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Статті в журналах з теми "Anthological":
Roskies, David. "The Jewish Anthological Imagination in the Holocaust, 1940−1945." Prace Filologiczne. Literaturoznawstwo, no. 12 (15) (June 12, 2022): 179–95. http://dx.doi.org/10.32798/pflit.796.
Lee, Tong King. "Translating multilingual Singapore: An anthological perspective." Babel. Revue internationale de la traduction / International Journal of Translation 56, no. 1 (May 11, 2010): 64–89. http://dx.doi.org/10.1075/babel.56.1.05lee.
Matan, Cela. "Design elements in anthological Zagreb buildings." E-Zbornik, elektronički zbornik radova Građevinskog fakulteta 12, no. 24 (December 22, 2022): 63–72. http://dx.doi.org/10.47960/2232-9080.2022.24.12.63.
Borić, Aras. "Anthological Canonizations of the Recent Bosnian-Herzegovinian Poetry." Društvene i humanističke studije (Online) 7, no. 2(19) (May 20, 2022): 45–62. http://dx.doi.org/10.51558/2490-3647.2022.7.2.45.
SCHBLEY, AYLA. "Defining Religious Terrorism: A Causal and Anthological Profile." Studies in Conflict & Terrorism 26, no. 2 (March 2003): 105–34. http://dx.doi.org/10.1080/10576100390145198.
Grigely, Joseph. "Blindness and Deafness as Metaphors: An Anthological Essay." Journal of Visual Culture 5, no. 2 (August 2006): 227–41. http://dx.doi.org/10.1177/1470412906066908.
Mastnjak, Nathan. "The Book of Isaiah and the Anthological Genre." Hebrew Studies 61, no. 1 (2020): 49–72. http://dx.doi.org/10.1353/hbr.2020.0012.
Tolmatchoff, Vassily M. "To the Symbolism of T.S. Eliot's Anthological Poem." Literature of the Americas, no. 13 (2022): 61–108. http://dx.doi.org/10.22455/2541-7894-2022-13-61-108.
CHARINA, A., D. RYBKA, and Yu BOKHNO. "INNOVATIVE MANAGEMENT AS A SOCIAL PHENOMENON: THE ATTEMPT OF THEORETICAL METHODOLOGICAL INSECTION." Экономическая наука сегодня, no. 8 (December 22, 2018): 94–99. http://dx.doi.org/10.21122/2309-6667-2018-8-94-99.
Shere, Jeremy. "Collective Portraits: The Anthological Imagination of Leo W. Schwarz." Shofar: An Interdisciplinary Journal of Jewish Studies 23, no. 3 (2005): 25–47. http://dx.doi.org/10.1353/sho.2005.0123.
Дисертації з теми "Anthological":
ROIFFE, ANA GABRIELA DICKSTEIN. "THE ANTHOLOGICAL CONTACT BETWEEN HÉLIO OITICICA AND JACK SMITH: UNDERGROUND AND TROPICAL THINGS." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2018. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=36143@1.
COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
PROGRAMA DE DOUTORADO SANDUÍCHE NO EXTERIOR
A tese aborda a relação entre os artistas Hélio Oiticica e Jack Smith em meio à efervescente atmosfera de Nova York nos 1970. Embora pouco conhecido no Brasil, Smith foi um importante personagem da cultura underground, sendo apontado como um dos precursores da arte de performance e do cinema expandido. Oiticica, durante os primeiros meses em que viveu em Nova York (1970-1978), relatou a amigos sua perplexidade ao entrar em contato com esse artista estadunidense, aproximando-se também de personagens e manifestações que faziam parte da sua esfera, como o ator Mario Montez e o Teatro do Ridículo. A partir de cartas do artista brasileiro e dos arquivos de Jack Smith, a pesquisa investiga de que maneira essa relação desenvolveu-se em termos pessoais e profissionais. No lugar de buscar pontos de semelhança e diferença, a tese procura friccionar a obra desses artistas a partir de seus buracos, faltas, gargalos e intervalos. Nesse sentido, o encontro entre eles será o ponto de partida para a discussão de questões dentro de suas próprias obras, como a relação que cada um estabeleceu com práticas arquivísticas, a ampliação do exercício de possibilidades de gênero e sexualidade, assim como de reflexões e projetos derivados de suas reivindicações contra cinemas convencionais. Além de trabalhos mais conhecidos de Oiticica, como Cosmococa - program in progress (1973-1974) e o artigo Mario Montez, tropicamp (1971), serão analisadas obras e documentos de Jack Smith, a exemplo de um roteiro inédito que o artista escreveu no Rio de Janeiro, em 1966, chamado Carnaval in Lobsterland.
This dissertation concerns the relationship between artists Hélio Oiticica and Jack Smith in the bustling atmosphere of 1970 s New York. Even though Smith is little know in Brazil, he was an important artist in New York s underground culture, often pointed as one of the forerunners of performance art and expanded cinema. During his first months in New York (1970-1978), Oiticica wrote to his friends about how perplexed he was at Smith and his work, comparing him to characters and manifestations that were part of his sphere, such as actor Mario Montez and the Teatro do Ridículo. Departing from the Brazilian artist s letters and Jack Smith s files, this research investigates how their relationship has developed in personal and professional terms. Rather than looking for points of similarity or difference, this dissertation aims to put the work of these artists in friction - from their holes, absences, apertures and gaps. In this sense, their meeting will be the starting point for the discussion both of questions in their own work and of the relationship each of them has established with archival practices, the expansion of exercises on the possibilities of gender and sexuality, as well as reflections and projects derived from their claims against conventional cinema. In addition to Oiticica s best known works, such as Cosmococa - program in progress (19730-1974) and the article Mario Montez, tropicamp (1971), this thesis will analyze some of Jack Smith`s works and documents, such as an unpublished script he wrote in Rio de Janeiro in 1966, called Carnaval in Lobsterland.
Le, Chêne Ludivine. "L'âge du roman anthologique. Formes et enjeux de la digression dans l'écriture romanesque du premier XVIIe siècle." Electronic Thesis or Diss., Université Grenoble Alpes, 2024. http://www.theses.fr/2024GRALL002.
An object of confusion and disdain, the reputation of the digression since its origins is not in good shape. However, despite this rejection, novelists happily use it. Whether the digression occurs occasionally throughout the story or whether it spares the layout of the work, its presence affects all the compositional layers of the novel, in such a way as to reconsider the question of coherence. The smallest digressive units are inserted into the story in the manner of authorial interventions or construct sequences which combine the pleasure of the detour with a scholarly function. In the same way, on a larger scale, longer sequences alternate pieces of bravery and narrative pieces which accumulate and are interspersed in the work, so as to postpone its outcome. Digression therefore constitutes a strategic poetic tool, which novelists use in order to arrange and bring together the different parts of the novel, under the aegis of a new unity and coherence.Interpolated into the frame story, these strategic pieces profoundly modify the structure of the novel, sometimes to the point of causing its incompleteness, whether intended or not by the authors. The variety of digressive pieces thus leads us to reconsider the question of incompleteness, opening the way to authorial and editorial recompositions. As such, the study of the composition of novels from the first 17th century (1600-1600) considers digression as a privileged device, making it possible to bring together under a single generic category called anthology, both works in long format and those in shorter. To this end, our corpus examines comic novels and anti-novels (Bergerac, Furetière, L'Hermite, Scarron, Sorel); edifying, devout, tragic and sentimental novels (Camus, Nervèze, Rosset); then the Long novels, which bring together the heroic-gallant models and the pastoral (Desmarets, Gomberville, La Calprenède, Urfé, Scudéry); up to the continuations and abridged novels after 1660
Breitenbach, Alfred Seneca Lucius Annaeus. "Kommentar zu den Pseudo-Seneca-Epigrammen der Anthologia Vossiana." Hildesheim Weidmann, 2008. http://d-nb.info/994500416/04.
Breitenbach, Alfred Seneca Lucius Annaeus. "Die Pseudo-Seneca-Epigramme der Anthologia Vossiana ein Gedichtbuch aus der mittleren Kaiserzeit." Hildesheim Zürich New York, NY Olms, 2008. http://d-nb.info/1000807320/04.
PETROSINO, Emma. "L’epistolografia fittizia greca di età imperiale e tardoantica e l’epigramma erotico dell’Anthologia Palatina." Doctoral thesis, Università degli Studi di Palermo, 2020. http://hdl.handle.net/10447/395208.
MARUCCI, MARTA. "Gli epigrammi di Teodorida di Siracusa: introduzione, testo critico, traduzione e commento." Doctoral thesis, Università degli studi della Basilicata, 2022. http://hdl.handle.net/11563/153945.
Amaral, Flavia Vasconcellos. "A guirlanda de sua guirlanda. Epigramas de Meleagro de Gadara: tradução e estudo." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-02122009-120722/.
The aim of this study is to analyze how the characterization of Zenophila, Heliodora and Myiscus, present in the epigrams of Meleager of Gadara (I b.C.), functioned as the bases, in various ways, for the rest of the authors poems, acting, therefore, in the creation and editorial process followed by the poet. A complete translation of Meleagers epigrams in Portuguese is also provided.
Riedel, Dagmar A. "Searching for the Islamic Episteme: The Status of Historical Information in Medieval Middle-Eastern Anthological Writing." Thesis, 2004. https://doi.org/10.7916/D8QZ2JB2.
Книги з теми "Anthological":
Krishnamurthy, K. H. Foundations of Ayurveda: An anthological approach. Delhi: B.R. Pub. Corp., 1999.
Rykner, Arnaud. Luck lines: An anthological fantasia in Espernal country. Arles, France]: Éditions du Rouergue, 2012.
George, Frazer James. The native races of Asia and Europe: An anthological study. Delhi: Manas Publications, 1986.
ʼAnanda. Zen Buddhist meditation and Hindu sadhana: A comparative and anthological study. New Delhi: APC Publications, 1996.
1939-, Parsons John, ed. Probably without equal: Frank Mercer and the Newfoundland Rangers : an anthological study. Shearstown, N.L: Grassey Pond Publishing, 2003.
Quintas, Paulo. Paulo Quintas: Todos os títulos estão errados : exposição antológica = all titles are wrong : anthological exhibition. Lisboa: EGEAC, Galerias Municipais, 2018.
Galvão, Ana. Ana Galvão: O gosto solitário de gravar : exposição antológica 1987-2017 = anthological exhibition 1987-2017. Edited by Bragança Célia and Galeria Quadrum (Lisbon Portugal). Lisbon]: Galerias Municipais/EGEAC, 2018.
Josef, Kalleya, Malta. Celebrations Committee of the 25th Anniversary of Independence., Malta. Department of Museums., and National Museum of Malta, eds. Maltafest 89 International Arts Festival: Malta 25 years independent : Maltese contemporary art exhibition and anthological exhibition ofJosef Kalleya. [Malta]: 25th Anniversary Celebrations Committee, 1989.
Gioli, Paolo. Paolo Gioli: Antologica/analogica : l'opera filmica e fotografica (1969-2019) = anthological/analogue : films and photographic works (1969-2019). Cinisello Balsamo, Milano: Silvana editoriale, 2021.
Baháʼuʼlláh. Anthologia. Athēna: Panellēnios Syndesmos tōn Bachai, 2005.
Частини книг з теми "Anthological":
Teece, Denise-Marie. "Persian-Language Anthological Manuscripts." In Routledge Handbook of Ancient, Classical and Late Classical Persian Literature, 471–502. London: Routledge, 2023. http://dx.doi.org/10.4324/9781315124216-38.
Schmalzriedt, Egidius, and Heinz-Günther Nesselrath. "Anthologia Palatina." In Kindlers Literatur Lexikon (KLL), 1–5. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7613-1.
Schmalzriedt, Egidius. "Anthologia Latina." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_11246-1.
Russo, Adriano. "Thrax puer. Ancora sulla trasmissione di Anthologia Latina 709." In Le sens des textes classiques au Moyen Âge, 21–39. Turnhout, Belgium: Brepols Publishers, 2022. http://dx.doi.org/10.1484/m.rra-eb.5.128147.
"anthological, adj." In Oxford English Dictionary. 3rd ed. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/3515435122.
Zierler, Wendy I. "Anthological Poetics." In Since 1948, 59–80. SUNY Press, 2020. http://dx.doi.org/10.1515/9781438480503-006.
"The Anthological Generation." In There's a Disco Ball Between Us, 27–60. Duke University Press, 2021. http://dx.doi.org/10.2307/j.ctv23985hj.5.
"The Anthological Generation." In There's a Disco Ball Between Us, 25–60. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478021896-003.
Kagan, Zipora. "Homo Anthologicus Micha Joseph Berdyczewski and the Anthological Genre." In The Anthology in Jewish Literature, 211–25. Oxford University PressNew York, NY, 2004. http://dx.doi.org/10.1093/oso/9780195137514.003.0011.
"One. The Anthological Generation." In There's a Disco Ball Between Us, 27–60. Duke University Press, 2021. http://dx.doi.org/10.1515/9781478021896-003.
Тези доповідей конференцій з теми "Anthological":
Cora, Hakan, Elnur Hasan Mikail, and Ali Nazmi Cora. "AN ANTHOLOGICAL RESEARCH ON GREEN CITIES� SUSTAINABILITY AND CONSERVATION APPROACHES OF BIODIVERSITY." In 10th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscss.2023/s14.60.