Повний текст джерелаCharles Michel-Ange Challe (1716-1778) began as an History painter, a professor of geometry and perspective at the Royal Academy in Paris, before being appointed as Dessinateur de la Chambre et du Cabinet du roi. He was born among a family of Parisian craftsmen, with no link with the numerous dynasties of artists flourishing during this era. The way he pursued his life attest to his outstanding professional emancipation. At the same time, the personal life of the artist, whose background was very modest, attest to a certain social mobility, marked by many recognitions such as his academic affiliations, his links with the Nattier family and the exceptional progress of his economic, cultural and social situation. Punctuated by as many chaos as victories, the career of Michel-Ange Challe, alternately acting, subordinate, forced or emancipated, illustrate in many ways the situation of the parisian artists in the mid of the 18th century
Книги з теми "Artistes – France – Biographies"
Ledeur, Jean-Paul. Les années 30 sur les rives de l'Outaouais. Paris: Ministère des affaires étrangères, Direction de la presse, de l'information et de la communication, 1993.
Знайти повний текст джерелаNorman, Mailer. Portrait of Picasso as a young man: An interpretive biography. Toronto: Alfred A. Knopf Canada, 1995.
Знайти повний текст джерелаNorman, Mailer. Portrait of Picasso as a young man: An interpretive biography. New York: Atlantic Monthly Press, 1995.
Знайти повний текст джерелаIsabelle, Monod-Fontaine, Tabart Marielle, Ramond Sylvie, Lyon (France). Musée des beaux-arts., and Centre Georges Pompidou, eds. Braque-Laurens un dialogue: Autour des collections du Centre Pompidou, Musée national d'art moderne et du Musée des beaux-arts de Lyon : ouvrage publié à l'occasion de l'exposition au Musée des beaux-arts de Lyon du 21 octobre 2005 au 30 janvier 2006. Paris: Centre Pompidou, 2005.
Знайти повний текст джерелаSteegmuller, Francis. Cocteau, a biography. Boston: D.R. Godine, 1986.
Знайти повний текст джерелаJohn, Richardson. A life of Picasso. London: Jonathan Cape, 1991.
Знайти повний текст джерелаJohn, Richardson. A life of Picasso. New York: Random House, 1996.
Знайти повний текст джерелаJohn, Richardson. A life of Picasso. London: Cape, 1991.
Знайти повний текст джерелаJohn, Richardson. A life of Picasso. New York: Alfred A. Knopf, 2007.
Знайти повний текст джерелаJohn, Richardson. A life of Picasso. New York: Random House, 1991.
Знайти повний текст джерелаЧастини книг з теми "Artistes – France – Biographies"
Greig, Matilda. "Editors and Afterlives." In Dead Men Telling Tales, 162–87. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192896025.003.0007.
Повний текст джерела