Готові списки джерел за темами / African modernity

Добірка наукової літератури з теми "African modernity"

Автор: Grafiati
Опубліковано: 29 вересня 2023

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Статті в журналах з теми "African modernity"

1

Kruzh Morzhadinu, Da Fonseka Vera. "HISTORICAL RESEARCH OF MODERNISM IN AFRICAN ARCHITECTURE OF LOW-RISE SOCIAL HOUSING." Construction Materials and Products 3, no. 2 (July 10, 2020): 55–62. http://dx.doi.org/10.34031/2618-7183-2020-3-2-55-62.

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the purpose of this study is to examine the emergence of modernism as a cultural response to the conditions of modernity to change the way people live, work and react to the world around them. In this regard, the following tasks were formulated: 1) study the development of modernism on the world stage, 2) identify its universal features, and 3) analyze how the independence of Central and sub-Saharan Africa in the 1950s and 1960s coincided with a particularly bright period of modernist architecture in the region, when many young countries studied and asserted their identity in art. The article analyzes several objects of modernist architecture in Africa: urban development projects in Casablanca (Morocco), Asmara (Eritrea), Ngambo (Tanzania). The main features and characteristics of modernism which were manifested in the African architecture of the XX century are also formulated. It is concluded that African modernism is developed in line with the international modernist trend. It is also summarized that modernism which differs from previous artistic styles and turned out to be a radical revolution in art is their natural successor.
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2

Khokholkova, Nadezhda. "African Diaspora in the USA: History and Modernity." Uchenie zapiski Instituta Afriki RAN 61, no. 4 (December 5, 2022): 115–24. http://dx.doi.org/10.31132/2412-5717-2022-61-4-115-124.

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In the context of the intensification of migration processes, the study of diasporas is becoming more relevant. Historically, Africa has been assigned the status of one of the main providers of human resources. As a result of forced and voluntary migrations of Africans, a global community has been formed. It is called the African diaspora. The geography of African migrations is vast. However, in some countries, African presence and influence on the cultural landscape are more prominent. The United States has become one of the largest recipients of migrants from countries in Sub-Saharan Africa. The article is devoted to the history of the formation and specifics of the development of African communities in the United States. The author focuses on the meaning and the application of the term “African diaspora.” The sociocultural experience of migrants is not uniform, which necessitated the distinguishing and examination of specific groups within the global African diaspora. The main emphasis is placed on the study of such concepts as “Old African diaspora” and “New African diaspora” in relation to the problem of identity. After analyzing several different definitions, the author comes to the conclusion that the concept of the “African diaspora” is fluid (constantly in progress) and inextricably linked with cultural identity, its preservation, and transformation.
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3

Marung, Steffi. "Out of Empire into Socialist Modernity." Comparative Studies of South Asia, Africa and the Middle East 41, no. 1 (May 1, 2021): 56–70. http://dx.doi.org/10.1215/1089201x-8916939.

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AbstractIn this article the Soviet-African Modern is presented through an intellectual history of exchanges in a triangular geography, outspreading from Moscow to Paris to Port of Spain and Accra. In this geography, postcolonial conditions in Eastern Europe and Africa became interconnected. This shared postcolonial space extended from the Soviet South to Africa. The glue for the transregional imagination was an engagement with the topos of backwardness. For many of the participants in the debate, the Soviet past was the African present. Focusing on the 1960s and 1970s, three connected perspectives on the relationship between Soviet and African paths to modernity are presented: First, Soviet and Russian scholars interpreting the domestic (post)colonial condition; second, African academics revisiting the Soviet Union as a model for development; and finally, transatlantic intellectuals connecting postcolonial narratives with socialist ones. Drawing on Russian archives, the article furthermore demonstrates that Soviet repositories hold complementary records for African histories.
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Sides, Kirk B. "“Narratives of Modernity: Creolization and Early Postcolonial Style in Thomas Mofolo’s Chaka”." Cambridge Journal of Postcolonial Literary Inquiry 5, no. 2 (March 23, 2018): 158–75. http://dx.doi.org/10.1017/pli.2017.56.

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This article revisits Thomas Mofolo’s novel Chaka (1925) in order to make an argument for a different historical approach to the field of African literatures. Often called one of the earliest African novels, I argue that how we read Chaka – especially for what Simon Gikandi calls the novel’s “early postcolonial style” – is indicative of a range of assumptions about Africa and its relationship to modernity. In the article, I explore some of the ways in which Chaka has been made to give precedence to other and mostly subsequent imaginings of both the African postcolonial struggle, as well as African ideas on modernity and national culture. Also, through a brief comparison with Chinua Achebe’s foundational Things Fall Apart, the article explores the possibilities of an African discourse on creolization in Chaka, a discourse that rejects the European colonial-encounter narrative of African and postcolonial modernity.
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GIKANDI, SIMON. "African Literature and Modernity." Matatu 35, no. 1 (2007): 1–19. http://dx.doi.org/10.1163/9789401205641_002.

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Kruger, Loren. "“White Cities,” “Diamond Zulus,” and the “African Contribution to Human Advancement”: African Modernities and the World's Fairs." TDR/The Drama Review 51, no. 3 (September 2007): 19–45. http://dx.doi.org/10.1162/dram.2007.51.3.19.

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From the mid-19th to the mid-20th centuries, representations of Africans at the world's fairs were often aligned with the colonial cultural logic of contrasting the “savage” Other with the “civilized” subject, illustrating the politics of modernity, racialization, and imperial conquest. Certain showcases, however, at the world's fairs in the U.S. and South Africa—as well as performances in the white urban environments of Chicago and Johannesburg—undid this binary by introducing new spectacular economies depicting African modernities.
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Arap Chepkwony, Adam Kiplangat. "Interrogating Issues of Sexuality in Africa: An African Christian Response." East African Journal of Traditions, Culture and Religion 4, no. 1 (November 6, 2021): 1–7. http://dx.doi.org/10.37284/eajtcr.4.1.457.

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The issues of sexuality have been very contentious in Africa more so after the legalization of same-sex marriages by the U.S. Supreme Court in June 2015 under the President Obama reign. Africans have resented the way sexuality is understood and practiced in the west and has termed it un-African. Some scholars and indeed African leaders have argued that the attitude towards sexuality is a modern practice which is being introduced and even forced to Africa by modernity and influenced greatly by the western worldview. In a modern setting, different sexual orientation has been accepted as a lifestyle and has been institutionalized. Although African does not refute the fact that there were and indeed still are people with different sexual orientation, they do not find it right to institutionalize it since according to African culture, this is an abnormality that needs to be corrected, sympathized with and tolerated. To that end, African peoples assisted those with a different sexual orientation to live normal lives as much as possible. At the same time, the community was kind and tolerant and never banished or mistreated them based on their sexual orientation. This paper will attempt to show the attitude taken by the African people, the process of assisting those with different sexual orientation and how they were incorporated into the society. The paper will draw valuable lessons to be learned by modernity and which will correspond to African Christianity in accordance with the teaching of Jesus Christ
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CHRISMAN, LAURA. "American Jubilee Choirs, Industrial Capitalism, and Black South Africa." Journal of American Studies 52, no. 2 (May 2018): 274–96. http://dx.doi.org/10.1017/s002187581700189x.

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Focusing on the Virginia Jubilee Singers, an African American singing ensemble that toured South Africa in the late nineteenth century, this article reveals how the transnational reach of commercialized black music informed debates about race, modernity, and black nationalism in South Africa. The South African performances of the Jubilee Singers enlivened debates concerning race, labor and the place of black South Africans in a rapidly industrializing South Africa. A visit from the first generation of global black American superstars fueled both white and black concerns about the racial political economy. The sonic actions of the Jubilee Singers were therefore a springboard for black South African claims for recognition as modern, educated and educable subjects, capable of, and entitled to, the full apparatus, and insignia, of liberal self-determination. Although black South Africans welcomed the Jubilee Singers enthusiastically, the article cautions against reading their positive reception as evidence that black Africans had no agenda of their own and looked to African Americans as their leaders in a joint struggle.
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Twitchin, Mischa. "Concerning “the Eurocentric African Problem” (Meschac Gaba)." Open Cultural Studies 3, no. 1 (January 1, 2019): 276–85. http://dx.doi.org/10.1515/culture-2019-0025.

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Abstract Even as it is often eclipsed by reference to the “contemporary,” modernity is widely celebrated in European museums and galleries. When refracted through the commitments of an avowedly Black artistic agenda, how might these institutions reconceive their understanding of modernism in light of African, diasporic, or Afropean perspectives? How might concerns with African agency be enacted in these cultural spaces as they project historical narratives and produce a “public” memory in their own image? What are the implications of the fact that critical resistance to modes of cultural appropriation may, nonetheless, reproduce a discourse that attempts to immunise itself from the association of modernism with colonialism? In the formation of modernist canons, what role might an example of African conceptual art have to play, even when consigned to a museum’s storage space? This paper explores such questions through the paradoxes engaged by Mechac Gaba’s reflections on his 1997-2002 project, “Museum for Contemporary African Art,” now owned by Tate Modern. In particular, it considers the dichotomy between “modern” and “traditional” as this has been constitutive of twentieth-century art history, informing a sense of the African presence within European museums. How might reference to the “contemporary” here relate to the potentials of decolonial cultural politics within such spaces?
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Heydenrych, Pieter W. "Constitutionalism and coloniality: A case of colonialism continued or the best of both worlds?" New Contree 75 (July 30, 2016): 19. http://dx.doi.org/10.4102/nc.v75i0.147.

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This article deals with the concept of constitutionalism in relation to colonialism and modernity, with a specific emphasis upon South Africa and South African constitutional development. The Republic of South Africa transitioned from an authoritarian regime to a democratic regime in 1994 and adopted a constitution that is to contribute in the consolidation of its young democracy. However, amidst continued struggles within the South African polity and an emphasis upon de-colonisation, it is necessary to afford attention to aspects of South African constitutionalism.This article relates a discussion of constitutionalism with coloniality and modernity, and considers the nature of the South African Constitution and constitutionalism in this respect. Attention is afforded to unpacking these concepts and the consideration of alternatives, in order to transform or decolonize South African constitutionalism.In this regard reference is made to the nature of constitutionalism, the context of the South African Constitution and the discussion of three approaches to South African constitutionalism that might be helpful in addressing the contested nature thereof. These three approaches are: transformative constitutionalism, progressive constitutionalism and Ubuntu.The article concludes that no definitive or final solutions can be offered, except to suggest that the continued emphasis of these understandings of constitutionalism could perhaps contribute to the actualization and recognition of a deeper and fuller democratic constitutionalism for South Africa, that will also entail finding a balance between modernity and coloniality, because it is suggested that, in the end, there cannot be a complete divorce between these two worlds. Only in this way, it is suggested, can be moved to a South African constitutionalism that embraces the best of both worlds.
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Дисертації з теми "African modernity"

1

Hogue, Jeffrey B. "The strugle for modernity in African 1950-1965." Thesis, California State University, Long Beach, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1527324.

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Tamalet, Edwige. "Modernity in question retrieving imaginaries of the transcontinental Mediterranean /." Diss., [La Jolla] : University of California, San Diego, 2009. http://wwwlib.umi.com/cr/ucsd/fullcit?p3359528.

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Анотація:
Thesis (Ph. D.)--University of California, San Diego, 2009.
Title from first page of PDF file (viewed July 21, 2009). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 234-252).
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3

Grimm, Kevin E. "Symbol of Modernity: Ghana, African Americans, and the Eisenhower Administration." Ohio University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1334240469.

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Lazenby, Nicola. "Afterlives: resurrecting the South African border war." Master's thesis, University of Cape Town, 2012. http://hdl.handle.net/11427/12031.

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Includes abstract.
[W]hile the image of the SADF as a heinous perpetrator of Apartheid violence is undeniable, it is being complicated by the emergence of a range of recent cultural productions. Using Jacqui Thompson’s collection of SADF memoirs, An Unpopular War: From Afkak to Bosbefok (2006), and the revival of Anthony Akerman’s play, Somewhere on the Border (2012), this thesis explores how these cultural productions assert an alternative, individual, and humanised rendering of the SADF soldiers who experienced the Border War. The attempt to render these soldiers in an alternative light signals an anxiety regarding the way the SADF is remembered in contemporary South Africa. This anxiety resonates with broader issues of the role of “victimhood” in South Africa’s national identity in the aftermath of Apartheid.
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Pello-Esso, Kibandu. "Design And Race: "African Design" In The Shadow Of Modernity." Thesis, Konstfack, Inredningsarkitektur & Möbeldesign, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7822.

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To explore the question of how race and design are related, I have developed a set of analysis strategies, involving props that are investigating objecthood and subjectivity. I use prototyping techniques and sketching in full scale. The design process contains three main investigation packages that ran parallel and was intertwined with each other, and resulted in a staged planetarian habitability (Mbembe, 2020) that communicates how to decolonize the African objects.  The objective of this project was to investigate how to make stories about African design as well as identify how an African spatial design practice could unfold. The myth building around race is a successful practice even today. Therefore, it is necessary for each generation to undo these myths. The project resulted in objects and a spatial installation that render tangible, new ideals about modernity and design in relation to race.
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Mirmotahari, Emad. "Islam and the Eastern African novel revisiting nation, diaspora, modernity /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1666396541&sid=12&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Thoma, Nora. "The paradox of "indigenous modernity" : a case study of the construction of identity among the ‡Khomani San." Master's thesis, University of Cape Town, 2009. http://hdl.handle.net/11427/8992.

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Includes bibliographical references (leaves 80-87).
This minor dissertation examines the complex question of the issues relating to the identity of the ‡Khomani San of the Southern Kalahari in South Africa. Through qualitative fieldwork and secondary research, the dissertation illustrates that the ‡Khomani San have an identity, even though it is partially constructed, multifaceted and heterogeneous. This can be understood better through the paradox of "indigenous modernity" which combines traditions and modernity in one. The ‡Khomani San thus set an example of bridging the gap of dichotomies. In building this argument, the thesis first positions the ‡Khomani San as indigenous people in a global, African and South African context. This discussion highlights that one aspect of ‡Khomani San identity is based on their status as indigenous people. Secondly, the history of the ‡Khomani San is delineated, detailing the influence of colonialism and apartheid on ‡Khomani San resources, culture and identity. Here, the important connection between land and ‡Khomani San identity is emphasised. Thirdly, the dissertation explores the contemporary situation of the ‡Khomani San through the narratives of interviewed individuals. These ‡Khomani San voices speak to the ways in which recent developments concerning their land, traditional knowledge and livelihood have influenced the construction of their identity. Within these recent developments, the impact of external forces such as NGOs and government on the ‡Khomani San are also described. Through these interview narratives, binaried representations of the ‡Khomani San identity as either traditionalist or modernist are challenged. Rather, the ‡Khomani San identity is (re)interpreted as a hybrid of both 'traditional' and 'modern' values, which creates them into 'indigenous modernities'.
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Bin, Karubi Kikaya. "The modernity of Bantu traditional values: testing the invariance hypothesis." Thesis, Boston University, 1989. https://hdl.handle.net/2144/32778.

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Thesis (Ph.D.)--Boston University. University Professors Program.
This is a study of the relationship between persistent Bantu traditional values and social, political and economic institutions, using the premises of the Convergence Theory and the Invariance Hypothesis to determine what that relationship should be. Traditional values like the concept of man as a life force, the principle of communalism and the belief in the interaction between the dead, the living and those to be born have remained invariant throughout the history of the Bantu. This, contrary to the prescriptions of the dominant modernization theory which calls for the dismantling of these values once the society faces the so called "universal forces of change," like the introduction of modern industries, the development of means of communications, the growth of urban centers and above all, the development of modern science and technology. We used a descriptive analysis approach to examine the relationship between values and patterns of authority on the one hand and patterns of solidarity on the other. We did this first in the traditional setting. Then we did an analytical content criticism of those values in the colonial and post colonial periods which most people link to the introduction of modernization in Africa. We found out that, despite change in the environment, traditional values stay the same. Change will occur at the structural level but in order for the new institutions to be legitimate, they must reflect the traditional values of the people. This in a way explains the failure of some imposed political and social institutions to function in Africa.
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Coetzee, Ethrésia. "Growing Queer: youth temporality and the ethics of group sex in contemporary Moroccan & South African literature." Master's thesis, Faculty of Humanities, 2018. http://hdl.handle.net/11427/31349.

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Towards the end of October 2018, news stories surfaced about a targeted crackdown on gay people in Tanzania. Regional Commissioner of Dar es Salam, Paul Makonda, announced plans to form a government taskforce that would be devoted to pursuing and prosecuting LGBTIQ people, or those perceived to be on the spectrum (Amnesty International, “Tanzania”). This current onslaught on LGBTIQ citizens has already seen 10 men arrested, ostensibly for participating in a same-sex wedding (Ibid). While the Tanzanian foreign ministry distanced itself from the Regional Commissioner’s remarks (Burke), others have framed Makonda’s actions as a natural extension of president John Magufuli’s “morality crusade” (Amnesty International, “Tanzania”). After being elected to office in 2015, Magufuli achieved international acclaim for this 'thrift and intolerance for corruption’ (Paget). However, Magufuli’s “morality crusade” quickly spiralled into authoritarianism, with a clampdown on freedom of speech and on opposition to his party, Chama cha Mapinduzi (CCM) (Ibid). The party has governed Tanzania since its independence in 1961 (O’Gorman 317). As Ahearne notes, it has become a situation where 'any opposition is seen as “against the nation”’ since it has become 'clear that Magufuli is following a nationalist agenda.’ Homophobic campaigns have been a common feature since Magufuli was elected in 2015, and sodomy still carries a prison sentence of up to 30 years in Tanzania (Burke). The current “morality crusade” is not that unusual, in other words, and it imagines sexual and gender minorities as outside the nation-state, as not quite citizens. This discourse is not new, and simply echoes similar declarations and crackdowns in other African countries that frame sexual and gender minorities as non-citizens.
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Brooks, Shonda Garner. "An Examination of the Educational Movement of African Americans in the United States from Slavery to Modernity." Thesis, University of Louisiana at Lafayette, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=10816639.

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This study examines the educational history of African Americans since their arrival in America in 1619. From milestones to major turning points in educational history, various Supreme Court decisions, and federal educational legislation, this study highlights the development of the African American system of education. This paper also examines the creation of the first legislation governing education of blacks in the 1700s and then evaluates the modern legislation pertaining to the education of blacks in America?s schools. Next, this paper examines the academic progress of African Americans by reviewing their performance on the National Assessment of Educational Progress (NAEP) reading and mathematics assessment. Lastly, this study offers remedies for the current state of academic affairs for African Americans.

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Книги з теми "African modernity"

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Osha, Sanya. African Postcolonial Modernity. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137446930.

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Ekennia, Justin Nnadozie. African modernity crisis. Benin, Nigeria: Barloz Publishers, 2000.

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3

Korang, Kwaku Larbi. Writing Ghana, imagining Africa: Nation and African modernity. Rochester, NY: University of Rochester Press, 2003.

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4

Bridger, Nicholas J. Christian art and African modernity. Glienicke: Galda Verlag, 2020.

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5

Relocating agency: Modernity and African letters. Albany: State University of New York Press, 2003.

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6

Tomaselli, Keyan G. Encountering modernity: Twentieth century South African cinemas. Amsterdam: Rozenberg, 2006.

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7

1948-, Tomaselli Keyan G. Encountering modernity: Twentieth century South African cinema. Amsterdam: Rozenberg Publishers, 2007.

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8

Britz, Graham, and Sandy Shoolman. The modern palimpsest: Envisioning South African modernity. Johannesburg: Graham's Fine Art Gallery, 2008.

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9

Igala traditional values versus modernity. Nsukka, Nigeria: Afro-Orbis Pub. Co., 2009.

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10

Unveiling modernity in 20th century West African Islamic reforms. Boston: Brill, 2012.

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Частини книг з теми "African modernity"

1

Picton, John. "Modernism and Modernity in African Art." In A Companion to Modern African Art, 311–29. Oxford: John Wiley & Sons, 2013. http://dx.doi.org/10.1002/9781118515105.ch16.

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Osha, Sanya. "African Sexualities I." In African Postcolonial Modernity, 153–79. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137446930_7.

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Osha, Sanya. "African Sexualities II." In African Postcolonial Modernity, 181–99. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137446930_8.

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Osha, Sanya. "Conclusion Yearnings of Modernity." In African Postcolonial Modernity, 201–8. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137446930_9.

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Ikuenobe, Polycarp. "African Tradition and Modernity." In Routledge Handbook of African Political Philosophy, 68–81. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003143529-7.

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Osha, Sanya. "The Polis: From Greece to an African Athens." In African Postcolonial Modernity, 1–15. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137446930_1.

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Osha, Sanya. "The Order/Other of Political Culture." In African Postcolonial Modernity, 17–36. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137446930_2.

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Osha, Sanya. "Urbanscapes." In African Postcolonial Modernity, 37–69. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137446930_3.

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Osha, Sanya. "Youth, Violence, and the Production of Knowledge." In African Postcolonial Modernity, 71–97. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137446930_4.

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Osha, Sanya. "(Mis)Understanding Mbekism." In African Postcolonial Modernity, 99–113. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137446930_5.

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Тези доповідей конференцій з теми "African modernity"

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Matsanga Mackossot, Ginette Flore. "Education Africaine: entre tradition et modernité." In XVI Congreso Nacional Educación Comparada Tenerife. Universidad de La Laguna. Servicio de Publicaciones, 2018. http://dx.doi.org/10.25145/c.educomp.2018.16.024.

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Moulis, Antony. "Architecture in Translation: Le Corbusier’s influence in Australia." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.752.

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Abstract: While there is an abundance of commentary and criticism on Le Corbusier’s effect upon architecture and planning globally – in Europe, Northern Africa, the Americas and the Indian sub-continent – there is very little dealing with other contexts such as Australia. The paper will offer a first appraisal of Le Corbusier’s relationship with Australia, providing example of the significant international reach of his ideas to places he was never to set foot. It draws attention to Le Corbusier's contacts with architects who practiced in Australia and little known instances of his connections - his drawing of the City of Adelaide plan (1950) and his commission for art at Jorn Utzon's Sydney Opera House (1958). The paper also considers the ways that Le Corbusier’s work underwent translation into Australian architecture and urbanism in the mid to late 20th century through the influence his work exerted on others, identifying further possibilities for research on the topic. Keywords: Le Corbusier; post-war architecture; international modernism; Australian architecture, 20th century architecture. DOI: http://dx.doi.org/10.4995/LC2015.2015.752
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Whelan, Debbie. "Light Touch on the land – continued conversations about architectural change, informality and sustainability." In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15043.

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Including ‘informally constructed’ buildings in the cornucopia of ‘vernacular’ has its opponents. They are not visually compelling, strongly represent the ‘other’, and their unpopularity derives from worldviews that prioritise ‘architecture’ as modernity rather than, perhaps, ‘buildings’ as humanity. However, it is argued that informal settlements are not only the kernel of new cities (using modern materials), but are inevitable and sanitized by health legislation, with slum ‘clearing’ having different potentials, to ‘slum building’. Considering informal settlements in Pietermaritzburg, South Africa in the early 1920s, and subsequent slum clearances due to post-War health legislation, tracking their continued negative, (and ambivalent connotations at the end of apartheid), and most extensive manifestations in current times, this paper considers informal settlements as recyclers of matter, distinct representations of cultural change (from the rural to the urban) and vectors of opportunity (driven by early health legislations). For the a global north which assumes culturally static societies, advocates for carbon-neutral construction, and renewable construction materials and recycling, there is possibly much we can learn from informal settlements, addressing complex and diverse world views, recycling, political organization and spatial planning. Also, viewed from the lofty perspective of the global north, such vernaculars are viewed derisively, are the focus of multiple, globally-crafted sustainable development goals, and are considered as ‘problems’ rather than, ‘solutions’. Thus, migratory trajectories, social and cultural change, and the continued use of existing and found materials is real for many millions of people globally. These constantly negotiated territories provide compelling ground for re-assessment, reflection and repositioning, interpretation of the vernacular.
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