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Готові списки джерел за темами / Argonautica

Добірка наукової літератури з теми "Argonautica"

Автор: Grafiati

Опубліковано: 4 червня 2021

Оновлено: 25 травня 2024

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Статті в журналах з теми "Argonautica":

1

McPhee, Brian D. "The Argo, Danaus, and Sesostris: On Allusions to Two First-Ship Traditions in Apollonius’s Argonautica." Yearbook of Ancient Greek Epic Online 5, no. 1 (November 30, 2021): 166–95. http://dx.doi.org/10.1163/24688487-00501005.

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Abstract Against recent skepticism, this article proposes that Apollonius’s Argonautica alludes to the variant traditions that regarded either the Argo or the ship of Danaus as the first that ever sailed. Both variants predate Apollonius, and the poet nods to each at different points in his epic. Most novel is my argument that the rare word Δαναΐς (1.137) constitutes a subtle allusion to the tradition that Danaus’s ship, the “Danais” (Δαναΐς, scholium ad Argonautica 1.1–4e), was the world’s first ship. Neither tradition jibes with Apollonius’s mythological chronology, but Danaus’s voyage nevertheless provides a resonant Greco-Egyptian exemplar for the Argonautic expedition.

2

Magnelli, Enrico. "Quattro brevi note al quarto libro di Apollonio Rodio." II, 2022/2 (gennaio-dicembre), no. 2 (January 10, 2023): 1–9. http://dx.doi.org/10.35948/dilef/2023.4324.

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Note esegetiche e stilistiche al quarto libro delle Argonautiche di Apollonio, vv. 604 (con un possibile intervento testuale), 725, 1094, 1285.   Exegetical notes and stylistic observations on the fourth book of Apollonius’ Argonautica, vv. 604 (with a possible textual emendation), 725, 1094, 1285.

3

SCHINDLER, Claudia. "Claudians 'Argonautica'." Caeculus 6 (December 1, 2005): 107–23. http://dx.doi.org/10.2143/cae.6.0.2004670.

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4

West, M. L. "Odyssey and Argonautica." Classical Quarterly 55, no. 1 (May 2005): 39–64. http://dx.doi.org/10.1093/cq/bmi003.

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5

Taylor, P. Ruth. "Valerius' Flavian Argonautica." Classical Quarterly 44, no. 1 (May 1994): 212–35. http://dx.doi.org/10.1017/s0009838800017316.

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‘[Valerius'] Argonautica is a story of high adventure, not a poème à thèse’: so stated Garson in 1965. Strand later added that the essential nature of this poem and the choice of subject-matter was determined by poetic inability; he describes the prooemium to Valerius' Argonautica as ‘a recusatio: the theme of the fall of Jerusalem is beyond his powers, and it would instead be treated by Domitian who was fit for such an arduous task; Valerius had to content himself with the theme of an old myth’. It is these two opinions that I wish to question in this article. Indeed, alarm bells immediately sound at Strand's interpretation of the poet's recusatio. It has long been recognized that the original Callimachean recusatio was twisted by the Augustan poets. Gordon Williams analyses their practice thus: ‘They sadly regret that their poor talents will not rise to great subjects – and the subjects to which they will not rise are not the old mythological tales but the great affairs of contemporary Roman history and, in particular, the deeds of Augustus. It is clear, however, that they are using this form of poem to enumerate and praise the great deeds of Augustus, under the guise of proposing their own inability.’ No-one hesitates to agree that Valerius was well versed in the Augustan poets. It is dangerous, therefore, to assume without question that he was deceived by their insincerity. There is in fact good reason to examine the alternative possibility, namely that Valerius understood well the practice of his literary predecessors, that he dared to tread in their footsteps and that he succeeded in the supreme duty of a poet, that is to say, the business of ensuring that ars celavit artem.

6

Alexandrova, Tatiana. "The Orphic Argonautica." St. Tikhons' University Review. Series III. Philology 75 (June 30, 2023): 63–106. http://dx.doi.org/10.15382/sturiii202375.63-106.

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The publication presents a literary translation of the late Antique poem “Orphic Argonautica”, approximately dating from the 4th –5th centuries AD. This is a pseudepigraph, the author of which deliberately hid his name by signing the poem with the name of the mythical singer Orpheus. Along with the “Lithica”, the “Orphic Argonautica” is one of the two epic poems included in the corpus of orphic texts. From other versions of the epic on the plot of the myth about the Argonauts, it differs in length, being shorter, and in the special emphasis on the role of the ‘author’ and narrator, Orpheus; with attention to the sacred rites that he performs and with the description of the path itself. The love story of Jason and Medea, unlike other poems, is consigned to the periphery. In addition to the predictable coincidences with the “Argonautica”by Apollonius of Rhodes, in the “Orphic Argonautica” some intersections can be seen with the Latin epic poems: “Argonautica”: by Valerius Flaccus and “Punica”: by Silius Italicus, although the author can be not familiar with them he uses the same sources. The second part of the poem is of the greatest interest, in which the periplus of Northern Europe is given. The author follows the version of Timaeus from Tauromenium (4th century BC), according to which the Argonauts returned from Colchis through the Tanais, northern rivers and Ocean, and, having rounded Western Europe, entered the Mediterranean Sea. At the same time, he uses other geographical sources of Hellenistic time, thanks to which the narrative is basically plausible and testifies to the acquaintance of the Greeks with the northern sea routes. The literary merits of the poem are traditionally underestimated by scholars, but such an assessment is largely biased: the author pursues his own goals and chooses literary means in relation to them.

7

Clauss, James J. "Narrative in the Argonautica." Classical Review 55, no. 2 (October 2005): 454–56. http://dx.doi.org/10.1093/clrevj/bni252.

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8

Kinsella, John. "Clouds, and: Brindisi Argonautica." Colorado Review 50, no. 3 (September 2023): 109–12. http://dx.doi.org/10.1353/col.2023.a912446.

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9

Bustos, M. N. "METAPOETIC REFLECTIONS IN THREE AETIA OF THE ARGONAUTICA." Akroterion 66 (2021): 59–77. http://dx.doi.org/10.7445/66--1018.

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This article studies three aetia in the Argonautica that have metapoetic significance as comments on Apollonius’ Callimachean poetics. In the first aetion (1.1132–1139), the Pyrrhic dance reflects the Argonauts’ key role as active agents in the creation of the plot and shows its Callimachean allegiance in the repurposing of traditional martial imagery. In the second one (4.1719–1730), the meagerness of the Argonauts’ offering to Apollo at Anaphe and the light jesting between Medea’s maidens and the Argonauts are programmatic reflections of the ‘lean’ poetics advocated by Callimachus in the Aetia ‘prologue’ (fr. 1). The third aetion (4.1765–1772), by closing the Argonautica in correspondence with the beginning of Callimachus’ Aetia, stresses the close connection between Apollonius and Callimachus. In it, the quick pace, lightness and playfulness of the hydrophoria at Aegina mirrors the fast coming to an end and happy tone that closes the Argonautica.

10

Beck, Deborah. "Expressive Narration in Apollonius’ Argonautica." Syllecta Classica 25, no. 1 (2014): 33–58. http://dx.doi.org/10.1353/syl.2014.0001.

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Дисертації з теми "Argonautica":

1

DeForest, Mary. "Apollonius' "Argonautica" : a Callimachean epic /." Leiden : E. J. Brill, 1994. http://catalogue.bnf.fr/ark:/12148/cb36680528n.

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2

Baier, Thomas. "Valerius Flaccus : Argonautica Buch VI /." München : C. H. Beck, 2001. http://catalogue.bnf.fr/ark:/12148/cb38965184m.

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3

Barnes, Elizabeth. "Emotions in the Argonautica of Apollonius." University of Cincinnati / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1439295357.

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4

Berkowitz, Gary. "Semi-public narration in Apollonius' Argonautica /." Leuven ; Paris ; Dudley (Mass.) : Peeters, 2004. http://catalogue.bnf.fr/ark:/12148/cb39233620k.

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5

Buckley, Emma Louise. "Valerius Flaccus' Argonautica : post-Virgilian literary studies." Thesis, University of Cambridge, 2006. https://www.repository.cam.ac.uk/handle/1810/252003.

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6

Scott, Beverley. "Aspects of transgression in Valerius Flaccus' Argonautica." Thesis, University of Liverpool, 2013. http://livrepository.liverpool.ac.uk/10035/.

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In a literary era seemingly obsessed with transgression, Valerius’ own interest in the theme should come as no surprise. For the Romans, the Argo was the first ship in existence; thus the entire Argonautic enterprise is underpinned with transgression. This study sets out to interrogate the complex ways in which Valerius engages with transgression, offering new readings of his Argonautica in the process. He presents a world where expected boundaries are tested, or entirely collapsed, and where the characters and the narrator, grasping for something familiar upon which to hold, are left wanting. This thesis focuses on three major areas of enquiry, all fruitful in making useful conclusions when thinking about transgression in Valerius Flaccus. Firstly, the location of Jason and Medea’s wedding on the island of Peuce is examined, a seemingly insignificant departure from Apollonius Rhodius’ narrative. In fact, a number of transgressive issues are conflated at the point at which their marriage begins, enhancing the sense of unease at the union. The second section springs from the transgressive nature of Peuce’s landscape itself, in that caves, whilst suitable for weddings and sometimes the site of rapes, are often the home of monsters. Monsters pervade the text, appearing at familiar junctures (such as the Harpies, Amycus, and the sown men), but also at unexpected moments, where, for example, gods display monstrous characteristics. The ocular activity of ‘real’ monsters is shown to foreshadow the same curious phenomenon in Medea herself. She is revealed to be a potently transgressive character, and in assuming the hybrid role of character in the work and Muse, she is able to step out of the poem into a position of narrative control. The final section considers the technological aspects of Valerius’ poem against a background of science fiction receptions of the Argonautic myth, all of which are particularly concerned with exploring ideas of technological advance. Modern science fiction writers such as H. G. Wells and Robert J. Sawyer ‘use’ Argonautic themes, imagery and motifs in their work to routinely explore the hazards of progress. These modern receptions allow us to revisit the ancient material Valerius’ Argonautica, and to see that a world without boundaries is not a consequence-free world, since the far-reaching ramifications of technological advance are brought sharply into focus when read through the ‘lens’ of science fiction. The Argonautica, a poem rich in transgressive themes, is a work which poses more questions than it answers. In that final quality, the significance and potency of its transgression is revealed.

7

Harper, Smith Alison. "A commentary on Valerius Flaccus' Argonautica II." Thesis, University of Oxford, 1988. http://ora.ox.ac.uk/objects/uuid:3173ecb9-bbc9-4288-84a7-88cad1e68549.

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The text used throughout is that of W. W. Ehlers (Stuttgart 1980) and a separate version is not established, though I have occasionally disagreed with Ehlers' choice of reading. The commentary deals with questions of interest as they arise, both textual and syntactical, literary and mythological. It seeks to show that Valerius was no unskilled versifier, and that problems of interpretation may be due to misunderstanding as much as to poor workmanship on the part of the poet. The introduction to each episode includes a detailed discussion of the mythological tradition, which reveals the limited extent of innovation by Valerius. The preliminary section on Valerius' literary qualities seeks to analyse questions of language and style that have emerged from the investigation in the commentary, concentrating in particular on the close relationship with Virgil's Aeneid. It concludes that Valerius was mistaken to concentrate on the long mythological epic as his talents clearly lay in the field of short descriptive poetry. The section on Valerius' use of his sources rejects the claim that he makes allusive use of Virgil, and briefly examines his debt to Apollonius, and the chronological relationship with Statius' Thebaid. The section on the manuscript tradition provides brief reasons for the acceptance of Ehlers' stemma (rather than Courtney's), differing only in acknowledging the existence of a separate French tradition and in placing greater weight on the authority of Carrio's old manuscript. The section concludes with a rapid survey of Valerius' influence on Medieval literature. An excursus is appended that traces the close relationship between the pictorial and literary versions of the Hesione story from the earliest examples until the time of Valerius and beyond.

8

Finkmann, Simone. "The female voice in Valerius Flaccus' Argonautica." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:793d6898-da1a-4ccc-a012-2b00e12816e0.

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This thesis adopts a mixed-method approach of quantitative and qualitative analysis to discuss the role of women, especially female speakers and addressees, in Valerius Flaccus’ Argonautica. In addition to the traditional individual mortal and divine speech roles, discourse categories such as the influence of the Muses, the presentation of female personifications, female collectives, frame and inserted speakers, and goddesses in disguise are also taken into consideration. The study shows that, despite the shared subject matter and greatly overlapping ensemble of speakers, Valerius makes significant changes in nearly all categories of female speech representation. Valerius entirely omits some of Apollonius’ female speech acts, reduces speeches from oratio recta to mere speech summaries, replaces Greek goddesses with similar, but not equivalent Roman speakers, assigns new speech roles to previously silent female characters, adds important new episodes with female speakers that do not occur in Apollonius’ epic, changes the speech contexts, the conversational behaviour and the overall characterization of speakers – in isolated individual instances as well as in more complex character portrayals. Valerius even modifies or transfers entire discourse patterns such as conversational deceit in speech and silence, or divine disguise, from one speaker group to another, usually of the opposite sex. Valerius transforms the Apollonian arrangement of a male-dominated, 'epic' first half following the invocation of Apollo and a second female, 'elegiac' half with many female speech acts and epiphanies, after a revision of the narrator’s relationship with the Muses, into a more traditional portrayal of the Muses and a much more balanced occurrence and continued influence of female speakers. The different female voices of the Argonautica, especially Juno, can continuously be heard in the Flavian epic and provide the reader with an alternative perspective on the events. Even the less prominent female speakers are part of a well-balanced and refined structural arrangement and show influences of several pre-texts, which they sometimes self-consciously address and use to their advantage. There can be no doubt that, like Apollonius, Valerius does not merely use female speech acts to characterise the male protagonists, but follows a clear structuring principle. Whereas Apollonius in accordance with his revised invocation of the Muses concentrates the female speech acts in the second half of his epic, especially the final book, Valerius links episodes and individual characterizations through same-sex and opposite-sex speaker doublets and triplets that can be ascribed to and explained by Jupiter’s declaration of the Fata. From Juno’s unofficial opening monologue to Medea’s emotional closing argument, the female voice accompanies and guides the reader through the epic. The female perspective is not the dominant view, but rather one of many perspectives (divine, mortal, female, male, old, young, servant, ruler, et al.) that complement the primary viewpoint of the poet and the male, mortal protagonists and offer an alternative interpretation.

9

BERKOWITZ, GARY CHARLES. "NARRATIVE PROBLEMS IN APOLLONIUS' ARGONAUTICA." University of Cincinnati / OhioLINK, 2002. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1025633098.

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10

Korn, Matthias. "Valerius Flaccus, Argonautica 4,1-343 : ein Kommentar /." Hildesheim : G. Olms, 1989. http://catalogue.bnf.fr/ark:/12148/cb35571103x.

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Книги з теми "Argonautica":

1

Rhodius, Apollonius. Argonautica. Hildesheim: Georg Olms, 2006.

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2

Apollonius. Argonautica. Cambridge, Mass: Harvard University Press, 2008.

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3

Apollonius. Argonautica. Cambridge, England: Cambridge University Press, 1989.

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4

Apollonius. Argonautica. Oxonii: E Typographeo Clarendoniano, 1986.

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5

Flaccus, Gaius Valerius. Argonautica. Gambier, OH: XOXOX Press, 2009.

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6

Flaccus, Gaius Valerius. Argonautica. Oxford: Oxford University Press, 2008.

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7

Korn, Matthias. Concordantia in Valerii Flacci Argonautica. New York: Olms-Weidmann, 1988.

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8

Galli, Daniela. Valerii Flacci Argonautica I: Commento. München: De Gruyter, 2007.

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9

DeForest, Mary Margolies. Apollonius' Argonautica: A Callimachean epic. Leiden: E.J. Brill, 1994.

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10

Korn, Matthias. Concordantia in Valerii Flacci Argonautica. New York: Olms-Weidmann, 1988.

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Частини книг з теми "Argonautica":

1

Rieks, Rudolf, and Peter Alois Kuhlmann. "Valerius Flaccus: Argonautica." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_22195-1.

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2

Maresch, Klaus, and Zola Marie Packman. "Apollonius of Rhodes, Argonautica II 512-19." In Papyri from the Washington University Collection St. Louis, Missouri, 9–12. Wiesbaden: VS Verlag für Sozialwissenschaften, 1990. http://dx.doi.org/10.1007/978-3-322-98454-8_3.

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3

Flaccus], Valerius Flaccus [C Valerius. "Argonautica." In Valerius Flaccus' Argonautica Book I, edited by Andrew Zissos. Oxford University Press, 2008. http://dx.doi.org/10.1093/oseo/instance.00088152.

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4

Valerius Flaccus. "Argonautica." In Valerius Flaccus: Argonautica, Book 7, edited by P. J. Davis. Oxford University Press, 2020. http://dx.doi.org/10.1093/oseo/instance.00266985.

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5

Valerius Flaccus. "Argonautica." In Oxford Commentaries on Flavian Poetry: Valerius Flaccus: Argonautica: Book 8, edited by Cristiano Castelletti, Antony Augoustakis, Marco Fucecchi, and Gesine Manuwald. Oxford University Press, 2022. http://dx.doi.org/10.1093/oseo/instance.00280728.

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6

"Argonautic Abuses: Valerius Flaccus’ (and Apollonius’)Argonautica." In Abused Bodies in Roman Epic, 170–202. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781108697118.005.

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7

"Argonautica and Aeneid." In The Argonautica of Apollonius, 170–89. Cambridge University Press, 1993. http://dx.doi.org/10.1017/cbo9780511552502.008.

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8

Paul, Joanna. "The Cinematic Argonautica." In Film and the Classical Epic Tradition, 93–131. Oxford University Press, 2013. http://dx.doi.org/10.1093/acprof:oso/9780199542925.003.0003.

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9

"Ending the Argonautica: Giovanni Battista Pio’s Argonautica-Supplement (1519)." In Brill's Companion to Prequels, Sequels, and Retellings of Classical Epic, 295–315. BRILL, 2018. http://dx.doi.org/10.1163/9789004360921_017.

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10

Phillips, Tom. "Conclusion." In Untimely Epic, 325–26. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198848561.003.0007.

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The Conclusion situates the significance of the Argonautica’s handling of time in relation to a strand of the philosophical tradition, represented by Gorgias, in which humanity’s temporal implication is a source of cognitive frailty. While the Argonautica presents its readers with a world that resists being grasped in simple conceptualizations and repeatedly highlights the limits of forethought, it also offers readers the possibility of an enhanced self-understanding by opening to scrutiny the means by which readers situate themselves in history.

Тези доповідей конференцій з теми "Argonautica":

1

Henrique Santos da Conceição Afonso, Thadeu, Augusto Elizandro de Aguiar, Normando Perazzo Barbosa Souto, and Thales Gonçalves da Silva Figueiredo. "ANÁLISE DO COEFICIENTE GLOBAL DE TEMPERATURA DE REATIVIDADE DO REATOR ARGONAUTA." In VI SENCIR - Semana Nacional de Engenharia Nuclear e da Energia e Ciências das Radiações. Belo Horizonte, Minas Gerais: Even3, 2022. http://dx.doi.org/10.29327/vi_sencir.560731.

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2

Debacker, Igor Vieira, David Liney, Mariana Ferreira Palacios, and Nicholas Fletcher. "BC10 Field Mudline Pump Operation Case Study: A Deepwater, Long Tie Back, High GVF and High Viscosity Application." In SPE Gulf Coast Section Electric Submersible Pumps Symposium. SPE, 2021. http://dx.doi.org/10.2118/204486-ms.

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Abstract The Parque das Conchas (BC10) block offshore southern Brazil's Campos Basin has fields with challenging subsea well conditions (high viscosity and high gas content). The fields require subsea boosting to lift the production to the FPSO facility. The field development was conceived with ten Electrical Submersible Pumps (ESP) installed in dummy wells in three different subsea artificial lift manifolds (ALM) in water depths around 2000m. In 2018, the first Mudline Pump (MLP) was installed in the BC10 field. The MLP was conceived to be fully compatible with the existing infrastructure and replaced one of the existing seabed Module of Boost (MOBOs) in the Argonauta O-North field. Argonauta O-North has heavy crude oil and forms tight water-in-oil emulsion. Another challenge in this field is frequent flow instability causing abrupt variations of the Gas Volume Fraction (GVF) at the ALM inlet. The MLP was commissioned and started up in November of 2018. The initial weeks of operation were marked by frequent trips caused mainly by a non-optimized controller combined with excessive flow transients generated in the flowlines and risers, and lack of understanding of the interaction between the pump and the seafloor flowline, manifold system and production riser. The main results of the work performed in the first year of MLP operation were to significantly reduce the number of trips, and to optimize MLP oil production.

3

Palma, Daniel, and Francisco J. O. Ferreira. "AUTO AVALIAÇÃO PARCIAL DE REATORES DE PESQUISA SEGUNDO O IAEA SERVICES SERIES 35: O CASO DO REATOR ARGONAUTA." In VI SENCIR - Semana Nacional de Engenharia Nuclear e da Energia e Ciências das Radiações. Belo Horizonte, Minas Gerais: Even3, 2022. http://dx.doi.org/10.29327/vi_sencir.566464.

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Silva, Alisson Wilians Teixeira, Sâmera De Souza Breves, and Fernanda Rodrigues Silva. "ATUAÇÃO DOS MICRORNAS NO DESENVOLVIMENTO DE PLANTAS: UMA REVISÃO." In II Congresso Brasileiro de Biologia Molecular On-line. Revista Multidisciplinar em Saúde, 2021. http://dx.doi.org/10.51161/rems/2324.

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Анотація:

Introdução: Os microRNAs são uma importante classe de pequenos RNAs endógenos não codantes. Esses pequenos RNAs (~ 22 nucleotídeos) agem como guia para um complexo ribonucleoprotéico clivar ou inibir o RNA mensageiro, atuando, desta forma, no silenciamento gênico pós-transcricional. Objetivo: O presente trabalho visou realizar uma breve revisão acerca da importância dos miRNAs no desenvolvimento vegetal. Material e Métodos: Desta forma, foi realizado um levantamento bibliográfico nas plataformas Google Scholar, Periódico CAPES, PubMed, Scielo e em livros acadêmicos. As palavras-chave utilizadas foram: Plant microRNAs, Plant microRNAs biogenesis, microRNAs in Plant development. De acordo com o levantamento os genes de miRNAs em plantas estão localizados, predominantemente, nas regiões intergênicas e são transcritos em um microRNA primário de fita dupla (pri-miRNA). Resultados: O pri-miRNA é processado por um complexo enzimático contendo diversas enzimas, entre elas a Dicer-Like1 (DCL1), originando um microRNA precursor (pre-miRNA) que também é processado no núcleo pelo complexo DCL1. Nessa etapa, a proteína Hua-Ehancer1 promove a metilação na hidroxila do carbono 2’ no último nucleotídeo, sendo essa modificação uma proteção contra a degradação química do miRNA. Com o auxílio da proteína Hasty (HST) o miRNA é transportado para o citoplasma e incorporado à proteína Argonauta (AGO1) formando o complexo RISC o qual poderá atuar clivando ou inibindo o mRNA, impedindo sua tradução. Com o avanço do sequenciamento de próxima geração (NGS) os estudos de transcriptomas permitiram a elucidação dos mecanismos de ação dos microRNAs, sendo possível a compreensão desde sua biogênese, regulação da abundância e interação com o mRNA. Conclusão: Os microRNAs possuem papel fundamental na embriogênese, organogênese, nas rotas metabólicas dos vegetais; são de extrema importância no controle de estresses bióticos e abióticos e atuam na transição da fase vegetativa para a reprodutiva, no desenvolvimento radicular, foliar, de flores e frutos, entre outros. O entendimento do modo de ação desses pequenos RNAs nos tecidos vegetais é de grande relevância para os programas de melhoramento vegetal que tem como princípio a biotecnologia e a biologia molecular.

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Hewitt, Paul, Murat Kilic, and João Baima. "Design, Implementation and Results from a Tracer Surveillance Program to Remotely Monitor Water and Oil Inflow Data in the Deep Water Parque das Conchas (BC-10), Argonauta O-North Field Development Operated by Shell do Brasil Ltd." In Offshore Technology Conference. Offshore Technology Conference, 2015. http://dx.doi.org/10.4043/26054-ms.

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