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Статті в журналах з теми "1920-1999 Criticism and interpretation"
Malinkin, Alexander. "To the History of Russian Sociology of the 1920–1930s: Soviet Marxism vs “Sociology of Knowledge”." Sociological Journal 27, no. 3 (September 28, 2021): 147–74. http://dx.doi.org/10.19181/socjour.2021.27.3.8428.
Повний текст джерелаAbd. Rahman, Wiji Nur Asih,. "BIOGRAPHY OF ABDURRAHMAN SAYOETI THOUGHT (1965 – 1999)." Istoria: Jurnal Ilmiah Pendidikan Sejarah Universitas Batanghari 1, no. 1 (October 14, 2017): 34. http://dx.doi.org/10.33087/istoria.v1i1.3.
Повний текст джерелаViranda, Datuk Divan Iqbal, Muhammad Azmi, and Muhamad Sopyan. "Sejarah Pemekaran Kabupaten Malinau (1999-2006)." Langgong: Jurnal Ilmu Sosial dan Humaniora 1, no. 2 (January 31, 2022): 106–16. http://dx.doi.org/10.30872/langgong.v1i2.1423.
Повний текст джерелаHavelock, Rohan. "THE “UNITARY EXERCISE” OF CONTRACTUAL INTERPRETATION." Cambridge Law Journal 76, no. 3 (November 2017): 486–89. http://dx.doi.org/10.1017/s0008197317000745.
Повний текст джерелаPianto, Heru Arif. "The Legal Efforts on Marine Culture Development in Pacitan, 1999-2015." Indonesian Historical Studies 1, no. 1 (June 5, 2017): 78. http://dx.doi.org/10.14710/ihis.v1i1.1241.
Повний текст джерелаBelous, Anastasya A. "Russian elements or spiritual desert? (on the interpretation of the image of Stavrogin in the Russian emigrant criticism of 1920−1930s)." Sibirskiy filologicheskiy zhurnal, no. 1 (March 1, 2012): 96–99. http://dx.doi.org/10.17223/18137083/38/13.
Повний текст джерелаSaputro, Moch Fajar Barep, Sugiyanto Sugiyanto, Rully Putri Nirmala Puji, Bambang Soepeno, Jefri Rieski Triyanto, and Guruh Prasetyo. "PUHSARANG CHURCH AS A RELIGIOUS TOURISM OBJECT IN KEDIRI DISTRICT 1999-2015." JURNAL HISTORICA 6, no. 1 (June 27, 2022): 98. http://dx.doi.org/10.19184/jh.v6i1.28030.
Повний текст джерелаFagniez, Guillaume. "Karl Löwiths Kritik der geschichtlichen Existenz." Deutsche Zeitschrift für Philosophie 67, no. 5 (December 2, 2019): 789–804. http://dx.doi.org/10.1515/dzph-2019-0058.
Повний текст джерелаBadri, Mohamad Il. "Reforma Agraria Upaya Penyelesaian Konflik Tanah di Kecamatan Jenggawah Kabupaten Jember Tahun 1999-2005." MUKADIMAH: Jurnal Pendidikan, Sejarah, dan Ilmu-ilmu Sosial 6, no. 1 (February 16, 2022): 129–37. http://dx.doi.org/10.30743/mkd.v6i1.5912.
Повний текст джерелаVasic, Aleksandar. "Serbian music criticism in the first half of the twentieth century: Its canon, its method and its educational role." Muzikologija, no. 8 (2008): 185–202. http://dx.doi.org/10.2298/muz0808185v.
Повний текст джерелаДисертації з теми "1920-1999 Criticism and interpretation"
Spens, Janet McKenzie. "The art of Arthur Boyd." Thesis, University of St Andrews, 2002. http://hdl.handle.net/10023/14489.
Повний текст джерелаGalbraith, Katharina S. "Maria Beig : neue Heimatliteratur zwischen Nostalgie und Zuversicht." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68092.
Повний текст джерелаIncluded in the appendix are a transcript of an interview between Maria Beig and the author, and a self-written life story which Maria Beig made available to the author. These represent an indispensable aid to the reading and understanding of the thesis.
Martin, Joseph H. "Keeper of the protocols : the works of Jens Bjørneboe in the crosscurrents of western literature." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/27450.
Повний текст джерелаArts, Faculty of
English, Department of
Graduate
Ng, Yee Ki. "Eliminating clichés : the evolution of Jerzy Grotowski's self-revealing encounters (1957-1970)." HKBU Institutional Repository, 2011. http://repository.hkbu.edu.hk/etd_ra/1249.
Повний текст джерелаSuescun, Pozas María del Carmen. "Lygia Clark and the European tradition : tracing the appearance of a different space." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26761.
Повний текст джерелаThe present essay is thus an attempt to read as spatial performative strategies Clark's Bicho series with and against the Brazilian reception of Mondrian, reception which, as I would argue has been overlooked in the context of her work. Furthermore, I would argue that in order for us to better understand how the Bicho series unfold as spatial performative strategies the Brazilian reception of Mondrian must be approached through the Brazilian reception of Merleau-Ponty's phenomenology and political and cultural movements of the time. While the role played by Merleau-Ponty's incorporation of the human body in Clark's work has not been closely examined, Clark's engagement with the political and cultural movements of her time has been underestimated. I would argue that any attempt to give an account of Clark's practice needs to take into consideration the role these three aspects played in her engagement with the problem of representation.
Kok, Marina Susan. "An investigation of masculinity in J. M. Coetzee's disgrace (1999)." Thesis, Nelson Mandela Metropolitan University, 2008. http://hdl.handle.net/10948/783.
Повний текст джерелаRemillard-Belanger, Judith. "Galdós, o la novela como lectura de la historia." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33921.
Повний текст джерелаBonk, James Bruce. "Zheng Zhenduo and the writing of literary history in Republican China (1920-1940)." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99358.
Повний текст джерелаMorse, Sarah Elizabeth. "The black pastures : the significance of landscape in the work of Gwyn Thomas and Ron Berry." Thesis, Swansea University, 2010. https://cronfa.swan.ac.uk/Record/cronfa42924.
Повний текст джерелаPerrin, Julie. "Le role de L'existentialisme sartrien dans le roman L'arrache coeur = The role of Sartre's existentialism in the novel L'arrache coeur /." Fogler Library, University of Maine, 2004. http://www.library.umaine.edu/theses/pdf/PerrinJ2004.pdf.
Повний текст джерелаКниги з теми "1920-1999 Criticism and interpretation"
Ana, Ojeda Bär, and Carbone Rocco 1975-, eds. Obra completa 1920-1930. Buenos Aires: El 8vo. loco Ediciones, 2008.
Знайти повний текст джерелаShiguehara, Alexandre Koji. Ao longo do rio: João Cabral e três poemas do Capibaribe. São Paulo: ECidade, 2010.
Знайти повний текст джерелаVaras, Hernán Poblete. Luis Oyarzún Peña (1920-1972). [Chile]: Academia Chilena de la Lengua, 1985.
Знайти повний текст джерелаKomoróczy, Emőke G. "Kassák az emigrációban", 1920-1926. Csepel: Csepeli Munkásotthon, Olvasó Munkás Klub, 1986.
Знайти повний текст джерелаSiza, Alvaro. Alvaro Siza, 1995-1999. Edited by Levene Richard C and Márquez Cecilia Fernando. Madrid: El Croquis, 1999.
Знайти повний текст джерелаSiza, Alvaro. Alvaro Siza, 1995-1999. Edited by Levene Richard C and Márquez Cecilia Fernando. Madrid: El Croquis, 1999.
Знайти повний текст джерелаHelgi, Fossádal, ed. Ingálvur av Reyni 1920-2005. Tórshavn: Listasavn Føroya, 2009.
Знайти повний текст джерелаVieru, Elina. Åke Mattas: Oma kuva 1920-1962. [Tornio?]: Ars Nordica, 1991.
Знайти повний текст джерелаJürgen, Ritter. Kulturkritik in Taiwan: Bo Yang (1920-). Bochum: Brockmeyer, 1987.
Знайти повний текст джерелаRitter, Jürgen. Kulturkritik in Taiwan: Po Yang (1920-). Bochum: Brockmeyer, 1987.
Знайти повний текст джерелаЧастини книг з теми "1920-1999 Criticism and interpretation"
Camlot, Jason. "Alfred, lord Tennyson’s Spectral Energy." In Phonopoetics, 100–136. Stanford University Press, 2019. http://dx.doi.org/10.11126/stanford/9781503605213.003.0004.
Повний текст джерелаBonds, Mark Evan. "Introduction." In The Beethoven Syndrome, 1–18. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190068479.003.0001.
Повний текст джерелаWaltman, Max. "Substantive Equality Prostitution Law, 1999–2019." In Pornography, 334–70. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197598535.003.0010.
Повний текст джерелаRamey, Mark. "Interpreting Fight Club." In Studying Fight Club, 67–99. Liverpool University Press, 2012. http://dx.doi.org/10.3828/liverpool/9781906733551.003.0005.
Повний текст джерелаKaznina, Olga A. "The Book by I.A. Bunin “Liberation of Leo Tolstoy” in the Context of Russian Emigre Literary and Philosophical Criticism." In Russian Émigré Literature, 1920–1940. Writer in Literary Process (to the 150th Anniversary of I.A. Bunin’s Birth), 95–206. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0685-7-97-208.
Повний текст джерела"realities they name. Though corrupt, they remain dictions, fissures, discord, repressions, aporias, etc. divinely given and the poet’s burden is to purify the Inasmuch as their response is a product of their language of his own tribe. Words have been ‘wrested time, so is mine for I remain caught up in a vision of from their true calling’, and the poet attempts to the poem I had during my graduate years at the wrest them back in order to recreate that natural lan-University of Cambridge when I began seriously to guage in which the word and its reality again merge. read it. What I had anticipated to be an obscure alleg-Like Adam, he gives names to his creatures which ory that could be understood only by an extended express their natures. His word-play is a sustained study of its background became more clear the more and serious effort to plant true words as seeds in the I read it until I had the sense of standing at the reader’s imagination. In Jonson’s phrase, he ‘makes centre of a whirling universe of words each in its pro-their minds like the thing he writes’ (1925– per order and related to all the others, its meanings 52:8.588). He shares Bacon’s faith that the true end constantly unfolding from within until the poem is of knowledge is ‘a restitution and reinvesting (in seen to contain all literature, and all knowledge great part) of man to the sovereignty and power (for needed to guide one’s personal and social life. In the whensoever he shall be able to call the creatures by intervening years, especially as a result of increasing their true names he shall again command them) awareness of Spenser’s and his poem’s involvement which he had in his first state of creation’ (Valerius in Ireland, as indicated by the bibliographies com-Terminus). Although his poem remains largely piled by Maley in 1991 and 1996a, and such later unfinished, he has restored at least those words that studies as McLeod 1999:32–62, but best shown in are capable of fashioning his reader in virtuous and Hadfield 1997, I have come to realize also the pro-gentle discipline. What is chiefly needed to under-found truth of Walter Benjamin’s observation that stand the allegory of The Faerie Queene fully is to ‘there is no document of civilization that is not at the understand all the words. That hypothesis is the basis same time a document of barbarism’. The greatness of my annotation. of The Faerie Queene consists in being both: while it My larger goal is to help readers understand ostensibly focuses on Elizabeth’s court, it is impos-why Spenser was honoured in his day as ‘England’s sible even to imagine it being written there, or at any Arch-Poët’, why he became Milton’s ‘Original’ and place other than Ireland, being indeed ‘wilde fruit, the ‘poet’s poet’ for the Romantics (see ‘poet’s poet’ which saluage soyl hath bred’ (DS 7.2). in the SEnc), and why today Harold Bloom 1986: If Spenser is to continue as a classic, criticism must 2 may claim that he ‘possessed [mythopoeic power] continue to recreate the poem by holding it up as a . . . in greater measure than any poet in English mirror that first of all reflects our own anxieties and except for Blake’, and why Greenblatt 1990b:229 concerns. It may not be possible, or even desirable, may judge him to be ‘among the most exuberant, to seek a perspective on the poem ‘uncontaminated generous, and creative literary imaginations in our by late twentieth century interests and beliefs’, as language’. Stewart 1997:87 urges, and I would only ask with As I write in a year that marks a half century of my him that we need to be aware of ‘historical voices engagement with the poem, I have come to realize other than our own, including Spenser’s’. As far as the profound truth of Wallace Stevens’s claim that possible criticism should serve also as a transparent ‘Anyone who has read a long poem day after day glass through which to see what Spenser intended as, for example, The Faerie Queene, knows how the and what he accomplished in ‘Fashioning XII Morall poem comes to possess the reader and how it nat-vertues’. Of course, we cannot assume that under-uralizes him in its own imagination and liberates standing his intention as it is fulfilled in the poem him there’ (1951:50). It has been so for me though, necessarily provides a sufficient reading, but it may I also recognize, not for many critics today whose provide a focus for understanding it. Contemporary engagement with the poem I respect. With Mon-psychological interpretation of the poem’s characters trose 1996:121–22, I am aware that ‘the cultural reads the poem out of focus, and the commendable politics that are currently ascendant within the aca-effort to see the poem embedded in its immediate demic discipline of literary studies call forth condem-sociopolitical context, chiefly Spenser’s relation to nations of Spenser for his racist / misogynist / elitist the Queen, fails to allow that he wrote it ‘to liue with." In Spenser: The Faerie Queene, 40. Routledge, 2014. http://dx.doi.org/10.4324/9781315834696-38.
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