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Статті в журналах з теми "Art and holography"
Crenshaw. "The Dynamic Display of Art Holography." Arts 8, no. 3 (September 19, 2019): 122. http://dx.doi.org/10.3390/arts8030122.
Повний текст джерелаDesbiens, Jacques. "The Dispositif of Holography." Arts 8, no. 1 (February 26, 2019): 28. http://dx.doi.org/10.3390/arts8010028.
Повний текст джерелаPepper, Andrew. "The Gallery as a Location for Research-Informed Practice and Critical Reflection." Arts 8, no. 4 (September 27, 2019): 126. http://dx.doi.org/10.3390/arts8040126.
Повний текст джерелаAlonso Blanco, Angel. "El holograma como Experiencia Artística." Barcelona Investigación Arte Creación 4, no. 2 (June 2, 2016): 168. http://dx.doi.org/10.17583/brac.2016.1700.
Повний текст джерелаJohn, Pearl. "The Silent Researcher Critique: A New Method for Obtaining a Critical Response to a Holographic Artwork." Arts 8, no. 3 (September 10, 2019): 117. http://dx.doi.org/10.3390/arts8030117.
Повний текст джерелаBenyon, Margaret, and John Webster. "Pulsed Holography as Art." Leonardo 19, no. 3 (1986): 185. http://dx.doi.org/10.2307/1578235.
Повний текст джерелаRichardson, Martin. "Mixed Media: Holography within Art." Leonardo 20, no. 3 (1987): 251. http://dx.doi.org/10.2307/1578168.
Повний текст джерелаBarilleaux, René Paul, and Rene Paul Barilleaux. "Holography and the Art World." Leonardo 25, no. 5 (1992): 417. http://dx.doi.org/10.2307/1575746.
Повний текст джерелаMurray, Kevin. "Art in Holography2 Postcard collection, edited by Patrick Boyd. International Congress on Art in Holography ." Leonardo 34, no. 1 (February 2001): 83. http://dx.doi.org/10.1162/leon.2001.34.1.83a.
Повний текст джерелаCorda, Roberto, Daniele Giusto, Antonio Liotta, Wei Song, and Cristian Perra. "Recent Advances in the Processing and Rendering Algorithms for Computer-Generated Holography." Electronics 8, no. 5 (May 17, 2019): 556. http://dx.doi.org/10.3390/electronics8050556.
Повний текст джерелаДисертації з теми "Art and holography"
Benyon, Margaret. "How is holography art?" Thesis, Royal College of Art, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.359209.
Повний текст джерелаRush, Amy Art College of Fine Arts UNSW. "Rainbow holograms." Awarded by:University of New South Wales. School of Art, 2007. http://handle.unsw.edu.au/1959.4/35241.
Повний текст джерелаDiers, Belinda Gail. "Claywork within the holographic paradigm: a transpersonal perspective on art therapy." Thesis, Rhodes University, 1999. http://hdl.handle.net/10962/d1002471.
Повний текст джерелаChalfant, Deborah Parker. "Applications of art and technology for artists and educators in holography and videos." The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1322762112.
Повний текст джерелаDawson, Paula Heatley Art College of Fine Arts UNSW. "The Concrete Holographic Image: an Examination of Spatial and Temporal Properties and their Application in a Religious Art Work." Awarded by:University of New South Wales. School of Art, 2000. http://handle.unsw.edu.au/1959.4/18201.
Повний текст джерелаYoung, Duncan. "Fine art application of holography : the historical significance of light and hologram in visual preception and artistic depiction." Thesis, Liverpool John Moores University, 1998. http://researchonline.ljmu.ac.uk/5035/.
Повний текст джерелаChaban, Antonina. "Non-invasive methods for the study of wall decorations in art history and archaelogy Metodi non invasivi per lo studio degli apparati decorativi di interesse archeologico e storico-artistico." Doctoral thesis, Università degli studi di Padova, 2019. http://hdl.handle.net/11577/3422212.
Повний текст джерелаPitture e mosaici parietali, soprattutto quelli di interesse storico-artistico e archeologico, rappresentano un oggetto di studio complesso. Oltre alla struttura fisica, generalmente costituita da una superficie esterna decorata e preziosa e dai diversi strati di preparazione che fungono da interfaccia con il supporto strutturale e che caratterizzano tutti i tipi di decorazioni parietali senza distinzione di tipologia e di epoca di realizzazione, si deve infatti tener conto anche della componente molto importante legata alla storia e alla vetustà del manufatto. Questo comporta la possibilità che ci siano presenti anomalie legate al degrado dei materiali e dei supporti e disomogeneità legate ai restauri che possono aver interessato l'opera nel tempo. La possibilità di ottenere informazioni preliminari in modo non invasivo su tutti gli strati e sulle eventuali anomalie ivi presenti, costituisce pertanto un punto chiave nella diagnostica in-situ delle decorazioni parietali soprattutto per quelle di interesse storico-artistico o archeologico. Il presente progetto di ricerca, attraverso un approccio di tipo sperimentale, mira a testare le potenzialità e limiti di alcuni metodi elettromagnetici per indagini in situ di tipo non invasivo su pitture e mosaici parietali antichi. A tale scopo, sono stati presi in considerazione quattro diversi metodi di indagine: - l'Imaging Multispettrale (MI), utilizzando una macchina fotografica modificata e quattro differenti filtri (VIS-UV- e tre bande IR), per analisi, nel range 300-1000 nm, sulla superficie esterna decorata; - il Radar Olografico (HSR), utilizzando un'antenna con 5 frequenze comprese tra 6.4 GHz e 6.8 GHz, per l'analisi dei primi strati al di sotto della superficie esterna decorata; - la Termografia infrarossa (IRT), per l'analisi delle anomalie sub-superficiali; il georadar (GPR) ad altissima risoluzione, con un'antenna full polar da 2 GHz, per l'analisi della struttura interna dell'apparato murario al di sotto della superficie decorata. Operando con frequenze diverse, corrispondenti a profondità di indagine e risoluzioni differenti, queste tecniche possono in generale fornire informazioni preliminari sulla superficie (per esempio su materiali, pigmenti, stato di degrado, precedenti interventi ecc.) e sugli strati sottostanti (integrità strutturale, differenze nei materiali, presenza di umidità, distacchi, crepe, ecc.). Le misure in-situ sono state condotte su alcuni casi studio rappresentativi in Italia e in Grecia, relativamente a manufatti che risalgono a epoche diverse, in differenti contesti e differenti stati di conservazione. L'approccio sperimentale ha dimostrato che l'applicabilità dei metodi in situ è fortemente condizionata dalle caratteristiche intrinseche delle superfici di pregio (alto valore storico artistico, geometria, stato di degrado), che limitano l'uso dei metodi non invasivi a contatto (GPR e HSR) e che i dati sono inoltre fortemente dipendenti dalla logistica e dalle modalità di acquisizione. La sperimentazione in situ proposta nella tesi è stata integrata con test di laboratorio, utilizzando anche altri metodi non-invasivi, quali l'interferometria olografica e termografia infrarossa attiva (DHSPI-SIRT). Questo lavoro di ricerca ha evidenziato che portabilità, uso a distanza, immediata visualizzazione e interpretazione dei dati sono elementi cruciali nello sviluppo di un approccio non invasivo alla diagnostica di pitture murali e mosaici e risultano fondamentali per la caratterizzazione preliminare, per l'efficiente monitoraggio, la corretta diagnosi e l'adeguata pianificazione degli interventi sulle decorazioni parietali di interesse storico-artistico e archeologico nell'ottica di un'efficace collaborazione interdisciplinare tra componente scientifica e umanistica (storici dell'arte, archeologi) e con conservatori e curatori di questi preziosi beni.
Azevedo, Paola Cristine Almeida. "Gravura em luz : uma possibilidade holistica da calcogravura e a holografia." [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284315.
Повний текст джерелаTese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-10T03:37:00Z (GMT). No. of bitstreams: 1 Azevedo_PaolaCristineAlmeida_D.pdf: 3042587 bytes, checksum: 6e2407a885f75cbe4b90031a1cadd1f1 (MD5) Previous issue date: 2007
Resumo: Esta pesquisa objetivou criar e refletir sobre o alargamento de linguagens usadas na arte e a tecnologia como parâmetros de criação de um trabalho em poéticas visuais. Para estruturar esses conceitos, foram levantadas leituras referentes à mudança paradigmática da segunda metade do século XX relativa ao campo da física quântica, assim como a retomada de uma postura unificadora das áreas do conhecimento proposta pela visão holística. Dessa maneira, no tratamento empírico realizaram-se os trabalhos poéticos considerados ? as hologravuras ? com objetivo de aproximar o observador de um estado de percepção maior ao vivido cotidianamente, com ênfase na fenomenologia da percepção, descrita e recorrente na produção de artistas nas últimas cinco décadas. O trabalho tem quatro partes. A primeira é dedicada às questões teóricas; a segunda ao histórico dos meios técnicos calcogravura e holografia; no terceiro a recorrência da fenomenologia e a utilização da linha como elementos pertinentes na ambientação do trabalho artístico, como método comparativo, nas duas últimas partes, uso das obras de artistas consolidados na área que fazem aproximações com esta pesquisa; na quarta e última parte, relato a produção empírica desta pesquisa envolvendo questões de imaterialidade do trabalho e sua relação frente à arte contemporânea. Esta pesquisa tem aplicações pertinentes a um estado de reflexão e sistematização em termos científicos na produção de trabalhos em poéticas visuais; as hipóteses aqui levantadas são compatíveis com os resultados alcançados no que se refere a um alargamento das linguagens artísticas usando como recurso a arte e a tecnologia, pois os trabalhos desenvolvidos a partir daí incluem informação científica e tecnológica, mas é atualizada dentro de moldes poéticos próprios, tornando-se exemplo do que é possível fazer: unir dois campos do conhecimento.Nesse sentido, buscando uma conscientização de dentro para fora, a fenomenologia pode ser tomada como modelo pelas artes que lidam com a tecnologia
Abstract: The present research project entitled Light Etchings; a Holistic Possibility of Calcogravure and Holography has as it?s main objective to reflect upon the widening of languages through the fusion of art and technology emphasizing these two quite different approaches as parameters for the creation of a visual poetics. In order to mount these concepts, readings regarding the paradigmatic changes in the area of Quantum Physics during the second half of the twentieth century became instrumental especially when placed in context to the vision proposed by Holistic Theory. In this way, in what regards empirical treatment, a number of Holoetchings (Hologravura) were elaborated with the objective of bringing the observer to a higher state of observation than that normally experienced and thus emphasizing methods recurrent in the production of artists during the past five decades regarding the phenomenology of perception. The work is organized in four parts. The first, dedicated to theoretical questions, the second to the technical aspects of metal engraving and holography, the third to the recurrence of phenomenology and the use of linearity as pertinent elements in the environment of the artistic work, as a comparative method in the last two parts I use the works of established artists whose work border this research, and in the fourth part, a description of the empirical work of this research involving questions of the immateriality of the work and it?s relation to contemporary art. This research has pertinent applications in relation to the reflection and systematization in scientific terms in relation to works in visual poetics, to the hypotheses here proposed which are compatible to the results obtained pertinent to the widening of artistic languages using as resources art and technology since works effected from that point contain information which is both scientific and technological, but brought up-to date within definite poetic molds, becoming thus, an example of what it is possible to achieve by blending two fields of knowledge. In this sense, searching for concicousness from inside out, phenomenology can be taken as a model by arts that deal with technology
Doutorado
Artes Visuais
Mestre em Artes
Rhoades, Michael Jewell. "Composing Holochoric Visual Music: Interdisciplinary Matrices." Diss., Virginia Tech, 2021. http://hdl.handle.net/10919/102159.
Повний текст джерелаDoctor of Philosophy
In this paper the author explores the idea that, owing to their shared three-dimensional nature, holophons and holograms are well suited as mediums for visual music composition. This union is ripe with creative opportunity and fraught with challenges in the areas of aesthetics and technical implementation. Squarely situated upon the bleeding edge of phenomenological research and creative practice, this novel medium is nonetheless within reach. Here, one methodological pipeline is delineated that employs the convergence of holography, holophony, and super-computing toward the creation of visual music compositions intended for head mounted displays or large scale 3D/360 projection screens and high-density loudspeaker arrays.
Tornari, Vivi. "Holographic interference : structural deformation detection applied to cultural heritage objects." Thesis, University of Sunderland, 2013. http://sure.sunderland.ac.uk/5228/.
Повний текст джерелаКниги з теми "Art and holography"
H, Jeong Tung, Bjelkhagen Hans I, and Lake Forest College. Center for Photonics Studies., eds. Sixth International Symposium on Display Holography, 21-25 July 1997, Lake Forest, Illinois. Bellingham, Wash: SPIE, 1998.
Знайти повний текст джерелаShinbunsha, Chūnichi, and Ibaraki-ken Tsukuba Bijutsukan, eds. Sekai no horogurafi ten: Toki to kūkan no imēji : 1992 Ibaraki-ken Tsukuba Bijutsukan = World of holographic art. [Tsukuba]: Ibaraki-ken Tsukuba Bijutsukan, 1992.
Знайти повний текст джерелаTyler, Douglas E. Leading lights: Women in holography. Notre Dame, Ind: Department of Art, Saint Mary's College, 2003.
Знайти повний текст джерела1936-, Caulfield H. J., Leith Emmett N, and Denisi︠u︡k I︠U︡ N, eds. The art and science of holography: A tribute to Emmett Leith and Yuri Denisyuk. Bellingham, WA: SPIE Optical Engineering Press, 2004.
Знайти повний текст джерелаCroydon, Michael. 1991 fourth international exhibition of holography: Catalogue of holograms. Lake Forest, Ill: Lake Forest College, 1991.
Знайти повний текст джерелаInternational Symposium on Display Holography (7th 2006 St. Asaph, Wales). Proceedings of the 7th International Symposium on Display Holography. Edited by Bjelkhagen Hans I. [Exeter?]: River Valley Press, 2006.
Знайти повний текст джерелаStädtische Galerie im PrinzMaxPalais Karlsruhe. та Museum für Holographie & Neue Visuelle Medien (Pulheim, Germany), ред. Holomedia ʹ86: Faszination in Licht und Ton : Ausstellung in der Städtischen Galerie im Prinz-Max-Palais Karlsruhe ... 11. Oktober bis 7. Dezember 1986. Karlsruhe: Die Galerie, 1986.
Знайти повний текст джерелаAchim, Lipp, Zec Peter, and Hamburger Kunsthalle, eds. Mehr Licht: Künstlerhologramme und Lichtobjekte = More light. Hamburg: Fielmann, 1985.
Знайти повний текст джерелаPrinting, London College of. No art in holography: Dissertation for BA PFT, 1987. London: LCP, 1987.
Знайти повний текст джерелаCoyle, Rebecca. Apparition: Holographic art in Australia. Sydney: Power Publications, 1995.
Знайти повний текст джерелаЧастини книг з теми "Art and holography"
Pioaru, I. "Virtual Reality Holography—A New Art Form." In Springer Series on Cultural Computing, 317–33. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-42097-0_17.
Повний текст джерелаDenz, Cornelia. "Structuring and Securing Data with Holography—A Holistic Interdisciplinary Approach." In The Art of Structuring, 251–62. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-06234-7_24.
Повний текст джерелаBally, G. "Holography in Medicine and Biology - State of the Art and the Problem of Increasing Militarization." In Optical Metrology, 441–58. Dordrecht: Springer Netherlands, 1987. http://dx.doi.org/10.1007/978-94-009-3609-6_28.
Повний текст джерелаStuerwald, Stephan. "Available Systems and State of the Art." In Digital Holographic Methods, 73–83. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-00169-8_3.
Повний текст джерелаHaghanikar, Mojgan M. "The Art of Thinking About Complex Systems." In Visualizing Dynamic Systems: Volumetric and Holographic Display, 1–18. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-031-02092-6_1.
Повний текст джерелаTonomura, A. "Electron Holography and Its Applications to Surface Observation." In Ordering at Surfaces and Interfaces, 31–38. Berlin, Heidelberg: Springer Berlin Heidelberg, 1992. http://dx.doi.org/10.1007/978-3-642-84482-9_4.
Повний текст джерелаAfshar, H., A. Bagchi, S. Detournay, D. Grumiller, S. Prohazka, and M. Riegler. "Holographic Chern–Simons Theories." In Modifications of Einstein's Theory of Gravity at Large Distances, 311–29. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-10070-8_12.
Повний текст джерелаOldenburg, Ian Antón, Hayley Anne Bounds, and Nicolas C. Pégard. "High-Speed All-Optical Neural Interfaces with 3D Temporally Focused Holography." In Neuromethods, 101–35. New York, NY: Springer US, 2023. http://dx.doi.org/10.1007/978-1-0716-2764-8_4.
Повний текст джерелаSima, Adrian, Paul Schiopu, Marian Vladescu, Bogdan-Mihai Gavriloaia, Florin Garoi, and Victor Damian. "Real - Time Spatial Light Modulated Digital Holographic Interferometry Applied in Art Structural Diagnosis." In Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering, 193–98. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-92213-3_28.
Повний текст джерелаLi, Rita Yi Man, Kwong Wing Chau, and Daniel Chi wing Ho. "AI Object Detection, Holographic Hybrid Reality and Haemodynamic Response to Construction Site Safety Risks." In Current State of Art in Artificial Intelligence and Ubiquitous Cities, 117–34. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-0737-1_8.
Повний текст джерелаТези доповідей конференцій з теми "Art and holography"
Pryputniewicz, Ryszard J. "Quantification of Holographic Interferograms: State of the Art Methods." In Holography. Washington, D.C.: Optica Publishing Group, 1986. http://dx.doi.org/10.1364/holography.1986.ma1.
Повний текст джерелаRichardson, Martin J., and Hans I. Bjelkhagen. "Art of color holography: pioneers in change." In Holography 2000, edited by Tung H. Jeong and Werner K. Sobotka. SPIE, 2000. http://dx.doi.org/10.1117/12.402488.
Повний текст джерелаBenyon, Margaret. "Holography as art: cornucopia." In Display Holography: Fifth International Symposium, edited by Tung H. Jeong. SPIE, 1995. http://dx.doi.org/10.1117/12.201887.
Повний текст джерелаBryskin, V. Z., and A. Prostev. "Holographic art." In International Seminar on 3-D Holography, edited by Tung H. Jeong and Vladimir B. Markov. SPIE, 1991. http://dx.doi.org/10.1117/12.19366.
Повний текст джерелаBoone, Pierre M. "Holography: science and art." In International Conference on Applied Optical Metrology, edited by Pramod K. Rastogi and Ferenc Gyimesi. SPIE, 1998. http://dx.doi.org/10.1117/12.323316.
Повний текст джерелаAzevedo, Isabel, Joao Dixo, and Joao L. Pinto. "Holography and art: two ways of being a voyeur." In Holography 2000, edited by Tung H. Jeong and Werner K. Sobotka. SPIE, 2000. http://dx.doi.org/10.1117/12.402491.
Повний текст джерелаMenning, Melinda, and James A. Piper. "Holography as a medium for the confluence of art and science." In Holography 2000, edited by Tung H. Jeong and Werner K. Sobotka. SPIE, 2000. http://dx.doi.org/10.1117/12.402489.
Повний текст джерелаShetka, Stanley J. "World Art Project and holography." In LkForest 91, edited by Tung H. Jeong. SPIE, 1992. http://dx.doi.org/10.1117/12.57811.
Повний текст джерелаJeong, Tung H. "Holography In Art And Education." In 1985 Los Angeles Technical Symposium, edited by Lloyd Huff. SPIE, 1985. http://dx.doi.org/10.1117/12.946528.
Повний текст джерелаBarachevsky, Valery A. "Organic storage media for holographic optical memory: state-of-the-art and future." In Holography 2000, edited by Tung H. Jeong and Werner K. Sobotka. SPIE, 2000. http://dx.doi.org/10.1117/12.402478.
Повний текст джерелаЗвіти організацій з теми "Art and holography"
Maydykovskiy, Igor. Consciousness as a new form of the matter’s state. Intellectual Archive, August 2021. http://dx.doi.org/10.32370/iaj.2555.
Повний текст джерела