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Статті в журналах з теми "Art and photography – Canada – 20th century"
Burov, Andrey Mikhailovich. "Phenomenon of the System Repetition in Photography as an Alternative to Film." Journal of Flm Arts and Film Studies 4, no. 4 (December 15, 2012): 38–47. http://dx.doi.org/10.17816/vgik4438-47.
Повний текст джерелаShalyha, O. "UKRAINIAN FINE ART IN CANADA (SECOND HALF OF THE 20th CENTURY)." Bulletin of Taras Shevchenko National University of Kyiv. History, no. 136 (2018): 82–86. http://dx.doi.org/10.17721/1728-2640.2018.136.1.18.
Повний текст джерелаAbdullina, Darina Aleksandrovna. "Сhildin the Image or Image of Achild : Russian Child Portrait in Painting and Photography of the Late 19 th − Early 20 th Century". Secreta Artis, № 2 (12 серпня 2021): 68–83. http://dx.doi.org/10.51236/2618-7140-2021-4-2-68-83.
Повний текст джерелаYURGENEVA, ALEXANDRA L. "Replicability in Art Photography: From Pictorialism to NFT Art." Art and Science of Television 18, no. 2 (2022): 13–38. http://dx.doi.org/10.30628/1994-9529-2022-18.2-13-38.
Повний текст джерелаVogelsang, Helena. "A Nostalgic Longing for the 20th Century: Past and Present Backdrops and Scenes in the Skylight Studio of Josip Pelikan." Membrana Journal of Photography, Vol. 3, no. 2 (2018): 56–61. http://dx.doi.org/10.47659/m5.056.art.
Повний текст джерелаSzymanowicz, Maciej. "W poszukiwaniu „narodowości w fotografice”." Artium Quaestiones, no. 28 (May 22, 2018): 65–86. http://dx.doi.org/10.14746/aq.2017.28.3.
Повний текст джерелаFreire, Mela Dávila, and Pamela Sepúlveda Arancibia. "Artwork or document? Latin American materials at the Study Centre of the Museum of Contemporary Art of Barcelona (MACBA)." Art Libraries Journal 37, no. 4 (2012): 15–20. http://dx.doi.org/10.1017/s0307472200017685.
Повний текст джерелаMazzucco, Katia. "“Alle Hilfsmittel an der Hand”: note sulle prime fotografie collezionate da Aby Warburg." Rivista di studi di fotografia. Journal of Studies in Photography 5, no. 10 (December 14, 2020): 122–39. http://dx.doi.org/10.36253/rsf-12249.
Повний текст джерелаChitrakar, Madan. "Purna Man Chitrakar (1864 - 1939 AD): A Pioneer - Least Celebrated." SIRJANĀ – A Journal on Arts and Art Education 5, no. 1 (December 1, 2018): 16–27. http://dx.doi.org/10.3126/sirjana.v5i1.39738.
Повний текст джерелаYu., Svoysky, Abolonkova I., and Levanova E. "Problems of Indexing in Documentation and Mapping of Rock Art Sites." Teoriya i praktika arkheologicheskikh issledovaniy 34, no. 4 (December 2022): 9–24. http://dx.doi.org/10.14258/tpai(2022)34(4).-01.
Повний текст джерелаДисертації з теми "Art and photography – Canada – 20th century"
Smith, Olga. "Between reality and fiction : the art of French photography since the 1970s." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610275.
Повний текст джерелаBellettiere, Giovanna Marie. "AMERICAN FEMINISM: THE CAMERA WORK OF ALICE AUSTEN, ALFRED STIEGLITZ, AND BERENICE ABBOTT." Master's thesis, Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/578947.
Повний текст джерелаM.A.
This thesis explores the work of photographers: Alice Austen, Alfred Stieglitz, and Berenice Abbott in relation to the American landscape of New York from approximately 1880 through 1940. Although the artwork of Georgia O’Keeffe is not addressed specifically, her role as an artist communicating her modern self image through Stieglitz’s photography is one area of focus in the second chapter. Previous scholarship has drawn parallels between women artists and photographers solely in terms related to their gender identity. In contrast, my project identifies a common theoretical thread that links the work of these artists: namely, that photography allowed professional women of this time to react and rise above the constrictions of gender expectations, and moreover, how their own attitudes based in feminist sensibility enabled them to fashion and broadcast bold, liberated self-images. Inspired by the radical transformations of women’s social roles in the United States, each artist produced photographs that represented the evolving role of women in the late nineteenth and early twentieth centuries. Using visual analysis and historical context associated with the “New Woman” movement, I argue that each artist discussed in this thesis not only challenges the domestic sphere conventionally assigned to women photographers, but also makes new strides by engaging in work that allows for them to autonomously travel within their own territories or new expansive locations. This thesis gives fresh insight as to how photography provided novel opportunities for elevating women’s place in society, as well as in the artistic realm. Overall, photography was an important tool for each artist as these three women act as agents of change by demonstrating a control of womanhood while the role of a female was beginning to become less constrained by the domestic and social norms of society.
Temple University--Theses
Collins, Curtis J. 1962. "Sites of Aboriginal difference : a perspective on installation art in Canada." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38172.
Повний текст джерелаHellman, Michel. "Art, identité et Expo 67 : l'expression du nationalisme dans les oeuvres des artistes québécois du Pavillon de la Jeunesse à l'Exposition universelle de Montréal." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98928.
Повний текст джерелаWe will also look into the artworks presented by young Quebecois artists in the more marginal "Youth Pavilion" situated on Ile Sainte-Helene, and will explain how this new generation of artists was able to take advantage of the particular context of the Universal Exhibition in order to implement its own concept of national identity, an identity closely related to popular culture, and thus very different from the image projected by the Quebecois elite of the time.
Baert, Renee. "Poetics of the body in feminist art : three modalities." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape16/PQDD_0022/NQ29882.pdf.
Повний текст джерелаSymons, Suellen, University of Western Sydney, of Performance Fine Arts and Design Faculty, and School of Design. "Rememories/imagetexts." THESIS_FPFAD_SD_Symons_S.xml, 1997. http://handle.uws.edu.au:8081/1959.7/731.
Повний текст джерелаMaster of Arts (Hons)(Visual Arts)
Villares, Mónica Ferrer 1982. "Arte fotografica e liberdade de expressão = um dialogo entre Brasil e Cuba (1960-1990)." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281783.
Повний текст джерелаDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: ¿Arte fotográfica e liberdade de expressão: um diálogo entre o Brasil e Cuba ¿ aborda o desenvolvimento da fotografia latino-americana na segunda metade do século XX, a partir de um estudo comparativo e da análise de obras de fotógrafos cubanos e brasileiros, atuantes durante o período 1960-1990. O texto se divide em três grandes partes, correspondentes, cada uma delas, a um decênio, tomando como ponto de partida os gêneros de destaque em cada etapa e as relações destas produções com o contexto histórico e sócio-político em que se desenvolvem. No primeiro capítulo, a partir do conceito de 'fotojornalismo' são analisadas as obras dos artistas cubanos Alberto Díaz Gutiérrez (Korda) e Raúl Corrales, conjuntamente com as dos criadores brasileiros Antônio Luiz Benck Vargas e Evandro Teixeira. No segundo capítulo, tomando como base o conceito de 'fotografia antropológica¿ são submetidas à análise as obras dos artistas brasileiros Walter Firmo, Assis Hoffmann e Claudia Andujar, assim como a produção da fotógrafa cubana María Eugenia Haya (Marucha). Por fim, o terceiro e último capítulo da dissertação parte do desenvolvimento de poéticas de autor por parte dos artistas da câmera na década de 80, e a partir de diversos critérios se aproxima de forma crítica à obra dos fotógrafos cubanos Rogélio López Marín (Gory), Ramón Martínez Grandal e Mario García Joya (Mayito), assim como do artista brasileiro Clóvis Loureiro Junior.
Abstract: ¿Photographic art and freedom of expression: a dialogue between Brazil and Cuba ¿ discusses the development of Latin American photography in the second half of the twentieth century, from a comparative study and the analysis of works of Brazilian and Cuban photographers, working in the period of 1960-1990. The text is divided into three major parts, corresponding, each of them, to a decade, taking as a starting point the notable genres featured at every stage, and the relationship of these productions with the historical and socio-political context in which they develop. In the first chapter, from the concept of 'photojournalism' the works of the Cuban artists Alberto Díaz Gutiérrez (Korda) and Raul Corrales, together with the Brazilian creators Luiz Antônio Vargas Benck and Evandro Teixeira are analyzed. In the second chapter, building on the concept of 'anthropological photography' the works of the Brazilian artists Walter Firmo, Assis Hoffmann and Claudia Andujar, as well as the production of the Cuban photographer Maria Eugenia Haya (Marucha) are put under analysis. Finally, the third and final chapter of the dissertation is based on the development of author poetics by the artists of the camera in the 80's, and using several criteria, we approaches critically to the work of the Cuban photographers Rógelio López Marín (Gory), Ramón Martínez Grandal and Mario García Joya (Mayito), as well as the Brazilian artist Clóvis Loureiro Junior.
Mestrado
Historia da Arte
Mestre em História
Becker, Anne Lynn. "The layout of the land : the Canadian Pacific Railway's photographic advertising and the travels of Frank Randall Clarke, 1920-1929." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=83171.
Повний текст джерелаThe CPR's tourist brochures established a visual vocabulary of the travelling experience, which was readily employed by individuals such as Montreal journalist Frank Randall Clarke. Clarke was sponsored by the CPR to travel across the country in the summer of 1929. His journalistic writing and personal photograph album allow for a rich analysis of the visual culture of the period, and they will be used to illustrate the ways in which the CPR represented Canadian progress, immigration, and tourism.
Mulley, Elizabeth. "Women and children in context : Laura Muntz and representation of maternity." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36781.
Повний текст джерелаLiu, Yu-jen. "Publishing Chinese art : issues of cultural reproduction in China, 1905-1918." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:284f18b9-a0ce-4a4a-bdb4-6a1c1ece44ce.
Повний текст джерелаКниги з теми "Art and photography – Canada – 20th century"
Jan, Mlčoch, ed. Czech photography of the 20th century. Prague: KANT, 2010.
Знайти повний текст джерелаArnason, H. Harvard. History of modern art: Painting, sculpture, architecture, photography. 4th ed. New York: Prentice Hall, 1997.
Знайти повний текст джерелаMarla, Prather, ed. History of modern art: Painting, sculpture, architecture, photography. 4th ed. New York: Harry N. Abrams, Inc., 1998.
Знайти повний текст джерелаDaniel, Wheeler, ed. History of modern art: Painting, sculpture, architecture, photography. 3rd ed. New York: Abrams, 1986.
Знайти повний текст джерелаArnason, H. Harvard. History of modern art: Painting, sculpture, architecture, photography. 5th ed. New York: Harry N. Abrams, Inc., 2003.
Знайти повний текст джерелаArt, Neuberger Museum of. American visions: 20th century art from the Roy R. Neuberger Collection. San Francisco, CA: Eden Interactive, 1994.
Знайти повний текст джерела(Jerusalem), Muzeʼon Yiśraʼel, ed. Displaced visions: Émigré photographers of the 20th century. Jerusalem: The Israel Museum, Jerusalem, 2013.
Знайти повний текст джерелаPeter, Kalb, ed. History of modern art: Painting, sculpture, architecture, photography. 5th ed. Upper Saddle River, N.J: Prentice Hall, 2004.
Знайти повний текст джерелаNead, Lynda. The haunted gallery: Painting, photography, film c.1900. New Haven: Yale University Press, 2007.
Знайти повний текст джерелаNead, Lynda. The haunted gallery: Painting, photography, film c.1900. New Haven: Yale University Press, 2007.
Знайти повний текст джерелаЧастини книг з теми "Art and photography – Canada – 20th century"
Cruz, Tiago, Fernando Paulino, and Mirian Tavares. "Nature and Culture in Digital Media Landscapes." In Present and Future Paradigms of Cyberculture in the 21st Century, 35–54. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-5225-8024-9.ch003.
Повний текст джерелаТези доповідей конференцій з теми "Art and photography – Canada – 20th century"
Aristizábal, José Antonio. "HUMBERTO RIVAS, DESDE LO ROMÁNTICO Y LO SINIESTRO. HUMBERTO RIVAS FROM THE ROMANTIC AND THE SINISTER." In I Congreso Internacional sobre Fotografia: Nuevas propuestas en Investigacion y Docencia de la Fotografia. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/cifo17.2017.6880.
Повний текст джерела