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Статті в журналах з теми "1917-1992 Criticism and interpretation"
Santosa, Puji. "KONDISI KRITIK SASTRA INDONESIA SEABAD H.B. JASSIN (Indonesia Literary Criticism in A Century of H. B. Jassin)." Kandai 13, no. 1 (August 24, 2017): 91. http://dx.doi.org/10.26499/jk.v13i1.94.
Повний текст джерелаNizhnikov, Sergei Anatol'evich, and Argen Ishenbekovich Kadyrov. "SIGNIFICANCE OF METAPHYSICS’ CRITICISM IN M. HEIDEGGER'S CREATIVITY." Metafizika, no. 1 (December 15, 2020): 38–46. http://dx.doi.org/10.22363/2224-7580-2020-1-38-46.
Повний текст джерелаPearce, Brian. "Beerbohm Tree's Production of ‘The Tempest’, 1904." New Theatre Quarterly 11, no. 44 (November 1995): 299–308. http://dx.doi.org/10.1017/s0266464x00009283.
Повний текст джерелаIvanov, Andrey, and Ivan Ambartsumov. "Apologia and Criticism of Russian Nationalism in the Journalistic Writings by Bishop Andrey (Ukhtomsky." State Religion and Church in Russia and Worldwide 38, no. 3 (2020): 255–83. http://dx.doi.org/10.22394/2073-7203-2020-38-3-255-283.
Повний текст джерелаPishun, S. V. "«ONTOLOGISM OF FAITH» IN THEISTIC ANTHROPOLOGY AS AN ALTERNATIVE TO R. AVENARIUS’S «BIOPSYCHOLOGISM»." HUMANITIES AND SOCIAL STUDIES IN THE FAR EAST 2, no. 18 (2021): 121–26. http://dx.doi.org/10.31079/1992-2868-2021-18-2-121-126.
Повний текст джерелаMakarova, Anna F. "Criticism of capitalism and socialism in the philosophy of Nikolai Berdyaev." Izvestiya of Saratov University. New Series. Series: Philosophy. Psychology. Pedagogy 21, no. 3 (September 24, 2021): 263–67. http://dx.doi.org/10.18500/1819-7671-2021-21-3-263-267.
Повний текст джерелаHamayan, Else V. "Approaches to Alternative Assessment." Annual Review of Applied Linguistics 15 (March 1995): 212–26. http://dx.doi.org/10.1017/s0267190500002695.
Повний текст джерелаAvram, Virtop Sorin. "Philosophy and education: The predicament of Ion Petrovici (1882–1972) work at Romania’s centennial (1918–2018)." New Trends and Issues Proceedings on Humanities and Social Sciences 6, no. 1 (May 10, 2019): 286–95. http://dx.doi.org/10.18844/prosoc.v6i1.4180.
Повний текст джерелаNagl, Ludwig. "Transformationen der Kantischen Postulatenlehre im „Cambridge Pragmatism“ (Charles S. Peirce, William James, Josiah Royce)." Kantian journal 40, no. 4 (2021): 43–75. http://dx.doi.org/10.5922/0207-6918-2021-4-3.
Повний текст джерелаNEFEDOV, SERGEY. "TOWARDS A DISCUSSION ABOUT THE CAUSES OF THE RUSSIAN REVOLUTION AND THE STANDARD OF LIVING IN THE LATE 19TH AND EARLY 20TH CENTURIES." History and Modern Perspectives 4, no. 3 (September 28, 2022): 51–58. http://dx.doi.org/10.33693/2658-4654-2022-4-3-51-58.
Повний текст джерелаДисертації з теми "1917-1992 Criticism and interpretation"
Stone, Timothy J. "The compilational history of the 'Megilloth' : canon, contoured intertextuality and meaning in the writings." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1992.
Повний текст джерелаHong, Kimberly Yuen 1984. "Tear Down the Veils: Francis Bacon's Papal Variations 1946-1971." Thesis, University of Oregon, 2009. http://hdl.handle.net/1794/9871.
Повний текст джерелаTwentieth-century British figurative painter Francis Bacon (1909-1992) is perhaps best known for his near-obsessive series of papal paintings inspired by Diego Velazquez' renowned portrait Pope Innocent X (1650) and created over the course of Bacon's entire artistic career. The artist's working process plays a crucial role in understanding this celebrated and varied series. Bacon deliberately avoided Velazquez' "original" portrait, preferring instead to work with photographic reproductions of the piece alongside a large collection of seemingly disparate visual material in his chaotic studio at 7 Reece Mews (South Kensington, London, England). This thesis proposes that Bacon explored issues of mechanization, fragmentation, and repetition through these visual juxtapositions in order to offer a critique of artistic and religious institutions.
Committee in Charge: Dr. Kate Mondloch, Chair; Dr. Lauren G. Kilroy; Dr. Ellen Rees
Ocaña, Karen Isabel. "Synthetic authenticity : the work of Angela Carter, Gilles Deleuze and Félix Guattari." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26748.
Повний текст джерелаLagan, Charles J. ""Rest and unrest": some rural and romantic themes in the poetry of Edward Thomas." Thesis, Rhodes University, 1985. http://hdl.handle.net/10962/d1004770.
Повний текст джерелаDreyer, Nicolas D. "'Post-Soviet neo-modernism' : an approach to 'postmodernism' and humour in the post-Soviet Russian fiction of Vladimir Sorokin, Vladimir Tuchkov and Aleksandr Khurgin." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1917.
Повний текст джерелаMullins, Nigel Lorraine Griffin. "A perspective on the question of the absence or presence of religious beliefs relating to elements of modern artistic endeavour, with special reference to the life and work of Francis Bacon." Thesis, Rhodes University, 1994. http://hdl.handle.net/10962/d1007710.
Повний текст джерелаSmith, Laurel A. "A genre revised in the epic poetry of H.D. and Gwendolyn Brooks." Virtual Press, 1991. http://liblink.bsu.edu/uhtbin/catkey/776700.
Повний текст джерелаDepartment of English
Marion, Carol A. v. "Distorted Traditions: the Use of the Grotesque in the Short Fiction of Eudora Welty, Carson Mccullers, Flannery O'connor, and Bobbie Ann Mason." Thesis, University of North Texas, 2004. https://digital.library.unt.edu/ark:/67531/metadc4591/.
Повний текст джерелаKotze, H. B. (Hendrik Benjamin). "Davidson on metaphor and conceptual schemes." Thesis, Stellenbosch : Stellenbosch University, 2000. http://hdl.handle.net/10019.1/51670.
Повний текст джерелаWhy metaphors have no meaning : considering metaphoric meaning in Davidson. -- Bare idea of a conceptual scheme : relativism, intercultural communication and Davidson.
Thesis (MA)--Stellenbosch University, 2000.
ENGLISH ABSTRACT: WHY METAPHORS HAVE NO MEANING: CONSIDERING METAPHORIC MEANING IN DAVIDSON Since the publication of Donald Davidson's essay 'What Metaphors Mean' (1984c) - in which he famously asserts that metaphor has no meaning - the views expressed in it have mostly met with criticism: prominently from Mary Hesse and Max Black. This article attempts to explain Davidson's surprise-move regarding metaphor by relating it to elements in the rest of his work in semantics, such as the principle of compositionality, radical interpretation and the principle of charity. I conclude that Davidson's views on metaphor are not only consistent with his semantic theory generally, but that his semantics also depend on these insights. Eventually, the debate regarding Davidson's views on metaphor should be conducted on the level of his views on the nature of semantics, the relationship between language and the world and the possibility of there existing something like conceptual schemes.
ENGLISH ABSTRACT: THE BARE IDEA OF A CONCEPTUAL SCHEME: RELATIVISM, INTERCULTURAL COMMUNICATION AND DAVIDSON Donald Davidson's paper 'On the Very Idea of a Conceptual Scheme' ('OVICS') has become famous for the refutation accomplished in it of conceptual relativism. Via an argument that, essentially, all languages are intertranslatable, Davidson rejects the notion that different conceptual schemes can inhere in the supposed 'un-translatable' languages said to exist by, for instance, Whorf and Kuhn. Critics of Davidson's position have mainly focussed on practical issues, with many holding that his arguments in 'OVICS' ignore the realities of the real intercultural communication situation. In the present paper, I address criticisms of this sort. Davidson's arguments are reconstructed, with attention being paid to their dependence on the idea of practical application in the real intercommunication situation. With the aid of practical examples, the implications of elements of Davidson's philsophy of interpretation for intercultural communication are evaluated. Finally, radical interpretation is presented as a better model for intercultural dialogue than linguistically relativist ones.
AFRIKAANSE OPSOMMING: WHY METAPHORS HAVE NO MEANING: CONSIDERING METAPHORIC MEANING IN DAVIDSON Sedert die publikasie van Donald Davidson se opstel 'What Metaphors Mean' (1984c) - waarin hy die berugte stelling maak dat metafoor geen betekenis het nie - is sy sieninge meestal begroet met kritiek, ook van prominente figure soos Mary Hesse en Max Black. Hierdie artikel poog om 'n verduideliking te vind vir Davidson se verassende skuif aangaande metafoor, deur sy sieninge hieroor te kontekstualiseer teen die agtergrond van elemente uit die res van sy werk in semantiek, soos die beginsel van komposisionaliteit, radikale interpretasie en die beginsel van rasionele akkomodasie ('charity'). Ek kom tot die gevolgtrekking dat Davidson se sieninge aangaande metafoor nie slegs naatloos aansluit by sy algemene sieninge aangaande semantiek nie, maar dat die res van sy semantiese teorie ook afhang van sy sieninge aangaande metafoor. Uiteindelik behoort die debat rakende Davidson se sieninge aangaande metafoor gevoer te word op die vlak van die aard van semantiek, die verhouding tussen taal en die werklikheid en die moontlike bestaan van konseptueie skemas.
AFRIKAANSE OPSOMMING: THE BARE IDEA OF A CONCEPTUAL SCHEME: RELATIVISM, INTERCULTURAL COMMUNICATION AND DAVIDSON Donald Davidson se artikel 'On the Very Idea of a Conceptual Scheme' het beroemdheid verwerf as teenargument vir die idee van konseptuele relativisme. By wyse van 'n argument dat alle tale in beginsel vertaalbaar is, verwerp Davidson die idee dat verskillende konseptueie skemas kan skuilgaan in die veronderstelde 'onvertaalbare' tale waarvan daar sprake is by byvoorbeeld Whorf en Kuhn. Kritici van Davidson se posisie beperk hul hoofsaaklik tot praktiese besware en 'n vername aanklag teen Davidson is dat hy die realiteite misken van werklike interkulturele gesprek. In hierdie artikel spreek ek sodanige kritiek aan. Ek herkonstrueer Davidson se argumente en voer aan dat dit deurgaans afhanklik is van die idee van toepassing in 'n praktiese situasie van interkulturele dialoog. By wyse van praktiese voorbeelde evalueer ek die implikasies van Davidson se filosofie van interpretasie vir interkulturele kommunikasie. Laastens bied ek radikale interpretasie aan as 'n beter model vir interkulturele dialoog as linguisties relativistiese modelle.
Hise, Patricia Jean Fielder. "Carson McCullers Beyond Southern Boundaries: Diagnosing "An American Malady"." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc935671/.
Повний текст джерелаКниги з теми "1917-1992 Criticism and interpretation"
Śarmā, Nīlāmbara Deva. Sāhityakāra Dīnū Bhāī Panta, 1917 I.-1992 I. Jammū: Ḍogarī Saṃsthā, 1995.
Знайти повний текст джерела1881-1973, Picasso Pablo, ed. Picasso Cubism (1907-1917). New York: Rizzoli, 1990.
Знайти повний текст джерелаGrowe, Bernd. Edgar Degas 1834-1917. Köln: Benedikt Taschen, 1991.
Знайти повний текст джерелаZachau, Reinhard K. Heinrich Böll: Forty years of criticism. Columbia, S.C., USA: Camden House, 1994.
Знайти повний текст джерелаKri︠u︡chkova, Valentina Aleksandrovna. Pikasso: Ot "Parada" do "Gerniki", 1917-1937. Moskva: Progress-Tradit︠s︡ii︠a︡, 2003.
Знайти повний текст джерелаSicard, Michel. Pierre Alechinsky: Séquence 1980-1992. Paris: Galilée, 1994.
Знайти повний текст джерелаPreil, Gabriel. Asfan setaṿim: Shirim, 1972-1992. Yerushalayim: Mosad Byaliḳ, 1993.
Знайти повний текст джерелаOliva, Achille Bonito. Larry Rivers: Opere 1989-1992. Milano: Trentadue, 1993.
Знайти повний текст джерелаCentro Cultural de España (Santo Domingo, Dominican Republic), ed. Suro, 1917-1997: Metamorfosis y transmigraciones. Santo Domingo, República Dominica: Centro Cultural de España, 2001.
Знайти повний текст джерелаMa, Taḍakoḍakara Su. Ra. Vi. Paṇḍita: Jīvita ānī vāvara, 1917-1990. Paṇajī-Gõya: Govā Koṅkaṇī Akādemī, 2006.
Знайти повний текст джерелаЧастини книг з теми "1917-1992 Criticism and interpretation"
de Geest, Dirk. "33. French Structuralism: A. J. Greimas (1917-1992), Tzvetan Todorov (1939-) and Gérard Genette (1930-)." In Modern European Criticism and Theory, 263–71. Edinburgh University Press, 2006. http://dx.doi.org/10.1515/9780748626793-034.
Повний текст джерелаGeest, Dirk de. "French Structuralism: A. J. Greimas (1917- 1992), Tzvetan Todorov (1939-) and Gérard Genette (1930-)." In Edinburgh Encyclopaedia of Modern Criticism and Theory, 265–73. Edinburgh University Press, 2022. http://dx.doi.org/10.1515/9780748672554-034.
Повний текст джерелаVinogradov, Igor A. "“Taras Bulba” and Russian History of the 19th–20th Centuries." In Literary Process in Russia of the 18th–19th Centuries. Secular and Spiritual Literature. Issue 3, 97–168. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/lit.pr.2022-3-97-168.
Повний текст джерелаWhitehead, Mark, Rhys Jones, and Martin Jones. "Seeing Double: Thinking about Natures and States." In The Nature of the State. Oxford University Press, 2007. http://dx.doi.org/10.1093/oso/9780199271894.003.0009.
Повний текст джерела