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Статті в журналах з теми "African American aesthetics"
Pyrova, Tatiana Leonidovna. "Philosophical-aesthetic foundations of African-American hip-hop music." Философия и культура, no. 12 (December 2020): 56–62. http://dx.doi.org/10.7256/2454-0757.2020.12.34717.
Повний текст джерелаMcGowan, Grace. "“I Know I Can’t Change the Future, But I Can Change the Past”: Toni Morrison, Robin Coste Lewis, and the Classical Tradition." Contemporary Women's Writing 13, no. 3 (November 2019): 339–56. http://dx.doi.org/10.1093/cww/vpaa001.
Повний текст джерелаKumar, Fayaz Ahmad, and Colette Morrow. "Theorizing Black Power Movement in African American Literature: An Analysis of Morrison's Fiction." Global Language Review V, no. IV (December 30, 2020): 45–53. http://dx.doi.org/10.31703/glr.2020(v-iv).06.
Повний текст джерелаDeFrantz, Thomas F. "African American Dance - Philosophy, Aesthetics, and ‘Beauty’." Topoi 24, no. 1 (January 2005): 93–102. http://dx.doi.org/10.1007/s11245-004-4165-7.
Повний текст джерелаDjeDje, Jacqueline Cogdell. "APPALACHIAN BLACK FIDDLING: HISTORY AND CREATIVITY." African Music: Journal of the International Library of African Music 11, no. 2 (December 1, 2020): 77–101. http://dx.doi.org/10.21504/amj.v11i2.2315.
Повний текст джерелаSchur, Richard. "Post-Soul Aesthetics in Contemporary African American Art." African American Review 41, no. 4 (December 1, 2007): 641. http://dx.doi.org/10.2307/25426982.
Повний текст джерелаSherrard-Johnson, C. "Revolutionary Potential: African-American Aesthetics in the Depression Era." American Literary History 27, no. 2 (February 23, 2015): 351–62. http://dx.doi.org/10.1093/alh/ajv005.
Повний текст джерелаJenkins, Chris. "Assimilation and Integration in Classical Music Education." Action, Criticism, and Theory for Music Education 21, no. 2 (September 2022): 156–81. http://dx.doi.org/10.22176/act21.2.156.
Повний текст джерелаMoore, Jeania Ree V. "African American Quilting and the Art of Being Human: Theological Aesthetics and Womanist Theological Anthropology." Anglican Theological Review 98, no. 3 (June 2016): 457–78. http://dx.doi.org/10.1177/000332861609800302.
Повний текст джерелаCrawford, Margo Natalie. "What Time Is It When You’re Black?" South Atlantic Quarterly 121, no. 1 (January 1, 2022): 153–72. http://dx.doi.org/10.1215/00382876-9561601.
Повний текст джерелаДисертації з теми "African American aesthetics"
Gibson, Ebony Z. "Art for whose Sake?: Defining African American Literature." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/aas_theses/17.
Повний текст джерелаPotter, Lawrence T. "Harlem's forgotten genius : the life and works of Wallace Henry Thurman /." free to MU campus, to others for purchase, 1999. http://wwwlib.umi.com/cr/mo/fullcit?p9946287.
Повний текст джерелаEllis, Aimé Jero. "The "bad nigger" in contemporary Black popular culture : 1940 to the present /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.
Повний текст джерелаSilvio, Carl. "The institutional production of literary value studies of African-American popular music lyrics and the avant-garde /." Morgantown, W. Va. : [West Virginia University Libraries], 2001. http://etd.wvu.edu/templates/showETD.cfm?recnum=2061.
Повний текст джерелаTitle from document title page. Document formatted into pages; contains iii, 310 p. Includes abstract. Includes bibliographical references (p. 301-310).
Moskowitz, Alex. "American Imperception: Literary Form, Sensory Perception, and Political Economy in Nineteenth-Century American Literature." Thesis, Boston College, 2021. http://hdl.handle.net/2345/bc-ir:109138.
Повний текст джерелаThesis advisor: Jennifer Greiman
“American Imperception” explores how early American writers investigated the role that political economy plays in the relation between sensory perception and knowledge. This dissertation argues that nineteenth-century American writers used literature to teach their readers to understand how economic forms and forms of economic activity fundamentally shape and train the sensorium to sense in historically and contextually specific ways. In “American Imperception,” I show how literature can make legible otherwise insensible forms of social and economic relations. The impossibility of sensing social and economic form—and the way in which that impossibility is rendered through literature—is what I call in this project “imperception.” Imperception describes the way in which literary form makes intelligible the structures of social, political, and economic life: structures that themselves cannot be sensed directly and which therefore cannot be directly represented by literature. “American Imperception” is focused on how literature interacts with social life within a capitalist modernity defined by the value form and the commodity form, and how literature formalizes the structures of social life through a specifically literary logic, transforming them into something that can be read where they cannot be seen, heard, felt, or represented. This dissertation draws on Karl Marx’s thinking on the senses and the suprasensible to consider how U.S. writers of the nineteenth-century mobilized literary form to make thinkable forms of sociality that cannot be contained by the imperceptible nature of sociality under capital. As I show in this dissertation, the political economy of social life determines what can be sensed, just as what can be sensed marks the horizon of political and social possibility
Thesis (PhD) — Boston College, 2021
Submitted to: Boston College. Graduate School of Arts and Sciences
Discipline: English
Hopkins, Richard L. D. "Reggae in the Motor City: The Afropolitan Aesthetics of Reggae in Detroit, MI." Bowling Green State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1573002146396538.
Повний текст джерелаIsaac, Rochell J. "AFRICAN HUMANISM: A PRAGMATIC PRESCRIPTION FOR FOSTERING SOCIAL JUSTICE AND POLITICAL AGENCY." Diss., Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/186541.
Повний текст джерелаPh.D.
This study explores an African conception of Humanism as distinct from the European model and challenges the notion that Humanism is an entirely European construct. I argue that the ideological core of Humanism originated in ancient Kemet, the basis of which frames the African worldview. Furthermore, the theoretical framework provided by the African Humanistic paradigm serves as a model for structuring inter and intra group relations, for tackling notions of difference and issues of fundamentalism, for addressing socio-economic political concerns, and finally, to shift the currents of political rhetoric from one of jouissance to a more progressive and pragmatic stance.
Temple University--Theses
Reed, Caroliese Frink. "Aesthetic Re-Creation and Regeneration in African American Storytelling: The Works of Torrence, Goss and Alston." Diss., Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/362263.
Повний текст джерелаPh.D.
From the animal and trickster tales told by enslaved Africans in America to current education and performance based storytelling by contemporary African American storytellers, this study traces the aesthetics and epistemologies of the collaborative African diasporic oral expressive traditions. Through systematic analysis based on data derived from bibliographic and archival sources, interviews, and participant observation, it delineates the progression of the repertoire and content of Blackstorytelling through the lives and works of national and internationally known storytellers, Jackie Torrence, Linda Goss and Charlotte Blake Alston. Its theoretical framework is inspired by Kariamu Welsh Asante’s aesthetic senses coupled with pertinent ideas of other scholars in the field. The study demonstrates the existence of significant evidence of cultural preservation and artistic re-interpretation of the African aesthetic in Blackstorytelling. The genre comprises both traditional and contemporary expressions of African American culture. As such, it is a major component of the universal African oral continuum
Temple University--Theses
White, Theresa Renee. "Media as pedagogy and socializing agent influences of feminine beauty aesthetics in American teen-oriented films and magazines on African American adolescent female self image /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1610103761&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Повний текст джерелаThompson, Sheneese. "Oshun, Lemonade and Other Yellow Things: Philosophical and Empirical Inquiry into Incorporation of Afro-Atlantic Religious Iconography." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1555573211820986.
Повний текст джерелаКниги з теми "African American aesthetics"
1944-, Baer Hans A., Polk Noel, and University of Southern Mississippi, eds. Black church ritual and aesthetics. Hattiesburg: University of Southern Mississippi, 1985.
Знайти повний текст джерелаDriskell, David C. African American visual aesthetics: A postmodernist view. Washington: Smithsonian Institution Press, 1995.
Знайти повний текст джерелаOmry, Keren. Cross-rhythms: Jazz aesthetics in African-American literature. London: Continuum, 2008.
Знайти повний текст джерелаCross-rhythms: Jazz aesthetics in African-American literature. London: Continuum, 2008.
Знайти повний текст джерелаLooking for Harlem: Urban aesthetics in African American literature. London: Pluto Press, 2000.
Знайти повний текст джерелаKariamu, Welsh-Asante, ed. The African aesthetic: Keeper of the traditions. Westport, Conn: Greenwood Press, 1993.
Знайти повний текст джерелаGabbin, Joanne V. Sterling A. Brown: Building the Black aesthetic tradition. Charlottesville: University Press of Virginia, 1994.
Знайти повний текст джерелаMoten, Fred. In the break: The aesthetics of the Black radical tradition. Minneapolis: University of Minnesota Press, 2003.
Знайти повний текст джерелаShockley, Evie. Renegade Poetics: Black Aesthetics and Formal Innovation in African American Poetry. Iowa City: University of Iowa Press, 2011.
Знайти повний текст джерелаBlack intellectuals, Black cognition, and a Black aesthetic. Westport, Conn: Praeger, 1997.
Знайти повний текст джерелаЧастини книг з теми "African American aesthetics"
Taylor, Clyde R. "Black Cinema and Aesthetics." In A Companion to African-American Philosophy, 399–406. Malden, MA, USA: Blackwell Publishing, 2007. http://dx.doi.org/10.1002/9780470751640.ch26.
Повний текст джерелаSimpson, Lorenzo C. "Critical Theory, Aesthetics, and Black Modernity." In A Companion to African-American Philosophy, 386–98. Malden, MA, USA: Blackwell Publishing, 2007. http://dx.doi.org/10.1002/9780470751640.ch25.
Повний текст джерелаLewis-Mhoon, Abena. "Foraging Fashion: African American Influences on Cultural Aesthetics." In Soul Thieves, 61–75. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137071392_5.
Повний текст джерелаSchur, Richard. "Stomping the Blues No More? Hip Hop Aesthetics and Contemporary African American Literature." In New Essays on the African American Novel, 201–20. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1007/978-0-230-61275-4_14.
Повний текст джерелаCooper, Preston Park. "“A Beautiful Black Butterfly”: Eastern Aesthetics and Postmodernism in Ishmael Reed’S Japanese by Spring." In Cross-Cultural Visions in African American Literature, 177–90. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230119123_9.
Повний текст джерелаUwakweh, Pauline Ada. "Mobilities as Transnational Literary Aesthetics in Adichie's Americanah." In Women Writers of the New African Diaspora, 68–85. London: Routledge, 2022. http://dx.doi.org/10.4324/9780429296383-5.
Повний текст джерелаThompson, Mark Christian. "Aesthetic Hygiene: Marcus Garvey, W.E.B. Du Bois, and the Work of Art." In A Companion to African American Literature, 243–53. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444323474.ch16.
Повний текст джерелаSackeyfio, Rose A. "Negotiating identity and Pan-African aesthetics in Americanah by Chimamanda Ngozi Adichie." In West African Women in the Diaspora, 53–66. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003219323-5.
Повний текст джерелаMoody, Shirley C. "Anna Julia Cooper, Charles Chesnutt, and The Hampton Folklore Society—Constructing a Black Folk Aesthetic through Folklore and Memory." In New Essays on the African American Novel, 13–32. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1007/978-0-230-61275-4_2.
Повний текст джерелаTredell, Nicolas. "‘Hasn’t got any name’: Aesthetics, African Americans and Policemen in The Great Gatsby." In Reassessing the Twentieth-Century Canon, 27–42. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137366016_3.
Повний текст джерела