Готові списки джерел за темами / Alberto Savinio

Добірка наукової літератури з теми "Alberto Savinio"

Автор: Grafiati
Опубліковано: 19 жовтня 2024

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Статті в журналах з теми "Alberto Savinio"

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Roić, Sanja. "Alberto Savinio i Balkan." Italica Belgradensia 2023, Speciale (2023): 53–65. http://dx.doi.org/10.18485/italbg.2023.ns_vuco.4.

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Gordon, Mel. "Alberto Savinio and the Teatro Metafisico." Performing Arts Journal 9, no. 1 (1985): 83. http://dx.doi.org/10.2307/3247819.

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Epstein, Mark. "Book Review: Alberto Savinio: Lo psichismo delle forme." Forum Italicum: A Journal of Italian Studies 34, no. 2 (September 2000): 594–96. http://dx.doi.org/10.1177/001458580003400231.

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Ricci, Roberta. "Grecità (e romanticismo) nella "mitologia moderna" di Alberto Savinio." Quaderni d'italianistica 17, no. 1 (April 1, 1996): 33–59. http://dx.doi.org/10.33137/q.i..v17i1.10319.

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Zudini, Claudia. "La presenza degli animali nell’opera narrativa di Alberto Savinio." Italies, no. 12 (December 1, 2008): 299–318. http://dx.doi.org/10.4000/italies.1322.

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Heyd, Milly. "ALBERTO SAVINIO: THE PHOTOGRAPH AND THE MIRROR IMAGE, PART II." Source: Notes in the History of Art 8, no. 2 (January 1989): 32–36. http://dx.doi.org/10.1086/sou.8.2.23202534.

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Lizza, Marinella. "Il mito di Alcesti in Alberto Savinio e Corrado Alvaro." Italian Culture 22, no. 1 (January 2004): 47–69. http://dx.doi.org/10.1179/itc.2004.22.1.47.

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Giammei, Alessandro. "Stratigraphy of Andromeda: Giorgio de Chirico, Alberto Savinio, Origins, and Originality." Modernism/modernity 25, no. 1 (2018): 21–43. http://dx.doi.org/10.1353/mod.2018.0001.

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Gutiérrez, María Elena. "LA POETICA DEL LAPSUS: INCONSCIO E LINGUAGGIO NELL'OPERA DI ALBERTO SAVINIO." Forum Italicum: A Journal of Italian Studies 31, no. 2 (September 1997): 439–57. http://dx.doi.org/10.1177/001458589703100207.

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Tramuta, Marie-José. "Alberto Savinio, scénariste de la vie de saint François : la tentation épique." Double jeu, no. 13 (December 31, 2016): 37–45. http://dx.doi.org/10.4000/doublejeu.333.

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Дисертації з теми "Alberto Savinio"

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Bernet, Thomas. "L'ironie d'Alberto Savinio à la croisée des discours : lecture sémiotique de l'"Introduction à une vie de Mercure" et d'"Achille énamouré mêlé à l'Evergète /." Bern : P. Lang : Éd. scientifiques européennes, 1999. http://catalogue.bnf.fr/ark:/12148/cb38877915h.

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Carbone, Rocco. "Alberto Savinio et la France." Paris 3, 1993. http://www.theses.fr/1994PA030154.

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Анотація:
Le premier chapitre de la these, images de paris, examine les nombreux ecrits dans lesquels alberto savinio a evoque la ville qui a le plus influence sa formation artistique et litteraire. Le second chapitre, amis francais, joue un role particulier en raison justement des sujets qu'il aborde. La tendance a l'autobiographie fait bien souvent que la france de savinio se confond avec les personnes qu'il a connu; lais cette assimilation n'a pas valeur de document ou seulement dans un contexte limite; les "anis francais" de savinio sont en tout etat de cause des interlocuteurs avec lesquels l'ecrivain dialogue de son propre monde artistique et creatif. Avec le troisieme chapitre (avant-gardes) l'enquete, tout en preservant un certain caractere d'argumentation de type thematque, affronte aussi certains moments et parcours determines de la formation culturelle de savinio : son rapport avec les avant-gardes historiques et sa position face a telles evolutions de la pensee artistique contemporaine. Enfin, le quatrieme chapitre (ecrivains francais) s'attache a un aspect peu connu de l'oeuvre litteraire de savinio, a savoir son activite critique sur des oeuvres et des auteurs de la litterature francaise. La these est acconpangee d'un appendice qui presente des textes inedits et rares de l'ecrivain italien
The first chapter of this thesis, images of paris, examines the numerous texts in wich savinio evokes the city that most influenced his artistic and literary formation. The second chapter, french friends, lays out the importance of the arguments he is concerned with. The tendency towards autobiographical writings causes savinio to blend the france he knew with the people he met; however this assimilation has only a limited documentary face value : savinio's 'french friends' are by all means the counterparts with whom he discussed his own artistic and creative world. Although maintaining a thematic argumentation, in the third chapter (avant-gardes), the research outlines some specific moments and themes of davinio's cultural formation : his relationship with the historical avant-gardes, and his standing in relation to these evolutions of artistic thought. Finally, the fourth chapter (french writers) investigates a littleknown aspect in savinip's literary work : his critical writing dealing with works and authors in french literature. The appendix added tho the thesis collects unpublished and rare texts by the italian writer
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LIJOI, LUCILLA. "Il sognatore sveglio - Alberto Savinio 1933-1943." Doctoral thesis, Università degli studi di Genova, 2019. http://hdl.handle.net/11567/943915.

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Анотація:
This work reconstructs the cultural activity of Alberto Savinio between 1933 and 1943, investigating his production from a journalistic, literary and artistic point of view. Furthermore, it aims at reconstructing the nature of his relationship with the fascist regime between 1930s and 1940s.
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Grewe, Andrea. "Melancholie der Moderne : Studien zur Poetik Alberto Savinios /." Frankfurt am Main : V. Klostermann, 2001. http://catalogue.bnf.fr/ark:/12148/cb39259459x.

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Picciaiola, Samanta. "Recherches sur le théâtre de Alberto Savinio (1891-1952)." Paris 4, 2008. http://www.theses.fr/2008PA040233.

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Анотація:
La recherche porte sur la notion du théâtre telle qu'elle se développe chez Savinio à partir de son premier texte théâtral, écrit en langue française, "Les Chants de la mi-mort". On pourra pas se dispenser de remarquer les influences d'Appollinaire et, plus tard, l'importance de son maître à penser en matière théâtrale : Pirandello. Avec "Capitano Ulisse" et "Alcesti di Samuele Savinio" touche à l'expression, la plus importante, de son œuvre théâtrale au point que on peut considérer ces pièces unies dans un idéal dytique métaphysique. Dans ces pièces Savinio se mesure avec la reprise de la matière tragique : comme dans "Capitano Ulisse" le drame récrivait l'aventure mythique du héros homérique, également le personnage d'Alcesti revit dans l'histoire de Madame Goerz, femme juive au temps du nationnal-socialisme. Chez Savinio agit la volonté de démontrer l'impossibilité du tragique au XX ème siècle : la normalisation des héros les plus mythiques et la banalisation des faits, les plus tragiques, imposés par la scène, doivent être étudiés à partir de cette déclaration d'inaccessibilité. L'œuvre qui naîtra comme une transcription pour la scène des contes écrit par l'auteur même ("Il suo nome", "La famiglia Mastinu") va se caractériser pour une reprise des facteurs méta-théâtrales qui opéraient d'ailleurs dans ces pièces. Avec "Emma B. Vedova Giocasta", Savinio choit en faveur de la mesure réduite de l'acte unique qui porte à une condensation de la dramaturgie. Une seule pièce et un seul mouvement d'attente fébrile du personnage
This study focuses on the concept fo theatre, as developed by Alberto Savinio since his first theatrical play written in French ("Les Chants de la mi-mort"). The study will, first, highlight the influence of Apollinaire on the work of Savinio and, then, will stress the importance of Pirandello, who can be considered his master on the theatrical subject. "Capitanon Ulisse" and "Alcesti di Samuele" représent the higthest form of his theatrical expression to suche and extent that these two pièces can be considéred as interlinked in an ideal metaphysical diptych. In both plays, Savinio tackles the concept of regeneration of the tragedy : similarly to the story of "Capitano Ulisse", were the adventures of the Homeric hero are reinterpreted, the figure of Alcesti appears anew in the story of Mrs Goerz, an Jewish woman who lives during the period of national socialism. Savinio's work, which is the result of a collection of short stories ("Il suo nome", "La famiglia Mastinu") will be characterised by a revisitation of meta-theatrical factors, which were already present in previous pièces. In "Emma B, vedova Giocasta", Savinio chooses a lighter option : the one act play. This choix leads to a condensation of dramaturgy, since it is composed of one pièce and of one single feverish waiting movement of the main character
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Di, Gregorio Roberto <1994&gt. "Il teatro dei Dioscuri: Giorgio de Chirico e Alberto Savinio." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17945.

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L'elaborato mira ad indagare la produzione artistica dei fratelli de Chirico nel mondo del teatro. Un'introduzione alle dinamiche del teatro immediatamente precedenti e contemporanee al lavoro di Giorgio de Chirico e di Alberto Savinio, precede le biografie essenziali dei due artisti; segue un'analisi delle commesse teatrali di Giorgio de Chirico e le collaborazioni sia come scenografo, che compositore di Savinio. Si aggiunge il commento di due opere di Alberto Savinio per le quali i due fratelli hanno collaborato unitamente e una sintesi dell'operato di entrambi per il mondo teatrale del secolo scorso.
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CAPOBIANCO, Lillo. "Hermaphrodito di Alberto Savinio tra modernità e tradizione del mito." Doctoral thesis, Università degli Studi di Palermo, 2014. http://hdl.handle.net/10447/91027.

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Weidlich, Martin. "De revolutionibus ordinum caelestium terrestriumque Alberto Savinio zwischen Kopernikus und Ptolemäus." Wilhelmsfeld Egert, 2003. http://deposit.ddb.de/cgi-bin/dokserv?id=2807048&prov=M&dok_var=1&dok_ext=htm.

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Ferri, Giulia. "Retour à la terre des pères : sentiment d'appartenance et quete des origines (Giuseppe Ungaretti et Alberto Savinio)." Thesis, Université Grenoble Alpes, 2020. http://www.theses.fr/2020GRALL016.

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Анотація:
Dans l’Italie de la première moitié du XXème siècle, le thème du sentiment d’appartenance nationale est central dans le débat politique et culturel : on passe des discussions post-unitaires au sujet de l’identité nationale, au patriotisme des interventionnistes, au nationalisme de l’après Ière guerre mondiale, à celui des fascistes. Parmi les intellectuels italiens de cette époque-là, beaucoup ont une double origine : leur famille est italienne et pourtant ils sont nés et ils ont grandi à l’étranger. Leur appartenance à la patrie n’est pas automatique. On s’est demandé dans quelle manière leur besoin d’identité se met en relation avec les tensions qui traversent le Pays, à quel niveau ils sont impliqués dans les événements politiques de ces années-là et s’il est possible de retrouver chez eux des analogies liées à leurs origines multiculturelles. En novembre 1927 on publique une interview d’Alberto Savinio dans le journal parisien « Comœdia ». Il critique l’art italienne et affirme être à Paris parce que l’ouverture mentale du peuple français favorise le développement artistique. En plein fascisme ces déclarations heurtent beaucoup d’intellectuels italiens, qui l’accusent de ne pas aimer sa patrie. On lui interdit de participer à la vie culturelle nationale pendant quelques années. Giuseppe Ungaretti prend sa défense, tout en ayant déclaré son fascisme et bien que ses relations avec Savinio ne soient pas très intimes. Ils se connaissent à Paris au début des années 1910, étant tous les deux en contact avec Soffici et son entourage, et surtout avec Apollinaire, qui est un point de repère fondamental : il est leur guide artistique, mais aussi quelqu’un qui partage leur statut de déracinés, en tant que français d’adoption. Son enrôlement dans l’armée française est donc très significatif à leurs yeux. Les contacts entre Savinio et Ungaretti se poursuivent tout au long du décennie, et ils collaborent aux projets des revues « La Vraie Italie » et « Commerce », dont l’objectif est de mieux faire connaître la réalité artistique italienne en France. À partir de 1925, les rapports entre les deux se tendent, aussi à cause d’un climat de méfiance général, mais l’affaire « Comœdia » nous montre que chez eux la conception supranationale de culture surmonte les problèmes personnels. Toutefois ils semblent souvent contredire cette idée, en soulignant à maintes reprises la supériorité de l’Italie par rapport aux autres Pays et en manifestant un nationalisme croissant, qui atteint le sommet par l’adhésion au fascisme. Ils participent à la Ière guerre mondiale afin d’affirmer leur appartenance à la nation italienne, mais c’est surtout à partir des années suivantes qu’ils manifestent leur patriotisme, en exaltant les combattants, en critiquant les accords de paix défavorables pour l’Italie, en affirmant l’idée d’une primauté intellectuelle de l’Italie. L’appui au fascisme en est la conséquence. Pendant le « Ventennio » Savinio et Ungaretti écrivent plusieurs articles dans des revues solidaires de Mussolini, où ils utilisent les topoi rhétoriques de ces années-là. C’est le point extrême de leur quête d’italianité : l’affirmation identitaire dépasse l’individualité et se situe dans la dimension collective de l’« État ». La IIème guerre mondiale, étant considérée une folie, détermine un changement d’avis à propos du régime. Ungaretti et Savinio partagent l’idée que le fascisme ait trahi ses principes. La grandeur de l’Italie devait agir dans un horizon universel et non pas enfermé. Ils pensent que pour une renaissance collective il faut se dépasser des égotismes nationaux et revenir à l’esprit chrétien de l’Europe. Le besoin d’une identité italienne passe donc au deuxième plan par rapport à la nécessité d’une identité européenne
During the first half of the 20th century in Italy, the theme of national belonging was at the center of the political and cultural debate: the post-unitary discussions on national identity, the patriotism of interventionists, post-World War I, and later fascist, nationalism. Among the Italian intellectuals of the time, many shared double origins: their families were Italian, and yet they were born and raised abroad. Their belonging to the homeland was not automatic. I have looked at the way in which their need for an identity relates to the tensions that were shaking the country, their involvement in the political events of those years, and wondered whether it is possible to isolate any similarities between them that might be connected to their multicultural origins.In November 1927, an interview to Alberto Savinio was published in the Parisian journal “Comœdia.” In it, he criticized Italian art and claimed that he lived in Paris because the mental openness of the French favored artistic development. At the height of Fascism, these declarations bothered a number of Italian intellectuals, who accused him of not loving his homeland. He was therefore excluded from national cultural life for a few years. Giuseppe Ungaretti stood up for him, despite both having declared his Fascism and not sharing a particularly close relationship with Savinio. They had met in Paris in the early 1910s, when they both gravitated around Soffici and his group, especially Apollinaire, who was a fundamental reference: he was their artistic guide, but also someone who shared their uprootedness, since he was French by adoption. His enrollment in the French army was therefore particularly significant for them. Savinio and Ungaretti kept in touch throughout the decade and collaborated to the projects of journals such as “La Vraie Italie” and “Commerce,” whose goal was to make Italian art better known in France. Starting in 1925, their relationship became strained, also due to a general climate of mistrust, but the “Comœdia” affair shows us that their supernational conception of culture surpasses personal issues. Nevertheless, they often seemed to contradict this idea, repeatedly emphasizing Italy’s superiority compared to other countries and displaying growing nationalism, which reached its apex when they adhered to Fascism. They took part in World War I as a way of claiming their belonging to the Italian nation, but it was starting from the following years that they began to show their patriotism by exalting the fighters, criticizing peace agreements that proved unfavorable to Italy, and affirming the idea of Italy’s intellectual primacy. Their support of Fascism was the natural consequence. During the “Ventennio,” Savinio and Ungaretti wrote several articles in journals that were supportive of Mussolini, where they employed many of the rhetorical topoi of those years. This is the extreme point in their search for Italianness: the affirmation of their identity went beyond the individual and found its place within the collective dimension of the “State.” World War II, which they considered madness, brought about a change of heart regarding the regime. Ungaretti and Savinio shared the idea that Fascism had betrayed its principles. Italy’s greatness needed to play within a universal context, rather than an enclosed one. They thought that in order to achieve a collective renaissance, it was necessary to surpass national egotism and come back to Europe’s Christian spirit. Therefore, the need for an Italian identity faded into the background compared to the necessity of a European identity
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Zudini, Claudia. "L'artiste "orphelin" : stratégies d'autonomie dans l'écriture d'Alberto Savinio." Paris 8, 2007. http://www.theses.fr/2007PA083723.

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Анотація:
Ce travail vise à articuler une approche critique de l’œuvre littéraire d’Alberto Savinio en assumant comme point de départ sa revendication à une condition idéale d’ « orfanismo ». En dépit de l’importante présence, dans son œuvre, de références à la tradition littéraire de l’Antiquité, ce terme désigne la volonté de Savinio de s’affranchir de toute filiation littéraire et d’établir ainsi sa propre identité d’auteur. Nous avons vérifié cette notion au niveau des stratégies narratives (Angelica o la notte di maggio), de l’intertextualité (« La casa ispirata », « Angelica o la notte di maggio », « La nostra anima », Emma B. Vedova Giocasta), de la pratique linguistique et de sa représentation dans les textes ( « Hermaphrodito », « La nostra anima », "Scendere dalla collina", "Mia madre non mi capisce", « Tragedia dell’infanzia »)
This dissertation will provide a critical approach to the literary works of Alberto Savinio from the perspective of his assertion of an ideal « orfanismo ». In spite of the various references to the ancient literary tradition present in his works, this term refers to Savinio’s will to reject his literary fathers and to establish his own identity as an author. We have explored this notion by looking at strategies of narration ("Angelico o la notte di maggio"), of intertextuality ("La casa ispirata", "Angelico o la notte di maggio", "La nostra anima", "Emma B. Vedova Giocasta"), and linguistic strategies used in the texts ("Hermaphrodito", "La nostra anima", « Scendere dalla collina », « Mia madre non mi capisce », "Tragedia dell’infanzia")
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Книги з теми "Alberto Savinio"

1

Sgroi, Alfredo. Alberto Savinio. [Palermo, Italy]: Palumbo, 2009.

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Dell'Arco, Maurizio Fagiolo. Alberto Savinio. Milano: Fabbri, 1989.

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Pia, Vivarelli, Baldacci Paolo, and Fondazione Antonio Mazzotta, eds. Alberto Savinio. Milano: Edizioni G. Mazzotta, 2002.

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Center for Italian Modern Art (New York, N.Y.), ed. Alberto Savinio. New York, NY: Center for Italian Modern Art, 2017.

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Mastronardi, Gianluca Renato. Alberto Savinio scenografo. Roma: Edizioni Efesto, 2015.

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Savinio, Alberto. Alberto Savinio: Dessins. Les Sables d'Olonne: Musée de l'Abbaye Sainte-Croix, 1987.

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Abbaye Sainte-Croix (Les Sables-d'Olonne, France). Musee., ed. Alberto Savinio: Dessins. Les Sables-d'Olonne [France]: Musée de l'Abbaye Sainte-Croix, 1987.

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8

1891-1952, Savinio Alberto, Barbero Luca M, Fagiolo dell'Arco Maurizio 1939-, and Centro Saint-Bénin (Aosta Italy), eds. Alberto Savinio: Pittore di teatro = Alberto Savinio : peintre de théâtre. Milano: Fabbri, 1991.

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1891-1952, Savinio Alberto, ed. Alberto Savinio alla Scala. Milano: Amici della Scala, 2015.

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10

Vivarelli, Pia. Alberto Savinio: Catalogo generale. Milano: Electa, 1996.

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Частини книг з теми "Alberto Savinio"

1

Wild, Gerhard. "Savinio, Alberto." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17868-1.

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Wild, Gerhard. "Alberto Savinio." In Kindler Kompakt Italienische Literatur 20. Jahrhundert, 76–78. Stuttgart: J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05534-7_9.

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Wild, Gerhard. "Savinio, Alberto: Hermaphrodito." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17869-1.

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Weidlich, Martin. "Savinio, Alberto: Tragedia dell'infanzia." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17870-1.

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Weidlich, Martin. "Savinio, Alberto: Nuova enciclopedia." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17872-1.

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Schultz, Joachim. "Savinio, Alberto: Ascolto il tuo cuore, città." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17871-1.

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Meineke, Eva-Tabea. "»Brückenbogen strahlender Rettung«. Musikalität und Gesang in der surrealistischen Rilke-Rezeption (Alberto Savinio und Louis Aragon)." In Rilkes Musikalität, 155–72. Göttingen: V&R unipress, 2019. http://dx.doi.org/10.14220/9783737010320.155.

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Jordison, Shantel S., and Niloo Hojjati. "Non-Renewable Resource Revenue Savings and Distribution in Canada: Alberta." In Sovereign Wealth Funds, Local Content Policies and CSR, 215–30. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-56092-8_11.

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Mason, David L. "Albert Wachowski, ‘The Polish Building and Loan Associations’ (1914)." In The American Savings and Loan Industry, 1831-1935 Vol 4, 95–98. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003547303-21.

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Mason, David L. "Albert Shaw, History of Cooperation in the United States (1888)." In The American Savings and Loan Industry, 1831-1935 Vol 4, 45–58. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003547303-13.

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Тези доповідей конференцій з теми "Alberto Savinio"

1

RANIS, GUSTAV. "COMMENTS ON ALBERT ANDO'S “DEMOGRAPHY AND AGGREGATE SAVING”." In Proceedings of the Economic Development of ROC and the Pacific Rim in the 1990s and Beyond. WORLD SCIENTIFIC, 1994. http://dx.doi.org/10.1142/9789814440998_0014.

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2

Leijtens, Johan, Dick Broekmans, and Frank Stelwagen. "Everything you always wanted to demand from a digital Sunsensor but couldn't get." In ESA 12th International Conference on Guidance Navigation and Control and 9th International Conference on Astrodynamics Tools and Techniques. ESA, 2023. http://dx.doi.org/10.5270/esa-gnc-icatt-2023-003.

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True digital Sunsensors have been under development for a number of decades but until now it has proven to be very difficult to produce a radiation hard device that is cost effective enough to find widespread use. Analogue fine Sunsensors would fit the bill for every mission if it weren't for the Earth albedo sensitivity and the analogue interface. Adding the processing electronics adds significant more cost and complexity that the costs associated with the sensor itself and avoiding significant albedo errors is only possible by very carefully placing the sensors in combination with restrictions on the satellite pointing. Having an albedo insensitive sensor with a digital interface available would therefore lead to significant cost savings and reduction of application constraints. Producing a cost effective radiation hardened true digital Sunsensor is only possible if a dedicated single chip solution is found. Currently Lens R&D B.V and Systematic Design B.V with assistance of ESA experts are working on the development of such a solution within an ESA ARTES program. In order to remain technically feasible but still cost effective, a number of compromises needed to be made which will be addressed during the presentation. Although the cost target is twice the price of an ESA qualified Analogue fine Sunsensor, cost savings in the processing electronics will lead to significant cost savings at system level if this target can be achieved.
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VanderSchee, David A. "Field Performance and Surge Testing of Centrifugal Compressors." In 1998 2nd International Pipeline Conference. American Society of Mechanical Engineers, 1998. http://dx.doi.org/10.1115/ipc1998-2126.

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In 1997 Alberta Natural Gas Co. Ltd (ANG) completed a field testing program of its centrifugal compressor fleet. Field performance and surge testing of centrifugal compressors in pipeline service was done for efficiency evaluation and to re-establish surge line control. By confirming the actual location of the surge line, surge controllers are adjusted to allow a more efficient and greater operating range resulting in fuel savings and operating flexibility. The results of this testing provides an accurate operating window for the compression equipment which is then transferred to a hydraulic analysis computer model used to provide accurate capacity estimates in support of additional gas transmission contractible volumes. As part of the surge testing, suction to impeller eye differential pressure readings (used for surge control) were evaluated to determine strength, stability and repeatability. Finally, baseline data was established to determine current compressor operating efficiencies and will be used to determine future efficiency degradation. ANG is a wholly owned subsidiary of TransCanada PipeLines, one of North America’s leading transporters of natural gas through its energy transmission businesses. ANG owns and operates the British Columbia segment of the Alberta-California pipeline system (ref Figure 1). Compression is provided at three compressor stations with eleven compressors totalling 187,000 installed ISO HP.
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Thomas, Lance N., and Rick A. Marsden. "Buried SAGD Flow Lines." In 2002 4th International Pipeline Conference. ASMEDC, 2002. http://dx.doi.org/10.1115/ipc2002-27121.

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EnCana Resources is enjoying economic success at their Steam Assisted Gravity Drainage (SAGD) research facility at Senlac, Saskatchewan. This has been achieved largely due to the successful application of new and innovative ideas and technologies. During the summer of 2001, PanCanadian Energy (now EnCana Resources) made use of a novel buried piping technology at the Senlac Thermal Project to solve the problem of connecting distant well pairs to the processing plant. The four-kilometer pipeline system accommodated a thermal growth of approximately 12 meters over its entire length using buried expansion loops and “Z” bends. The pipeline was installed at an estimated 30% cost savings over conventional above ground methods. This paper summarizes the successful installation of this unique piping technology at Senlac and its applicability to future commercial SAGD projects in the context of the heavy oil reserves in Alberta.
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Doering, Raymond, and Randy Robertson. "Screw Anchor Buoyancy Control Saves an Estimated $12 Million for Enbridge Pipeline." In 2000 3rd International Pipeline Conference. American Society of Mechanical Engineers, 2000. http://dx.doi.org/10.1115/ipc2000-120.

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In today’s competitive environment, oil and gas pipeline companies must search for materials and construction methods that reduce project capital costs while maintaining the quality and integrity of the pipeline. Pipeline buoyancy control can be a major cost of large diameter pipelines, particularly for routes that cross wet terrain. In 1999, Enbridge Pipelines (Athabasca) Inc. constructed the 541 km NPS 30 Athabasca Pipeline from Fort McMurray to Hardisty, Alberta. Because of the substantial areas of muskeg that the pipeline route traversed, Enbridge selected a pipeline anchor system as the primary means of buoyancy control for the project. This new technology saved greater than an estimated $12 million CDN when compared with the cost of concrete set-on weights, which is the traditional method of controlling buoyancy of pipelines in North America. This paper describes the design of the anchor system selected for this project, details the calculations performed to determine anchor spacing, documents the challenges which were overcome during installation, and analyses the cost savings which were achieved by the use of this technology.
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6

"Controlled experiment for estimating the energy-saving potential and indoor thermal comfort improvement by the use of high albedo surfaces on pitched concrete roofs." In Countermeasures to Urban Heat Islands. BS Publications, 2022. http://dx.doi.org/10.37285/bsp.ic2uhi.19.

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7

Oates, Brenden, Erk Kurban, Marilyn Smith, and Juergen Rauleder. "Evaluation of High- and Mid-Fidelity Computational Fluid Dynamics for Complex Ship Airwake Analysis with New Experimental Data." In Vertical Flight Society 79th Annual Forum & Technology Display. The Vertical Flight Society, 2023. http://dx.doi.org/10.4050/f-0079-2023-17973.

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Safe flight with maneuvers of rotorcraft systems in the near vicinity of Naval ships poses a number of challenges due to the complex, unsteady wake shedding from the ship surface. To prepare pilots to operate in these conditions, it is desired to ensure accurate ship airwake simulation capabilities that provide an understanding of the flow field and are sufficiently cost-effective so that they can be applied in flight simulators to enhance pilot training and safety. While the simple frigate shape (SFS2) geometry has been extensively studied, assessments of the flow environment with respect to practical usage in flight simulations have experienced fewer analyses. A high-fidelity, conventional unsteady unstructured Reynolds-Averaged Navier-Stokes CFD solver (FUN3D) and novel time-resolved particle image velocimetry measurements are evaluated with Lattice-Boltzmann Method (LBM) simulations to understand LBM's potential for real-time flight simulations. LBM predictions are overall relatively comparable to FUN3D and PIV, albeit with some loss in magnitude and detail, but at computational time savings of several orders of magnitude to unstructured CFD. Ship orientations with yaw experiencing winds have more differences between LBM and FUN3D than non-yawed orientations.
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8

Beauregard, Yannick, and Andrea Mah. "Assessing Soil Corrosivity for Buried Structural Steel." In 2020 13th International Pipeline Conference. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/ipc2020-9285.

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Abstract Corrosion of steel structures in soils has been a topic of industrial research for many decades. The research has shown that the corrosivity of a soil is highly variable and a function of numerous interconnected parameters including soil resistivity, moisture content and pH. Despite the complexity of the soil environment, methods to evaluate soil corrosivity, guidelines for corrosion control during the design phase and lifetime of a structure have been developed. By applying this understanding, an opportunity exists to optimize the corrosion protection and capital expenses for new projects associated with corrosion protection of buried structural steel components. For instance, for new projects, e.g., identifying regions of low corrosivity where coatings are not required could lead to cost savings without compromising the integrity of the structure. However, within the industry, there is no universally accepted method to guide such decisions. This paper is intended to address this issue by presenting a literature review and a case study on the topic. The literature review identifies the factors that influence the corrosion of buried steel structures, the range of corrosion rates observed on buried steel structures and quantitative and qualitative methods for assessing soil corrosivity. In the desktop case study, industry standards identified during the literature review (AASHTO R27-01, DIN50929-3:2018, ANSI/AWWA C105/A21.5 and Eurocode 3-5) are applied to applied to evaluate the soil corrosivity at three meter station sites in Alberta. The results are compared and recommendations for implementation are discussed. DIN 50929-3 stands out among the standards as it provides conservative estimates based on the most comprehensive data set and unlike the other standards, it assesses soil corrosivity both qualitatively and quantitatively.
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9

Dagnino, Aldo. "An Intelligent Concrete Mix Design System." In ASME 1999 Design Engineering Technical Conferences. American Society of Mechanical Engineers, 1999. http://dx.doi.org/10.1115/detc99/eim-9013.

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Abstract This paper describes the development and implementation of a computerized knowledge-based system (SmartMix) that provides assistance to concrete mix designers by automatically generating designs of concrete mixes. These concrete mixes can be used for the construction of power plants, buildings, bridges, etc. The generation of designs by SmartMix is based on current design practices and heuristic rules. SmartMix incorporates current empirical data and its knowledge base can be expanded to include data gathered in the future. SmartMix is a fully operational system and has been designed taking into account the existence of several concrete plants geographically distributed that produce concrete mixes. This is an important consideration because different materials will be available depending on the geographic location of a particular plant. The mix design provided by SmartMix addresses the specific requirements and characteristics of the concrete plant that is to produce it. SmartMix was built using a knowledge-based systems environment called Smart Elements from Neuron Data. The system’s domain expertise consists of heuristic knowledge, statistical information and intelligent objects. The system has improved the reliability and consistency of the new concrete mix designs and has reduced dramatically the time and cost associated with the design of concrete mixes with respect to the manual process. The development of SmartMix was completed in 1995 as a result of a Joint Research Venture project between Pildysh Engineering Inc. and the Alberta Research Council. SmartMix has been in use since the fall of 1995 and is currently being used by Pildysh Engineering Inc. as a primary tool for the design of concrete mixes. Substantial cost savings and quality improvement have been achieved as a result of the implementation of SmartMix.
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Worthingham, Robert, Tom Morrison, and Guy Desjardins. "Comparison of Estimates From a Growth Model 5 Years After the Previous Inspection." In 2000 3rd International Pipeline Conference. American Society of Mechanical Engineers, 2000. http://dx.doi.org/10.1115/ipc2000-208.

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A corrosion growth modelling procedure using repeated inline inspection data has been employed as part of the maintenance program planning for a pipeline in the Alberta portion of the TransCanada system. The methodology of matching corrosion features between the different in-line inspections, and estimating their severity at a future date, is shown to be an excellent proactive cost saving methodology. Throughout this paper estimated 80% confidence intervals for tool measurement error, total prediction error and growth methodology error are given. In this abstract the values have been rounded. For maximum penetration, for the features reported on three inspections, the confidence interval for total prediction error varies from ±12% to ±17%, and for the growth methodology from ±8% to ±10% of the wall thickness (for the 1998 and 1999 dig programs respectively). For features reported on two inspections the confidence interval varies from ±19% to ±22% for total prediction error (1998 and 1999 digs respectively), and is about ±17% for the growth methodology (for both dig programs). The estimated confidence interval for prediction error in failure pressure is about ±560 kPa for the 1998 dig program. For the 1999 dig program a good estimate of the confidence interval for total prediction error could not be obtained. Assuming the failure pressure data obtained from field measurements were perfect, the estimate of the maximum confidence interval was ±850 kPa. For the laser profile measurement field tool, compared to an ultrasonic pencil probe, the confidence interval for penetration is less than ±2% of the wall thickness. The true confidence interval values in some cases are expected to be smaller than reported above for several reasons discussed in this paper.
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Звіти організацій з теми "Alberto Savinio"

1

Bretz, S. E., and H. Akbari. Durability of high-albedo roof coatings and implications for cooling energy savings. Final report. Office of Scientific and Technical Information (OSTI), June 1994. http://dx.doi.org/10.2172/10180653.

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2

Muelaner, Jody, ed. Unsettled Issues in Commercial Vehicle Platooning. SAE International, November 2021. http://dx.doi.org/10.4271/epr2021027.

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Platooning has the potential to reduce the energy consumption of commercial vehicles while improving safety; however, both advantages are currently difficult to quantify due to insufficient data and the wide range of variables affecting models. Platooning will significantly reduce the use of energy when compared to trucks driven alone, or at a safe distance for a driver without any automated assistance. Platooning will also reduce stopping distances—multiple states in the US have passed laws authorizing truck platoons to operate at shorter gaps than are authorized for normal, human-driven trucks. However, drivers typically do not currently leave the recommended gaps and, therefore, already gain much of the potential energy savings by drafting lead vehicles, albeit illegally. The automated systems associated with platooning cannot be programmed to flout safety recommendations in the way that human drivers routinely do. Therefore, actual energy savings may be minimal while safety may be greatly improved. More data will be needed to conclusively demonstrate a safety gain. Recommended safe gaps are currently highly generalized and must necessarily assume worst-case braking performance. Using a combination of condition monitoring and vehicle-to-vehicle communications, platooning systems will be able to account for the braking performance of other vehicles within the platoon. If all the vehicles in a platoon have a high level of braking performance, the platoon will be able to operate in a more efficient, tighter formation. Driver acceptance of platooning technology will increase as the systems become more effective and do not displace jobs. The increased loading of infrastructure must also be considered, and there may be requirements for upgrades on bridges or restrictions on platooning operation.
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3

Queensland Government Savings Bank - Brisbane (Head Office) - Pass Books - No. 168382 - Brown, Albert J. - 1888-1897. Reserve Bank of Australia, March 2021. http://dx.doi.org/10.47688/rba_archives_2006/20782.

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4

COLD FORMED STEEL SHEAR WALL RACKING ANALYSIS THROUGH A MECHANISTIC APPROACH: CFS-RAMA. The Hong Kong Institute of Steel Construction, September 2022. http://dx.doi.org/10.18057/ijasc.2022.18.3.2.

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Cold-formed steel shear wall panels are an effective lateral load resisting system in cold-formed steel or light gauge constructions. The behavior of these panels is governed by the interaction of the sheathing - frame fasteners and the sheathing itself. Therefore, analysis of these panels for an applied lateral load (monotonic/cyclic) is complex due to the inherent non-linearity that exists in the fastener-sheathing interaction. This paper presents a novel and efficient, fastener based mechanistic approach that can reliably predict the response of cold-formed steel wall panels for an applied monotonic lateral load. The approach is purely mechanistic, alleviating the modelling complexity, computational costs and convergence issues which is generally confronted in finite element models. The computational time savings are in the order of seven when compared to the finite element counterparts. Albeit its simplicity, it gives a good insight into the component level forces such as on studs, tracks and individual fasteners for post-processing and performance-based seismic design at large. The present approach is incorporated in a computational framework - CFS-RAMA. The approach is general and thereby making it easy to analyze a variety of configurations of wall panels with brittle sheathing materials and the results are validated using monotonic racking test data published from literature. The design parameters estimated using EEEP (Equivalent Energy Elastic Plastic) method are also compared against corresponding experimental values and found in good agreement. The method provides a good estimate of the wall panel behavior for a variety of configurations, dimensions and sheathing materials used, making it an effective design tool for practicing engineers.
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