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Статті в журналах з теми "Architecture – Tunisie":
1
Sihem, Jendoubi Khenissi. "Viralité en Architecture : L'Expression Architecturale en Transformation Continue : Cas de l’Image des Habitations en Tunisie." مدارات, no. 29-30 (June 2017): 318–44. http://dx.doi.org/10.12816/0050267.
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Chetoui, Mourad. "Aménagement d'ambons dans une église rurale récemment découverte à Koustilya (Sud-ouest de la Tunisie)." Libyan Studies 52 (October 7, 2021): 173–76. http://dx.doi.org/10.1017/lis.2021.10.
Анотація:
AbstractThere were two excavation missions at the site of Koustilya, in 2017 and in 2018, to investigate the remains of a late rural church. The excavations identified the monument as a building for Christian worship. The architecture of this monument (three aisles and an apse and associated rooms) suggests a Christian church. This church enriches the list of rural Christian churches in Tunisia and additionally has some special features: among the architectural components discovered in this church are two fixed ambons built into the masonry. These give this church a particular importance, somewhat unique when compared to other Christian churches in the ancient Maghreb.
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Ismaïl Dellagi, Dorra. "La systémique : Un outil pour une posture enseignante critique en architecture." Acta Europeana Systemica 10 (December 23, 2020): 73–104. http://dx.doi.org/10.14428/aes.v10i0.60003.
Анотація:
Re-penser le monde implique une disposition à adopter une posture critique (Taddei, 2010) d'une manière systémique (globale et située à la fois) en tant qu'individu, citoyen ou professionnel engagé dans une discipline et un savoir-faire/être donné. Dans notre cas, il s'agit du savoir en rapport avec l'architecture, les modes d'établissements humains et leur "enseignabilité" à venir ou à penser.
La posture critique n'est pas un savoir ou un objet disponible, c'est un positionnement, un processus souvent individuel, pouvant devenir collectif. Ce qui est à l'essence d'une posture critique c'est la volonté de dépasser un état de fait, d'innover et de comprendre. En architecture ce dépassement est indispensable pour être à l'écoute de l'évolution de notre métier, du monde qui bouge numériquement et écologiquement.
En Tunisie, La crise du COVID-19 a impulsé un mouvement de solidarité et d'intelligence collective pour pallier à la pénurie du matériel paramédical. Architectes, nous nous sommes retrouvés au centre d'une dynamique nationale de fabrication de visières et de masques par imprimante 3D. Cet élan a dégagé l'expression d'une posture collective.
Le post-covid se mesure, de notre point de vue, dans l'intérêt qu'accordent les tunisiens, les architectes et les étudiants à la question écologique en architecture. Davantage de maître d'ouvrages, ONG, Municipalités, décideurs institutionnels nous sollicitent aujourd'hui et interagissent avec notre plateforme ebniecolo.tn. Alors que cela fait plus de vingt ans que nous tentons d'initier les étudiants et d'inciter les architectes à re-penser nos modes constructifs et architecturaux à fort impact carbone, malgré une faible réceptivité.
Cette "événementialité en acte" (Ismaïl, 2009) post-covid19 nous pousse à adopter une posture critique "systémique" en vue d'une transition écologique dans une pensée collective et coopérative. Nous exposerons le contour épistémique, les outils conceptuels et les paliers significatifs pour la construction d'une posture critique enseignant(e), comme support pour engager un débat.
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Toumi, Labib, and Lamia Kouzana. "ECO-INTEGRATIVE TERRITORIAL EVOCATION BY EMERGING NEW ARCHITECTURAL ECO-CLIMATIC STYLE." JOURNAL OF ARCHITECTURE AND URBANISM 47, no. 1 (June 15, 2023): 77–86. http://dx.doi.org/10.3846/jau.2023.17923.
Анотація:
In this research work, the interest is directed towards the evocation of innovative neo-architectural dynamics in the Tunisian south-east territory, through an eco-integrative approach and the production of new eco-climatic architectural styles, based on the natural and cultural wealth of the Tunisian territory, authentic and revolutionary, yet marginalized and restricted, giving rise to reactions to the question that arises: “Is the situation of the vernacular heritage in the Tunisian south-east the direct result of a lack of vernacular heritage potential knowledge lack or of a modernist, restricted and reductive architectural production?” A multi-scale architectural study of rustic heritage has been developed, including a morpho-metric study, the analysis of hygrothermal diagrams produced in situ as well as the measurement of temperature and humidity inside the spaces. Neotroglodytic architecture, allows to highlight the intelligible integration of this new architectural mode in the mineral and arid desert landscape and to detect the aspect of an ecological and sustainable architecture, offering a humble, comfortable and welcoming intra-spatial atmosphere. Otherwise, in southeastern Tunisia, diagnostics have shown that rural villages, partially occupied and exploited in an anarchic manner, are subject to real dangers that threaten their survival in the Saharan territory, considered a difficult area. Direct consequences of an unsuitable development process, these historic works are perceived as static in the face of a dynamic social process, which has led to the gradual increase in their abandonment rates. Similarly, a disfigurement of the rustic landscape results from poor adaptation due to the standardized reproduction of architectural styles “in search of modernity”. The new troglodyte modes present a versatile and capacitive cultural potential. The manifestation of cultural and spatial wealth thus emerges, with the lasting potential of constituting a vector of cultural transition for the territorial development of southeastern Tunisia.
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Kazdaghli, Habib. "Memorials of the Borgel Cemetery." Oriental Courier, no. 1-2 (2021): 74. http://dx.doi.org/10.18254/s268684310015769-3.
Анотація:
The article of the leading Tunisian historian, specialist in the national liberation movement and the fate of the Jewish community of Tunisia, Habib Kazdaghli analyses the three monuments dedicated to the victims of world wars, erected at the Borgel cemetery, the largest Jewish cemetery in the city of Tunisia. The article looks into the place of the monuments in the architectural complex of the cemetery, the circumstances of their construction, examines how their architecture reflected the specificity of the ethno-political development of the Jewish community and the peculiarities of the modernization processes. The author uses extensive material from the Tunisian Jewish press, which previously rarely presented the subject of academic research, as well as epigraphic materials. In the analysis of the monument dedicated to the Jews who died during the First World War, the author notes that its construction testified to the formation in the Jewish community of a non-religious cult of honouring the memory of the dead. At the same time, analysis of the monuments to victims of forced labour camps and deportations shows that their very erection placed the Jewish community of Tunisia in a broader historical and political context, making its tragedy a part of the global tragedy of the Jewish people and all humanity as a whole. It also linked the fate of Tunisian Jewry with the fate of European Jewry and, first of all, French Jewry, which acquired a special political meaning in the context of the national liberation movement and the processes of decolonization that unfolded after World War II.
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Pegorin, Elisa, and Luca Eula. "Post-War Modern Architecture in Tunisia." Louis I. Kahn – The Permanence, no. 58 (2018): 74–77. http://dx.doi.org/10.52200/58.a.3s7gvgoz.
Анотація:
At the end of the spring of 1943, the German forces were finally defeated in Northern Tunisia and had to leave the country. This allowed the French protectorate to take power and in the years that followed, thanks to massive American economic aid, undertake a very important project of architectural construction and reconstruction. All of Tunisia was involved but the four main cities (Tunis, Bizerte, Sousse and Sfax), whose populations were expanding, saw entire parts of themselves reconstructed. Today, a unique experience of modernity still remains in the tissue of all these cities, but with big issues of conservation.
7
Zammel, M. "FROM PERSPECTIVE DRAWING TO LOW COST PHOTOGRAMMETRY: APPLICATION IN ARCHITECTURAL STUDIES." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W17 (November 29, 2019): 427–30. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w17-427-2019.
Анотація:
Abstract. Nowadays digital tools are booming. The evolution of the technologies used in archeology and in architecture is such that we are going more and more towards low cost and time saving. Indeed, today we can use free softwares in photogrammetry in order to make 3D surveys of architectural buildings. Fifteen years ago it only required the use of the 3D laser scanner, a very expensive technique.As part of the course reform of the second year at the national school of architecture and urban planning Tunisia in the course of descriptive geometry and perspective drawing, an experiment was conducted in order to introduce low cost photogrammetry using the free software 123 D catch by autodesk, 3DF Zephyr or Scann 3D on the mobile phone. The objective of this course is to make students experiment different techniques of representation such as photogrammetry, perspective drawing, using a mobile phone , a digital camera or a pen. The object of the representation is the Tunisian cultural heritage such as the archeological site of Carthage.
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Helali, Imen. "La notion de linéaments chez Alberti." Les Pages du laa 13, no. 35 (August 24, 2023): 1–31. http://dx.doi.org/10.14428/lpl.v13i35.75903.
Анотація:
Si les textes s’éclairent à lumière indirecte de leur contexte et de leur intertexte, le sens propre de leur message n’est saisissable que dans le réseau des paraphrases et des périphrases qu’ils énoncent eux-mêmes ; les textes s’auto-expliquent. Imen Helali interroge la signification du vocable linéaments dans le De re aedificatoria. Prolongeant les discussions terminologiques qu’a suscitées l’usage de ce mot par Alberti, elle propose une lecture systématique et croisée de deux passages du premier livre et du prologue. Produisant des échos loin dans le texte du traité, elle fait entendre la nature à la fois mentale et formelle des linéaments et réfute la thèse de Susan Lang selon laquelle il s’agirait de « plans de sol », d’une représentation graphique des édifices projetés sur un plan horizontal. Confrontant sa lecture à celles des nombreux spécialistes qui se sont penchés sur la question, Imen Helali déplace les lignes d’interprétation du texte d’Alberti et produit quelques avancées notables dans la théorie de l’architecture.
Imen Helali est architecte, diplômée par l’Ecole Nationale d’Architecture et d’Urbanisme (ENAU) de l’Université de Carthage (Tunisie) et détentrice d’un Master de Recherche en Architecture. Depuis 2019, elle conduit une thèse de doctorat sur le thème des limites à l’ENAU et au Département de Langues et Littératures françaises et romanes de l’Université de Liège (Belgique).
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Faleh, Majdi. "Restoration of Tangible and Intangible Artefacts in the Tunisian Landscape: ‘Boutique Hotels’ and the Entrepreneurial Project of Dar Ben-Gacem." Journal of Heritage Management 4, no. 1 (June 2019): 22–35. http://dx.doi.org/10.1177/2455929619852863.
Анотація:
This research stems from a theoretical study of the Medina of Tunis, as a continuity of the author’s doctoral research. The broader study from which the concepts are drawn is part of a PhD project, in architecture and humanities, focused on the effects of globalization on the Medina of Tunis. Studies and publications of the houses of the Medina of Tunis are lacking from the literature, in the Anglo-Saxon world, thus the interest of the author is to build a new body of knowledge examining historical restoration projects in Tunisia. This research article traces the challenges faced by the Medina of Tunis in the twenty-first century. It does so by evaluating a restoration and conversion project of seventeenth century Dar Ben-Gacem into a boutique hotel or ‘Hotel de Charme’. The project is unique as it reflects an architectural and entrepreneurial initiative of its owners aiming to work alongside the Medina’s small businesses, local artisans and the community at large. In this context, this research examines the architectural and socio-cultural challenges faced by the owners as well as the architects to preserve the identity of the building while diversifying the use of its spaces. This study first examines the history of Dar Ben-Gacem and the transition of the traditional courtyard house into a ‘cosmopolitan’ guest house that attracts visitors and tourists from all cultures and nationalities. Later, it explores the motivations and commitments of the owners to revive tangible and intangible artefacts through architecture as well as the social and cultural entrepreneurship of Tunisia’s rich cultural history. Ultimately, this theoretical study evaluates the challenges faced in such projects to revive the cultural heritage of the house while shaping a ‘story’ of a generation. Restoration projects in the Medina vary in scale and purpose. The consideration of both tangible and intangible artefacts in this historical context is highly important as it delves into the question of heritage in the age of tourism and globalization.
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Korachy, M. "IS THE LOSS OF VERNACULAR ARCHITECTURE REVERSIBLE? THE CASE OF LAHUN VILLAGE IN EGYPT." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIV-M-1-2020 (July 24, 2020): 977–84. http://dx.doi.org/10.5194/isprs-archives-xliv-m-1-2020-977-2020.
Анотація:
Abstract. In Fayoum, the largest oasis in the Egyptian western desert, the modern Lahun village was developed close by the ancient mud-brick Lahun Pyramid in the 19th Century. The architecture of Lahun village followed its ancestors’ architecture. Until 2003, a mix of mud and stone vernacular houses were dominant in the village. In 2010, 35% of the houses at Lahun main street, which leads to the pyramid site, were of mud brick/stone houses, the rest was replaced by high-rise concrete buildings. By 2019, little traces of the traditional vernacular dwellings survived a massive movement to concrete construction. In the last 15 years, the skyline of the village has completely transformed. Lahun’s loss of its vernacular architecture is not an exception, except in one case: Tunis village where a pottery school for locals, started 30 years ago, to change the future of Tunis, where traditional architectural techniques have taken an important place in contemporary constructions. What are the local needs when they decide to replace their traditional houses with concrete? What is the impact of the pyramid’s recent re-opening on the village? What should be learned from Tunis village? Could what remained from the aspects of the Lahun vernacular heritage be used to reverse the loss of the tangible architectural aspects? Is new architecture that is sympathetic to the traditional vernacular character of the village a solution?
Дисертації з теми "Architecture – Tunisie":
1
Ben, Mohamed Sadok. "Palais du Bardo à Tunis : une histoire architecturale au temps des réformes." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040067.
Анотація:
Pour l’étude de l’histoire architecturale du palais beylical du Bardo à Tunis, nous avons jugé utile de répartir notre recherche en trois grandes parties. La première partie, intitulée présentation historique, est réservée à l’étude des sources et des conditions générales de la création architecturale à Tunis pendant l’époque des réformes (1824-1881). La deuxième partie, intitulée palais du Bardo : étude monographique, est consacrée à l’étude architecturale des monuments qui subsistent encore dans le palais du Bardo ainsi qu’à l’étude des chantiers de construction et de restauration qui se sont déroulés dans le palais à l’époque des beys réformateurs (Husayn Pacha, Mustafâ Pacha, Ahmad Pacha, Muhammad Pacha et Muhammad al-Sâdik Pacha). La troisième partie, intitulée la construction beylicale à Tunis à l’époque des réformes, est réservée à l’étude des caractéristiques de l’art de construction à Tunis pendant l’époque des réformes, à travers les données présentées dans les deux premières partiesTo study the architectural history of the Beylical Bardo palace in Tunis , we have chosen to divide our research into three main parts, the first part entitled historical presentation , is reserved for the study of source and general conditions of the architectural creation in Tunis during the time of reforms (1824-1881). The second part entitled the Bardo palace; monographic study, is reserved for the architectural study of the monuments that still remain in the building sites and restoration that took place in the palace at the time of the reforming Beys ( Husayn Pacha , Mustafâ Pacha , Ahmad Pacha , Muhammad Pacha et Mohammad al-Sâdik Pacha )As for the third part , entitled the beylical building in Tunis at the time of reforms, is reserved for the study of the building art characteristics in Tunis during the era of reforms inferred (derived ) from the data that we have drawn from the two firs parts
2
Mosbah, Chiraz. "L'héritage colonial de la ville de Tunis entre 1900 et 1930 : étude architecturale et décorative des édifices de style néo-mauresque." Paris 4, 2006. http://www.theses.fr/2006PA040142.
Анотація:
Cette recherche tente de retracer l’héritage de la Tunisie en matière d’architecture et de décoration en soulignant l’apport des grands cycles de la transformation urbaine du pays et des projets constructifs ayant modelé son paysage pendant la période coloniale. Cette œuvre, réalisée dans le cadre du Protectorat, oscille entre une architecture qui s’inspire d’un répertoire artistique occidental (courant éclectique, art nouveau, art déco ou moderniste) et une architecture qui fait référence aux répertoires locaux (courant néo-mauresque). Certaines réalisations ont ainsi permis d’instaurer une continuité et un dialogue avec l’art local, alors que d’autres présentent des conceptions architecturales classiques ou modernes qui reflètent un langage étranger rompant avec l’héritage ancien de la Tunisie. Cette étude a été centrée sur le cas de la ville de Tunis, entre 1900 et 1930, période au cours de laquelle s’érigent les édifices les plus marquants de style néo-mauresque notammentThis research tries to retrace the heritage of Tunisia as regards town architecture and decoration by underlining the contribution of major cycle of the urban transformation of the country and the constructive projects having modelled its landscape during the colonial period. This work of Protectorate, oscillates between an architecture which takes as a starting point an artistic repertory western (eclectic current, art nouveau, art deco or modernist) and an architecture which refer to the local repertories (neo-moresque current). Certain achievements thus made it possible to found a continuity and a dialogue with local art, whereas others present classic or modern architectural designs which reflect a foreign language breaking with the old heritage of Tunisia. This study was centred on the case of the town of Tunis, between 1900 and 1930, period during which the most outstanding buildings of style neo-moresque set up
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Ouerghemmi, Saloua. "Les églises catholiques de Tunisie à l'époque coloniale : étude historique et architecturale." Thesis, Tours, 2011. http://www.theses.fr/2011TOUR2033.
Анотація:
L’occupation française en Tunisie, entre 1881 et 1956, est à l’origine de la construction d’un nombre important d’églises catholiques, qui ont marqué par leur présence et leur forme le paysage urbain et rural du pays. Cette thèse, composée de deux volumes, est ainsi consacrée à l’étude de cet héritage architectural récent et par conséquent participe d’une certaine façon à sa reconnaissance et à sa protection. Nous avons établi en premier lieu un répertoire de ces églises, et le corpus des documents qui s’y rapportent. Dans ce corpus figurent de nombreuses photographies, mais aussi des plans, des textes et des cartes. Une autre série de photos, concernant quelques églises françaises — évoquées dans le texte de notre thèse —, sont également présentées dans ce corpus. Nous avons fait référence à cette documentation tout au long de trois parties de notre étude pour en enrichir les descriptions et les analysesFrench occupation in Tunisia between 1851 and 1956 led to the construction of an important number of Catholic churches which by their existence and shape, changed the urban and rural landscape of Tunisia. This two-volume thesis is dedicated to the study of this architectural legacy and therefore contributes, in a certain extent, to its recognition and protection. We first established a list of these churches and a corpus of documents related to them. This corpus is composed of many pictures but also architectural plans, texts and maps. Another group of pictures of some French churches - mentioned in the thesis - are also part of the corpus. We referred to these documents throughout the three parts of our study in order to enrich the descriptions and analysis
4
Bohli, Nouri Olfa. "La fabrication de l’architecture en Tunisie indépendante : une rhétorique par la référence." Thesis, Université Grenoble Alpes (ComUE), 2015. http://www.theses.fr/2015GREAH019/document.
Анотація:
Le paysage urbain contemporain de la ville de Tunis, caractérisé par une forte hétérogénéité référentielle, interroge quant aux facteurs de son émergence. L'histoire récente du pays, marquée par l'indépendance en 1956, suggère l'existence d'un rapport étroit entre ce moment de prise d'autonomie politique, économique, mais surtout culturelle, et la portée qu'il a eu sur la détermination du langage des architectures à édifier.Cette recherche soulève donc la problématique de l'évolution des références de la production architecturale savante en Tunisie indépendante entre 1956 et 2011. Il s'agit d'explorer comment, dans le cadre de la construction de l'État indépendant, une architecture est fabriquée, et dans quelles mesures elle traduit sa stratégie culturelle pour en devenir l'image même.En partant de l'hypothèse que l'interaction entre la commande officielle et la conception architecturale a induit la pluralité référentielle du paysage urbain actuel, Tunis est ainsi exploré dans une perspective historique interrogeant l'architecture édifiée dans le processus commande-conception-communication. L'hétérogénéité des architectures de la ville découlerait surtout de la disparité des postures officielles, mais aussi savantes, dans la définition d'une tunisianité contemporaine culturelle, et donc architecturale, cloisonnée dans le clivage modernité-tradition.un détour par les différents supports de communication de l'architecture entre 1956 et 2011, a été nécessaire pour mener à bien cette recherche. Un corpus diversifié a ainsi été sélectionné et analysé.La lecture croisée de ce corpus fait ressortir trois types de discours véhiculés: un discours par, de et sur l'architecture. Le premier est perceptible aussi bien dans la revue de presse officielle que dans les représentations architecturales sur les billets de banque, les timbres et quelques cartes postales depuis l'indépendance. Son exploration a permis de dégager les images que l'État fabrique d'une architecture "emblématique" comme réalisation officielle. Le discours de l'architecture reflète, quant à lui, la représentation que le concepteur propose pour définir l'architecture tunisienne. La recherche dans les fonds d'archives des documents graphiques rend compte de l'évolution du langage architectural proposé. L'analyse des profils des architectes relève l'importance de leur culture architecturale dans le modelage du paysage urbain actuel. Enfin, le discours sur l'architecture, matérialisé par l'examen des articles des périodiques d'architecture et de la revue de presse indépendante, dépeint la réception des œuvres. Il permet de voir la production architecturale au delà du discours officiel du maître d'ouvrage et de celui du maître d'oeuvre. Les représentations caricaturales d'un paysage urbain hétéroclite, ainsi que d'une architecture "moderniste" rhabillée par une enveloppe ornementale "historiciste" caractérisent essentiellement ce dernier discours.La référence architecturale des édifices paraît évoluer à l'image de la fondation de l'État et de la définition de ce qui est désormais "tunisien". L'analyse des discours relevés dans l'étude du corpus nous a permis de dégager trois imaginaires différents. Un imaginaire de développement caractérise les premières décennies de l'État indépendant. Il opère par une esthétique allusive qui s'aligne sur les tendances architecturales des grandes métropoles occidentales. Un imaginaire historique émerge par la suite. Il se construit, entre autres, à travers un héritage dont on cultive l'image et qu'on promeut au rang de patrimoine. Ainsi, la vénération du modèle "médinal" et plus récemment la revendication de l'héritage "protectorial", procurent à certains édifices un statut référentiel quant aux conceptions à venir. Enfin, un imaginaire syncrétique, oscille entre la modernisation du traditionnel et la traditionalisation du moderne en vue d'un idéal de fusion d'influences qui définirait l'architecture tunisienne contemporaineThe high heterogeneity of the Tunisian cityscape raises important questions about the context of its emergence. A historical analysis of the country's last decades seems to be necessary towards understanding its origins. Since the State independence in 1956, several political, economical, and especially cultural evolutions have occurred. These have seemingly a great impact on the language of the contemporary architectural production.The present research focuses on the evolution of the references behind the Tunisian architecture from the independence until 2011. It mainly explores how an architecture was produced during the independent State establishment, and to what extent this architecture reflects the State's cultural policy.The main explored hypothesis concerns the impact of the interaction between the constructions initiated by the State and the architectural design on the current country's cityscape. Most of the project initiated by the independent State were built in the capital. Thus, Tunis is studied from a historical standpoint and buildings are analyzed in the triple process of architectural order, design, and communication, in order to understand the emergence circumstances of the current referential heterogeneity. A cross-reading of architecture publications highlights the different speeches that shape several imaginaries so to define contemporary Tunisian specificities, between modernity and tradition.Answering such a question implies a deep knowledge of the main State's projects during this period, but also the profiles of the different architects behind these projects design. A diverse corpus including graphical representations of the considered projects, general and specialized press publications, bank notes, stamps, and postcards, were selected for analysis. Besides its historical dimension, such a corpus enables observing the Architecture as a mean of communication from a cultural perspective.The cross-reading of this corpus brings out three types of speeches: a speech by, of, and on Architecture. The former, is observable on the official press, on the architectural representations of bank notes, on stamps and some postcards. Its analysis helped to determine the image that the State gives about its architectural realizations. The second type of speeches reflects the perception of the architect, as a designer of the Tunisian architecture. Research on graphical representations in public archives show the evolution of the architectural language. Moreover, the analysis of the diverse background of the architects, practicing during the period under study, shows the great impact of their architectural culture on the Tunisian cityscape. Finally, the last type of speech observed in specialized architectural magazines and private press, enables to extract receptions about the realized projects.References behind architectural realizations in Tunis seems to evolve together with the State evolution and the different definition of what is «Tunisian» at each moment. The study of the identified speeches led to three different imaginaries. The first is a progress imaginary, which characterizes the first decades of the independent State. It operates through an esthetic allusion following architectural inclination of great occidental metropolis. The second is a historical imaginary that emerges later and which mainly refers to a legacy architecture transformed into a protected heritage. Hence, the worship of the « medinal » architecture and recently the french protectorat legacy provide to some artefacts a status of reference for upcoming constructions. Finally, the third imaginary is syncretic and fluctuates between modernizing tradition and traditionalizing modernity towards a perfect fusion that eventually defines contemporary Tunisian architecture
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Karoui, Khaled. "La restitution des arcs de Dougga dans leur contexte urbain." Bordeaux 3, 2011. http://www.theses.fr/2011BOR30065.
6
Djelloul, Neji. "Les Installations militaires et la défense des Côtes tunisiennes du XVIe au XIXe siècles." Paris 4, 1988. http://www.theses.fr/1988PA040020.
Анотація:
Ce travail consacré aux installations militaires et à la défense des côtes tunisiennes à l'époque ottomane (XVIe-XIXe siècle) est divisé en trois parties fort inégales. La première intitulée "les conditions historiques de l'évolution des places fortes" débute par un aperçu historique sur la période concernée (un chapitre) ; viennent ensuite trois chapitres traitant des troupes (la milice des janissaires), de la marine de guerre, des armes à feu et de la fortification médiévale, malgré la perspective historique dans laquelle le travail fut dirigé, les aspects purement techniques y sont privilégiés (types et caractéristiques des bateaux de guerre, les diverses bouches à feu. . . ). La deuxième partie (sept chapitres) : les places fortes constituent l'essentiel de la thèse ; elle consiste en une série de monographies régionales, traitant des fortifications des localités du littoral tunisien. La troisième partie (quatre chapitres) est une approche synthétique et comparative sur les grandes périodes de l'évolution de l'architecture militaire tunisienne du XVIe au XIXe siècleThis essay have for subject the military installations and the defences of the Tunisian coasts in the Ottoman periode (XVI-XIX centuries). . . He is divided into three unequal parts. .
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Ben, Akacha Walid. "Statut juridique, évergétisme et urbanisme des villes de l'Afrique proconsulaire durant le haut-empire : exemples de "Thuburbo Maius", "Uchi Maius" et "Thugga"." Aix-Marseille 1, 2006. http://www.theses.fr/2006AIX10011.
Анотація:
En Afrique proconsulaire, la romanisation n'est en réalité que l'aboutissement d'un processus culturel complexe qui s'est traduit par l'émergence rapide d'une culture et donc d'une identité provinciale entièrement nouvelle dans laquelle se combinaient les éléments du passé et du présent. Le Haut-Empire romain en proconsulaire a coïncidé avec des changements socio-culturels importants matérialisés par un essor urbain sans précédent. Ce processus fut assurément la traduction de l'arrivée au pouvoir d'une nouvelle élite dirigeante locale qui, en étant fidèle à une identité impériale romaine et un ensemble de valeurs civiques, impose une nouvelle vision du monde dans lequel elle vit. Le statut du municipe et davantage encore celui de colonie, sollicité souvent par l'élite locale, diffuse de nouveaux modes de comportement et de pensée dans la vie des habitants. L'originalité de notre propos consiste dans le fait de replacer le phénomène évergétique dans le contexte juridique et politique propre à chaque cité. Dans cette perspective, l'évergétisme serait conçu non commce un fait en soi, mais comme le reflet de la vie politique locale. Toute l'histoire des cités doit donc être envisagée en termes de relations ou plutôt d'interactions entre le juridique, l'évergétique et l'urbain.
8
Aloulou, Mohamed. "Les bùrj-s de Sfax : étude anthropologique." Paris 8, 2008. http://www.theses.fr/2008PA083019.
Анотація:
Au niveau de cette thèse, nous avons essayé d'étudier le cadre bâti et la vie quotidienne en Tunisie en nous basant sur la région de Sfax comme terrain propice à notre étude. Cette étude anthropologique se place au niveau du cadre choisi et de quelques outils de recherche en continuité de notre travail effectué dans le mémoire de DEA, intitulé "Structure, espace et vie quotidienne du groupe domestique en Tunisie à l'époque précoloniale et coloniale : étude d'un cas : région de Sfax". Mais, il est à signaler que, à ce stade de la recherche, nous avons jugé fructueux d'étoffer l'analyse en question en prenant en compte la complexité du "phénomène-bùrj". Par conséquent, il s'agit de dévoiler ce terme sur les plans architectural (organisation structurelle de la demeure), familial (les formes d'interaction sociale à l'intérieur du bùrj) et culturel (les rituels, les symboles, héritage social). Notre but était d'étudier le bùrj sfaxien comme espace résidentiel qui concerne la population sfaxienne dans une époque précise s'étalant du XVIIe au XXe siècles. En effet, cette construction fortifiée représente la particularité distinctive de Sfax par rapport aux autres villes de la Tunisie, ce qui nous a amené à le privilégier en tant que corpus d'analyse socio-anthropologiqueThis thesis seeks to investigate a suggested framework for daily life in Tunisia, with special reference to the Sfax region as a propitious case study. This anthropological study is situated within the selected framework as well as the analytic toolkit that draws on my M. A. Thesis entitled "Structure, space and daily-life in Tunisia at the pre-colonial and colonial era : the Sfax region as a case study". However, it must be noted at this stage that we have deemed it necessary to develop this question by taking into consideration the complexity of the "Bùrj phenomenon". Consequently, this term is to be developed on the architectural (i. E. At the level of the structural organisations of the abode), family (i. E. The forms of social interaction inside the bùrj) and cultural (i. E. Rituals, symbols & social heritage) planes. Thus, our aim is to study Sfaxian bùrj as a residential space used by the Sfaxian population at a precise period ranging from the 17th to the 20th centuries. To this effect, this fortified structure represents the distinctive particularity of Sfax compared to the other Tunisian cities ; hence, our decision to single it out as a corpus for our socio-anthropological analysis. The importance of the Sfaxian residential space stems from its capacity to unravel the relationship between a population and the space that it occupies. Similarly, to identify the specificities of a social frame, it is essential to review the traditional habitat because it translates the system of values that governs the relations between the different family members. Moreover, this suggested framework has the potential of being significant thanks to its socio-cultural suggestions
9
Mahfoudh, Faouzi. "La ville de Sfax : recherches d'archéologie monumentale et évolution urbaine." Paris 4, 1988. http://www.theses.fr/1988PA040025.
Анотація:
Cette thèse porte sur l'étude des monuments historiques de Sfax : enceinte, bassins hydrauliques, grande mosquée, oratoires, maisons urbaines et suburbaines, et l'espace du centre commercial. L'analyse des édifices est faite en se fondant sur la documentation textuelle et épigraphique. Pour cette dernière, un corpus des inscriptions monumentales a été réalisé. Il nous a permis de bien comprendre l'évolution des monuments et le développement de la cité dans l'espace et dans le temps. Il nous est apparu alors que Sfax avait gardé un aspect médiéval, inspiré de la basse antiquité. La structure de l'armature urbaine n'a pas beaucoup varie depuis le IXe s. Tout au long de son histoire, la ville est restée très attachée à l’Ifriqiya et aux courants d'art qui l'ont parcourue. Mais cela ne l'a pas empêché de développer parallèlement une spécificité régionaleThis thesis is a study about the historical monuments in Sfax: surrounding walls, hydraulic reservoirs, the great mosque, oratories, urban and suburban houses and the shopping center site. The analysis of the buildings is based on the textual and epigraphic documentation. For this particular point, a "corpus" of the monumental inscriptions has been made out. It gave us the opportunity to understand the evolution of the monuments and the development of the city in space as well as in time. Then, it appeared to us that Sfax kept a medieval aspect inspired by the "basse antiquité". The structure of the urban frame has not changed a lot since the 9th century. Throughout his history, the city has remained very close to Ifriqiya and to different arts which happened to come across. Nevertheless, the city has developed, in parallel, a regional specificity which is especially perceptible in the modern age
10
Moualem, Rim. "La Médina de Sfax et son souk : mutation d’un héritage urbain." Paris 10, 2008. http://www.theses.fr/2008PA100078.
Анотація:
Malgré sa petite superficie (24 hectares), et sa planification ancienne qui remonte au IXème siècle après J. C. , la médina de Sfax nous paraît être une illustration exemplaire d'un processus d'urbanisation original dans le contexte du développement régional. Jusqu'aux années soixante, la médina de Sfax n'a pas connu de transformations architecturales et urbaines importantes. Son originalité résidait dans le juste équilibre spatial entre les différentes fonctions : habitat, commerces, artisans et équipements publics. En raison de la soukalisation de la médina, qui n'a pas cessé de gagner du terrain, cet équilibre est actuellement rompu. Ainsi, les familles aisées, composées de commerçants et d'artisans, ont progressivement quitté la médina pour s'installer en périphérie. Les maisons libérées sont en partie converties en boutiques, en ateliers et en dépôts et pour le reste elles accueillent la population issue de l'exode rural. Ce bouleversement s'est traduit, d'un point de vue architectural, par un impact néfaste. Aujourd'hui, on peut sans doute dire, que la médina de Sfax -un peu comme celle de Fès au Maroc- est une « ville-atelier ». L'implantation de l'activité économique orientée vers le commerce, et la mutation morphologique de la maison en souk représentaient la médina de Sfax comme un grand souk autrement dit un grand centre commercial traditionnel, davantage que comme un centre de productionIn spite of its small surface (24 hectares), and its old planning that goes back to the IXth century after J. C, the “medina” (city) of Sfax seems to be an exemplary illustration of an original urbanization process of regional (area) development background. Up till the nineteen sixties, the city of Sfax did not know huge architectural transformation (alteration). Its originality resided in the exact space balance between the different functions: Accommodation, Business (commerce), and Artisan and Public equipments. Because of the “Soukalization” witch took more and more place in the city, this balance is actually interrupted. Hence (therefore), the businessmen and the craftsmen that represent the wealthy families left gradually the city in order to settle in the outskirts. The houses witch were left, were partly converted to shops, workrooms, and storehouses; whereas others were occupied by people coming from the rural depopulation. This architectural disorder caused a disastrous impact. Nowadays, we can surely say that the city of Sfax (like the city of Fès in Morocco) is an “atelier-city”. The implantation of the economic activity witch is turned towards business (commerce) on the one hand and the morphological alteration (transfer) of houses to “Souks” on the other hand, made the city of Sfax to become much more like a big “Souk”. In other wards, a big mall or shopping centre rather than a producing centre
Книги з теми "Architecture – Tunisie":
1
1938-, Vegetti Finzi Silvia, ed. Architectures italiennes de Tunisie =: Architetture italiane di Tunisia. Tunisi: Ambasciata d'Italia, 2002.
2
Santelli, Serge. Medinas: Traditional architecture of Tunisia ̇l'architecture tradistionelle en Tunisie. London: Mimar, 1991.
3
Daghari-Ounissi, Mohamed-Habib. Tunisie, habiter sa différence: Le bâti traditionnel du sud-est tunisien. Paris, France: L'Harmattan, 2002.
4
Breitman, Marc. Rationalisme, tradition: Jacques Marmey, Tunisie, 1943-1949 = Rationalism, tradition : Jacques Marmey, Tunisia, 1943-1949. Liège: P. Mardaga, 1986.
5
Annabi, Khaireddine. Me3marouna: Le patrimoine architectural en Tunisie. Tunis: Cérès éditions, 2014.
6
Bismuth-Jarrassé, Colette. Synagogues de Tunisie: Monuments d'une histoire et d'une identité. [Le Kremlin-Bicêtre]: Esthétiques du divers, 2010.
7
Bettaïeb, Mohamed-Salah. La Tunisie numido-berbère vue du ciel. Tunis: Alif - Les Éditions de la Méditerranée, 2009.
8
Bettaïeb, Mohamed-Salah. La Tunisie antique vue du ciel. Tunis: Alif - les Éditions de la Méditerranée, 2007.
9
Bettaïeb, Mohamed-Salah. La Tunisie arabo-musulmane vue du ciel. Tunis: Alif - les Éditions de la Méditerranée, 2007.
10
Saadaoui, Ahmed. Testour du XVIIe au XIXe siècle: Histoire architecturale d'une ville morisque de Tunisie. [Tunis?: Faculté des lettres la Manouba, 1996.
Частини книг з теми "Architecture – Tunisie":
1
Driss, Houda. "1. Socio-Spatial Practices of a Community Living Beneath the Land in Beni Zelten, South-Eastern Tunisia." In Tangible and Intangible Heritage in the Age of Globalisation, 11–26. Cambridge, UK: Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0388.01.
Анотація:
Houda Driss analyses ancestral ways of occupying and appropriating space within the ‘troglodytic’ dwellings in the village of Beni Zelten, located in southeast Tunisia. Her research examines this architecture with respect to its natural environment and historical longevity, before identifying and analysing the socio-spatial practices inside these living spaces. The combination of theoretical and practical aspects of troglodytic spaces enables her to enumerate the activities practised in this context, which she then classifies according to the user type, degree of privacy and frequency of practice. In this way, she demonstrates how the underground dwellings in the Tunisian village of Beni Zelten reflect and respond to the natural environment, social factors and cultural values.
2
Ben Ammar, Meriem. "2. Impact of Jurisprudential Heritage in the Organisation of the Medina of Tunis." In Tangible and Intangible Heritage in the Age of Globalisation, 27–46. Cambridge, UK: Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0388.02.
Анотація:
Meriem Ben Ammar focuses on architecture and town planning in the medina of Tunis, highlighting norms and rules relevant to the spatial organisation of houses, the material separation between neighbours and the management of the city in general. She analyses an archived manuscript dating from the eighteenth century on Hanafi law, written by Tunisian jurist Muhammad bin Ḥusayn bin Ibrahim al-Bārūdīal-Ḥanafī. This manuscript offers fair solutions to conflicts over property ownership, construction forms and housing issues between inhabitants and their closest neighbours. Over many centuries, this intellectual heritage encouraged a unified system of construction in the walled medina of Tunis, an organisation of its urban network and the preservation of its neighbourhood relationships.
3
Sakji, Ons, and Fakher Kharrat. "Adaptive Re-use in Tunisia Between Remembrance and Contemporaneity." In Conservation of Architectural Heritage, 113–24. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-10871-7_10.
4
Béjaoui, Faïka. "The Central Market in Tunis." In Architecture and Urban Transformation of Historical Markets, 52–66. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003143208-6.
5
Ben Said, Imen, and Fakher Kharrat. "Degree of Respect for Authenticity in the House’s Restorations of the Medina of Tunis." In Conservation of Architectural Heritage, 221–41. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-10871-7_18.
6
Taieb, Amine Hadj, and Wouroud Turki. "Using Fabric Warping in Architecture: A Contemporary Conception for Technical Use." In Proceedings of the Second International Conference of Innovative Textiles and Developed Materials-ITDM’2; 05-06 May 2023; Tunisia, 137–46. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-7950-9_13.
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Ali, Dhafer Ben, Itebeddine Ghorbel, Nebras Gharbi, Kais Belhaj Hmida, Faiez Gargouri, and Lotfi Chaari. "Consolidated Clinical Document Architecture: Analysis and Evaluation to Support the Interoperability of Tunisian Health Systems." In Advances in Predictive, Preventive and Personalised Medicine, 43–52. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-11800-6_5.
8
Boukhalfa, Kamel, Mohamed Soussi, Walid Ben Ali, and Mohamed Ouaja. "Facies and Architecture of a Tide-Dominated Estuary in the Lower Cretaceous Sidi Aich Formation of the Chotts Basin, Southern Tunisia." In Advances in Science, Technology & Innovation, 139–43. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-72547-1_30.
9
Jouini, Nour El Houda, Fakher Kharrat, Mouldi Chaabani, and Kaouther Zair. "Including Sustainable Architectural Design in the Teaching Pedagogy: A District Adapted to the Desert Climate of the Oasis of Nafta–Tunisia." In Sustainable Energy-Water-Environment Nexus in Deserts, 789–93. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-76081-6_100.
10
Tausch, Arno. "The Empirical Results of Our Empirical Study." In Political Islam and Religiously Motivated Political Extremism, 45–75. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-24854-2_5.
Анотація:
AbstractThe study clearly shows that identification with Turkey and Iran, with a political Islam that also influences elections and results in a theocracy, promotes religious and gender discrimination and advocates an Islamist interpretation of Islam, are very much the most important, interrelated syndromes of political Islam, which together explain more than 50% of the total variance of the 24 model variables used. If the states of Europe want to win the fight against jihadism, they must work closely with the moderate Arab states, such as Egypt, Jordan, Morocco, Saudi Arabia, the United Arab Emirates and other Arab Gulf states, and be aware that, on a population-weighted basis, 41% of all Arabs now view the Muslim Brotherhood, which is the strongest and most coherent force in political Islam today, negatively or very negatively. According to the data brought to light here, only 7% of people in the Arab world now have a high level of trust in their country's Islamist movement, while 14% have some trust, 19% have little trust, but 60% have no trust. Our overall index—Overcoming political Islam shows that Morocco and Tunisia are the top performers, while Iraq and Sudan bring up the rear. Following an important study by Falco and Rotondi (2016), we also explore the question of whether political Islam is more prevalent or less prevalent among the more than 20% of the Arab population who plan to emigrate in the coming years than among the population as a whole. Far from feeding alarmist horror scenarios, our evaluation shows firstly that Falco and Rotondi (2016) are correct in their thesis that among potential migrants to the West, political Islam is certainly less pronounced than among the Arab population as a whole. On a population-weighted basis, only 13.11% of potential migrants to the West openly state that they trust the country-specific Islamist movement. In the second part of our empirical evaluations, we explore religiously motivated political extremism (RMPE) by international comparison on the basis of the following items of the World Values Survey, which are sparse but nevertheless available on this topic: The proportion of the global population who favour religious authorities in interpreting the law while accepting political violence is alarmingly high in various parts of the world and is raising fears of numerous conflicts in the coming years in an increasingly unstable world system. It amounts to more than half of the adult population in Tajikistan (the international record holder), and Malaysia and some non-Muslim-majority countries. In many countries, including NATO and EU member states, it is an alarming 25–50%, and we mention here the Muslim-majority countries Iraq, Lebanon, Bangladesh, Kazakhstan, Nigeria and Indonesia. It is 15–25% even in core countries of the Western security architecture, but also in the Muslim-majority countries: Pakistan, Iran and Tunisia. Only in the best-ranked countries, among them the Muslim-majority countries Albania, Egypt, Bosnia and Herzegovina, Kyrgyzstan, Azerbaijan and Jordan, the potentially fatal combination of mixing religion and law and accepting political violence has a relatively small following of less than 15%. In the sense of the theses of the late Harvard economist Alberto Alesina (1957–2020), social trust is an essential general production factor of any social order, and the institutions of national security of the democratic West would do well to make good use of this capital of trust that also exists among Muslims living in the West.
Тези доповідей конференцій з теми "Architecture – Tunisie":
1
Davico, Pia. "Fortificazioni della Tunisia contese tra Spagnoli e Turchi a metà del secolo XVI, documentate dall’iconografia coeva. Un’analisi dal ter-ritorio all’architettura." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11347.
Анотація:
Tunisian fortifications disputed between Spaniards and Turks in the mid-sixteenth century, documented by coeval iconography. An analysis from the territory to the architectureThe five volumes of the precious archival collection of drawings called Architettura Militare (Military Architecture), kept at the Archivio di Stato di Torino (Turin State Archive), propose documents made mostly by military engineers from the half of the sixteenth to the following first decade. The tomes collect mostly drawings of places under the aegis of the Duchy of Savoy, apart from the second one, dedicated to documents of Spanish military interest (Mediterranean Sea and Lombardy maps). As I pointed out at Fortmed Convention 2018, the reason why these documents are kept at the Turin State Archives is because of their belonging to Catherine of Aragon, daughter of the Spanish king and wife of Carlo Emanuele I di Savoia. In the volume Architettura Militare II (Military Architecture II) 26 tables, all datable from 1522 (Rhodes) to 1596 (Cadiz), concern territories, walled cities and fortifications, of islands and Mediterranean coasts, disputed by Christians and Turks for the supremacy on the sea. In the previous study I had examined drawings about Egypt, eastern Ottoman territories and Holy Land coasts, Spanish possessions as Perpignan and Cadiz bay. In this new study instead, I would like to examine in depth the iconography about Tunisia. Those drawings, so different from each other for scale and graphic quality, document those phases in which the Spanish control is characterized by alternate situations: the Iberian presidio dates back to 1535, reconquered by Ottomans in 1570, it is taken back in three years by Christians who keep it until 1574 only, when the whole Tunisian territory, precious bastion for the control of routes and trades, definitely returns in the hands of the Turks.
2
Ouertani, Kais, and Moncef Krarti. "Impact of Shape on Building Energy Use in Tunisia." In ASME 2006 International Solar Energy Conference. ASMEDC, 2006. http://dx.doi.org/10.1115/isec2006-99135.
Анотація:
This paper investigates the impact of the architectural form on the energy performance of residential buildings in Tunisia. A relative compactness is defined as one indicator of a building shape. The results of the analysis indicate that a significant decrease in heating and cooling energy requirements can be obtained by minimizing the relative compactness of detached residential houses. A simplified analysis tool, suitable for early design process, is developed to assess the impact of building form on its energy performance for several cities in Tunisia.
3
Mahroug, E., and A. Belakehal. "The evolution of heritage atmospheres in the medina of Tunis since the 19th century." In ISLAMIC HERITAGE ARCHITECTURE AND ART 2016. Southampton UK: WIT Press, 2016. http://dx.doi.org/10.2495/iha160141.
4
Gonzalez, G., J. Clemence, Y. Boisseau, and J. Bauer. "Reservoir Architecture and Seismic Stratigraphy of a Deltaic System - Lower Acacus Formation, Tunisia." In 73rd EAGE Conference and Exhibition incorporating SPE EUROPEC 2011. Netherlands: EAGE Publications BV, 2011. http://dx.doi.org/10.3997/2214-4609.20149281.
5
Sbai, Ines, and Saoussen Krichen. "Big Data Analytics architecture for intelligent transportation systems: A tunisian case study." In 2023 International Conference on Innovations in Intelligent Systems and Applications (INISTA). IEEE, 2023. http://dx.doi.org/10.1109/inista59065.2023.10310334.
6
Hermi-Nasr, Aida, Najla Allani, and Jean-Yves Blaise. "Visual Analysis of Architectural Heritage: The Interior Décor of the Domus of Roman Tunisia." In 11th International Conference on Knowledge Discovery and Information Retrieval. SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0008261004050408.
7
Besbes, Ghada. "Onto- It:Ontological Architecture for Adapted Itinerary Recommendation, Application to Tunis." In 2023 IEEE Afro-Mediterranean Conference on Artificial Intelligence (AMCAI). IEEE, 2023. http://dx.doi.org/10.1109/amcai59331.2023.10431507.
8
Mouakhar, H., H. Gabtni, and A. Bel Kahla. "Integrated Gravity Modeling, a Tool to Unravel Basin Architecture - Case Study from Saouaf basin, Northeastern Tunisian Atlas." In 79th EAGE Conference and Exhibition 2017. Netherlands: EAGE Publications BV, 2017. http://dx.doi.org/10.3997/2214-4609.201701080.
9
O'Leary, Ceara. "Collaborative Community Practice: Evaluating Partnerships and Pedagogy." In 109th ACSA Annual Meeting Proceedings. ACSA Press, 2021. http://dx.doi.org/10.35483/acsa.am.109.74.
Анотація:
University-based community design centers are unique in their position within a network of both academic and community relationships. While design centers follow different models, this paper applies an evaluative framework to one university-based community design practice that centers teaching and collaborative professional projects. This paper will unpack how the Detroit Collaborative Design Center (DCDC) operates within the School of Architecture (SOA) at the University of Detroit Mercy, offering educational oppor¬tunities for students to explore community-engaged design practice, as well as how the practice operates within a net¬work of community partners citywide on a range of projects and with an emphasis on collaboration. This paper seeks to identify and share outcomes associated with community design practice in terms of both student and community collaborator experience through an evolving evaluative practice. The paper includes perspectives from an evaluative framework currently under development and aims to illustrate and offer initial lessons for both the learning experience and collaborative design process. Overall, this research and paper aim to draw lessons from community design practice related to both pedagogy and partnerships, and where they intersect.
10
Bchir, E. "Towards a specific modernity of architecture: the trade-off between text and context in defining a poetic approach of individual housing in Tunis." In STREMAH 2015. Southampton, UK: WIT Press, 2015. http://dx.doi.org/10.2495/str150231.