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Статті в журналах з теми "Art Oriental influences"
Pejovic, Roksanda. "Musical instruments depicted in medieval Serbian art under oriental and western influences." Muzikologija, no. 5 (2005): 15–26. http://dx.doi.org/10.2298/muz0505015p.
Повний текст джерелаDu Plessis, Hester. "Oriental Africa." Tydskrif vir Letterkunde 45, no. 1 (February 16, 2018): 87–100. http://dx.doi.org/10.17159/2309-9070/tvl.v.45i1.4465.
Повний текст джерелаKluczewska-Wójcik, Agnieszka. "modernité "orientale"." Manazir Journal 3 (March 7, 2022): 110–30. http://dx.doi.org/10.36950/manazir.2021.3.8.
Повний текст джерелаLaw, Kian Aun, and Teddy Kok Fei Lian. "The Roles and Wisdom of Chinese Traditional Philosophy in Explaining Corporate leadership." New Trends and Issues Proceedings on Humanities and Social Sciences 3, no. 2 (March 27, 2021): 37–46. http://dx.doi.org/10.18844/prosoc.v3i2.1597.
Повний текст джерелаMădălina Dana, Rucsanda, and Noémi Karácsony. "Compositional particularities and asian influences in the musical conception and works of john cage." Studia Universitatis Babeş-Bolyai Musica 67, no. 1 (June 30, 2022): 139–54. http://dx.doi.org/10.24193/subbmusica.2022.1.09.
Повний текст джерелаCurtis, John. "Mesopotamian bronzes from Greek sites: the workshops of origin." Iraq 56 (1994): 1–25. http://dx.doi.org/10.1017/s0021088900002771.
Повний текст джерелаSentevska, Irena. "All that turban-folk: Orientalism and neo-folk music in Serbia." Bulletin de l'Institut etnographique 68, no. 3 (2020): 641–60. http://dx.doi.org/10.2298/gei2003641s.
Повний текст джерелаLah, Nataša. "Prilog širenju teorijske domene u povijesnom prostoru povijesti umjetnosti." Ars Adriatica, no. 3 (January 1, 2013): 243. http://dx.doi.org/10.15291/ars.472.
Повний текст джерелаGao, Hui. "Oriental Elements in Cezanne’s Art." BCP Social Sciences & Humanities 18 (June 30, 2022): 266–69. http://dx.doi.org/10.54691/bcpssh.v18i.994.
Повний текст джерелаIvanova, Alina, and Judit Csanadi. "“Oriental” trends in Russian and Hungarian architecture." проект байкал 19, no. 72 (July 31, 2022): 140–49. http://dx.doi.org/10.51461/projectbaikal.72.1996.
Повний текст джерелаДисертації з теми "Art Oriental influences"
Brisart, Thomas. "Un art citoyen: recherches sur l'orientalisation des artisanats en Grèce proto-archaïque." Doctoral thesis, Universite Libre de Bruxelles, 2009. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210339.
Повний текст джерелаLe développement de la citoyenneté en Grèce à partir de la seconde moitié du VIIIe siècle avant J.-C. a donné lieu à une extension du pouvoir politique et militaire à une part plus importante de la population des cités. La propagation de ce qui constituait autrefois les principaux modes de reconnaissance a amené les élites à développer de nouvelles façons de se distinguer dans le paysage social. Dans un même temps, les citoyens de chaque cité ont développé des institutions communales, telles que les cultes civiques et les repas en commun, afin d'unifier le groupe qu'ils formaient et de renforcer le fossé qui séparait celui-ci du reste de la société. Le travail de contextualisation entrepris dans cette thèse a montré que l'art orientalisant constituait un outil facilitant la mise en place de ces deux évolutions.
D'une part, parce qu'ils faisaient explicitement allusion aux cultures du Proche-Orient, dont les richesses exerçaient une réelle fascination sur les Grecs de cette époque, les objets orientalisants permettaient de rehausser le prestige de leurs propriétaires. Autrement dit, ils constituaient des modes de reconnaissance sociale particulièrement efficaces. De nombreuses données archéologiques et textuelles ont permis de confirmer ce point de vue, mettant en évidence que les objets orientalisants étaient utilisés lors de banquets prestigieux, comme offrandes ostentatoires aux dieux et aux morts, ou encore pour contenir de précieux parfums.
D'autre part, en tant qu'esthétique nouvelle, complètement libérée des formes géométriques utilisées durant les siècles précédents, l'art orientalisant figurait également au rang des pratiques censées unifier la citoyenneté. Cette seconde conclusion a été mise en évidence au travers de l'étude du cas de la Crète, où, au VIIe siècle, l'art orientalisant a en grande partie été utilisé dans le cadre d'institutions civiques :les banquets publics, les cultes civiques, et les guerres.
This dissertation aims at the understanding of the reasons lying behind the orientalization of artefacts in Greece during the so-called "Orientalizing period" (i.e. the 7th cent. BC). In order to achieve this goal, the author focused on archaeological contexts and textual information. They allowed him to replace the orientalizing objects back in their original social context and to understand their initial purposes.
The birth of the citizenship in Greece at the end of the 8th cent. BC gave rise to the extension of the political and military power to a wider part of the population. This created a need for the former elite to develop other means of social distinction. Conversely, the communities of citizens developed communal institutions, like civic cults, communal dinners, etc. meant to cement and to level the group, and to reinforce the gulf that separated it from the rest of the society. This thesis showed that orientalizing art contributed to the setting up of these changes.
On one hand, because Greek orientalizing artefacts explicitly alluded to Near Eastern cultures, that were indeed perceived as being particularly rich at that time by the Greeks, they could enhance the individual prestige of the people using them. Archaeological research confirmed this hypothesis, showing that Greek orientalizing objects were used during conspicuous banquets, as lavish offerings for the dead and the gods, and for containing precious perfumes.
On the other hand, as artefacts decorated in a new style, completely freed from the geometric aesthetics displayed in the previous centuries, orientalizing objects also figured among the practices developed for strengthening the citizens’ corps. This second conclusion was reached through the study-case of Crete, where orientalizing art of the 7th cent. seems nearly exclusively used in a context of civic institutions :public banquets, civic cults and festivals, and wars.
Doctorat en Histoire, art et archéologie
info:eu-repo/semantics/nonPublished
Bernier, Yolande. "Genshoku : parfums d'origine pour les Œuvres de la terre." Master's thesis, Université Laval, 2013. http://hdl.handle.net/20.500.11794/24717.
Повний текст джерелаQin, Zhao-Kai. "The Influence of Oriental Art and Ideas on Robert Motherwell's Work: An Investigation of Certain Affinities Between His Work and Chinese and Japanese Calligraphy and Ink Painting." VCU Scholars Compass, 1997. http://scholarscompass.vcu.edu/etd_retro/166.
Повний текст джерелаLabrusse, Rémi. "Esthétique décorative et expérience critique : Matisse, Byzance et la notion d'Orient." Paris 1, 1996. http://www.theses.fr/1996PA010677.
Повний текст джерелаPark, Hye-Jun. "L'espace méditatif dans l'installation contemporaine et son inspiration extrême-orientale : étude de quelques exemples représentatifs." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040201.
Повний текст джерелаThis study attempts to shed some light on the creation of what might be called “meditative spaces” in Contemporary Art, spaces which seem to engender a special state of mind induced by peaceful interiorization. Most of the artists we study are inspired by Far Eastern thought: Kim Ho-deuk, Kim Kichul, Kimsooja, Kim Sung-bae, Yee Sookyung from Korea, Miyanaga Aiko and Yamamoto Motoi from Japan, Wolfgang Laib from Germany, and Tania Mouraud, from France. This meditative space is created by the elaboration of different kinds of sensory environments, often poly-sensory ones, which incite the spectator to immerse themself, leading them thereby to some kind of meditation. What matters here is not only the artist’s idea or concept, but also the care the artist takes to create their work. Care in the creation and performance which, sometimes, uses traditional craft techniques, sometimes wholly different, very original ones. The quality of attention always comes first: it can be seen in their way of proceeding, using slow, repetitive, ascetic movements, which sometimes even look like a ritual. Thus they open Art to a new dimension that could well be called spiritual. From reflection one slowly moves to meditation, and perhaps even—when the spectator joins the artist in his/her intuition—to the very source which gave birth to the work. Fundamental questions are thereby raised, about Life, Death, and Time. Churches and temples are less and less attended today, but many people still look for a kind of place, an “uplifting” open space, or an “inward” one: a meditative space. Will they be able to find it at the gallery or in the museum ?
Bouquillon, Anne. "Influences continentales et marines dans les sédiments cénozoïques de l'Océan Indien nord oriental." Grenoble 2 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb37603329n.
Повний текст джерелаTagliatesta, Maria Francesca. "L'immagine dell'India nel medioevo italiano : arte e letteratura." Paris 3, 2005. http://www.theses.fr/2005PA030054.
Повний текст джерелаThe aim of the present work is to consider some cultural relationships between India and the Italian Middle Ages - following a route, from East to West, through the Iranian countries, the Middle and Near East - the Mediterranean and Byzantine world - and then trying to examine various cultural topics relating to iconography, architecture and history of art. An evaluation of the classical texts gives a preliminary picture of the real and imaginary perception of Indian culture. This is followed by an analysis of commercial contacts in Mediaeval times, showing the main communication routes, not only for trade but also culture, and underlines this blending of historical reality and imagination (the oriental mirabilia). The study takes a closer look at iconography and architecture in order to trace some possible links between the imagery of the Unicorn and its representations in Mediaeval churches of Italy. Further important architectural topics such as the Indian and Buddhist arch has been taken into account to present an analysis of some Mediaeval architectural forms in Italy
Maari, Boutros. "Tradition populaire et création artistique : L'émergence de la peinture moderne en Syrie." Paris, EHESS, 2006. http://www.theses.fr/2006EHES0243.
Повний текст джерелаThis thesis retraces the principal stages of the history of the modern art in Syria. This type of art has its origins at the beginning of the XXth century in Syria. Although mainly influenced by contacts with the West, it, nonetheless, is based on the popular and religious arts, which were practiced around the region before the XXth century. The military and economic supremacy of the West, manifested parallely in the cultural domain with the appearance of painting, is ill-perceived by the syrian painters. The ill-feeling is differently expressed by generations, each of them elaborating its style in guise of means to surmount the problem. The most important attempts have been accomplished by the second generation who tried to endow its "modern" production with specific arabo-islamic character. But, for lack of sufficient deepening, this movement produced a certain banalisation of artistic heritage, reduced to simple ornamental motives. Today, the major figures of the third generation, that lives its full maturity, try to free themselves from these preoccupations, looking for a dialog and a deeper contact, with themselves on the one hand, with their tradition on the other
Jalba, Rima. "If and how are Instagram's top male makeup influencers shifting the beauty norms & beauty representations in a female oriented industry." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21404.
Повний текст джерелаEsseili, Ahmad. "La peinture contemporaine au Moyen-Orient arabe et ses sources traditionnelles islamiques." Paris 4, 1987. http://www.theses.fr/1986PA040412.
Повний текст джерелаThis study aims to establish the relationship between the contemporaneousness in Arabic painting and the traditionalism in Islamic art through a synthetic, analytical and methodological vision. My dissertation consists of three parts : the first part discusses the influences of modernism and the European orientalism : negative influences upon popular arts but positive ones upon the birth of the contemporary Arabic painting in its relation to the modern Arabic renaissance in the nineteenth century. The second part probes the Islamic influences in the painting of Lebanon, Egypt, Syria and Iraq. In addition, we have examined those Islamic influences within the occidental current - from academicism to abstractionism. In the third part, our methodology starts from the factors of sociopolitical, cultural and artistic ones in order to establish a wholly and objective vision that respects the aesthetical, historical and critical dimensions of work leading us to three categories of Arabic painting : 1. It is completely occidentalized. 2. It is an Arabic orientalist's vision. 3. It is more authentic i. E. It comes from the fusion of both traditional Islamic aesthetic and modern occidental one. The most important elements in the general conclusion are the following: 1. We showed up the subject - content (in painting) as an Arabic, Islamic and aesthetic notion. 2. We discovered three stages within the current of Arabic painting. 3. We examined the attitude of contemporary Arabic painting vis-a-vis the limitation (interdiction) in the figurative painting
Книги з теми "Art Oriental influences"
The influence of Oriental thought on postwar American painting and sculpture. New York: Garland Pub., 1988.
Знайти повний текст джерелаKossyva, Angelikē. Hē parousia Krētēs kai Anatolēs stēn Etrouria: Geōmetrikē kai archaikē periodos. Rethymno: Panepistēmio Krētēs, Tmēma Historias kai Archaiologias, Tomeas Archaiologias kai Historias tēs Technēs, 1998.
Знайти повний текст джерелаM, Reynolds Donald, ed. Selected lectures of Rudolf Wittkower: The impact of non-European civilizations on the art of the West. Cambridge: Cambridge University Press, 1989.
Знайти повний текст джерелаGiordano, Carlos, and Nicolás Palmisano. The Caprice: A house with influences from Moorish architecture and oriental art. Barcelona: Dos de Arte Ediciones, 2012.
Знайти повний текст джерелаKabegami no japonisumu. Kyōto-shi: Shibunkaku Shuppan, 2002.
Знайти повний текст джерелаL'iconographie orientalisante de la péninsule ibérique: Questions de styles et d'échanges : VIIIe-VIe siècles av. J.-C. Madrid: Casa de Velázquez, 2010.
Знайти повний текст джерелаThe Oriental obsession: Islamic inspiration in British and American art and architecture, 1500-1920. Cambridge [Cambridgeshire]: Cambridge University Press, 1988.
Знайти повний текст джерелаAngel, Fernández Miguel. La Nao de China. Monterrey, México: Grupo Vitro, 1998.
Знайти повний текст джерелаTillotson, G. H. R. 1960-, ed. Fan Kwae pictures: Paintings and drawings by George Chinnery and other artists in the collection of the Hong Kong and Shanghai Banking Corporation. London: Spink for the Corporation, 1987.
Знайти повний текст джерелаBīṭār, Zīnāt. al- Istishrāq fī al-fann al-rūmānsī al-Farancī. al-Kuwayt: al-Majlis al-Waṭanī lil-Thaqāfah wa-al-Funūn wa-al-Adāb, 1992.
Знайти повний текст джерелаЧастини книг з теми "Art Oriental influences"
Stafford, Peter J. "Risk Oriented Earthquake Hazard Assessment: Influence of Spatial Discretisation and Non-ergodic Ground-Motion Models." In Springer Tracts in Civil Engineering, 169–87. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-68813-4_8.
Повний текст джерелаFilho, Calixto Salomão, and Vitor Henrique Pinto Ido. "Courts and Pharmaceutical Patents: From Formalist Positivism to the Emergence of a Global Law." In Access to Medicines and Vaccines, 201–39. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-83114-1_8.
Повний текст джерелаPanzer-Krause, Sabine. "Growing degrowth-oriented tourism? CSR certified tour operators as change agents." In Issues and cases of degrowth in tourism, 104–23. Wallingford: CABI, 2021. http://dx.doi.org/10.1079/9781789245073.0006.
Повний текст джерелаPanzer-Krause, Sabine. "Growing degrowth-oriented tourism? CSR certified tour operators as change agents." In Issues and cases of degrowth in tourism, 104–23. Wallingford: CABI, 2021. http://dx.doi.org/10.1079/9781789245073.0104.
Повний текст джерелаKoren, István. "DevOpsUse: A Community-Oriented Methodology for Societal Software Engineering." In Ernst Denert Award for Software Engineering 2020, 143–65. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-83128-8_8.
Повний текст джерелаLeppiman, Anu, Iivi Riivits-Arkonsuo, and Anneli Pohjola. "Old-Age Digital Exclusion as a Policy Challenge in Estonia and Finland." In International Perspectives on Aging, 409–19. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-51406-8_32.
Повний текст джерела"Influences of Philosophy and Religion." In Art of Modern Oriental Management, 1–27. WSPROFESSIONAL, 2017. http://dx.doi.org/10.1142/9789813220331_0001.
Повний текст джерелаHuang, Michelle Ying-Ling. "Chinese Artistic Influences on the Vorticists in London." In British Modernism and Chinoiserie. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748690954.003.0005.
Повний текст джерелаKleinhofa, Ingrīda. "Orientalisms and Occidentalisms: Evolution of Concepts and Divergence of Connotations." In Orientālistika. Cilvēkzināšana un Āzijas aktualitātes, 30–45. LU Akadēmiskais apgāds, 2020. http://dx.doi.org/10.22364/luraksti.os.819.02.
Повний текст джерелаSchönhärl, Korinna. "‘Unfortunately We Are Bankrupt’." In Remembering and Learning from Financial Crises, 39–56. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198870906.003.0003.
Повний текст джерелаТези доповідей конференцій з теми "Art Oriental influences"
Dong, Huihui. "Slow Design Under the Influence of Oriental Aesthetics and the Concept of Slow Life." In Proceedings of the 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icadce-19.2019.93.
Повний текст джерелаVorontsova, Marina, and Evgeniya Klyukina. "The Influence of Transformations in the Modern Labour Market on Foreign Language Courses at Universities." In 14th International Scientific Conference "Rural Environment. Education. Personality. (REEP)". Latvia University of Life Sciences and Technologies. Faculty of Engineering. Institute of Education and Home Economics, 2021. http://dx.doi.org/10.22616/reep.2021.14.028.
Повний текст джерелаChen, Zhengmao. "Empirical Research on Influence Factors of Service-oriented Small and Micro Enterprises." In 4th International Conference on Management Science, Education Technology, Arts, Social Science and Economics 2016. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/msetasse-16.2016.142.
Повний текст джерелаSingh, Ranjita, and Philip R. Walsh. "Firm identity and image: Strategic intent to act sustainably and the opportunistic antecedents to sustainability reporting." In Corporate governance: Theory and practice. Virtus Interpress, 2022. http://dx.doi.org/10.22495/cgtapp10.
Повний текст джерелаVidulin, Sabina. "MUSIC TEACHING AND LISTENING TO ART MUSIC IN THE FUNCTION OF STUDENTS’ HOLISTIC DEVELOPMENT." In SCIENCE AND TEACHING IN EDUCATIONAL CONTEXT. FACULTY OF EDUCATION IN UŽICE, UNIVERSITY OF KRAGUJEVAC, 2020. http://dx.doi.org/10.46793/stec20.391v.
Повний текст джерелаTadevosyan, Hakob. "THE ROLE AND INFLUENCE OF THE ENVIRONMENT IN THE PROFESSIONAL ORIENTATION PROCESS OF SCHOOLCHILDREN." In The Impact of the Social Cultural Environment on Childhood: Challenges and Solutions. Armenian State Pedagogical University after Kh. Abovyan, 2021. http://dx.doi.org/10.24234/12ht1v41.
Повний текст джерелаVan Der Vyver, Glen, Debbie Crabb, and Michael Lane. "Factors Influencing the Decision to Choose Information Technology Preparatory Studies in Secondary Schools: An Exploratory Study in Regional/Rural Australia." In InSITE 2004: Informing Science + IT Education Conference. Informing Science Institute, 2004. http://dx.doi.org/10.28945/2810.
Повний текст джерелаKondratenko, Aleksander A., and Oleg V. Tarovik. "Cargo-Flow-Oriented Design of Supply Vessel Operating in Ice Conditions." In ASME 2018 37th International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2018. http://dx.doi.org/10.1115/omae2018-77802.
Повний текст джерелаAlnuaimi, Aiysha, and Robert Joslin. "ANALYSING THE IMPACT OF PMO CULTURE ON PMO SUCCESS." In 10th IPMA Research conference: Value co-creation in the project society. International Project Management Association, Serbian Project Management Association, 2022. http://dx.doi.org/10.56889/azye5590.
Повний текст джерелаSakai, Eiji, and Toshihiko Takahashi. "Experimental and Numerical Study on Effects of Turbulence Promoters on Flat Plate Film Cooling." In ASME 2011 Turbo Expo: Turbine Technical Conference and Exposition. ASMEDC, 2011. http://dx.doi.org/10.1115/gt2011-45196.
Повний текст джерелаЗвіти організацій з теми "Art Oriental influences"
Levy, Brian. How Political Contexts Influence Education Systems: Patterns, Constraints, Entry Points. Research on Improving Systems of Education (RISE), December 2022. http://dx.doi.org/10.35489/bsg-rise-2022/pe04.
Повний текст джерелаLevy, Brian. How Political Contexts Influence Education Systems: Patterns, Constraints, Entry Points. Research on Improving Systems of Education (RISE), December 2022. http://dx.doi.org/10.35489/bsg-rise-wp_2022/122.
Повний текст джерелаFindlay, Trevor. The Role of International Organizations in WMD Compliance and Enforcement: Autonomy, Agency, and Influence. The United Nations Institute for Disarmament Research, December 2020. http://dx.doi.org/10.37559/wmd/20/wmdce9.
Повний текст джерелаShyshkina, Mariya P. The use of the cloud services to support the math teachers training. [б. в.], July 2020. http://dx.doi.org/10.31812/123456789/3897.
Повний текст джерелаMcGee, Steven, Randi McGee-Tekula, and Jennifer Duck. Does a Focus on Modeling and Explanation of Molecular Interactions Impact Student Learning and Identity? The Learning Partnership, April 2017. http://dx.doi.org/10.51420/conf.2017.1.
Повний текст джерелаNiles, John, and J. M. Pogodzinski. TOD and Park-and-Ride: Which is Appropriate Where? Mineta Transportation Institute, January 2021. http://dx.doi.org/10.31979/mti.2021.1820.
Повний текст джерелаDopfer, Jaqui. Öffentlichkeitsbeteiligung bei diskursiven Konfliktlösungsverfahren auf regionaler Ebene. Potentielle Ansätze zur Nutzung von Risikokommunikation im Rahmen von e-Government. Sonderforschungsgruppe Institutionenanalyse, 2003. http://dx.doi.org/10.46850/sofia.3933795605.
Повний текст джерелаBizer, Kilian, and Martin Führ. Responsive Regulierung für den homo oeconomicus institutionalis – Ökonomische Verhaltenstheorie in der Verhältnismäßigkeitsprüfung. Sonderforschungsgruppe Institutionenanalyse, 2001. http://dx.doi.org/10.46850/sofia.393379529x.
Повний текст джерелаProfile of clients of different providers of family planning services in Egypt. Social Planning, Analysis & Administration Consultants (SPAAC), 1994. http://dx.doi.org/10.31899/rh1994.1006.
Повний текст джерела