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Автор: Grafiati
Опубліковано: 27 липня 2024
Оновлено: 30 липня 2024

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Статті в журналах з теми "Art, greek – history"

1

Rampley, Matthew. "Understanding Greek art history." Art East Central, no. 1 (2021): 127–33. http://dx.doi.org/10.5817/aec2021-1-6.

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2

Moignard, Elizabeth. "Reading Greek Art." Classical Review 49, no. 2 (October 1999): 527–28. http://dx.doi.org/10.1093/cr/49.2.527.

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Stafford, Emma. "SACRIFICE IN GREEK ART." Classical Review 53, no. 1 (April 2003): 227–28. http://dx.doi.org/10.1093/cr/53.1.227.

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Moignard, Elizabeth. "LANDSCAPE IN GREEK ART." Classical Review 53, no. 2 (October 2003): 452–54. http://dx.doi.org/10.1093/cr/53.2.452.

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Lawrence, William. "Advice to a student of Classics." Journal of Classics Teaching 18, no. 36 (2017): 15–16. http://dx.doi.org/10.1017/s2058631017000162.

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Look at the secondary school timetable and you will see that almost all the subjects are ancient Greek words; so the Greeks studied these ideas first and are worth studying for their ideas in their own language (just like the Romans in Latin!). Greek: Biology, Physics, Zoology, Philosophy, Mathematics, Economics, Politics, Music, Drama, Geography, History, Technology, Theatre Studies. Latin: Greek, Latin, Art, Science, Information (Latin) Technology (Greek), Computer Science, Media Studies.
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6

Scott, Michael. "Polemic in Greek Art and Architecture." Acta Classica 65, no. 1 (2022): 30–44. http://dx.doi.org/10.1353/acl.2022.a914035.

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ABSTRACT: This article argues for the existence of an artistic and architectural polemical discourse amongst the dedicatory monuments erected within the sanctuary of Delphi. With particular reference to monuments erected relating to the Persian wars of the fifth century bce, this article argues that the polemical discourse created between them focused not only on offering divergent views on the respective roles each dedicator played in the different battles, but also, more broadly and importantly, on offering conflicting understandings of how this conflict should be remembered as an event in Greek history, culture and identity.
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Harris, H. S. "The End of History in Hegel." Hegel Bulletin 12, no. 1-2 (1991): 1–14. http://dx.doi.org/10.1017/s0263523200002652.

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When we are studying Hegel's answer to any question, or his solution to any problem, we must always look first at the systematic context in which the problem is raised, or the question asked. Hegel's “philosophy of world-history” comes as the climactic stage of the development of “objective spirit”; and it provides the transition to the spheres of “absolute spirit”. The philosophical comprehension of political history provides the ultimate context for our political theory; and then it leads us on to the sphere in which we are directly aware of “the Absolute”. Our political science comes to an end, when we recognize that “the world's history is the world's court of judgment”. But that “court of judgment” has jurisdiction only over the objective forms of political and social organization. The judgment of history is not the “Last Judgment” for everything and everyone. There are modes of experience which emerge and develop in history, but which are recognized as transhistorical; and when “philosophy”, as the historical quest for wisdom, reaches its goal, we can see and say why Greek art has an enduring significance for us, even though the Greek religion (which their art expressed in its highest form) has passed over into history just as completely and irrevocably as the “city-state”. Our political thought and action exists in the context of a religious ideal that will not allow us to divide the human community into “us” and “them”, the freemen and the slaves, the civilized and the barbarians. But only the arrival of philosophical “wisdom” has enabled us to see and say what is “absolute” about our religion (just as it is we, and not the Greeks themselves, who have the “absolute” consciousness of Greek art).
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Ramadanova, Zhanna, and Şahin Filiz. "ANTIQUITY'S PHILOSOPHY AS A METHODOLOGY FOR CONTEMPORARY DANCE SCHOLARSHIP." Central Asian Journal of Art Studies 10, no. 3 (October 5, 2023): 115–31. http://dx.doi.org/10.47940/cajas.v10i3.740.

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Abstract. The art of antiquity, including dance, has long captivated human fascination with its timeless perfection, leaving an indelible mark on contemporary art. This influence is evident in the scholarly pursuits of those studying ancient Greek history. Dance held a significant position in ancient Greek life, as attested by surviving artifacts such as sculptures, reliefs, depictions on Greek vessels, and a wealth of written sources. Renowned philosophers, historians, and writers of antiquity, including Socrates, Plato, and Lucian, paid heed to dance as an art form. Even the epic poems of Homer, the "Iliad" and the "Odyssey," mention various forms of dance more than 20 times. Today, more than 300 types of Greek dances can be counted, and according to some sources, "there are more than 10,000 traditional dances that come from all regions of Greece." As research methods, the author uses an analytical review of surviving artifacts and ancient written sources, testifying to the important role of the art of dance in the life of the ancient Greeks. The author also made an analysis of the literature, which testifies to the important role of art, including dance in ancient Greece, which to this day has a huge impact on the development of modern art of choreography. And the “Apollonian” (conscious) logical and “Dionysian” (unconscious) free creative beginnings in art, which are widely discussed today, also originate from ancient Greek art. The author also emphasizes the epistemological significance of dance education and advocates for the revival of the classical tradition of mandatory dance instruction in schools.
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Kramer-Hajos, Margaretha. "A History of Greek Art by Mark D. Stansbury-O'Donnell." Classical Journal 113, no. 3 (2017): 371–74. http://dx.doi.org/10.1353/tcj.2017.0037.

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Tsourgianni, Despoina. "Issues of Gender Representation in Modern Greek Art." Aspasia 13, no. 1 (March 1, 2019): 31–64. http://dx.doi.org/10.3167/asp.2019.130105.

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There is a recent trend, mainly in the field of historiography but also in art history, toward the exploration of female autobiographical discourse, whether it concerns written (autobiographies, correspondence), painted (self-portraits), or photographic data. On the basis of the highly fruitful gender perspective, this article seeks to present and interpret the numerous photographs of the well-known Greek painter Thaleia Flora-Caravia. These photographic recordings, taken almost exclusively from the painter’s unpublished personal archive, are inextricably linked to the artist’s self-portraits. This kind of cross-examination allows the reader to become familiar with the mosaic of roles and identities that constitutes the subjectivity of female artists in Greece in the late nineteenth and early twentieth centuries.
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Дисертації з теми "Art, greek – history"

1

Fowler, Michael Anthony. "Unsavory Sights: Cannibalism in Greek Art." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/etsu-works/8911.

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Fowler, Michael Anthony. "Unsavory Sights: Cannibalism in Greek Art." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etsu-works/8908.

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Scenes involving the breaking or outright inversion of culinary and (com)mensal norms are frequent in Greek art of the Archaic and Classical periods. The most discussed group of such images involves the uncivilized act of binge drinking unmixed wine and, as a result, losing control of one’s mind and body. Far less studied from an iconographic perspective are scenes of cannibalism, the most extreme and unsettling of all Greek culinary taboos. This paper seeks to define the iconography and meaning of cannibalism in Greek art through an exploration of the individual and shared compositional features of anthropophagic scenes and their visual relationship to normative images of meat consumption. Analytical attention will also be given to the objects on which these scenes appear and the relationship between the scenes and any other decorative content. Of particular interest is the way in which the iconography reflects cannibalism’s association with other serious normative violations, for example, infanticide (e.g., Prokne slaying her son Itys) and inhospitality (e.g., the Egyptian pharaoh Bousiris attempting to sacrifice his guest-friend Herakles). [The manuscript is currently being developed into an article to be submitted for publication consideration, probably in winter 2021.]
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Photiou, Maria. "Rethinking the history of Cypriot art : Greek Cypriot women artists in Cyprus." Thesis, Loughborough University, 2013. https://dspace.lboro.ac.uk/2134/12139.

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This thesis brings together women artists art practices situated in five key periods of Cyprus socio-political history: British colonial rule, anti-colonial struggle, 1960 Independent, the 1974 Turkish invasion and its aftermath of a divided Cyprus, which remains the case in the present day. Such study has not been done before, and for this, the current thesis aims to provide a critical knowledge of the richness and diversity of Greek Cypriot women's art practices that have frequently been marginalised and rarely been written about or researched. As the title suggests, this thesis engages in rethinking the history of Cypriot art by focusing on the art produced by women artists in Cyprus. By focusing primarily on the work of Greek Cypriot women artists I am interested to explore the conditions within which, through which and against which, women negotiate political processes in Cyprus while making art that is predominantly engaged in specific politicised patterns. The meeting point for the artists is their awareness of being women artists living in a colonised, patriarchal country under Greek Cypriot nationality. While these artists assumed very different positions in their experience of the several phases of Cyprus history, they all negotiate in their practice territorial boundaries and specific identity patterns. Significant to my thesis are a number of questions that I discuss in relation to women artists professional careers and private lives: nationalism, militarism, patriarchy, male dominance, social and cultural codes, ethnic conflict, trauma, imposed displacement through war, memory and women's roles, especially as mothers, in modern and contemporary Cyprus. Thus, I address questions of how women artists in Cyprus experienced such phenomena and how these phenomena affected both their lives and their art practices.
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Wolfson, Elizabeth Graff. "Pictorial Representations of Monkeys and Simianesque Creatures in Greek Art." Thesis, University of Missouri - Columbia, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=13877177.

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Fowler, Michael Anthony. "Bad Blood? The Sacrifice of Polyxena in Archaic Greek Art." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etsu-works/8907.

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Jones, Lewis Molly Ayn. "A Dangerous Art: Greek Physicians and Medical Risk in Imperial Rome." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1242865685.

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Riccardi, Lee Ann. "The Image of Augustus in the Greek World: An Examination of the Portraiture and the Cults." The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1381400785.

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Rask, Katherine. "Greek Devotional Images: Iconography and Interpretation in the Religious Arts." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1338473387.

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Fowler, Michael Anthony. "Bad Blood? Varying Attitudes on Human Sacrifice in Archaic Greek Art." Digital Commons @ East Tennessee State University, 2021. https://dc.etsu.edu/etsu-works/8905.

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Barley, N. D. "The battlefield role of the Classical Greek general." Thesis, Swansea University, 2012. https://cronfa.swan.ac.uk/Record/cronfa43080.

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Modern studies of Classical Greek battle devote little attention to the role and importance of the general in achieving battlefield success. As a result of this the general is reduced to a simple leader of men whose only influential decision was where and when to fight, and whose major role was to provide inspiration by fighting in the front ranks. A modern conception of Hellenic fair play in warfare has further limited the importance of the general to Greek armies: apparently advanced manoeuvring and tactics were deliberately rejected in favour of a simple and direct test of strength and morale. I do not believe this to be the case, and in this study I demonstrate the importance of the general to Greek armies by offering a new analysis of his role in hoplite battle.
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Книги з теми "Art, greek – history"

1

Herwig, Schuchhardt Walter. Greek art. New York: Universe Books, 1990.

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2

Tarbell, F. B. A History of Greek Art. Ottawa: eBooksLib, 2005.

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3

Knapp, Ruthie. Greek & Roman art. Worcester, Mass: Davis Publications, 2000.

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4

Georgitsoyanni, Evangelia. Ancient Greek art and European funerary art. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2019.

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5

Alex, Potts, ed. History of the art of antiquity. Los Angeles, Calif: Getty Research Institute, 2006.

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6

Yagou, Artemis. Fragile innovation: Episodes in Greek design history. United States: CreateSpace, 2011.

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7

Polański, Tomasz. Oriental art in Greek imperial literature. Trier: Wissenschaftlicher, 1998.

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8

Christian, Meier. The political art of Greek tragedy. Baltimore: Johns Hopkins University Press, 1993.

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9

Christian, Meier. The political art of Greek tragedy. Cambridge: Polity Press, 1993.

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10

Curtis, Bowman, and Winckelmann Johann Joachim 1717-1768, eds. Essay on the philosophy and history of art. London: Continuum, 2005.

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Частини книг з теми "Art, greek – history"

1

Laistner, M. L. W. "Greek Art." In A History of the Greek World from 479 to 323 B.C., 387–406. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003480044-18.

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Voyiatzaki, Evi. "Greek Modernism and Inner-Oriented Art." In Comparative History of Literatures in European Languages, 991–1007. Amsterdam: John Benjamins Publishing Company, 2007. http://dx.doi.org/10.1075/chlel.xxi.70voy.

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Cary, M., and V. Ehrenberg. "Hellenistic Art." In A History of the Greek World from 323 to 146 B.C., 307–17. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003479987-19.

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Unguru, Sabetai. "History of Ancient Mathematics: Some Reflections on the State of the Art." In Classics in the History of Greek Mathematics, 451–61. Dordrecht: Springer Netherlands, 2004. http://dx.doi.org/10.1007/978-1-4020-2640-9_25.

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Pollitt, J. J. "Greek art: Classical to Hellenistic." In The Cambridge Ancient History, 647–60. Cambridge University Press, 1994. http://dx.doi.org/10.1017/chol9780521233484.025.

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"Herodotus and Greek Lyric Poetry." In The Art of History, 11–36. De Gruyter, 2016. http://dx.doi.org/10.1515/9783110496055-003.

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Boardman, John. "Greek Art and Architecture." In The Oxford History Of Greece And The Hellenistic World, 330–63. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780192801371.003.0013.

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Abstract The arts of the western world have been dominated by the art of the Greeks. Even the alternative arts of Celtic Europe or the Asian steppes were infiltrated by classical imagery. Although this record makes it easy for us to isolate those characteristics which distinguish Greek art from the arts of other cultures, contem¬porary or later, it has probably also made it the more difficult to assess on its own terms, to judge its role and the response of those for whom it was practised, and to value justly its profound innovations. And the attempt to define its characteristics may also do less than justice to that other remarkable phenomenon, the rapidity of its evolution from virtual abstraction to realism; while if its history is defined in such bald terms we may also miss other fundamental qualities-its unusual (for antiquity) subject¬ matter and its preoccupation with form and proportion.
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Desmond, Will D. "Art." In Hegel's Antiquity, 111–94. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198839064.003.0003.

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Hegel’s Lectures on Fine Art offer a veritable ‘world history of art’, and have led to his being called the real ‘father of art history’, but at their heart is a close identification of beauty with ‘the ideal’ and of art with ‘the classical’—and hence with (Greek) antiquity. With reference to the legacies of Winckelmann and Kantian aesthetic theory, this chapter begins by explicating the main features of Hegel’s aesthetics: the notion of ‘the ideal’ and of art’s vocation to reveal ‘the truth’ sensuously; the classification of artistic styles into Symbolic, Classical, and Romantic; and the division of basic art forms into architecture, sculpture, painting, music, and poetry. The chapter tackles each of these art forms in turn, focusing on Hegel’s sources and understanding of their role in Greek and Roman civilizations. His discussions of the Greek temple, Greek sculpture, epic, lyric, and comedy are relatively neglected, but all contribute as much as tragedy to his Winckelmannian understanding of the Greeks as ‘the people of art’ and of the ‘sculptural’ nature of the Greek mind. Here his Romans play counterpoint, as a derivative and aesthetically uncreative people—except in the genre of satire, which also fills out Hegel’s portrait of Roman ‘prose’, alienation, and increasing self-awareness. Though each of the art-forms peaks in a certain historical period, Hegel tends to associate each peak with the ‘classical’ ideal—an association that may help to illuminate his controversial statements about the ‘end of art’ in the modern, Romantic style.
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"Narrative Defects in Thucydides and the Development of Ancient Greek Historiography." In The Art of History, 73–98. De Gruyter, 2016. http://dx.doi.org/10.1515/9783110496055-005.

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Havelock, Christine Mitchell. "Mourners on Greek Vases: Remarks on the Social History of Women." In Feminism and Art History, 44–61. Routledge, 2018. http://dx.doi.org/10.4324/9780429500534-4.

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Тези доповідей конференцій з теми "Art, greek – history"

1

Dimitrakopoulou, Georgia. "�NOVELLA GRECA.� ?. SERAO�S 19TH CENTURY GREECE. ITS REALITIES AND ITS ANTITHESES." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s10.17.

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In the short story Novella Greca, in her book: Fior di Passione, 1888, the author M. Serao narrates the true story of Calliope Stavro, the heroine (Calliopi Stavrou in Greek), in Leucade - Santa Maura (Lefkada - Agia Mavra in Greek), an island of the Ionian Sea, in 19th century Greece. At that time, the country was just freed from the Turkish occupation, trying to recover from more than 400 years of slavery and subjugation to the Ottoman Empire. Calliope Stavro represents the woman of her time, imprisoned in the small society of her island, suffocated, asphyxiated, disillusioned and unfulfilled. Thus, she decides to commit suicide not having a way out in her island, which although it is a naturally beautiful place due to its greenery, it is a barren rock �thrown� into the Ionian Sea without any promising future for its inhabitants. Serao realistically exposes the true story of the heroine�s female identity, whose death signifies her suffocation within the patriarchal society of her time. The writer presents the outlets of human existence, the small society of the island, the negative influence of the heroine�s microcosm, which mostly depends on the raisin trade, its production and export, with which almost all the males of the island are preoccupied, since it provided a profitable income in that time. Faced with the crushing reality of her life, the non-existence of love, no romance, male dominance, and indifference, even misogynism, she chooses death, she surrenders to her doomed destiny and the futility of existence, because she is not allowed to live a free life according to her will. Her fatal fall from Lefkata�s cape, where in ancient times there was a temple of god Apollo, god of music, light, and patron of the arts and divination, signifies the death of the gods of Olympus. Their place has been taken by a harsh reality, the revelation of the demands of the human soul, its desires, and its dead ends. Greece will need and still needs a long way to go to find the place it deserves in history, free from patriarchal structures, prejudices, and the impasses that they entail. The story of Calliope Stavro proves in practice the predicament of the female under the patriarchal standards of her era and the unsatisfied desires of the human psyche, which are sacrificed for the sake of survival, most times with unpredictable, unpleasant and unhappy results.
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Petrović, Emina Kristina. "Two Conceptualisations of Change in Architectural History: Towards Driving Pro-sustainable Change in Architecture." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4006pqv8s.

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At the time when it is important to act on the Climate Emergency and other pro-sustainable efforts, the key question is how to drive change. This paper examines two conceptualisations of change in architectural history in an attempt to support a better understanding of architecture-specific conceptualisations of change itself. Such understanding could offer real value in articulating how to drive pro-sustainable change in architecture. The paper identifies two conceptualisations of change which are easily found in existing writing on change in architectural history. One such conceptualisation considers architectural developments in terms of cyclical styles, or triads of early, high, and decadent stages of development of styles. Attributed to the 18th century writing of Johann Joachim Winckelmann on ancient Greek art, this conceptualisation presents one useful interpretation which links the change with natural growth. A simpler conceptualisation of two-point change is interpreted using the minor/major interpretations of change, as developed by Joan Ockman, based on the work of Gilles Deleuze and Félix Guattari. The key proposition is that the selected historical examples of conceptualisation of change reveal useful aspects of the past patterns of change in architecture. These might help understand how to drive needed change now. One critical factor in the transition which is facing us now, is that in contrast to many past transitions which were driven by technological innovation, current transition requires development of technologies capable to support the change which is scientifically proven as needed and real. Therefore, some of the historical natural ease of the past transitions in the current contexts needs active driving of change. Without an intention to propose a holistic new framework, the main value of this paper is that it identifies some of the key conceptualisations which are evident in architectural history and that could be useful in driving pro-sustainable change.
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Asqarova, Shahnoza. "THE PROBLEM OF ANALYSIS OF ONOMASTIC UNITS IN "ALPOMISH" AND "BOBURNOMA"." In The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/bdes5345.

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Onomastics (Greek onomastics - the art of naming) is a branch of linguistics that studies various nouns, the history of their appearance and change, as well as a collection of all nouns. In some studies, the term "Onomastics" is also used in the meaning of anthroponymy. Onomastics is aimed at identifying and studying non-existent onomastic systems. Onomastics consists of the following sections according to the categories of the objects that received the names: anthroponymics - names of people; toponymy - popular names of geographical objects; theonymics - the names of gods, goddesses, religious-mythical figures and beings according to various religious ideas; zoonymics - (conditional) nouns given to animals; phytonymics - names related to the world of plants, cosmonymics - the names of space regions, galaxies, constellations and others that are spread in scientific communication and internationally; astronomy - studies the names of individual astronomical bodies (planets and stars). Apart from the above, onomastics has several branches. Onomastics includes real names (names of previously existing objects) and phonemes (names of imaginary objects).
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4

Garbrecht, Jürgen D., and Guenther K. H. Garbrecht. "Sedimentation of Harbors and Counter-Measures in the Greek and Roman Era." In Water Resources and Environment History Sessions at Environmental and Water Reources Institute Annual Meeting 2004. Reston, VA: American Society of Civil Engineers, 2004. http://dx.doi.org/10.1061/40738(140)3.

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5

Medley, George H., R. Allen Shook, and John T. Hansen. "State-of-the-Art Slim-Hole Drilling in the Green River Basin in Wyoming: A Three Well Case History." In SPE Rocky Mountain Regional Meeting. Society of Petroleum Engineers, 1997. http://dx.doi.org/10.2118/38361-ms.

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6

Milojević, Milena, Suzana Knežević, and Maja Došenović Marinković. "THE POTENTIAL FOR THE DEVELOPMENT OF AGROTOURISM AND ECOTOURISM IN THE TERRITORY OF THE MAČVA DISTRICT." In TOURISM AND GREEN INVESTMENTS. University of Kragujevac, Faculty of Hotel Management and Tourism in Vrnjačka Banja, 2024. http://dx.doi.org/10.52370/tisc24269mm.

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Анотація:
The Mačva District, with its favorable geographical location, developed agriculture, rich history and tradition, has exceptionally favorable conditions for the development of rural tourism. By developing tourism in rural areas, the employment rate of rural populations increases, making rural tourism a driver of economic development which will raise the living standards in rural areas. There is a close connection between agriculture and rural tourism. Agricultural production is significant for tourism development while agriculture relies on consumers. The presence of tourism in rural areas provides opportunities for the development of various activities, the production of specific goods for tourism needs, and investment in infrastructure. In addition to its rich history, the Mačva District also boasts significant natural resources. Autochthonous species of domestic animals are those adapted to local conditions, representing a natural wealth of a country.
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Hampshire Santos, S., C. Giarlelis, J. Jara, A. Lampropoulos, D. Lo Presti, S. Montens, F. Sutcu, et al. "Comparative Study of International Major Codes for the Seismic Design of Buildings." In IABSE Symposium, Wroclaw 2020: Synergy of Culture and Civil Engineering – History and Challenges. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2020. http://dx.doi.org/10.2749/wroclaw.2020.0844.

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<p>The Task Group 1.1 of IABSE has proposed studies of comparisons among seismic codes, in order to find out discrepancies and similarities among them. The idea of the study is to select major international seismic design codes to be analyzed and compared among them. A comparative study of codes from seismically active regions of various countries is presented herein covering European, United States, Brazilian, Bulgarian, Canadian, French, Italian, Greek, Japanese, Mexican, New Zealander, Portuguese and Turkish codes and National Annexes of Eurocode 8. The study is focused in the criteria for the design of conventional (residential and commercial) buildings, analyzing some critical topics. A prototype reinforced concrete building is analyzed, considering all the codes under analyses and main results derived form the seismic design are compared.</p>
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8

Turaga, Vasanta Sobha. "Fading urban memories: status of conservation of historic Samsthan/Zamindari Palaces in Small and medium town master plans in Telangana, India." In Post-Oil City Planning for Urban Green Deals Virtual Congress. ISOCARP, 2020. http://dx.doi.org/10.47472/wzuc7012.

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‘Public memores’ are an imporant aspect in preserving a place’s culture and heritage. Actions of the government and society many times define/redefine identities of places, impacting collective memory of people in perceiving places. Conscious efforts are required to make and keep public memories alive. Insensitive and uninformed Urban Planning can lead to erasing history and heritage not just physically but from public memories as well. This Paper discusses the issues of Fading Urban Memories by taking case studies of two historic towns in the South Indian State of Telangana. Most of the Small & Medium Towns in Telangana, India, developed over the last two centuries from their historic core areas of the Capitals of erstwhile Samsthans/Zamindaris, land revenue admistration units/sub-regional authorities under the British and the Princely States’ Rulesin India till Independence in 1947. These Samsthans/Zamindars/ Jagirdars were ‘Chieftains’ of their own territories and ruled from ‘Palaces’ located in their Capital city/town. The palaces and historic areas of old Samsthan/Zamindari settlements represent local histories whose significance, memory, heritage needs to be preserved for posterity. Gadwa and Wanaparthy were two such towns, which developed mid-17 Century onwards becoming present day Municipalities of different Grades. The Department of Town and Country Planning, Govt. Of Telangana, prepares Master Plans for development of Municipalities. The surviving Fort/Palaces is marked by their present land use in the development plans, unrecognized for thier heritage status, thus posing threat to heritage being erased from collective Urban memory. The case studies presented in this paper are from the ongoing doctoral research work being done by the author at School of Planning and Architecture, Jawaharlal Nehru Architecture and Fine Arts University, Hyderabad, on the topic of ‘Planning for Conservation of Samshtan/Zamindari Palaces of Telangana and Andhra Pradesh’.
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Januszkiewicz, K., and J. Gołębiewski. "Parametric Green Footbridges in Urban Space. a new Approach to Design Environment-friendly Structures." In IABSE Symposium, Wroclaw 2020: Synergy of Culture and Civil Engineering – History and Challenges. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2020. http://dx.doi.org/10.2749/wroclaw.2020.0372.

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<p>In the 21st century, digital design tools, which are interfaced with the CNC technology, have opened the new opportunities that not only are shaping structural objects, but also interfering with the urban tissue. The first part of the paper defines the main features of the “green” approach to the built environment. Selected examples illustrate diverse approaches to designing footbridges, and what combines them is the use of digital tools, especially the topological and analytical ones, in shaping and constructing parametric forms. The second part presents how structural engineers and architects can develop a new framework for the urban design by correlating digital morphogenesis and ecology. This integrated “morpho-ecological” approach has resulted in a new kind of eco-friendly bridges, based on the modulation of micro-environmental conditions within an emergent macro-environmental system. The conducted research has presented alternative ideas of efficiency and sustainability.</p>
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So¨zer, Hatice. "Green Development in Turkey." In ASME 2006 International Solar Energy Conference. ASMEDC, 2006. http://dx.doi.org/10.1115/isec2006-99125.

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This paper introduces a proposal for the architectural design of development for 20 town houses in the city of Nigde, located on central Turkey. The municipality of Nigde is looking for an innovative design for the town houses, that will achieve maximum level of desired comfort, but will adhere to energy conservation and minimum construction cost. These houses, however, while incorporating contemporary technologies, has to preserve the legacy of the great architectural heritage. The city of Nigde has a very rich history and consists of multicultural settlements. Unfortunately only few buildings are still standing to tell that great story; and the new buildings in Nigde do not stand up to the challenge. The site’s topography adds visual interest and variety to the project’s housing. The climate is dominated by lack of humidity, big differences between day and night time temperatures.
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Звіти організацій з теми "Art, greek – history"

1

Deme, Barbara. The Green Alliance : A New Phase in EU-Japan Cooperation. Külügyi és Külgazdasági Intézet, 2022. http://dx.doi.org/10.47683/kkielemzesek.ke-2022.38.

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This paper analyses the bilateral relationship between the European Union and Japan through various, mainly economic partnerships. These economic partnerships have become stronger through time, and now Japan and the European Union are working together in different dimensions, for example in the Green Alliance climate political partnership. Green Alliance is a strong environmental cooperation that promotes the use of renewable energy and supports scientific and business cooperation between Japan and the European Union. The paper briefly introduces the history of Japan-EU relations and their most important partnerships. For a comparison with EU-Japan partnerships, the paper also describes US-Japan partnerships, as the US has been Japan’s key partner since the 1950s.
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2

Dourojeanni, Marc J. The Future of the Latin American Natural Forests. Inter-American Development Bank, April 1999. http://dx.doi.org/10.18235/0011162.

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Included in this working paper is a discussion of the history of deforestation and forest degradation in Latin America and policy recommendations towards conserving natural forests. The author argues that the main opportunity to conserve natural forests may be in the recognition of and payment for the environmental services they provide, and in the production of highly priced "certified green" goods that would make sustainable forest management profitable. Lastly, this paper ends with conclusions and recommendations such as the idea that establishment and better management of strictly protected areas are the best tools to delay the loss of ecosystems and species and reforestation, along with agroforestry, restoration of degraded forests and ecotourism.
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3

Rau, Stefan. Bridge to Future Livable Cities and City Clusters in the People’s Republic of China: Policy Opportunities for High-Quality Urban Development. Asian Development Bank, November 2021. http://dx.doi.org/10.22617/wps210372-2.

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The achievements in rapid urbanization and industrialization of the People’s Republic of China (PRC) over the past 40 years were historic. But they came at high environmental and social costs. By 2050, the country will be a high-income, four-generation urban society. Yet, according to the United Nations, the PRC’s population will have halved by 2100. Many cities will lose population and businesses. This will be equally historic and requires urgent action. The author recommends focusing on urban rehabilitation and retrofitting to make cities more livable—with a green circular zero-waste economy, aiming at low-carbon, climate-resilient cities—and making cities healthy and friendly for people of all ages.
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Martin, Kathi, Nick Jushchyshyn, and Claire King. James Galanos Evening Gown c. 1957. Drexel Digital Museum, 2018. http://dx.doi.org/10.17918/jkyh-1b56.

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Анотація:
The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening suit by American fashion designer James Galanos with related text. This evening gown is from Galanos' Fall 1957 collection. It is embellished with polychrome glass beads in a red and green tartan plaid pattern on a base of silk . It was a gift of Mrs. John Thouron and is in The James G. Galanos Archive at Drexel University. The panorama is an HTML5 formatted version of an ultra-high resolution ObjectVR created from stitched tiles captured with GigaPan technology. It is representative the ongoing research of the DDM, an international, interdisciplinary group of researchers focused on production, conservation and dissemination of new media for exhibition of historic fashion.
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5

Haddad, J., L. A. Horta Nogueira, Germano Lambert-Torres, and L. E. Borges da Silva. Energy Efficiency and Smart Grids for Low Carbon and Green Growth in Brazil: Knowledge Sharing Forum on Development Experiences: Comparative Experiences of Korea and Latin America and the Caribbean. Inter-American Development Bank, June 2015. http://dx.doi.org/10.18235/0007001.

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The Brazilian continental dimensions and diversified natural resources are proportional to the challenges to develop its infrastructure sustainably and supply proper public services to more than 200 million inhabitants. Energy consumption has doubled since 1990, fostered by economic growth and the expansion of middle class. In this context, promote energy efficiency, in a broad sense, is urgent and rational. Brazil has a relatively long history in promoting energy efficiency at final user level. A landmark of this process is the Brazilian Labeling Program, launched in 1984, as direct consequence of high prices of energy at that time. This program was coordinated by the National Institute of Metrology, Standardization and Industrial Quality, which sets standards for evaluation, ranks the performance of energy equipment and imposes a classificatory labeling to inform consumers, with a label similar to other countries. The National Electricity Conservation Program was created in 1985 by MME and is executed by ELETROBRÁS. The energy saving induced by this program in 2013 is equivalent to 2.1% of the total electric energy consumption in the period, corresponding to the annual energy consumption of about 5 million Brazilian households. In 2001, Federal Law 10,295, also known as the Energy Efficiency Law, was approved to reinforce those energy efficiency programs, allowing the Brazilian government to establish Minimum Energy Performance Standards for appliances and energy equipment, prohibiting the commercialization of low efficiency models and promoting the progressive withdrawal of low-efficiency models. According to the National Energy Plan 2030, up to 15.5 GW of electricity generation could be saved as a result of energy efficiency in the next 20 years. The Smart Grids, adopting modern technologies in electricity distribution has been proposed in Brazil improve the quality provided in the low voltage service, reduce losses, and reduce operating costs, among others. Several regulations related to this subject, dealing with grid connection for distributed small-scale generation, the establishment of the 'hourly tariff', with the regulation of the use of PLC; and with the compulsory use of Geographic Information System. Currently, dozens pilot projects on Smart Grids are underway in the country. Two projects are presented in detail: CEMIG and AES Eletropaulo, two Brazilian power utilities.
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6

Kwon, Heeseo Rain, Heeyoun You, and Sang Keon Lee. Korea's Pursuit for Sustainable Cities through New Town Development: Implications for LAC: Knowledge Sharing Forum on Development Experiences: Comparative Experiences of Korea and Latin America and th. Inter-American Development Bank, June 2015. http://dx.doi.org/10.18235/0006999.

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Анотація:
Under rapid urbanization that took place from around 1960 to 1990, the Republic of Korea has been facing various urban problems such as the expansion of urban slum, traffic congestion and environmental pollution. Among the various responses to these challenges, New Town development can be regarded as one of the most successful and effective strategies, which hasover 50 years of development history in five phases. Korea's New Towns were developed with three main purposes according to the periodic needs: industry support, housing supply, and nationwide balanced development. Phase I New Towns (1962-81) responded to the country's need for industry promotion. Phase II (1967-86), Phase III (1989-95) and Phase IV (2001-present) New Towns were built in response to the severe lack of housing emerged due to over-concentration in the capital and later its metropolitan area, by providing large-scale housing inside Seoul, in the outer ring of Seoul, and in the Capital Area respectively over time. Finally, the most recent Phase V New Towns (2005-present) provided response to the issue of equitable and balanced development across the country. These development yielded outcomes such as housing market stabilization, improvement of housing condition, securement of public and green spaces, economic effect on related industries, and expansion of urban infrastructure. The paper suggests three success factors of Korea's New Town development. First is feasible planning and concrete implementation strategies that enabled the implementing organizations to overcome conflicts and carry on with the project until completion. The second factor is institutional driving force and legal support which involved establishing a dedicated bureau, defining clear organizational structure and stakeholder roles, and providing timely Acts to support the land acquisition and construction. The third success factor is reasonable land acquisition methodologies which evolved over time from Land Readjustment to Publically Management Development. This paper also presents Sustainable New own Design Criteria as an important implication for the LAC to consider, which includes social, economic and environmental sustainability that pursue outcomes such as social inclusion, self-sufficiency, connectivity, green space and smart resource management. Exchanging these experience of Korea and promoting mutual cooperation would be highly valuable for the cities in LAC to minimize the trial and error and maximize the success factors experienced by Korea as an attempt to relieve the challenges of rapid urbanization they are faced with at present. In this regard, it is anticipated that Korea can actively share its accumulated New Town experience and knowledge and act as one of the promising development partners of the countries in LAC.
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