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Статті в журналах з теми "Art, aesthetics, enlightenment"
Kent, Alexander J. "From a Dry Statement of Facts to a Thing of Beauty: Understanding Aesthetics in the Mapping and Counter-Mapping of Place." Cartographic Perspectives, no. 73 (September 1, 2012): 37–60. http://dx.doi.org/10.14714/cp73.592.
Повний текст джерелаCARROLL, NOËL. "LES CULS-DE-SACOF ENLIGHTENMENT AESTHETICS: A METAPHILOSOPHY OF ART." Metaphilosophy 40, no. 2 (April 2009): 157–78. http://dx.doi.org/10.1111/j.1467-9973.2009.01586.x.
Повний текст джерелаFritz, Martin. "Hallische Avantgarde. Die Erfindung der Ästhetik und die Ästhetisierung des Christentums." Journal for the History of Modern Theology / Zeitschrift für Neuere Theologiegeschichte 21, no. 1-2 (January 15, 2014): 1–27. http://dx.doi.org/10.1515/znth-2015-0001.
Повний текст джерелаDziamski, Grzegorz. "Przemiany estetyki." Przegląd Kulturoznawczy, no. 1 (51) (March 2022): 127–47. http://dx.doi.org/10.4467/20843860pk.22.009.15754.
Повний текст джерелаDabney Townsend. "Art and Enlightenment: Scottish Aesthetics in the Eighteenth Century (review)." Hume Studies 31, no. 1 (2005): 184–86. http://dx.doi.org/10.1353/hms.2011.0242.
Повний текст джерелаHafertepe, Kenneth. "An Inquiry into Thomas Jefferson's Ideas of Beauty." Journal of the Society of Architectural Historians 59, no. 2 (June 1, 2000): 216–31. http://dx.doi.org/10.2307/991591.
Повний текст джерелаWatson, Stephen H. "ADORNO, GADAMER, THE WORK OF ART AND THE RETRIEVAL OF THE SACRED." Síntese: Revista de Filosofia 47, no. 149 (December 20, 2020): 693. http://dx.doi.org/10.20911/21769389v47n149p693/2020.
Повний текст джерелаDziamski, Grzegorz. "ESTHETICS TOWARDS FEMINISM." DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU 25, no. 25 (February 25, 2019): 40–66. http://dx.doi.org/10.5604/01.3001.0012.9829.
Повний текст джерелаDziamski, Grzegorz. "Estetyka wobec feminizmu." DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU 25, no. 25 (February 25, 2019): 40–66. http://dx.doi.org/10.5604/01.3001.0012.9850.
Повний текст джерелаChernik, Aria F. "The “Peculiar Light” of Blakean Vision: Reorganizing Enlightenment Discourse and Opening the Exemptive Sublime." Articles, no. 50 (June 5, 2008): 0. http://dx.doi.org/10.7202/018148ar.
Повний текст джерелаДисертації з теми "Art, aesthetics, enlightenment"
Gurciullo, Sebastian 1968. "Between art and philosophy : Adorno and Foucault as heirs and critics of Enlightenment." Monash University, School of Literary, Visual and Cultural Studies, 2000. http://arrow.monash.edu.au/hdl/1959.1/7662.
Повний текст джерелаBuchenau, Stefanie. "The art of invention and the invention of art : logic, rhetoric and aesthetics in the early german Enlightenment." Lyon, Ecole normale supérieure, 2004. http://www.theses.fr/2004ENSF0013.
Повний текст джерелаThis work is an attempt to reassess the significance of early German Enlightenment aesthetics in the history of modern aesthetics. Against the common reading that assigns early German Enlightenment aesthetics the status of an imperfect prefiguration of Kantian and post-Kantian aesthetics, I argue that the "Frühaufklärer" not only found a genuinely modern aesthetic tradition, but that they defend a consistent and original project : their aesthetics must be viewed in the context of the modern debate on the "ars inveniendi" initiated by Francis Bacon and developed by his early modern followers, including Christian Wolff. After examining the modern epistemological premises of the debate on invention. I investigate the contributions of Wolff and his pupils, namely Johann Jacob Bodmer and Johann Jacob Breitnger, as well as Johann Christoph Gottsched and Alexander Gottlieb Baumgarten. Wolff himself introduces a turn within the earlier debate on invention in that he includes a philosophy of the arts within his general art of invention. His pupils transpose the modern heuristic paradigm from science and philosophy to poetry and the representative arts : the poet imitates nature insofar as he unveils hidden aspects of nature. From the modern view of inventio, they furthermore draw conclusions on the nature of art criticism as both a method of judgment and of invention. Baumgarten introduces a rhetorical shift within the former debate; he reintroduces a Ciceronian idea of invention concerning both logic and rhetoric within the modern logical context : the true philosopher must find arguments that are both consistent and convincing. But while Baumgarten's addition of aesthetics to logic as a second method of invention conforms to the modern paradigm of invention, it deeply changes the nature o f the "organon". These changes in turn affect the system itself, psychology and practical philosophy in particular. Baugmarten proposes a new division of the higher and lower faculties of the soul, and he carves out a space for art and aesthetics in practical philosophy
Burke, Devin Michael Paul. "Music, Magic, and Mechanics: The Living Statue in Ancien-Régime Spectacle." Case Western Reserve University School of Graduate Studies / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=case1449258139.
Повний текст джерелаFick, Kimary E. "Sensitivity, Inspiration, and Rational Aesthetics: Experiencing Music in the North German Enlightenment." Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc822804/.
Повний текст джерелаSoudková, Kateřina. "Myšlenky zenového buddhismu a jejich odraz v japonském umění." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-350514.
Повний текст джерелаSheng-Hua, Cheng, and 鄭勝華. "An Art Theory Working Toward Man's Enlightenment and Redemption: On Adorno's Aesthetic Issues." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/07974170113183878426.
Повний текст джерела國立高雄師範大學
美術系碩士班
93
Abstract This study explores Adorno’s aesthetic theory and the main issues it takes up. The diversity and curious appearances of modern art works had made interpretation based on art theory of the past almost impossible. The uniqueness of Adorno’s aesthetic theory lies in his philosophical interpretation of modern art works. In so doing, he caught the spirit of those works precisely. As a gesture meant to fight against and oppose the society, the artworks of then offered a chance of reflection. This thesis is divided into the following three parts: First, an exploration of Adorno’s aesthetics is shaped up in the historical context of art. Three key issues from the philosopher’s late-period monumental work Aesthetic Theory were further discussed: the material, autonomy and truth content. It is the mutation of material used in artworks triggered the art crisis in the modern period which led to artworks’ being more barren, secular and of less content. It further caused modern art works to exhibit a sense of silence and enigma, as if they were a self-sufficient autonomy. Adorno, however, considered that the artworks “speak” through “silence”. Such an autonomy and opposition to the society constituted truth content. Next, the relation between Adorno and modern art world is examined. The features of Adorno’s aesthetics can never be separated from his social background. He was born into a family of music lovers and musicians, and he indulged himself in the readings of German classic philosophy in his younger years. These factors culminated in his Aesthetic Theory which is closely linked with Adorno’s concept of non-identity. He viewed avant-garde the embodiment of non-identity. Finally, the question of how art may relate to man’s enlightenment and redemption is answered. This involves the recurrent issues that concerned Adorno, including anti-Semitism, fascist totalitarianism as well as Auschwitz concentration camp. Adorno saw artworks as the symbols of truth because they offer a possibility of reflection and of shaking or opposing ideology. And aesthetics should follow this statement so that it could penetrate the blurred or ugly appearances of modern artworks to obtain truth content. In that way, one may get closer to Adorno’s seemingly obscure language to understand his aesthetic appeals.
Martini, Allesandro. "Norms for the evaluation of literature focusing primarily on the Frankfurt School." Diss., 2000. http://hdl.handle.net/10500/18637.
Повний текст джерелаAfrikaans & Theory of Literature
M.A. (Theory of Literature)
Книги з теми "Art, aesthetics, enlightenment"
Albaugh, Stephen. Art against the Enlightenment. Des Moines, Iowa: Iowa Institute of Philosophy, 1990.
Знайти повний текст джерелаForms of enlightenment in art. Cambridge: Open Angle Books, 2010.
Знайти повний текст джерелаArt and enlightenment: Aesthetic theory after Adorno. Lincoln: University of Nebraska Press, 1991.
Знайти повний текст джерелаKavanagh, Thomas M. Esthetics of the moment: Literature and art in the French Enlightenment. Philadelphia: University of Pennsylvania Press, 1996.
Знайти повний текст джерелаThe modern ideal: The rise and collapse of idealism in the visual arts from the Enlightenment to postmodernism. London: V&A, 2005.
Знайти повний текст джерела1948-, Baker Nancy Kovaleff, Christensen Thomas Street, and Koch Heinrich Christoph 1749-1816, eds. Aesthetics and the art of musical composition in the German Enlightenment: Selected writings of Johann Georg Sulzer and Heinrich Christoph Koch. Cambridge: Cambridge University Press, 1995.
Знайти повний текст джерелаInstitut national d'histoire de l'art (France), ed. Le public et la politique des arts au siècle des Lumières: Célébration du 250e anniversaire du premier salon de Diderot. Bordeaux: William Blake & Co., Art & arts, 2011.
Знайти повний текст джерелаThe Society of Dilettanti: Archaeology and identity in the British enlightenment. New Haven: Yale University Press, 2009.
Знайти повний текст джерелаFoundation, Voltaire, ed. Correspondence: Images of the eighteenth century ; Polemic ; Style and aesthetics. Oxford: Voltaire Foundation, 2004.
Знайти повний текст джерелаJonathan, Friday, ed. Art and enlightenment: Scottish aesthetics in the eighteenth century. Exeter: Imprint Academic, 2004.
Знайти повний текст джерелаЧастини книг з теми "Art, aesthetics, enlightenment"
Eve, Martin Paul. "Art, Society and Ethics: Adorno’s Dialectic of Enlightenment, Aesthetic Theory and Pynchon." In Pynchon and Philosophy, 146–72. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137405500_7.
Повний текст джерелаHaschemi Yekani, Elahe. "Foundations: Defoe and Equiano." In Familial Feeling, 69–121. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-58641-6_2.
Повний текст джерела"Chapter 1. Allegory, Poetic Theology, and Enlightenment Aesthetics." In The Insistence of Art, 31–54. Fordham University Press, 2020. http://dx.doi.org/10.1515/9780823275823-002.
Повний текст джерела"Aesthetic foundations." In Aesthetics and the Art of Musical Composition in the German Enlightenment, 25–54. Cambridge University Press, 1996. http://dx.doi.org/10.1017/cbo9780511518348.003.
Повний текст джерелаMilam, Jennifer, and Nicola Parsons. "Introduction. The Potential Vısibility of Ideas in Enlightenment Art and Aesthetics." In Making Ideas Visible in the Eighteenth Century, 1–10. University of Delaware Press, 2022. http://dx.doi.org/10.36019/9781644532355-003.
Повний текст джерела"Foreword by Ian Bent." In Aesthetics and the Art of Musical Composition in the German Enlightenment, ix—xii. Cambridge University Press, 1996. http://dx.doi.org/10.1017/cbo9780511518348.001.
Повний текст джерелаChristensen, Thomas. "Introduction by Thomas Christensen." In Aesthetics and the Art of Musical Composition in the German Enlightenment, 3–24. Cambridge University Press, 1996. http://dx.doi.org/10.1017/cbo9780511518348.002.
Повний текст джерела"The creative process." In Aesthetics and the Art of Musical Composition in the German Enlightenment, 55–80. Cambridge University Press, 1996. http://dx.doi.org/10.1017/cbo9780511518348.004.
Повний текст джерела"Musical issues." In Aesthetics and the Art of Musical Composition in the German Enlightenment, 81–108. Cambridge University Press, 1996. http://dx.doi.org/10.1017/cbo9780511518348.005.
Повний текст джерелаBaker, Nancy Kovaleff. "Introduction by Nancy Kovaleff Baker." In Aesthetics and the Art of Musical Composition in the German Enlightenment, 111–36. Cambridge University Press, 1996. http://dx.doi.org/10.1017/cbo9780511518348.006.
Повний текст джерелаТези доповідей конференцій з теми "Art, aesthetics, enlightenment"
Wenying, Dong, and Geng Yien. "Life Aesthetics in Japanese Civil Lacquerware and Its Enlightenment to Chinese Traditional Handicrafts." In 2nd International Conference on Language, Art and Cultural Exchange (ICLACE 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210609.059.
Повний текст джерелаЗвіти організацій з теми "Art, aesthetics, enlightenment"
NELYUBINA, E., and L. PANFILOVA. ASSESSMENT OF THE QUALITY OF EDUCATIONAL ELECTRONIC PUBLICATIONS AND RESOURCES. Science and Innovation Center Publishing House, 2021. http://dx.doi.org/10.12731/2658-4034-2021-12-4-2-85-97.
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