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Статті в журналах з теми "Anglo Irish family"

1

Cowart, Claire Denelle. "The Big House in Somerville and Ross." Review of Irish Studies in Europe 3, no. 1 (October 24, 2019): 17–35. http://dx.doi.org/10.32803/rise.v3i1.2209.

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The novels of Somerville and Ross revolve around the Big Houses of the Anglo-Irish gentry. This paper focuses on three of those novels as markers of the changing condition of the Anglo-Irish themselves, from the seeming stability of the late Victorian era through the changes wrought by Land Acts, war and Irish independence. The three novels form an arc in which houses and family fortunes deteriorate. The Big House of Bruff, in The Real Charlotte (1894), exists in a state of sleepy complacency which masks dangerous stagnation; the son of the house is unmarried and directionless, while members of the rising middle class take advantage of his inertia to advance their own interests. The Big House of Mount Music (1919) is in danger of being lost due to the Land Acts; for failing to recognize and prepare for this possibility, the owner is derided for his stupidity and termed a dinosaur. By 1925, when The Big House of Inver was published, the Big House and its owners are depicted in a state of hopeless ruin. The authors’ evolving views are considered in terms of their own circumstances and struggles to save their family homes.
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O’Connor, Thomas. "Disputes in the Irish college, Douai (1594–1614)." British Catholic History 35, no. 4 (October 2021): 396–414. http://dx.doi.org/10.1017/bch.2021.16.

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By the late sixteenth century, Irish demand for seminary places was sufficient to warrant the establishment of a dedicated Irish college in Lisbon (1590). This was followed by foundations in Salamanca (1592), Douai (1594) and elsewhere. The great majority were administered by the Society of Jesus, whose Irish members were generally Old English, a term denoting descendants of the twelfth-century Anglo-Norman settlers. Old English Jesuit domination of Irish colleges occasioned accusations of discrimination against students of Gaelic family backgrounds, with the students seeking redress from the secular authorities. The Irish college in Douai was not formally administered by the Jesuits, but its founder, Christopher Cusack, collaborated closely with the Society. Accusations against him of anti-Gaelic bias emerged in the 1600s, coincidental with the arrival of large numbers of Gaelic Irish refugees in Flanders at the end of the Nine Years War (1594–1603). Ethnic tensions and financial difficulties all but put paid to the college in the 1620s.
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COLLINS, CHRISTOPHER. "Synge Scholarship: Nothing to Do with Nationalism?" Theatre Research International 36, no. 3 (August 30, 2011): 272–75. http://dx.doi.org/10.1017/s0307883311000502.

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John Millington Synge (1871–1909) is the fulcrum upon which Irish drama and theatre studies is balanced. Synge's nodal position is predicated upon the dramatist's rock ‘n’ roll recalcitrance towards the dramaturgical praxis of his contemporaries; his subject matter was as shocking as the Anglo-Irish idiom in which it was articulated. After Synge's premature death in 1909, W. B. Yeats's fundamental concern was that Synge scholars would attempt ‘to mould . . . some simple image of the man’. However, W. J. McCormack's concentric biography of Synge, The Fool of the Family: A Life of J. M. Synge, and Ann Saddlemyer's The Collected Letters of John Millington Synge, have demonstrated that Synge's life was complex, multifaceted and in deep dialogue with Irish culture. But with respect to Synge's drama a simple image has surrounded critical discourse: the politics of Irish nationalism.
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Kreilkamp, Vera. "The Gothic Family Romance: Heterosexuality, Child Sacrifice, and the Anglo-Irish Colonial Order (review)." Victorian Studies 43, no. 4 (2001): 646–48. http://dx.doi.org/10.1353/vic.2001.0107.

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Sackett, J. R. "Richard Murphy’s The God Who Eats Corn: A Colonizer’s Critique of British Imperialism in Ireland and Africa." International Journal of English and Comparative Literary Studies 2, no. 3 (April 22, 2021): 1–15. http://dx.doi.org/10.47631/ijecls.v2i3.220.

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With the passing of Richard Murphy in 2018, Ireland lost its last poet of the Anglo-Irish Ascendancy. Yet his poetry often displays the poet’s sense of unease with his background and features attempts to reconcile Ireland’s colonial history with feelings of guilt and self-consciousness as an inheritor to the gains of the British imperialist project. A dedicatory poem to his aging father who had retired to what was then known as Southern Rhodesia (modern-day Zimbabwe), ‘The God Who Eats Corn’ draws parallels between Irish and African colonial experiences. Yet far from celebrating the ‘civilizing’ mission of British imperialism, Murphy deftly challenges and questions the legitimacy of his family legacy. I argue that rather than reinforcing the poet’s image as representative of the Ascendancy class, ‘The God Who Eats Corn’ reveals sympathies with the subject peoples of British imperialism and aligns Murphy with a nationalist narrative of history and conception of ‘native’ identity. For this reason, the poem should be considered a landmark of modern Irish poetics in its articulation of trans-racial anti-colonial solidarity.
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Reuber, Markus. "The architecture of psychological management: the Irish asylums (1801–1922)." Psychological Medicine 26, no. 6 (November 1996): 1179–89. http://dx.doi.org/10.1017/s003329170003590x.

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SynopsisThis analysis examines some of the psychological, philosophical and sociological motives behind the development of pauper lunatic asylum architecture in Ireland during the time of the Anglo–Irish union (1801–1922). Ground plans and structural features are used to define five psycho-architectonic generations. While isolation and classification were the prime objectives in the first public asylum in Ireland (1810–1814), a combination of the ideas of a psychological, ‘moral’, management and ‘panoptic’ architecture led to a radial institutional design during the next phase of construction (1817–1835). The asylums of the third generation (1845–1855) lacked ‘panoptic’ features but they were still intended to allow a proper ‘moral’ management of the inmates, and to create a therapeutic family environment. By the time the institutions of the fourth epoch were erected (1862–1869) the ‘moral’ treatment approach had been given up, and asylums were built to allow a psychological management by ‘association’. The last institutions (1894–1922) built before Ireland's acquisition of Dominion status (1922) were intended to foster the development of a curative society.
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7

Edwards, David. "The Butler revolt of 1569." Irish Historical Studies 28, no. 111 (May 1993): 228–55. http://dx.doi.org/10.1017/s0021121400011032.

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In June 1569 an English gentleman named Robert Mainwaring was seized on the borders of County Carlow by Irish rebels. They forced a noose around his neck, tightened it, and proceeded to drag him ‘up and down in a halter’, like a man condemned to be hanged. As with many terrorist acts, Mainwaring’s degradation was a carefully calculated publicity stunt, and it quickly achieved its objective. News of his predicament was relayed to London, where the identity of his captors aroused widespread alarm in government circles. He was persecuted on the orders of Sir Edmund Butler of Cloghgrenan, a leading Anglo-Irish lord who was the brother and principal heir of the then childless tenth earl of Ormond, Thomas Butler, and the recent recipient of some generous grants of land and office from the crown. Despite Sir Edmund’s position as deputy governor of the hitherto loyal Ormond lordship in Counties Kilkenny and Tipperary, it soon became clear that his seizure of Mainwaring had signalled the outbreak of a general revolt by several branches of the Butler family.
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Butler, John. "Select documents XLV: Lord Oranmore’s journal, 1913–27." Irish Historical Studies 29, no. 116 (November 1995): 553–59. http://dx.doi.org/10.1017/s0021121400012281.

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Geoffrey Henry Browne, third Baron Oranmore and Browne, K.P., P.C., cannot have had publication in mind when he penned his journal; many entries are too personal. He chronicled the progress of his children, Dominick, Kathleen and Geoffrey, detailing their childhood ailments without even drawing a veil over a tonsillectomy on the kitchen table. Of recurrent concern was the health of his wife, Onie. It is a private document, written with evident candour. Much of it properly concerns only the Browne family. However, there is a seam, rich in Anglo-Irish politics, which runs throughout the journal and which merits a wider audience. In selecting passages for publication, I have attempted to mine this seam faithfully if concisely, retaining a limited measure of anecdote and human interest in order to illuminate Oranmore’s attitudes as a southern Unionist, for this apella-tion can have the resonance of an oxymoron to modern ears.
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Chauta, Gopal. "Gulliver's Travels is written by Seventeenth century Anglo-Irish prose writer Jonathan Swift. Jonathan swift employed literary device called invective, satire in his writing to cure social malaise of seventeenth century society. Gulliver's travels are a p." SMART MOVES JOURNAL IJELLH 9, no. 4 (April 28, 2021): 111–18. http://dx.doi.org/10.24113/ijellh.v9i4.10988.

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Gulliver's Travels is written by Seventeenth century Anglo-Irish prose writer Jonathan Swift. Jonathan swift employed literary device called invective, satire in his writing to cure social malaise of seventeenth century society. Gulliver's travels are a political allegory in which seventeenth century society is highlighted in many aspects. There is a character called Lemuel Gulliver which is enterprising and adventurous underwent a voyage to Lilliput. The author gives some account of himself and family. His first inducement to travel. He is shipwrecked and swims for his life gets safe on shore in the country of Lilliput is made prisoner and carried up the country. The emperor of Lilliput attended by several of the nobility, come to see the author in his confinement. The Emperor's person and habit described. Learned men appointed to teach the author the language. He gains favor by his mild disposition. His pockets are searched and his sword & pistols taken from him.
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10

Kreilkamp, Vera. "BOOK REVIEW: Margot Gayle Backus.THE GOTHIC FAMILY ROMANCE: HETEROSEXUALITY, CHILD SACRIFICE, AND THE ANGLO-IRISH COLONIAL ORDER. Durham, NC and London: Duke University Press, 1999." Victorian Studies 43, no. 4 (July 2001): 646–48. http://dx.doi.org/10.2979/vic.2001.43.4.646.

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Дисертації з теми "Anglo Irish family"

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Graffan, Rodolphe. "Anomalie d'Axenfeld-Rieger : étude génétique d'une famille sur quatre générations." Bordeaux 2, 2001. http://www.theses.fr/2001BOR23007.

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Книги з теми "Anglo Irish family"

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The Gothic family romance: Heterosexuality, child sacrifice, and the Anglo-Irish colonial order. Durham, NC: Duke University Press, 1999.

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2

J, Venn Walter. James Venn: Immigrant : an account of an Anglo-Irish immigrant and some of his many descendents. [Armadale, Vic]: W.J. Venn, 1989.

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3

Disney, Hugh. Disneys of Stabannon: A review of an Anglo-Irish family from the time of Cromwell. [Oxford]: Hugh Disney, 1995.

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4

White knights, dark earls: The rise and fall of an Anglo-Irish dynasty. Doughcloyne, Wilton, Cork: Collins Press, 2000.

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5

Murch, Mervyn. The voice of the child in private family law proceedings: Findings from a reconnaissance of Anglo-Irish child-related divorce legislation. Bristol [England]: Family Law, 2003.

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6

O'Laughlin, Michael C. Families of Co. Donegal Ireland: From the earliest times to the 20th century : Irish family surnames with locations & origins including English, Scots, & Anglo Norman settlers and settlements. Kansas City, Mo: Irish Genealogical Foundation, 2001.

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O'Laughlin, Michael C. Families of Co. Dublin Ireland: From the earliest times to the 20th century ; Irish family surnames with locations & origins including English, Scots, & Anglo Norman settlers and settlements. Kansas City, Mo: Irish Genealogical Foundation, 1999.

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C, O'Laughlin Michael, and Irish Genealogical Foundation (U.S.), eds. Families of Co. Cork, Ireland: From the earliest times to the 20th century : Irish family surnames with locations & origins, including English, Scots & Anglo Norman settlers and settlements. 2nd ed. Kansas City, MO: Irish Genealogical Foundation, 1999.

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9

McNally & co. [from old catalog] Rand. Family and child law statutes. 2nd ed. London: Longman, 1987.

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10

F, Trimmer Joseph, and Jennings C. Wade, eds. Fictions. 2nd ed. San Diego: Harcourt Brace Jovanovich, 1989.

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Частини книг з теми "Anglo Irish family"

1

Stubbings, Diane. "Denying the Mother: Escaping Confirmation in Family and Father in the Work of James Joyce, 1907–14." In Anglo-Irish Modernism and the Maternal, 66–87. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230286788_6.

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Coulson, Victoria. "Reproduction; or, Legacy." In Elizabeth Bowen's Psychoanalytic Fiction, 173–212. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474480499.003.0003.

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Focusing on The Heat of the Day (1948), A World of Love (1955) and Eva Trout (1969), the chapter argues that, under a specific combination of personal and historical pressures, Bowen’s sanguine analysis of mature sexuality is overborne by a constellation of anxieties about reproductive capacity in her own family and in the Anglo-Irish as a class. The chapter shows how Bowen’s imagination at mid-century takes shape from its historical context, referencing in particular the decline of British global power and the consolidation of a new American world order in the decades after the Second World War.
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McDonagh, Fiona, and Marc Mac Lochlainn. "Reimagining Maria Edgeworth’s The Knapsack (1801) for a Contemporary Young Audience." In The Golden Thread, 69–84. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800859463.003.0006.

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Anglo-Irish author Maria Edgeworth was one of the most prominent writers of adults’ and children’s literature at the turn of the nineteenth century. Having written six plays for children, we may now consider her one of the first Irish Theatre for Young Audience (TYA) playwrights. TYA is a theatrical experience intended specifically for an audience of children. In 1801, Edgeworth wrote The Knapsack, a home theatrical as part of her Moral Tales collection. The play, set in Sweden, deals with a family waiting on news of its loved one’s survival at war, and at times it presents complicated truths about war and social classes. In this chapter, two TYA practitioners consider how this play might be staged in contemporary times. They explore possible performance choices, concerns and challenges that they might negotiate as they ask how this play might speak to a young audience now.
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"3The Great Famine and its legacy, 1845–70." In Anglo-Irish Relations, 41–53. Routledge, 2005. http://dx.doi.org/10.4324/9780203986554-11.

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Lewis, Tom. "The Will to Succeed." In Empire of the Air, 35–55. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501759321.003.0003.

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This chapter chronicles Guglielmo Marconi's life and inventions. It examines how Marconi worked without respite on an idea he had to send telegraph messages through the ether. Guglielmo Marconi was the son of a wealthy Italian businessman, who lived the life of a country gentleman, and of an Anglo-Irish mother, whose family was the Jameson distillers of Belfast. The chapter first looks at how he improved Heinrich Hertz's spark transmitter and loop aerial receiver. It examines the most remarkable change Marconi made in Hertz's apparatus which came from a chance discovery rather than an adaptation or improvement of existing equipment. The chapter then shifts to discuss the race to control wireless communications. Marconi was, as the chapter argues, the first entrant — and thereby the first leader — in what had become a race. It ultimately explicates Lee de Forest's telephone work, his marriage to Lucille Sheardown, and his encounter with Abraham White.
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Evans, Bryce. "Food, the Emergency and the lower-class Irish body, c.1939–45." In Medicine, Health and Irish Experiences of Conflict, 1914-45. Manchester University Press, 2016. http://dx.doi.org/10.7228/manchester/9780719097850.003.0004.

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The ending of the Anglo-Irish Economic War (1932-8) is often represented as a watershed in British-Irish relations. However, it was soon followed by renewed trade hostility. Between 1940 and 1945, Winston Churchill subjected Ireland to an economic squeeze: the price of Irish neutrality in the Second World War. While the length of this trade war has generally been overlooked by historians, the effect of this ‘long’ Economic War on Irish public health has been similarly disregarded. This contribution argues that the Anglo-Irish economic war resulted in the mass slaughter of Irish herds due to the removal of the British export market. Market disruption had a significant knock-on effect on Irish public health, particularly in the countryside. Similarly, the British economic squeeze of the Second World War ensured that Ireland’s agricultural economy was denied fertilisers, feed, chemicals and tractors; modern productive aids that are essential to food production. The Irish government infamously introduced the ‘black loaf’ as wheat production wheat stalled, causing fears of a second Famine. Aggravated by a belatedly introduced rationing system, public health suffered.
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Lane, Pádraig G. "Perceptions Of Agricultural Labourers After The Great Famine, 1850–1870." In Ireland and Anglo-Irish Relations since 1800: Critical Essays, 351–62. Routledge, 2017. http://dx.doi.org/10.4324/9781351155328-19.

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Urban, Andrew. "Liberating Free Labor." In Brokering Servitude. NYU Press, 2017. http://dx.doi.org/10.18574/nyu/9780814785843.003.0002.

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Chapter 1 follows the enterprising activities of Vere Foster, a member of the Anglo-Irish gentry who funded the emigration of approximately 1,250 Irish women from post-famine Ireland during the 1850s. Foster’s efforts serve as a case study that illuminates the ideologies of white settlerism and Anglophone imperial unity, and shows how they worked together in concert. Foster was convinced that the best way to govern rural Ireland’s surplus population and inadequate lands was to finance and coordinate the integration of young migrant women into wage labor positions as servants in the United States, in areas of the country where the supply of white female workers was scarce. In order to assuage concerns about the moral and sexual dangers that free markets and migration posed to young Irish women, Foster endeavored to establish transatlantic networks of migration rooted in what he presented as racial and familial values of protection and mutuality. As this chapter concludes, the Irish migrants Foster sponsored developed different interpretations of what it meant to work for wages in household service, and what the commodification of their labor signified to both Ireland and the United States.
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Johnson, James H. "The Distribution of Irish Emigration in the Decade Before the Great Famine." In Ireland and Anglo-Irish Relations since 1800: Critical Essays, 427–36. Routledge, 2017. http://dx.doi.org/10.4324/9781351155328-23.

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Solar, Peter M. "Harvest Fluctuations in Pre-Famine Ireland: Evidence from Belfast and Waterford Newspapers*." In Ireland and Anglo-Irish Relations since 1800: Critical Essays, 325–33. Routledge, 2017. http://dx.doi.org/10.4324/9781351155328-17.

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Тези доповідей конференцій з теми "Anglo Irish family"

1

Yao, Wang, Viktor Varkarakis, Joseph Lemley, and Peter Corcoran. "On the Feasibility of Privacy-Secured Facial Authentication for low-power IoT Devices - Quantifying the Effects of Head Pose Variation on End-to-End Neural Face Recognition." In 24th Irish Machine Vision and Image Processing Conference. Irish Pattern Recognition and Classification Society, 2022. http://dx.doi.org/10.56541/fevr2516.

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Recent low-power neural accelerator hardware provides a solution for end-to-end privacy and secure facial authentication, such as smart refueling machine locks in shared accommodation, smart speakers, or televisions that respond only to family members. This work explores the impact that head pose variation has on the performance of a state-of-the-art face recognition model. A synthetic technique is employed to introduce head pose variation into data samples. Experiments show that the synthetic pose variations have a similar effect on face recognition performance as the real samples with pose variations. The impact of large variations of head poses on the face recognizer was then explored by further amplifying the angle of the synthetic head pose. It is found that the accuracy of the face recognition model deteriorates as the pose increases. After fine-tuning the network, the face recognition model achieves close to the accuracy of frontal faces in all pose variations, indicating that the face recognition model can be tuned to compensate for the effect of large poses.
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