Увійти

Готові списки джерел за темами / Angst romance

Добірка наукової літератури з теми "Angst romance"

Автор: Grafiati

Опубліковано: 27 липня 2024

Оновлено: 30 липня 2024

Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями

Оберіть тип джерела:

Зміст

Статті в журналах
Книги
Частини книг

Ознайомтеся зі списками актуальних статей, книг, дисертацій, тез та інших наукових джерел на тему "Angst romance".

Біля кожної праці в переліку літератури доступна кнопка «Додати до бібліографії». Скористайтеся нею – і ми автоматично оформимо бібліографічне посилання на обрану працю в потрібному вам стилі цитування: APA, MLA, «Гарвард», «Чикаго», «Ванкувер» тощо.

Також ви можете завантажити повний текст наукової публікації у форматі «.pdf» та прочитати онлайн анотацію до роботи, якщо відповідні параметри наявні в метаданих.

Статті в журналах з теми "Angst romance"

1

Martins, Ana Claudia Aymoré. "A angústia de viver na cidade." Bakhtiniana: Revista de Estudos do Discurso 10, no. 1 (April 2015): 156–75. http://dx.doi.org/10.1590/2176-457320887.

Повний текст джерела

Анотація:

RESUMONo romance Angústia, de Graciliano Ramos, a gradual dissolução psíquica de Luís da Silva tem uma relação intrínseca com as condições da vida urbana na modernidade, sendo a cidade referida ou semantizada ora como Babel, o caos urbano original, ora como Babilônia, a urbs corrompida pelo vício. Além disso, a recorrência de metáforas como a dos ratos (significando a degradação da vida, a corrupção da sexualidade ou o caráter predatório do materialismo burguês) e a ênfase no estado de angústia revelam as interlocuções com conceitos filosóficos/psicológicos da Angst, tais como expressos em Freud, Kierkegaard e Heidegger.

Стилі APA, Harvard, Vancouver, ISO та ін.

2

Johnson, Merri Lisa. "Bad Romance: A Crip Feminist Critique of Queer Failure." Hypatia 30, no. 1 (2015): 251–67. http://dx.doi.org/10.1111/hypa.12134.

Повний текст джерела

Анотація:

This article critiques Jack Halberstam's concept of queer failure through a feminist cripistemological lens. Challenging Halberstam's interpretation of Erika Kohut inThe Piano Teacher(Jelinek 1988) as a symbol of postcolonial angst rather than a figure of psychosocial disability, the article establishes a critical coalition between crip feminist theory and queer‐of‐color theory to promote a materialist politics and literal‐minded reading practice designed to recognize minority subjectivities (both fictional and in “real life”) rather than exploiting them for their metaphorical resonance. In asserting that Erika Kohut is better understood as a woman with borderline personality disorder (BPD), and in proposing borderline personality disorder as a critical optic through which to read bothThe Piano TeacherandThe Queer Art of Failure(Halberstam 2011), the article challenges the usual cultural undermining of epistemic authority that comes with the BPD diagnosis. It asserts instead that BPD might be a location of more, rather than less, critical acumen about the negative affects that accompany queer (and crip) failures, and reflect on what we might call a borderline turn in queer theory. On a broader level, the article joins an emergent conversation in crip theory about the reluctance of queer theory to address disability in meaningful and substantive ways.

Стилі APA, Harvard, Vancouver, ISO та ін.

3

Dagaura, Mohan. "The Performance of Jhumra as the Tharu Folk Ballad: A Study in Angst and Eco-Romance." JODEM: Journal of Language and Literature 13, no. 1 (August 25, 2022): 92–106. http://dx.doi.org/10.3126/jodem.v13i1.47466.

Повний текст джерела

Анотація:

This paper critically unravels the themes of Jhumra folk dance-songs of Dangaura Tharu of Nepal. On its interpretation, it discusses the imaginative representation of nature and human relationship in Jhumra songs appropriating the notions of the folklore performance of Richard Schechner and Alan Dundes. The paper appropriates Tharu Jhumra dance songs: Chhaila To, Jone Panah Gaili, Baigam Ture and Karam Lage Aag voiced by Mani Ram Tharu. The songs reflect the romantic fantasy and the suffering of the folks. Jhumra serves as the distinct dance repeatedly performed by the community throughout the year. Along with this, the brief reference of Robert Burns has also been fetched to spell out the modern revival and revisualization of folklores by the medium of YouTube and other commercial online platforms. Jhumra songs comprise the lyrics that romanticize and de-romanticize nature with the human–nature union. I have used Schechner's idea of performance as the way of life to signify the eco-centric romance of Tharu community. Schechner believes that performance is embedded in everydayness of each activity that a folk performs. This research will help to assimilate the eco-friendly nature of Tharu ethnicity and other different ethnicities of Nepal urging us to be more eco-conscious individuals.

Стилі APA, Harvard, Vancouver, ISO та ін.

4

Vieira, Willian. "Em nome do nome real: jogo literário, autocensura e defesa da autoficção." Alea: Estudos Neolatinos 21, no. 2 (August 2019): 219–37. http://dx.doi.org/10.1590/1517-106x/212219237.

Повний текст джерела

Анотація:

Resumo Esse artigo investiga o papel do nome real de terceiros no jogo literário que enseja a autoficção de Christine Angot, ao cotejar seus romances com correspondências, notas e manuscritos a eles ligados, depostos no Fonds Christine Angot, no IMEC, França. A partir da análise da evolução dos nomes nos textos e do que dizem a autora e a narradora, dentro e fora do romance, sobre tal uso, pensa-se uma ontologia do nome real no literário - em comparação, por exemplo, com Zola e a defesa do naturalismo. Questiona-se ainda, no nível da recepção, o efeito que tem o nome real identificável e sua defesa para a leitura do romance.

Стилі APA, Harvard, Vancouver, ISO та ін.

5

Vieira, Willian. "Autofiction on demand: genealogy of a novel based on personal documents and its impact on the reader in Sujet Angot." Manuscrítica: Revista de Crítica Genética, no. 33 (October 17, 2017): 28–48. http://dx.doi.org/10.11606/issn.2596-2477.i33p28-48.

Повний текст джерела

Анотація:

Quando Christine Angot publicou Sujet Angot (1998), crítica e academia concluíram que a obra, rotulada como autoficção, era baseada numa carta do ex-marido da autora, o homônimo Claude. A partir da comparação da carta, presente no Fonds Christine Angot do IMEC, França (que de fato organiza a estrutura do romance, com dezenas de excertos transpostos) com outros textos - cadernos e notas fruto de entrevistas da autora com Claude - conclui-se que o romance não só é fiel a tais documentos pré-existentes externos à obra, o que vai ao encontro da defesa de uma literatura pura atrelada ao real que efetua Angot em outros discursos analisados (artigos, entrevistas, romances, processos na justiça), como que é ao reorganizar frases extraídas de vários textos produzidos por Claude - ou seja, pelo tratamento formal dos discursos de verdade -, que Angot recria a voz do protagonista. Desse retrabalho, surge uma enunciação de tipo confessional, percebida na recepção como sendo uma única e autêntica missiva em forma de diário. Método, prática, escritura e defesa da escrita encontram abrigo na análise do percurso genético do processo criativo.

Стилі APA, Harvard, Vancouver, ISO та ін.

6

Vieira, Willian. "Quando a justiça ganha (d)a (autoficção)." Revista Criação & Crítica, no. 17 (December 22, 2016): 146. http://dx.doi.org/10.11606/issn.1984-1124.v0i17p146-166.

Повний текст джерела

Анотація:

Analisa-se a relação entre processos judiciais e romances autoficcionais: como a justiça se coloca como tema e como parte integrante da produção e recepção dessas obras. Decisões judiciais vão de encontro ao postulado ensejado por autores como Christine Angot e Ricardo Lísias: o direito inalienável da literatura em pilhar a realidade sem mascarar tal processo. Lísias vai mesmo além: não só faz da Justiça tema como como parte do efeito desta sobre a obra para transformá-lo em romance, tornando indissociável a vida que vira ficção da ficção que age na vida.

Стилі APA, Harvard, Vancouver, ISO та ін.

7

Stanko, D. V. "TYPOLOGICAL PECULIARITIES OF ENGLISH FAN FICTION." Writings in Romance-Germanic Philology, no. 1(48) (July 5, 2022): 125–30. http://dx.doi.org/10.18524/2307-4604.2022.1(48).259820.

Повний текст джерела

Анотація:

The article highlights typological features of the English fanfiction. The work offers a brief outline of history, main forms and modern trends in fan fiction studies as a genre of web literature. The relevance of the study of fan fiction is due, above all, to the fact that these works are a bright example of the so called live language. They reflect all modern language trends, express the musical, literary and film preferences of the society. In addition, fan fiction is an understudied phenomenon that has existed in various forms, but has received the greatest impetus in development only in recent decades. The term fan fiction is defined as a kind of creativity of fans of popular works of art, a derivative literary work based on any original work that uses its ideas of the plot and characters. It is the type of mass literature, created on the basis of a work of art by fans of this work, which do not pursue commercial purposes and are intended for reading by other fans. In the course of the research it has been established that the genre of fanfiction is a group of works written on a certain topic: Action; Adventure; Detective; Romance; Fluff; Humour; Dark; Deathfic; Angst; PWP (Plot, What Plot?). To denote all the other characteristic features of the work, the authors use the term "category". Categories classify works according to certain characteristics, in particular, according to the original source (fanfiction that corresponds to the realities of the original world, Alternative Universe and Crossover); according to the presence of a love line (General audience, Heterosexual, Slash); according to the presence of fictional characters (Original character, Self-insertion). A unique form of fan fiction is Songfic - a work based on a single song, which is quoted by the author in the story. The perspective of this study is the analysis of structural, stylistic and pragmatic features of fan fiction discourse.

Стилі APA, Harvard, Vancouver, ISO та ін.

8

Stanko, D. V. "LINGUAL FEATURES OF ENGLISH FAN FICTION." Writings in Romance-Germanic Philology, no. 2(49) (January 16, 2023): 171–78. http://dx.doi.org/10.18524/2307-4604.2022.2(49).268210.

Повний текст джерела

Анотація:

The article highlights lingual features of the English fanfiction. The work offers a brief outline of history, main forms and modern trends in fan fiction studies as a genre of web literature. The relevance of the study of fan fiction is due, above all, to the fact that these works are a bright example of the so called live language. They reflect all modern language trends, express the musical, literary and film preferences of the society. In addition, fan fiction is an understudied phenomenon that has existed in various forms, but has received the greatest impetus in development only in recent decades. The term fan fiction is defined as a kind of creativity of fans of popular works of art, a derivative literary work based on any original work that uses its ideas of the plot and characters. It is the type of mass literature, created on the basis of a work of art by fans of this work, which do not pursue commercial purposes and are intended for reading by other fans. In the course of the research it has been established that the genre of fanfiction is a group of works written on a certain topic: Action; Adventure; Detective; Romance; Fluff; Humour; Dark; Deathfic; Angst; PWP (Plot, What Plot?). The analysis of the linguistic features of the nominative system of English fanfiction showed that it performs a number of important functions: communicative, nominative, emotional-evaluative, expressive, phatic, signalling/identification. The most significant quality/property of fan fiction is the “secondary nature” of fan creativity, in connection with which one of the key research tasks is the study of the relationship between the original text and fan fiction. It is interesting that fanfiction from the standpoint of literary studies/linguistics is initially evaluated as a phenomenon that belongs to the lowest manifestations of paraliterature and therefore does not deserve serious attention. However, determining the place and status of fan fiction in the modern speech process is one of the tasks, the solution of which is relevant for researchers. The perspective of this study is the analysis of structural, stylistic and pragmatic features of fan fiction discourse.

Стилі APA, Harvard, Vancouver, ISO та ін.

9

Drynda, Joanna. "On Fear and Anxiety in Friederike Gösweiner’s Novels." Transfer. Reception Studies 8 (December 29, 2023): 37–54. http://dx.doi.org/10.16926/trs.2023.08.09.

Повний текст джерела

Анотація:

Angst und Furcht bilden die thematischen Konstanten der beiden Romane von Friederike Gösweiner: Traurige Freiheit (2016) und Regenbogenweiß (2022). An die These von Lars Koch anknüpfend, Angst sei einerseits eine der elementaren Emotionen, andererseits ein kulturelles Phänomen, wird in dem Beitrag auf die Spezifik der entworfenen Angstszenarien eingegangen. Als kulturelles Produkt markiert die Angst emotiv menschliche Selbst- und Weltverhältnisse – sowohl die Grenzen des Fremden und des Eigenen, als auch die Relationen zwischen ökonomischer Determiniertheit und sozialer Interdependenz. Daher wird bei der Analyse einem symbolischen Austausch zwischen dem jeweiligen Roman und gesellschaftlichen Kontext nachgegangen, um herauszufinden, wodurch die Angst motiviert ist. Dann richtet sich das Augenmerk darauf, wie sich die erzählerisch ausgebreitete Angst ausdrückt und wie sie erlebt wird. Abschließend wird kurz auf die Spezifik des ästhetisch-narrativen Verfahrens verwiesen.

Стилі APA, Harvard, Vancouver, ISO та ін.

10

Vargas, Simone. "Violência e incesto em Un amour impossible, de Christine Angot." REVELL - REVISTA DE ESTUDOS LITERÁRIOS DA UEMS 1, no. 31 (August 23, 2022): 32–54. http://dx.doi.org/10.61389/revell.v1i31.6911.

Повний текст джерела

Анотація:

Neste artigo, apresenta-se uma análise do romance Um amour impossible, de Christine Angot, no que se refere à relação familiar da autora-narradora-protagonista. Os personagens postos em evidência são Rachel e Pierre que, devido à sua relação amorosa, desencadeou eventos futuros que repercutiram na vida da personagem Christine. O romance é uma narrativa autoficcional, o que significa que a autora se inspirou em sua vida para retratar situações e personagens. Para fins de análise, levou-se em conta os estudos de Hanna Arendt, para tratar a questão da judeidade, e de Marie-France Hirigoyen, para a questão da violência psicológica.

Стилі APA, Harvard, Vancouver, ISO та ін.

Більше джерел

Книги з теми "Angst romance"

1

Douglas, Penelope. Misconduct. London: Piatkus, 2015.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

2

Douglas, Penelope. Falling away: A Fall Away novel. New York: NAL, New American Library, 2015.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

3

Seidler, Gerhard. Die christliche Gemeinde und die Angst vor Fremden: Aufgewiesen am Beispiel der Sinti und Roma, seit 600 Jahren Fremde unter uns. Frankfurt am Main: Herchen, 1989.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

4

Cole, Samantha. Angst. Suspenseful Seduction Publishing, 2019.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

5

Sky, Ally. Gold and Ink: Billionaire Angst Romance. Independently Published, 2019.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

6

Sky, Ally. Pearl and Silk: Billionaire Angst Romance. Independently Published, 2019.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

7

Madison, Willow. What Lies: Existential Angst 1. Madison, Willow C., 2021.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

8

Madison, Willow. What Love: Existential Angst 2. Madison, Willow C., 2021.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

9

Angst vorm Fliegen: Roman. 4th ed. Fischer Taschenbuch Verlag, 1996.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

10

The Foxhole Court. Nora Sakavic, 2013.

Знайти повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Більше джерел

Частини книг з теми "Angst romance"

1

Sitzler, Silke. "6. Silke Sitzler, “Angst and Identity in Antioch following the Riot of the Statues”." In Studies in Emotions and Power in the Late Roman World: Papers in honour of Ron Newbold, edited by Barbara Sidwell and Danijel Dzino, 111–26. Piscataway, NJ, USA: Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463223977-009.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

2

Duffett, Mark. "A Hard Day’s Write." In Fandom and The Beatles, 188–210. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190917852.003.0008.

Повний текст джерела

Анотація:

Fan fiction is, ordinarily, nonprofessional writing—premised thematically on media texts, celebrities, or artistic creations. Some fanfic uses public figures as the basis for characters and is called real person fiction (RPF). Bandfic is a subgenre of RPF involving rock musicians. Slash fiction is a subset of fanfic involving same-sex intimacy between central characters. Real person slash (RPS) is a fanfic subgenre that hybridizes RPF with slash and can involve pairs of musicians. One typical Beatles fanfic story on Archive of Our Own, is listed as male-to-male romance between John Lennon and Paul McCartney and tagged with angst, love confessions, rejection, unrequited love, and period-typical homophobia. In academia, discussions about such fanfic have covered copyright, fan labor or play, fan literacy and reading practice, community-created archives, world building, identity politics, or subversion and censorship. This chapter considers a less-discussed question: how does RPF about the Beatles relate to celebrity fandom?

Стилі APA, Harvard, Vancouver, ISO та ін.

3

"THE AGE OF ANGST." In Pox Romana, 111–42. Princeton University Press, 2024. http://dx.doi.org/10.2307/jj.5806815.9.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

4

"5 THE AGE OF ANGST." In Pox Romana, 111–42. Princeton University Press, 2024. http://dx.doi.org/10.1515/9780691220697-007.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

5

Bridet, Guillaume. "Le Corps à l’œuvre des femmes écrivains : autour de Christine Angot, Marie Darrieussecq, Virginie Despentes et Catherine Millet." In Le roman français au tournant du XXIe siècle, 439–47. Presses Sorbonne Nouvelle, 2004. http://dx.doi.org/10.4000/books.psn.1699.

Повний текст джерела

Стилі APA, Harvard, Vancouver, ISO та ін.

Ми пропонуємо знижки на всі преміум-плани для авторів, чиї праці увійшли до тематичних добірок літератури. Зв'яжіться з нами, щоб отримати унікальний промокод!