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Статті в журналах з теми "Aliksāndrīnā (Library) Antiquities Museum"
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Rudnickaitė, Eugenija. "WHEN VILNIUS UNIVERSITY WAS CLOSED: THE GEOLOGICAL COLLECTIONS OF VILNIUS UNIVERSITY IN THE VILNIUS MUSEUM OF ANTIQUITIES." Natural Science Education in a Comprehensive School (NSECS) 23, no. 1 (April 15, 2017): 46–58. http://dx.doi.org/10.48127/gu/17.23.46.
Повний текст джерелаАнотація:
In Vilnius University Geology museum gathered, scientifically unique, material was never hidden from society. These resources are perfectly fit for: education, geoscientific knowledge propagation, informal natural science education (Rudnickaitė, 2003; 2007; 2012; ect.). When writing about the geology and mineralogy collections of Vilnius University, the Vilnius Museum of Antiquities and the Department of Natural History of the Museum of Antiquities under the Vilnius Public Library are always necessarily, though often fragmentarily, mentioned. This is an attempt to identify the part of the Geological collections that was transferred to the Vilnius Museum of Antiquities compiled by associate member of the Vilnius Temporary Archaeological Commission, teacher of natural sciences of the Vilnius 1st boys’ gymnasium, Kajetan Tamulewicz (1828-1870), a catalogue of the Department of Natural History of the Museum of Antiquities under the Vilnius Public Library from 1905, a catalogue of mineralogy compiled by a professor of the Vilnius Medicine and Surgery Academy and the author of several textbooks in mineralogy, Ignacy Jakowicki (1794-1847), from 1836 and other known sources. The scientific quality of the collections, their structure and more outstanding exibits are discussed. A small part of the collections, which were taken away in the 1840s and brought back from the Ilya Mechnikov State University in Odessa to the Geology and Mineralogy Museum of Vilnius University by professor Juozas Paškevičius and Eugenija Rudnickaitė on 23 May 1986, has also been used for the research. The author attempts to identify the exibits of the geological collections of Vilnius University that remained in Vilnius and were subsequently transferred to the Vilnius Museum of Antiquities (later, the Museum of Antiquities under the Vilnius Public Library) by comparing the list of exibits returned from the University of Odesa with the data in Jakowicki’s catalogue. It was mentioned in the minutes of the annual session of the Vilnius Temporary Archaeological Commission of 11 January 1858 that the systematically arranged collections became an excellent teaching aid for young people aspiring to education, and during the last year the museum received 11,800 visitors. The author can assert that the Vilnius Museum of Antiquities made a great contribution to society’s education and training of school children, the development of the science of geology and mineralogy in the period when there was no institution of higher education in Lithuania. E.Tyszkiewich had an exclusive role in this activity - he continued geological research even after the closure of the Vilnius Museum of Antiquities. Keywords: Museum of Geology, Vilnius University, Vilnius Museum of Antiquities, informal natural science education, geology, education, museum.
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Sidorova, Irina B. "Heads, assistants and employees of the Museum of Arts and Antiques of Kazan University." Issues of Museology 13, no. 2 (2022): 280–300. http://dx.doi.org/10.21638/spbu27.2022.210.
Повний текст джерелаАнотація:
The article is devoted to the history of the Museum of Arts and Antiquities of Kazan University. There are different opinions in the literature about who should be considered the founder of the Museum of Arts and Antiquities, who was the first director, who, when and how carried out the reorganization of the museum. The chronological framework of the study — 1870–1922 — also includes the history of the Museum of Ethnography, Antiquities and Fine Arts, which was considered in the literature in terms of collecting local historical, archaeological and ethnographic collections, but in reality laid the foundation for the art collection of Kazan University. The article for the first time describes the circle of persons directly connected with the Museum of Arts and Antiquities of Kazan University, as well as with its predecessor — the Museum of Ethnography, antiquities and fine arts is presented in full. These are professors-heads N.A.Firsov, D.F.Belyaev, D.V.Ainalov, D.I.Naguyevsky, A.M.Mironov; keepers D.A.Korsakov, I.V. Sokolovsky, S.K.Kuznetsov, P.V.Traubenberg, assistants B.P.Denike and K.N.Kravchenko, unofficial assistants of heads, scientific consultants. Through their activities, the continuity of the development of museums, the results of the formation of the library and art collection are traced. The article traces the continuity of the development of museums, the results of the formation of a library and an art collection. The article focuses on the following aspects of the history of the Museum: the status of the museum, financial and logistical support, the number and composition of collections, the role of the museum in scientific, educational and educational work, fate in the Soviet era.
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Prokhorova, T. A., G. I. Bednarchik, and T. V. Lorgina. "THE LETTERS AND WORKS OF BARON DE BAYE IN THE STATE MUSEUM-RESERVE «TAURIC CHERSONESE» (from the collection of the archive and scientific library)." Scientific Notes of V.I. Vernadsky Crimean Federal University. Historical science 6 (72), no. 3 (2020): 69–91. http://dx.doi.org/10.37279/2413-1741-2020-6-3-69-91.
Повний текст джерелаАнотація:
In 1894, the French scientist Joseph de Baye (1853–1931), an archaeologist, ethnographer, historian, traveler and collector, had visited the excavations and Museum in Chersonesus for the first time. In 1905, Baron de Baye had revisited the Crimea and the Museum in Chersonesus. The memory of this remains on the pages of «Books for visitors of the Chersonesus Museum», stored in the archive of the Museum-reserve. The Baron was personally acquainted with K. K. Kosciusko-Valyuzhinich, who was the first head of the excavations and Museum in Chersonesus, also was in correspondence with him and repeatedly donated his own works to the Museum library. The scientific library of the state Museum-reserve «Tauric Chersonese» has a very representative collection of his works, characterized by a unique composition, the history of receipt, the presence of gift inscriptions and other proprietary signs. Baron de Baye popularized the historical and archaeological antiquities of the South of Russia among his colleagues in France, Chersonesus in particular, and did a lot for establishment of strong scientific and cultural ties between France and Russia, including in the field of archaeology.
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Sychenkova, L. A. "V.K. Malmberg, the Classic of the Russian Study of Antiquity: The Kazan Period in His Biography." Uchenye Zapiski Kazanskogo Universiteta. Seriya Gumanitarnye Nauki 164, no. 6 (2022): 30–50. http://dx.doi.org/10.26907/2541-7738.2022.6.30-50.
Повний текст джерелаАнотація:
This article considers the Kazan period in V.K. Malmberg’s life. The circle of Kazan secondary school teachers and university lecturers in the intellectual space of Kazan during the second half of the 19th century is reconstructed. The influence of the family members and the German diaspora in Kazan on the development of V.K. Malmberg’s worldview is analyzed. These relationships determined his choice of profession as a historian of ancient art. His deep love for antiquity was cultivated by D.F. Belyaev, a classical philologist and prominent professor at Kazan University. It is revealed that the unrestricted access to Kazan University’s library collection of the latest literature on ancient art directed V.K. Malmberg’s line of reasoning. With a careful study of these materials came a good foundation for his subsequent research, which is proved by the recently published evidence from the epistolary collection of the Austrian National Library. It was at the Museum of Antiquities and Arts of Kazan University where he gained his first experience with teaching and working on museum collections. The hypothesis is put forward that V.K. Malmberg learned about A. Dürer’s works and style in Kazan because he explored the museum collection of Western European engravings available there. Future prospects for investigating the early stages of V.K. Malmberg’s professional endeavors are outlined.
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Ableman, Oren Shalom. "Newly Identified Fragments of 4Q51 (4QSama)." Textus 32, no. 2 (December 18, 2023): 129–51. http://dx.doi.org/10.1163/2589255x-bja10035.
Повний текст джерелаАнотація:
Abstract The following paper is a preliminary publication of newly identified fragments of the book of Samuel that all belong to manuscript 4Q51. The fragments were discovered during the cataloging effort being carried out by the Israel Antiquities Authority (IAA) as part of the digitization project of the Leon Levy Dead Sea Scrolls Digital Library (www.deadseascrolls.org.il). Some of the fragments that will be presented were published in the past, but with various errors. Other fragments have never been published, although due to the placement of some of them on the museum plates it is clear that someone in the past recognized that they belong to 4Q51.
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Griškaitė, Reda. "The Intellectual Games of Teodor Narbutt: Šiauriai as the Museum of the Lithuanian Antiquities." Knygotyra 75 (December 28, 2020): 259–326. http://dx.doi.org/10.15388/knygotyra.2020.75.68.
Повний текст джерелаАнотація:
The article analyses a particular 19th century manor, classed among the category of the so-called intellectual manors – Teodor Narbutt’s (or Teodor Mateusz Ostyk-Narbutt, 1784–1864) Šiauriai manor (Pol. Szawry; Grodno Province, since 1843 – Vilnius Province, Lyda County). All the texts by Narbutt – fictional as well as the scientific works, including the famous Dzieje narodu litewskiego (The History of the Lithuanian Nation, vol. 1–9, Vilnius, 1835–1841) – were collected in this place. Throughout the years, the manor became a unique workshop for the historian in which one could find a rich library, collections of manuscripts, and Lithuanian artefacts. Up until now, the researchers have focused most of their attention on the contents and the assembly of Narbutt’s collection of books and periodical publications, while the collection of artefacts has received less limelight. The collections of historical documents, numismatic objects, and art pieces, which for the landowner-historian were no less important, have also been left on the margins. The aim of this article is: by employing the already analysed and completely new archival resources, take a different look at the collections once stored in Šiauriai, while, at the same time, cultivating the idea that the gathering of them was particularly purposeful and was perceived as a formation of a “compulsory” material, necessary for the writing of the history of Lithuania.
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Griškaitė, Reda. "The Intellectual Games of Teodor Narbutt: Šiauriai as the Museum of the Lithuanian Antiquities." Knygotyra 75 (December 28, 2020): 259–326. http://dx.doi.org/10.15388/knygotyra.2020.75.68.
Повний текст джерелаАнотація:
The article analyses a particular 19th century manor, classed among the category of the so-called intellectual manors – Teodor Narbutt’s (or Teodor Mateusz Ostyk-Narbutt, 1784–1864) Šiauriai manor (Pol. Szawry; Grodno Province, since 1843 – Vilnius Province, Lyda County). All the texts by Narbutt – fictional as well as the scientific works, including the famous Dzieje narodu litewskiego (The History of the Lithuanian Nation, vol. 1–9, Vilnius, 1835–1841) – were collected in this place. Throughout the years, the manor became a unique workshop for the historian in which one could find a rich library, collections of manuscripts, and Lithuanian artefacts. Up until now, the researchers have focused most of their attention on the contents and the assembly of Narbutt’s collection of books and periodical publications, while the collection of artefacts has received less limelight. The collections of historical documents, numismatic objects, and art pieces, which for the landowner-historian were no less important, have also been left on the margins. The aim of this article is: by employing the already analysed and completely new archival resources, take a different look at the collections once stored in Šiauriai, while, at the same time, cultivating the idea that the gathering of them was particularly purposeful and was perceived as a formation of a “compulsory” material, necessary for the writing of the history of Lithuania.
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Łuczak, Jarosław. "WIELKOPOLSKA (GREATER POLAND) MILITARY MUSEUM: HISTORY OF AN UNUSUAL MUSEUM." Muzealnictwo 62 (October 11, 2021): 258–66. http://dx.doi.org/10.5604/01.3001.0015.3616.
Повний текст джерелаАнотація:
The beginning of historical-military museology in Poznan dates back to the mid-19th century when the Poznan Society of Friends of Learning assumed the responsibility to save historic monuments, and began to establish the Museum of Polish and Slavic Antiquities in the Grand Duchy of Posen (Poznan). The task was to collect archival, library, and museum materials, including militaria. As a result of these efforts, in 1882, the Mielżynski Museum was established which boasted an exquisite painting gallery, containing historical painting, a rich archaeological and military collection, and a sizeable collection of so-called historical mementoes: weapons, orders, decorations, etc. In the aftermath of the Greater Poland Uprising 1918 –1919, the Hindenburg Museum founded in 1916–1918 was transformed into a Military Museum. The ceremonial opening was held on 27 October 1919 by Józef Piłsudski, Poland’s Chief of State. The quickly growing collection was moved from Marcinkowskiego Avenue to the barracks in Bukowska Street, and subsequently to a new seat at 1 Artyleryjska Street in Poznan. The solemn opening of the Wielkopolska Military Museum was held on 22 April 1923 by the Commander of the 7th Corps District Major-General Kazimierz Raszewski. In 1939, anticipating the threat of war, the most precious objects were evacuated eastwards, and looted there. The items which stayed behind ended up in German museums. The mementoes connected with the history of the Polish military were destroyed, and the Museum was wound up. The first attempts at reactivating the Museum following WW II failed. It was only with the 1956 revolt that civil and military authorities changed their approach, The National Museum in Poznan undertook the first efforts. The Museum did not go back to its pre-WW II seat, but found home in a modern building in the Old Market Square in Poznan, to be ceremoniously launched on 22 February 1963 by the Commander of the Operational Air Force in Poznan Brigadier General Pilot Jan Raczkowski. Having recreated its collection, the Wielkopolska Military Museum, already as a Branch of the National Museum in Poznan, has held many exhibitions and shows. Moreover, it has released many publications, and run a broad range of educational activities. Among other projects, it has also made reference to the pre-WW II Museum. On 27 December 2019, a new jubilee exhibition ‘Wielkopolska Military Museum 1919–2019’ recording the 100-years’ history of the oldest historical-military museum in Poland was inaugurated.
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Popova, Tatyana G. "Slavonic Manuscripts of the Neamţ Monastery: The Library of Paisius Velichkovsky." Труды Отдела древнерусской литературы 68 (2020): 430–53. http://dx.doi.org/10.31860/0130-464x-2020-67-430-453.
Повний текст джерелаАнотація:
The article presents information about manuscripts from the library of Paisius Velichkovsky currently in possession of the Neamţ Monastery. The study is based on three descriptions of the Neamţ manuscripts performed in 1905, 1962, and 2017. A comparative analysis of these sources led to the conclusion that the composition of the Neamţ library was not stable. At the present time, the Neamţ library possesses 263 manuscripts, thirty-seven of them were written by St. Paisius Velichkovsky. Some manuscripts have disappeared from the Neamţ Monastery, others have suffered losses of fragments. Seventeen books vanished from the library in the period between 1905 and 1962, nine books — in the period between 1962 and 2017. One of Paisius Velichkovsky’s autographs (the works of Macarius of Egypt) was among those books. During the period between 1905 and 1962, forty-four books were obtained by the library or returned to it, but twenty-five of them vanished later. Perhaps, some of those books came into the possession of the Museum of Antiquities in Bucharest. The article points out the manuscripts that have vanished from the library of the Neamţ Monastery and also those that have lost fragments of the text. It is possible that those manuscripts or parts of them will be found in other archives. The rich book heritage of the Neamţ monastery deserves being studied and preserved
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Aguirre, Robert D. "Museums behind the Gallery Doors." PMLA/Publications of the Modern Language Association of America 125, no. 1 (January 2010): 129–33. http://dx.doi.org/10.1632/pmla.2010.125.1.129.
Повний текст джерелаАнотація:
I am often asked how a Victorianist came to write a book about museum exhibitions and the British quest for and Traffic in pre-Columbian antiquities. When I began, I had no formal training in these subjects and thus little that would count as a theory or method. Of course, as my interest grew I read as much of the scholarly literature as I could: critical studies of important collectors; analyses of exhibitionary practice and museum administration; the history of the museum from cabinets of curiosity to the virtual collections of the present. Yet much of what I learned in writing my own book, Informal Empire, was pieced together, often haltingly, one fragment at a time through a deep immersion in a rich archive. Sensing I was on new ground, I rejected any overarching schema, adhering to the perhaps counterintuitive notion that the best way to make the archive speak was to resist imposing a theory on it and instead to allow the shape of the materials themselves to suggest ways of proceeding. To illustrate both the advantages and the liabilities of this method, which I employed while working on nineteenth-century ethnography collections, I have chosen here to reconstruct the key steps of the scholarly journey that took me from the library to the world of museums and archives. I offer this reflection on critical practice first as an exercise in demystification and second as an encouragement to anyone, but especially students, who might wish to travel similar paths.
Дисертації з теми "Aliksāndrīnā (Library) Antiquities Museum"
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Bodenstein, Felicity. "L’histoire du Cabinet des médailles et antiques de la Bibliothèque nationale (1819-1924) : un Cabinet pour l’érudition à l’âge des musées." Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040071.
Повний текст джерелаАнотація:
Le Cabinet des médailles et antiques de la Bibliothèque nationale conserve les « bijoux savants » aux origines du collectionnisme occidental avec son médaillier universel, des pierres gravées et des collections d’antiques d’une diversité étonnante. Si celles-ci proviennent pour les parties les plus anciennes, des collections de la maison royale et de trésors ecclésiastiques, cette thèse ne remonte pas aux origines du département mais s’occupe de son destin à l’âge des musées, entre la Restauration, avec l’arrivée au département en 1819 de Désiré Raoul-Rochette (1789-1854) et la période qui suit la première guerre mondiale jusqu’à la mort d’Ernest Babelon (1854-1924). Elle cherche à comprendre, comment ce « parangon des cabinets d’amateurs de jadis » s’est développé, pris comme il l’était entre une tradition antiquaire aristocratique et les exigences de la modernité, républicaine et spécialiste. Elle aborde les différents aspects de la vie du département à l’intérieur du quadrilatère Richelieu. Tout d’abord, comme le portrait d’un lieu d’histoire d’un point de vue institutionnel et architectural qui permet de comprendre la place accordée historiquement à la culture matérielle au sein de la Bibliothèque nationale. Ensuite l’histoire du développement des collections et puis celle de leur valorisation muséographique et scientifique sont examinées au prisme de l’expansion du domaine de l’archéologie et de l’essor des sciences auxiliaires de l’histoire au XIXe siècleThe Cabinet des médailles et antiques in the French National Library holds a particular place in the vast constellation of Parisian museums. Home to the so-called « bijoux savants » that founded western collecting culture since the Renaissance, it is at once a universal coin cabinet, one of the worlds foremost collections of cut stones and gems, but also a miscellaneous collection of antiquities representing all periods and places. As described in 1930 by one of its curators, it represents a « parangon of amateur cabinets from another time ». This thesis does not directly deal with its prestigious origins but tells one chapter of its long history, looking at how, from the period of the Restoration onwards (beginning with the direction of Désiré Raoul-Rochette in 1819) until the passing of Ernest Babelon in 1924, this cabinet of antiquarian culture and collections adapted and developed to the modern Republican museum age. The life of the department is first considered as a means of understanding the role of material culture and the place of the museum inside France’s national library in the nineteenth century. It then goes on to consider the development of the collections themselves and their scientific and museological exploitation in light of the rapidly expanding practice of archaeology and highly specialised auxiliary sciences of history
Книги з теми "Aliksāndrīnā (Library) Antiquities Museum"
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Shirbīnī, Ayman, та Muḥammad Ṭamān. متحف السادات. Alexandria]: Maktabat al-Iskandarīyah, 2008.
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A, Hawass Zahi, and Aliks*andrīn*a (Library), eds. Bibliotheca Alexandrina: The Archaeological Museum. [Zamalek, Egypt]: Supreme Council of Antiquities, 2002.
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Oganesi︠a︡n, N. O. Libraires, archives, manuscript repositories, guides, catalogs, exhibitions, activities and events, Armenian Diaspora, other than USA. New Delhi: Library of Congress Office, 2006.
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Canfora, Luciano. La biblioteca scomparsa. 5th ed. Palermo: Sellerio, 1988.
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Brian, Bibby, and Castillo Edward D, eds. Living traditions: A museum guide for Native American people of California. [Sacramento, CA (915 Capitol Mall, Sacramento 95814): California Native American Heritage Commission, 1992.
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Canfora, Luciano. The vanished library. Berkeley: University of California Press, 1989.
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Canfora, Luciano. The Vanished Library: A Wonder of the Ancient World. Berkeley, CA (USA): University of California Press, 1990.
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Custer, Jay F. Analysis of the Henry du Pont Indian artifact collection. Newark, Del: Center for Archaeological Research, College of Arts and Science, University of Delaware, 1985.
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Museum, Brooklyn. Catalogue of the Egyptological library and other books from the collection of the late Charles Edwin Wilbour. Mansfield Centre, Conn: Martino Pub., 2003.
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Museum, Brooklyn. Catalogue of the Egyptological library and other books from the collection of the late Charles Edwin Wilbour. Staten Island, N.Y: Maurizio Martino, 1998.
Знайти повний текст джерелаЧастини книг з теми "Aliksāndrīnā (Library) Antiquities Museum"
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Siegel, Jonah. "Art and the National Gallery." In The Emergence of the Modern Museum, 137–212. Oxford University PressNew York, NY, 2008. http://dx.doi.org/10.1093/oso/9780195331134.003.0005.
Повний текст джерелаАнотація:
Abstract The National Gallery was regularly faulted, not only for flaws in the design of the building it shared with the Royal Academy until 1868, but for gaps in its collection and errors in the accession and preservation of its holdings. The British Museum, while seldom subjected to the vitriol that characterized accounts of the Gallery, challenged administrators and visitors by the sheer size and heterogeneity of its collection. At once museum of antiquities, copyright library, and repository of collections of natural history, numismatics, and more—how was such a diverse accumulation of materials to be rationalized so that it carried out the function of a modern cultural institution, especially given the pressure on the space of the building bound to result from the inexorable increase in all holdings?
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Reid, Donald Malcolm. "Representing Ancient Egypt at Imperial High Noon (1882–1922)." In From Plunder to Preservation. British Academy, 2013. http://dx.doi.org/10.5871/bacad/9780197265413.003.0009.
Повний текст джерелаАнотація:
During the height of Western imperialism in Egypt from 1882 to 1922, the British ran the country and the French directed the Antiquities Service. Two contemporary artistic allegories expressed Western appropriation of the pharaonic heritage: the façade of Cairo's Egyptian Museum (1902) and Edwin Blashfield's painting Evolution of civilization in the dome of the Library of Congress (1896). The façade presents modern Egyptology as an exclusively European achievement, and Evolution presents ‘Western civilization’ as beginning in ancient Egypt and climaxing in contemporary America. The illustrated cover of an Arabic school magazine (1899) counters with an Egyptian nationalist claim to the pharaonic heritage. A woman shows children the sphinx and pyramids to inspire modern revival, and Khedive Abbas II and Egyptian educators, not European scholars, frame the scene. The careers of three Egyptologists — Gaston Maspero, E. A. W. Budge, and Ahmad Kamal Pasha — are explored to provide context for the allegories.