Готові списки джерел за темами / 1970s-80s

Добірка наукової літератури з теми "1970s-80s"

Автор: Grafiati
Опубліковано: 27 липня 2024
Оновлено: 28 липня 2024

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Статті в журналах з теми "1970s-80s"

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Gnatiuk, Alla, and Svitlana Mykhailyk. "Traditions of growing and using of plants in villages and small towns of Ukraine in the 70–80s of the XX century." Journal of Native and Alien Plant Studies, no. 17 (December 22, 2021): 32–44. http://dx.doi.org/10.37555/2707-3114.17.2021.248331.

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Aim. The purpose of the article is to describe the traditions of growing and using plants in the villages and small towns and to highlight the range of plants that were most often planted near houses during the 1970s and 80s in Ukraine. Methods. The study was conducted in the villages of Kyiv (Rogoziv), Zhytomyr (Hardyshivka) regions, in the suburbs of Kyiv (Bilychi, Zhulyany) and Borzna (Chernihiv region) by interviewing and eyewitness based accounts. Results. The article covers the list of traditional agricultural, fruit and ornamental plants for rural areas of Ukraine during the 1970s and 80s. The names of cultivars, methods of cultivation, meaning and traditional use of the plants are given. The peculiarities of the range of cultures depending on the studied area are analyzed. Conclusions. As a result of our research, the list of plants species grown in the villages of Ukraine during the 1970s and 80s included 104 species. Ornamental and food plants that were grown and used in the villages of Ukraine during the 1970s and 80s mostly were herbaceous annuals and perennials. A significant portion of them were vegetable fruit and berry plants. Among ornamental plants, medium- and tall plants with bright flowers and (or) strong aroma became more popular and widespread. These were species and cultivars that are easily propagated by seeds and division, do not require careful care and are resistant to diseases and pests.
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2

Picchione, John. "Poetry and the Human Sciences in Italy (The 1970s and 80s)." Forum Italicum: A Journal of Italian Studies 33, no. 1 (March 1999): 249–61. http://dx.doi.org/10.1177/001458589903300120.

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3

Aigner, Franziska, and Uri Turkenich. "Re-inventing ballet: Motion, politics and working methods – An interview with William Forsythe." Maska 31, no. 181 (December 1, 2016): 68–79. http://dx.doi.org/10.1386/maska.31.181-182.68_7.

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William Forsythe spoke to us about being a spectator of Pina Bausch’s work and about the German Stadttheater landscape of the 1970s and 80s, as well as about the development of his particular way of working in relation to the issues and concerns he found himself immersed in.
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4

Zweynert, Joachim. "‘Developed Socialism’ and Soviet Economic Thought in the 1970s and Early ’80s." Russian History 41, no. 3 (July 21, 2014): 354–72. http://dx.doi.org/10.1163/18763316-04103004.

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The present paper is part of a larger project by the same author that deals with the relationship between economic ideas and institutional change in post-socialist Russia. The paper develops two main theses: First, it argues that the concept of “developed socialism” as introduced by Leonid Brezhnev in 1971 on the one hand deprived the planned economy of political “mobilizing energy”, yet at the other hand prevented it from turning it into a self-organizing system. Thus it was, I argue, the perfect recipe for stagnation. Secondly, based on Imre Lakatos’ theory of scientific research programs, I argue that the concept of developed socialism in its official Soviet version can be seen as an attempt to cushion the critique of central planning that had developed in some of the Central Eastern European countries in the 1960s: By allowing some more, yet insignificant critiques (broadening the protective belt), the hard core of the ideological program (e.g. the structure of property rights) was made safer against criticism. The inability of Gorbachev’s economic advisors to provide practical guidance for reforms was, I argue, partly due to the fact that the ideology of developed socialism had favored an “idealist turn” in economics. As a result of this turn, the shestidesyatniki generation of Soviet political economists had rather little to say about economic reality.
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5

Tahir, Ungku Maimunah Mohd. "The Notion of “Dakwah” and Its Perceptions in Malaysia's Islamic Literature of the 1970s and '80s." Journal of Southeast Asian Studies 20, no. 2 (September 1989): 288–97. http://dx.doi.org/10.1017/s0022463400018130.

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Consistent with the call of the times to “return” to Islam, Malaysia's Sastera Islam of the 1970s and '80s upholds literature as a legitimate tool for “dakwah”. Within this framework, production of Islamic literature demonstrates involvement of the “religious” sector and formalistic demands for Islamic moral underpinnings, the latter manifested largely in narrative concerns with individual morality and salvation.
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Richman, Paula. "“We Don't Change It, We Make It Applicable”: Ramlila in Trinidad." TDR/The Drama Review 54, no. 1 (March 2010): 76–105. http://dx.doi.org/10.1162/dram.2010.54.1.76.

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Why did audiences for Ramlila, which recounts how Lord Ram rescued his wife from the ten-headed demon king, wane in Trinidad in the 1970s and '80s? English narration along with the traditional Hindi verses, topical improvisation, new methods of script development, and breaking old gender and caste restrictions have revived the genre and led to the founding of 10 new troupes between 1995 and 2005.
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MYERS, JENNY E., ALEXANDER EP HEAZELL, REBECCA L. JONES, and PHILIP N. BAKER. "OBSTETRIC MANAGEMENT OF TEENAGE PREGNANCY." Fetal and Maternal Medicine Review 17, no. 4 (November 2006): 317–25. http://dx.doi.org/10.1017/s0965539506001847.

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Adolescent pregnancy rates in the United Kingdom remain the highest in Western Europe. Interestingly, throughout most of Western Europe teenage birth rates fell during the 1970s, 80s and 90s, but in the United Kingdom rates have remained high. An increasing incidence has also been noted, with 49.9 births per 1,000 women under 18 in 2001 and 52.8 live births per 1,000 women in 2002.
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The Editors. "Notes from the Editors, February 2018." Monthly Review 69, no. 9 (January 31, 2018): 2. http://dx.doi.org/10.14452/mr-069-09-2018-02_0.

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buy this issueA recent article by the economist Riccardo Bellofiore includes a significant treatment of Paul Sweezy's dynamic theory of monopoly capital. But the essay's most noteworthy contributions, in our view, relate to Harry Magdoff and Sweezy's role in the 1970s and '80s in developing a theory of financialization, and what their analysis can tell us about our current situation.Click here to purchase a PDF version of this article at the Monthly Review website.
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Fujiwara, Yosuke. "The Impact of Satellite Transmission on American Sport Economy in the 1970s and 80s." International Journal of Sport and Health Science 11 (2013): 76–83. http://dx.doi.org/10.5432/ijshs.201301.

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Ryberg, Ingrid. "Film Pioneers? Swedish Women’s Documentaries about the “Third World” in the 1970s and 80s." NORA - Nordic Journal of Feminist and Gender Research 30, no. 1 (January 2, 2022): 64–78. http://dx.doi.org/10.1080/08038740.2021.2019108.

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Дисертації з теми "1970s-80s"

1

Herdman, Catherine N. "Appalshop Genesis: Appalachians Speaking for Themselves in the 1970s and 80s." UKnowledge, 2014. http://uknowledge.uky.edu/history_etds/19.

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Appalshop, a multi-media and arts organization in Whitesburg, Kentucky emerged in 1969 at the crossroads of several different developments. It started as a War on Poverty program and its history exhibits the contradictory ideologies that fueled that effort and the political changes that forestalled it. The production company began in the midst of technological advances in media and is an early example of the democratization of technology and the potential of portable video equipment in affecting social change. Most importantly, its genesis is located within the context of a renewed interest in Appalachian history and culture and the related issues of negotiating regional cultural identity in the American national context. This one small organization in Eastern Kentucky provides a window to a wide slice of American history and culture in the midst of profound changes. Throughout the twentieth century the Appalachian region has been repeatedly characterized in mainstream American culture in an overtly negative light. Appalshop played an integral role in countering these characterizations and the stereotypes they generated and reinforced. Technology became more accessible the second half of the twentieth century. As a result, Appalshop was able to challenge these negative perceptions of the region in the national mind by placing cameras, printing capabilities, drama, and visual art in the hands of Appalachians. This allowed them to speak for themselves—first to each other and eventually to the nation. This dissertation focuses on the founding of the Community Film Workshop of Appalachia, the subsequent abandonment of the project by the federal government, the acquisition of control over its artistic output by artists and staff members, and its expansion between 1969 and 1984. It also addresses the significant role Appalshop played in the burgeoning Appalachian social movement context that emerged concurrently with its founding and its related role as a social change organization.
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2

Ostroff, Nadya. "ElectroCentral : the influence of Weimar culture on pop music in the 1970s and '80s." Thesis, City, University of London, 2009. http://openaccess.city.ac.uk/17551/.

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This thesis is an investigation into the influence of Weimar Berlin’s culture on British popular music of the 1970 and 1980s. The two eras are studied historically and artistically though the constant and ever-changing backdrop of the city of Berlin. The retrospective significance in postmodern terms is examined through music of David Bowie, Lou Reed and Kraftwerk and of the subcultures of punk and post-punk; their respective incorporation of elements, usually associated with ‘others’, reveals an alternative approach to artistic production in response to the ‘authentic’ American model. The breakdown of the divisions between diametrically opposed principles and ideologies is featured as artists consistently sought to erode boundaries. Chapter 1’Beyond Divine Symmetry’ looks at radical ideas in philosophy, politics and arts in the late-nineteenth century and World War I and the challenges brought to conservative forces. 2 ‘Willkommen in Berlin’ focuses on post-World War I socio-economic and political ramifications, on Berlin and corresponding art and leisure industries. 3 ‘Out and About’ continues reviewing the arts and culture of Weimar Berlin and the impact of new forms of art and technologies had on the city 4 ‘Officially Degenerate’ looks at art, music and other elements deemed ‘degenerate’ under the Third Reich, 5 ‘Traveling in Time’ compares the opposing ideologies of the East and West and the role of Berlin during the Cold War, 6 ‘David Bowie: The Changing Face of Influence’ refers to Bowie’s glam period and his most obvious use of references to Weimar, 7 ‘Berlin Personified: Lou Reed’ analyses Reed’s seminal albums of Transformer and Berlin 8 ‘German Irony: Kraftwerk’ scrutinizes the band’s inference that they were a continuance of Bauhaus, 9 ‘David Bowie: About Face’ looks at the artist’s years living and working in Berlin in the mid-1970s, 10 ‘England’s Projecting: Punk’ attempts to reveal why the subculture saw Weimar Berlin as comparable to mid-1970s London and 11 ‘Eye to I: Post-punk’ demonstrates how the evolved subculture created their musical-art by incorporating ideas from Berlin’s inter-war years to express Cold War induced anxiety.
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HU, Chia Hsin, and 胡家欣. "Identity formation and its transformation of descendants of Mainlanders born in 1970s and 80s." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/fqzt65.

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碩士
東吳大學
社會學系
102
This paper, based on Mead and Erikson's theory of self-development and identity, try to investigate the descendants of Mainlanders who born in 1970s and 80s. How did they have their identity? And how did they transform their identity when they in the face of localization in Taiwan? They were born and grew up in critical time between Martial law’s late period and the lifting of the order’s early period. How did they deal with the situation when the mainstream ideology was different from theirs in Taiwan society? Seven descendants of Mainlanders were chosen as research participants based on the method of purposive sampling, and to do in-depth interview with them. Try to better understand their opinion and systematically answer the questions above. Accordingly, we can know the descendants of Mainlander’s identity mainly from family socialization. Family is very significant to their self and identity formation in early socialization stage. Party-state ideology is mainstream ideology in 1970s and 80s. Born in 1970s descendants of Mainlanders were deeply affected by the Party-state ideology. But born in 1980s were not affected by the Party-state ideology so powerful. After lifting of Martial law, Taiwan became a democratic society. The change makes their original identity different from mainstream ideology, and therefore they also transform their identity. Their identity change took for a long time, not overnight. On ethnic or national significance, they think they are Taiwanese and ROC nationals. On cultural significance, they think they are Chinese. These are different dimensions of identities, but no contradiction among them. Taiwanese, ROC nationals and Chinese can harmony for them. Their identity isn’t only one dimension, and they can have great diversity of a unified identity.
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4

Sheather, Gaye. "Rock, this city: a thematic history of live popular music in licensed venues in Newcastle, Australia, during the Oz/Pub Rock era (1970s and 80s)." Thesis, 2013. http://hdl.handle.net/1959.13/1038011.

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Research Doctorate - Doctor of Philosophy (PhD)
This study investigates the development of 'mainstream' popular music in one Australian city, that of Newcastle, NSW, in the period 1973-1988. This period became known more generally as the Oz/Pub Rock era and coincides approximately with the period the national music programme Countdown was televised (1974 - 1987). In 1973, there were approximately seventeen (17) local bands that could be identified as performing mainstream music styles in licensed music venues in Newcastle. By 1987, the total number performing in licensed venues, performing in mainstream and/or alternative music styles numbered approximately one hundred and forty-eight (148). A total of one hundred and sixty-one (161) licensed venues were identified as existing across the study period. During this period the greater Newcastle area had a large population of young people who were then eligible to participate in live music in licensed venues. The unique way in which Newcastle suburbs originally emerged historically in Newcastle played a significant role in patterns of participation in these live music venues. Moreover, the large number of suburbs contained within the two LGAs of Newcastle and Lake Macquarie meant that the increasing number of younger patrons had a large number of licensed venues from which to choose and many initially attended live performance in venues close to the home suburbs with which they identified. It is argued here that the formation of a musical identity is strongly connected to a local habitus, which includes the cultivation of social, symbolic, economic and cultural capital, which are built up over time. These connected musicians with audiences and venues in Newcastle. Given Newcastle’s proximity to Sydney and the attempt by local bands to achieve success there, it was found that these accumulated capitals were not easily transferrable to other areas. What Newcastle came to offer local musicians, as a result, was the ability to recognise and use to its full extent, the social, symbolic and cultural capital available to them in their home town. This situation raises questions about the nature of authenticity as a construct in the performance of 'mainstream' music. While authenticity is constructed relative to the time and space in which it is experienced, at the same time a number of existing myths about mainstream music being performed in Newcastle at the time have been found to not have been borne out in this study. The study concludes that the structural conditions that were peculiar to Newcastle and the way the various actors performed their roles within those conditions contributed to the way popular music developed in local spaces in Newcastle.
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Книги з теми "1970s-80s"

1

O'Neill, Ed. CIE buses in the 1970s & 80s: Double deckers. Dublin: PRC Publications, 2010.

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2

O'Neill, Ed. CIE buses in the 1970s & 80s: Single deckers. Dublin: PRC Publications, 2010.

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3

Klímová, Barbora. Navzájem: Umělci a společenství na Moravě 70.-80. let 20. století = Mutually, artists and communities in Moravia in the 1970s-80s. V Praze: Tranzit.cz, 2013.

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4

Röhner, Ellen, and Erik Steffen. Stillstand und Bewegung: Menschen in Kreuzberg : Fotografien aus den 70ern und 80ern = Stillstand and movement : people in Kreuzberg, Berlin : photography from the 1970s and 80s. 2nd ed. Berlin: Berlin Story Verlag, 2013.

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5

Mi-suk, Yi. "Nikkan rentai undō" no jidai: 1970--80-nendai no toransunashonaru na kōkyōken to media = The ge of the Japan-Korea solidarity movement : transnational public sphere and media in the 1970s and 80s. Tōkyō: Tōkyō Daigaku Shuppankai, 2018.

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6

Randelli, Filippo, and Francesco Dini, eds. Oltre la globalizzazione: le proposte della Geografia economica. Florence: Firenze University Press, 2012. http://dx.doi.org/10.36253/978-88-6655-307-6.

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In 1980 Froebel, Heinrichs and Kreye published the English-language The New International Division of Labour, trying to highlight the consequences of market reorganization after the crisis of the mid 1970s, which was soon to transform into so-called globalization. A third of a century later, the "fantastic adventure" of market integration seems to have been crystallized by the 2007-2008 crisis, opening a further period of great instability. But the geography of wealth production has transformed radically and appears unrecognizable to the early-80s scholar. In a framework of great social, political and cultural change, China, a country at the time defined as an "economic dwarf", is the second largest economy on the planet and has become its "factory". The standardizing concept of "Third World" having vanished, some former colonial economies have undertaken rapid growth processes, while others have ruinously accentuated their underdevelopment. The traditionally advanced regions, then defined as "industrial", have opened out into trajectories defined, vice versa, as "post-industrial", some consolidating their competitive edge and others sparking lengthy declines.
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7

1970s and 80s, the Global Jukebox. Heinemann Library, 2002.

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8

Goss, Chris. British Bombers of the 1970s And '80s. Key Publishing, 2021.

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9

Goss, Chris. RAF Helicopters of the 1970s And '80s. Key Publishing, 2022.

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Goss, Chris. British Bombers of the 1970s And '80s. Key Publishing, 2021.

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Частини книг з теми "1970s-80s"

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Byrne, Sandie, and Nicolas Tredell. "The Anniversary: Criticism in the 1970s and 80s." In Jane Austen, 108–93. London: Macmillan Education UK, 2005. http://dx.doi.org/10.1057/978-0-230-20921-3_6.

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2

Huntley, Brian John. "Building Biodiversity Knowledge: Mobilising Citizen Science." In SpringerBriefs in Environmental Science, 71–91. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-24880-1_7.

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AbstractSouth Africa enjoys a long history of biological exploration and documentation. However, until recently, much of this information remained inaccessible in herbaria, museums and libraries. During the 1970s and ‘80s, a strong tradition of cooperative research led to the rapid expansion of biodiversity knowledge through multidisciplinary biome and ecosystem projects, and through the preparation and publication of synthesis volumes and open access databases. Three projects – the Southern African Bird Atlas, the Red List of South African Plants, and the Custodians of Rare and Endangered Plants – are reviewed as models of cooperative citizen science initiatives, and the application of strategic opportunism in their implementation.
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3

Moorad, Jacob A. "14. Measuring Selection for Quantitative Traits in Human Populations." In Human Evolutionary Demography, 329–44. Cambridge, UK: Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0251.14.

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Quantitative genetics offers a powerful suite of statistical approaches designed to describe and predict rates of phenotypic evolution. Its origin lies at the reconciliation of Mendelian and Biometric Genetics and Darwin’s Theory of Evolution by Natural Selection that occurred in the early 20th century. Quantitative genetics has since played a major role in the science of animal and plant improvement since the mid-20th century and in the study of evolution since the 1970s and 80s. The goal of this chapter is to introduce this perspective to demographers, provide guidance on methods intended to characterize natural selection on traits of interest, and to illustrate the flexibility of this approach to deal with complications that are inherent to the study of human populations, such as overlapping generations and social interactions.
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Puaksom, Davisakd. "Thailand's Rural Doctor Society in the 1970s–80s and Its Struggles to Improve Health in the Countryside." In The Geopolitics of Health in South and Southeast Asia, 98–119. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003332060-5.

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Fryatt, Kit. "1970s–80s Feminism." In A History of Irish Women's Poetry, 326–41. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108778596.020.

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"The 1970s and 80s." In John Betjeman, 140–66. Liverpool University Press, 2012. http://dx.doi.org/10.2307/j.ctv30c9fjd.11.

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Berberian, Cathy, Giovanni Cestino, and Angela Ida De Benedictis. "Trennung von dem Geliebten (1970s and 80s)." In Ignition: Beethoven, 176–79. 3rd Party UK, 2020. http://dx.doi.org/10.2307/j.ctv1jpf5tk.32.

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Berberian, Cathy. "Trennung von dem Geliebten (1970s and 80s)." In Ignition: Beethoven, 176–79. Boydell and Brewer, 2020. http://dx.doi.org/10.1515/9781800103429-031.

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Smirnova, Tatiana. "Student and ‘Post’-Student Activism in Niger, 1970s–80s." In Revolutionary Movements in Africa, 75–95. Pluto Press, 2023. http://dx.doi.org/10.2307/jj.8501595.8.

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"The 1970s and 80s: Diverging Approaches - Androgyny, Art, Feminism." In Virginia Woolf - To The Lighthouse/The Waves. Bloomsbury Academic, 1997. http://dx.doi.org/10.5040/9781350392397.ch-004.

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Тези доповідей конференцій з теми "1970s-80s"

1

Viren, Denis G. "Sociality and Psychologism in Polish Cinema at the Turn of the 1970s–80s." In Slavic World: Commonality and Diversity. Institute of Slavic Studies, Russian Academy of Sciences, 2021. http://dx.doi.org/10.31168/2619-0869.2021.3.12.

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Звіти організацій з теми "1970s-80s"

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Lawrence, D. E. Issues for northern pipelines: a review of environmental assessments, regulatory and monitoring reports from the 1970s, 80s and 90s. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2004. http://dx.doi.org/10.4095/215688.

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