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Статті в журналах з теми "Anthropologie du contemporain"
Rabinow, Paul, Stephen J. Collier, and Andrew Lakoff. "La Biosécurité. Vers une Anthropologie du Contemporain." Raisons politiques 32, no. 4 (2008): 59. http://dx.doi.org/10.3917/rai.032.0059.
Повний текст джерелаBrun, Baptiste. "Art contemporain et anthropologie : un partage d’expériences." Critique d’art, no. 49 (November 21, 2017): 34–46. http://dx.doi.org/10.4000/critiquedart.27138.
Повний текст джерелаDouville, O. "Anthropologie du contemporain et clinique du sujet." L'Évolution Psychiatrique 69, no. 1 (March 2004): 31–47. http://dx.doi.org/10.1016/s0014-3855(03)00182-8.
Повний текст джерелаDouville, Olivier. "Anthropologie du contemporain et clinique du sujet." L'Évolution Psychiatrique 69, no. 1 (January 2004): 31–47. http://dx.doi.org/10.1016/j.evopsy.2003.11.007.
Повний текст джерелаMonier, Frederic, and Alain Dewerpe. "Espion: une anthropologie historique du secret d'Etat contemporain." Vingtième Siècle. Revue d'histoire, no. 45 (January 1995): 157. http://dx.doi.org/10.2307/3771030.
Повний текст джерелаGandolfi, Paula. "Quel Échange entre Anthropologie du Contemporain et Entreprises ?" Economia N.A., no. 31 (April 2018): 17–20. http://dx.doi.org/10.12816/0046818.
Повний текст джерелаChabal, Patrick. "Une anthropologie en mouvement : l'Afrique miroir du contemporain." Lusotopie 16, no. 2 (November 1, 2009): 280–81. http://dx.doi.org/10.1163/176830809790554242.
Повний текст джерелаArlaud, Jean, Pascal Dibie, Christine Louveau de la Guigneraye, and Luiz Eduardo Robinson Achutti. "Conversation sur les préoccupations scientifiques et les perspectives de recherche au sein du Laboratoire d'Anthropologie Visuelle et Sonore du Monde Contemporain." Horizontes Antropológicos 6, no. 13 (June 2000): 251–69. http://dx.doi.org/10.1590/s0104-71832000000100012.
Повний текст джерелаBédard-Goulet, Sara. "Modalités de l’habiter contemporain et personnages dits sans domicile fixe dans L’Équipée malaise et Un an de Jean Echenoz." L'Esprit Créateur 63, no. 2 (June 2023): 33–50. http://dx.doi.org/10.1353/esp.2023.a901818.
Повний текст джерелаSpinelli, Céline. "Terrain festif contemporain : une mise en perspective de fêtes et festivals." Socio-anthropologie, no. 38 (December 31, 2018): 19–30. http://dx.doi.org/10.4000/socio-anthropologie.3560.
Повний текст джерелаДисертації з теми "Anthropologie du contemporain"
Balut, Pierre-Yves. "L'archéologie de la mort dans l'Occident contemporain." Paris 4, 1990. http://www.theses.fr/1990PA040015.
Повний текст джерелаThis thesis is not an excavation publication nor a study of art history, sculpture or architecture as is most research work on funeral rites. From a redefinition of archaeology as a compilation of the technical ability of man, shown beforehand, a model od the splitting up of all procedures regarding the dead is worked out and and its analytical efficiency can be demonstrated on a historically and technically differentiated material : thus elements of comparison can be dealt with in things which have the same purpose, and in one and the same technical piece of work, break up its different purpose. The examples are, as much as possible, western, modern and contemporary. Are first examined the procedures regarding the animal subject and the person as member of the group, each as much for this technical abilities regarding the body, food, clothing, as for housing, furniture, town-planning, worship; as much for is temporary as for what is transmissible. Then the associated representations of the dead or his localisation by images, signs, and inscriptions. In addition, the model of analysis of human funeral rites is applied to the animal in our contemporary world. Lastly the case of memorials is studied, those of wars, and those commemorating other ways of dying : the representation can be very like funeral rites, but sometimes in a more original way settlements, funeral or otherwise; and the nature of history revealed by them favouring certain places. .
Ascencio, Michaelle. "Nèg kampé : lecture anthropologique du roman hai͏̈tien contemporain." Paris, EHESS, 1994. http://www.theses.fr/1994EHES0105.
Повний текст джерелаGenie du paganisme by marc auge, esthetique et theorie du roman by mikhail bakhtine and anatomie de la critique by northrop frye constitute the theorical bases of this thesis that proposes and anthropological reading of the contemporary haitian novel. From the question of the place and the value that the haitian novel concedes to the culture of haiti, culture that globally expresses herself in the vaudou polytheism, the earth's attachement, the importance of the affective ties. . . , our thesis analyses the bilingual vision of the haitians novelists and the image of the society appears in the fourty novel of our corpus. The life of the individual in his family (in haiti) and the life of the individual in exile are the major themes of this literature. These themes are made rich by differents subjects: the image of africa, the zombui figure, the work's notion, the violence, the nostalgy, the fear, the friendship and love that we find again analysed in the chapters of our work. The polarization zombi neg kampe is the common symbol to all this novels written between 1980 and 1991. The message of the novelists turns around of a kind of "sentimental education" of individual which, overtaking the fear and the servitude, become proud and sure of himself
Cheval, Olivier. "Le partage de la douleur : une anthropologie figurative du cinéma contemporain." Thesis, Lyon, 2016. http://www.theses.fr/2016LYSE2139.
Повний текст джерелаThis work started with two crucial insights from Georges Bataille’s œuvre. On the one hand, Bataille formulated a law on the constitution of community in the Collège de Sociologie: “Human beings are only linked together by wrenches or wounds”. On the second hand, he elaborated the idea that works of art are, since Lascaux, the traces of an archaeology of men’s community life, the code of a “non-savoir” about the sacred sphere which ties men together thanks to some borderline figures (the corpse, the tears, the orgy, the sacrifice). These two ideas allow me to define figurative anthropology as the discipline that seeks a figural thought of community in images, and the sharing of pain as one of its privileged objects. Contemporary thoughts of community (Jean-Luc Nancy, Giorgio Agamben, Roberto Esposito) allow me to state this hypothesis: contemporary cinema is not pertaining to the political construction of a people but to the figuration of communities which find in this very sharing their sole purpose. Only a figural work can contravene to the loneliness of a suffering body and break its closed isolation into include it in a pathetic group that synchronises gestures and assembles fleshes. The international corpus of films that I put together about the survival of figures of communion (Joao Pedro Rodrigues, Pedro Costa, Béla Tarr, Steve McQueen, Bruno Dumont) or the choreographic figuration of care (Tsai Ming-liang, Apichatpong Weerasehtakul, Vincent Gallo, Gus Van Sant) comes under a figurative realism which has not to be studied from the point of view of the politics of aesthetics (Jacques Rancière), but of the impolitics of beauty: that is to say that art is the place where the capacity for suffering and sharing, without leading to a political construction, allows the hope of an imminent community
Souvignet, Florent. "L' art contemporain africain aux Etats-Unis : vers une anthropologie des marges." Paris, EHESS, 2014. http://www.theses.fr/2014EHES0604.
Повний текст джерелаThe exhibition "Magiciens de la terre", presented in Paris in 1989, is often viewed as a strong institutional moment towards recent non-Western visual productions. It marks the start of a movement towards opening European and North American museum spaces to the world and announces the era of the globalization. In the aftermath of this event, the notion of contemporary African art developed with the appearance of th key actors including Jean Pigozzi, andré Magnin or Okwui Enwezor. The concept of Contemporary African Art was hotly debated in art and academia alike, attracting substantial attention before its object was defined. Using the semantic plasticity of the three terms, "art", contemporary" and "african" as a potential departure, this dissertation analyzes the emergence of Contemporary African Art not as a category but as a field that encompasses diverse practices and discourses. This dissertation presents an ethnography of the actors involved in the promotion, presentation, and critique of this notion, focused on the galleries, private foundations, and museums at heartof the contemporary art world in New York's Chelsea neighborhoods question of how an artist might lose his "African" denomination and extract himself from the designation "contemporary African artist" to become an unmarked" contemporary artist" is one of its main theme result of four years of ethnographic research in the united states, this text questions the possible permanancy of primitivism and the modalities of its transformation
Boyer-Pellerej, Brune. "La fabrique du bijou contemporain : éthnographie d’ateliers." Thesis, Paris 10, 2020. http://www.theses.fr/2020PA100008.
Повний текст джерелаThe expression “contemporary jeweller”, first appeared in the 1970s, does not clearly describe the practice that it designates, and the jewelers operating in that field use a proliferating vocabulary to qualify themselves. The word “jeweler” does not seem significant enough: some, in France, add “plasticien” [artist] or “designer” to it, others replace it by “goldsmith” and self-identify as “orfèvre-plasticien” [goldsmith-artist]. Embedded as it is in my own contemporary jewelry practice, this dissertation seeks to clear up a few paradoxes: while some theoreticians looking at contemporary work conclude that “this jewelry is an art form” and that its authors are “artists”, contemporary jewelers themselves do not necessarily want to assert for their pieces the status of “art works”. Usually strongly attached to their workshop, they claim to “think with their hands” in order to create objects they still call “jewelry” but set themselves apart from “traditional jewelers” by designating their output as “contemporary”. Having realized that such a practice have never been described, I posited that an ethnographic study of a workshop would enable me to find out how jewelry becomes “contemporary”. I have based my research on the parallel analysis of two ethnographies: the ethnography of a colleague's workshop on one hand and an auto-ethnography on the other. Situated beyond the “art/craft” binary, this double perspective shows that contemporary jewelry makers compose their jewels from an assemblage of experiences, both social and emotional, by cultivating uncertainty and risk-taking, by playing with indetermination
Lambert, Sylvie. "Le bijou contemporain : son rapport au vêtement et à l'art : Anthropologie de l'ornement en Europe depuis les années 1960." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040210.
Повний текст джерелаUsing a corpus of jewelry from the 1960’s to nowadays, analysed through the Theory of Mediation method, the thesis has three objectives. The first one aims at building an anthropology of jewelery through the detour of sociology, using the Instituant/Institué model (first part), which helps understanding the experimental nature of these ornaments, far away from the traditional investiture of the person. The second objective is to analyse these very specific jewels using the Fabriquant/Fabriqué model (second and third parts), as studying how the nature of these experiments is broken down is indeed too difficult to do in a traditional manner. The third objective is to show the unity of the research by highlighting a similarity with the mechanisms of contemporary arts (clothing, design, furniture, art), indicating a community of projects and therefore a global and widespread phenomenon (second and third parts). These socially unwearable jewels develop unlikely techniques, in line with the unlimited world of contemporary art
Boissier, Annabelle. "L'art contemporain est-il par définition international? : les relations transnationales dans le processus de légitimation de l'art contemporain en Thaïlande." Paris, EHESS, 2008. http://www.theses.fr/2008EHES0349.
Повний текст джерелаDuring the nineties a network of contemporary art was developped in Thailand. How and why this network has been able to institutionalize itself and has taken away the monopoly of the academic unlike the avant-gardes movements blooming since the sixties? The analysis will show that this practice has obtained a local legitimacy thanks to th links set up by local actors with the international scene. The ways of existences of these links will be examined to question, from the Thai situation, the stakes of the non Western artist's participations to the international world of contemporary art. If they keep a peripheral position which enable them not to take part in the struggle of international classifications, the new growth after the year two thousand show that they try to knock down the balance of power by diversifying their actions towards other types of transnational relations
Dubois, Arnaud. "La vie chromatique des objets : Approche anthropologique des couleurs de l'art contemporain." Paris, EHESS, 2014. http://www.theses.fr/2014EHES0626.
Повний текст джерелаThis thesis concerns the material practices of colour in the domain of contemporary art. I analyse such practices following the "chaîne opératoire des agglutinations chromatiques" which I have studied during the period of my fieldwork at the Centre Pompidou Mobile and Monumenta 2012. Starting from a microanalysis of the chromatic qualities of the objects (including an art installation, a piece of architecture, a graphic design project and an agglomerate of 14 work of art of the collection of the Musee National d'art Moderne), this study seeks to understand the relationship between the materiality of making colours and the agents involved in such practice. This method allows us to observe and describe the multiple relations that exist between human beings and colours. It therefore pushes us to reflect on the socialisation of colours. In order to carry out this research, I have made use of a combination of methodological and theoretical approaches borrowing from what andré Leroi-Gourhan develops in his L'Homme et la Matière (1943) that builds on the general idea of Marcel Mauss concerning objects and techniques. For Leroi-Gourhan, colour is a fabricated material and is part of different 'techniques of fabrication' and 'actions on matter' that contribute to the way in which societies give colours to things. My ethnography of "parctices of colorization" in contemporary art describes the material culture of colour and oscillates between the anthropology of colour to cognitive anthropology (colour as perception) towards a sort of anthropology of techniques (colour as production). This oscillation creates an epistemological bifurcation, which I believe it is effective for proposing an anthropology of colour that is interested in both colour and the social practices around colour. In other words, in this work, I consider colour as an act - that is, I believe that colour is made/constructed and that a researcher must observe and analyse the actions and the actors engaged in the fabrication of an object of colour and must pay attention to the situations of work within which the 'act of colours' take place
Butel, Jean-Michel. "Liens noués : une monographie du lien amoureux dans le Japon contemporain." Paris, INALCO, 2004. http://www.theses.fr/2004INAL0013.
Повний текст джерелаWe tried in this work to point out what is said about love in a non-Christian society. However, this concern quickly appeared iconoclast in the Japanese context. Love is not a topic for the Japanese ethnology. More exactly, the question does not interest because it has no object to study on, as one affirmed to us. There is no love in Japan, not more than in other exotic cultures. Love, and the disproportionate place that it occupies today in our societies, would be the prerogative of Western civilization. Possibly ! But with a proviso specifying about which kind of love one speaks. We, with this intention, tried to adopt the following step : to choose an indigenous term, an expression which sounds 'very Japanese', to become aware of all the width of its semantic field, to identify its practical applications ; to make a comparison between what it indicates decided to analyze. We will discuss its origin and the implications. Obviously, bond and love are not the same thing. They can however be mobilized at the same time in similar situations. We will quote a certain number of examples taken from Japanese literature to prove it. However, the essential share of this research wants to be ethnographic and raises of religious ethnology : it is a question of identifying worships rendered to divinities, to describe places, practices, objects, which are known as ""tying a bond", to try to recall logics
Dondelinger, Patrick. "L'exorcisme des possédés selon le rituel romain et son interprétation ecclésiale dans l'Occident contemporain." Paris 4, 1996. http://www.theses.fr/1996PA040100.
Повний текст джерелаStarting with both an analytic examination of the rite of exorcism in the roman ritual of 1952 and of its ritual action, we make appear their conceptual underpinnings. The conception of possession according to the roman ritual is confronted to possession in non-Christian cults and then traced through its own inheritance due to ancient cultures, the Bible, early Christianity and its subsequent evolution. We then critically interpret today's theological debate throughout its historical development. In the same way, we treat the present practice of exorcism within the occidental catholic church of roman rite (mainly France, Germany, Switzerland, Italy, USA). Lastly, we turn to a hermeneutic analysis of the experience of possession and the pertinence of exorcism in the light of religious anthropology and theology, paying particular attention to the articulation of the epistemological relationship between the psychological and the spiritual as perceived by catholic faith
Книги з теми "Anthropologie du contemporain"
Bouvier, Pierre. Socio-anthropologie du contemporain. Paris: Galilée, 1995.
Знайти повний текст джерела1959-, Somé Roger, Schutz Carine, and Université Marc Bloch. Centre de recherches interdisciplinaires en anthropologie., eds. Anthropologie, art contemporain et musée: Quels liens? Paris: Harmattan, 2007.
Знайти повний текст джерелаUne anthropologie en mouvement: L'Afrique, miroir du contemporain. Versailles: Quae, 2008.
Знайти повний текст джерелаEspion: Une anthropologie historique du secret d'Etat contemporain. [Paris]: Gallimard, 1994.
Знайти повний текст джерелаLe maquillage clair-obscur: Une anthropologie du maquillage contemporain. Paris: L'Harmattan, 1996.
Знайти повний текст джерелаéd, Duhaime André 1948, ed. Chevaucher la lune: Anthropologie du haiku contemporain en français. Orléans, Ont: Éditions David, 2001.
Знайти повний текст джерелаJoel, Birman, and Haroche Claudine, eds. Le dépaysement contemporain: L'immédiat et l'essentiel : entretiens avec Joël Birman et Claudine Haroche. Paris: Presses universitaires de France, 2009.
Знайти повний текст джерелаBalandier, Georges. Le dépaysement contemporain: L'immédiat et l'essentiel : entretiens avec Joël Birman et Claudine Haroche. Paris: Presses universitaires de France, 2009.
Знайти повний текст джерелаJ, Almquist Alan, ed. Contemporary readings in physical anthropology. Upper Saddle River, NJ: Prentice Hall, 2000.
Знайти повний текст джерелаBordes-Benayoun, Chantal. Socio-anthropologie des judaïsmes contemporains. Paris: Honoré Champion, 2015.
Знайти повний текст джерелаЧастини книг з теми "Anthropologie du contemporain"
Sanjek, Roger. "Anthropology of Contemporary Issues." In Lesbian Mothers, 234–35. Ithaca, NY: Cornell University Press, 2018. http://dx.doi.org/10.7591/9781501720031-016.
Повний текст джерелаKreps, Christina F. "Mapping Contemporary Museum Anthropology." In Museums and Anthropology in the Age of Engagement, 36–77. New York, NY : Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9780203702208-2.
Повний текст джерелаJha, Kalpana. "Contemporary Politics: Directions and Dilemma." In SpringerBriefs in Anthropology, 77–95. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-2926-4_6.
Повний текст джерелаHaas, Jonathan. "Anthropology in the Contemporary Museum." In Careers in Anthropology Profiles of Practitioner Anthropologists, 53–57. Oxford, UK: Blackwell Publishing Ltd., 2009. http://dx.doi.org/10.1002/9781444307153.ch13.
Повний текст джерелаSanjek, Roger. "The Anthropology of Contemporary Issues." In Wanderings, 191–94. Ithaca, NY: Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501720406-012.
Повний текст джерелаEmrich, H. M., and W. Schiefenhövel. "Philosophical Anthropology: Basic Science of Psychiatry." In Contemporary Psychiatry, 327–37. Berlin, Heidelberg: Springer Berlin Heidelberg, 2001. http://dx.doi.org/10.1007/978-3-642-59519-6_20.
Повний текст джерелаNoland, James R. L. "Freeing Anthropology from Critique." In Philosophical Studies in Contemporary Culture, 119–38. Dordrecht: Springer Netherlands, 2010. http://dx.doi.org/10.1007/978-90-481-3804-3_9.
Повний текст джерелаAbram, Simone. "Contemporary obsessions with time and the promise of the future." In Anthropologies and Futures, 61–81. London ; New York, NY : Bloomsbury Academic,an imprint of Bloomsbury Publishing, Plc, [2017]: Routledge, 2020. http://dx.doi.org/10.4324/9781003084570-5.
Повний текст джерелаSimpson, Bob. "Impossible Gifts: Bodies, Buddhism and Bioethics in Contemporary Sri Lanka." In Medical Anthropology, 517–37. London: Routledge, 2023. http://dx.doi.org/10.4324/9781315249360-43.
Повний текст джерелаBatteau, Allen W. "The Contemporary World of Finance." In A Companion to Organizational Anthropology, 379–98. Chichester, UK: John Wiley & Sons, Ltd, 2012. http://dx.doi.org/10.1002/9781118325513.ch19.
Повний текст джерелаТези доповідей конференцій з теми "Anthropologie du contemporain"
Kakosimou, Olga. "Singing Fado in Contemporary Lisbon: Questions of Boundedness." In GLOCAL Conference on Mediterranean and European Linguistic Anthropology Linguistic Anthropology 2022. The GLOCAL Unit, SOAS University of London, 2023. http://dx.doi.org/10.47298/comela22.10-3.
Повний текст джерелаBailey, Jocelyn. "Constructing a critical anthropology of contemporary design practices." In DRS2022: Bilbao. Design Research Society, 2022. http://dx.doi.org/10.21606/drs.2022.631.
Повний текст джерелаLei, Jing, and Yufang Rao. "Language, Identity and Ideology: Media-Induced Linguistic Innovations in Contemporary China." In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.6-2.
Повний текст джерелаVacaru, Nadia-Elena. "CONTEMPORARY FAMILY - BETWEEN INDIVIDUALISM AND RECIPROCAL DEDICATION." In SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s8.005.
Повний текст джерелаRagni, Giovanni. "Language, Identity and Militantism in Contemporary Corsica. An investigation from a tradition of improvised singing called “chjam’è rispondiâ€." In GLOCAL Conference on Mediterranean and European Linguistic Anthropology Linguistic Anthropology 2022. The GLOCAL Unit, SOAS University of London, 2023. http://dx.doi.org/10.47298/comela22.10-1.
Повний текст джерелаRockell, Kim. "Noh, Zen and Now." In GLOCAL Conference on Asian Linguistic Anthropology 2022. The GLOCAL Unit, SOAS University of London, 2023. http://dx.doi.org/10.47298/cala2022.4-3.
Повний текст джерелаVidali, Maria. "Liminality, Metaphor and Place in the Farming Landscape of Tinos: The Village of Kampos." In GLOCAL Conference on Mediterranean and European Linguistic Anthropology Linguistic Anthropology 2022. The GLOCAL Unit, SOAS University of London, 2023. http://dx.doi.org/10.47298/comela22.1-6.
Повний текст джерелаIvanova, Miglena, Margaret Dimitrova, and Siemeon Stefanov. "Historical Linguistics and Anthropology of Dress in Bulgaria." In 2nd International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/iccessh-17.2017.249.
Повний текст джерелаPresutti, Stefano. "The Power of National Identity at the Grapho-Phonological Level: A Case in Italian." In GLOCAL Conference on Mediterranean and European Linguistic Anthropology Linguistic Anthropology 2022. The GLOCAL Unit, SOAS University of London, 2023. http://dx.doi.org/10.47298/comela22.6-4.
Повний текст джерелаLei, Wenbiao, and Jiajue Fang. "Aesthetic Anthropology Research Based on National Aesthetic Experience." In Proceedings of the 4th International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/iccessh-19.2019.449.
Повний текст джерела