Статті в журналах з теми "Yiddish Literary and Dramatic Society"
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Reiser, Daniel. "The Sanctification of Yiddish among Hasidim." AJS Review 44, no. 1 (January 31, 2020): 163–81. http://dx.doi.org/10.1017/s036400941900093x.
Повний текст джерелаLederhendler, Eli. "Against the Tide: The American Hebrew Yearbook, 1930–1949." AJS Review 17, no. 1 (1992): 51–82. http://dx.doi.org/10.1017/s0364009400011958.
Повний текст джерелаYeghiazarian, Torange. "Dramatic Defiance in Tehran." TDR/The Drama Review 56, no. 1 (March 2012): 77–92. http://dx.doi.org/10.1162/dram_a_00144.
Повний текст джерелаAbramson, Glenda. "Israeli Drama and the Bible: Kings on the Stage." AJS Review 28, no. 1 (April 2004): 63–82. http://dx.doi.org/10.1017/s0364009404000054.
Повний текст джерелаSaad Mansour, Dalia. "Antigone's Law: A Contemporary Dramatic Egyptian Version." British Journal of Translation, Linguistics and Literature 3, no. 1 (February 20, 2023): 50–51. http://dx.doi.org/10.54848/bjtll.v3i1.53.
Повний текст джерелаTang, Ziqing. "The Thematic Interpretation of Robert Brownings Renaissance Dramatic Monologue." Communications in Humanities Research 19, no. 1 (December 7, 2023): 141–47. http://dx.doi.org/10.54254/2753-7064/19/20231219.
Повний текст джерелаHurrell, Janet. "THE COLLECTIVE ADMINISTRATION OF LITERARY AND DRAMATIC RIGHTS — AUTHORS' LICENSING AND COLLECTING SOCIETY (ALCS)." Library Management 9, no. 3 (March 1988): 22–24. http://dx.doi.org/10.1108/eb054907.
Повний текст джерелаMenke, Timm, and Carol Anne Costabile-Heming. "Intertextual Exile. Volker. Braun's Dramatic Re-Vision of GDR Society." German Quarterly 72, no. 2 (1999): 208. http://dx.doi.org/10.2307/408393.
Повний текст джерелаSenthil Kumar.S and Puthiyarasu.P. "Women in the Drama of Girish Karnad With Reference Yayati & Hayavadana." INTERNATIONAL JOURNAL OF SCIENCE TECHNOLOGY AND HUMANITIES 2, no. 2 (October 30, 2015): 55–58. http://dx.doi.org/10.26524/ijsth55.
Повний текст джерелаKellman, Steven. "Multilingual Literature of the United States." Polylinguality and Transcultural Practices 19, no. 1 (March 16, 2022): 19–27. http://dx.doi.org/10.22363/2618-897x-2022-19-1-19-27.
Повний текст джерелаOdoh, Onyeka, Chinasa Abonyi, and Thomas-Michael Emeka Chukwumezie. "Rainmaking in Igbo Communities as a Preliterary Category of Possible Dramatic Forms." Research in African Literatures 54, no. 1 (March 2023): 126–37. http://dx.doi.org/10.2979/ral.2023.a915643.
Повний текст джерелаEliasberg, Galina. "The Russian-Jewish New York, the Balfour Declaration and the Revolution in Russia in Leon Kobrin's Play Back to Your People!" Judaic-Slavic Journal, no. 1 (2018): 25–43. http://dx.doi.org/10.31168/2658-3364.2018.1.2.2.
Повний текст джерелаRibak, Gil. "“The Jew Usually Left Those Crimes to Esau”: The Jewish Responses to Accusations about Jewish Criminality in New York, 1908–1913." AJS Review 38, no. 1 (April 2014): 1–28. http://dx.doi.org/10.1017/s0364009414000014.
Повний текст джерелаHoltzman, Avner. "Vilna as a Centre of Hebrew Literature: The Journal Hazman." Colloquia 48 (December 30, 2021): 211–26. http://dx.doi.org/10.51554/coll.21.48.13.
Повний текст джерелаMallon, Clara. "(Post)Dramatic Strategies: Performing Difference in Pat Kinevane’s Solo Theatre." Irish University Review 51, no. 2 (November 2021): 329–42. http://dx.doi.org/10.3366/iur.2021.0522.
Повний текст джерелаMehla, Anjila Singh. "The Self in Society: Exploring Cultural Embeddedness in Gloria Naylor’s Fiction." IRA-International Journal of Management & Social Sciences (ISSN 2455-2267) 7, no. 2 (June 10, 2017): 329. http://dx.doi.org/10.21013/jmss.v7.n2.p24.
Повний текст джерелаMartens, Britta. "Dramatic Monologue, Detective Fiction, and the Search for Meaning." Nineteenth-Century Literature 66, no. 2 (September 1, 2011): 195–218. http://dx.doi.org/10.1525/ncl.2011.66.2.195.
Повний текст джерелаBozedean, Corina. "Pleading for a History of Romanian Translation. The Dramatic Text." Acta Marisiensis. Philologia 2, no. 1 (September 1, 2020): 1–5. http://dx.doi.org/10.2478/amph-2022-0022.
Повний текст джерелаHamadi, Lutfi. "The Main Dramatic Features of Melodrama: A Dramatic Study of Maria Martin and Sweeney Todd And Their Traces In Modern Soap Operas." European Scientific Journal, ESJ 13, no. 26 (September 30, 2017): 122. http://dx.doi.org/10.19044/esj.2017.v13n26p122.
Повний текст джерелаSolomon, Diana. "Sancho Panza in Eighteenth-Century English Theater: Disrupting the Path of the English Knight-Errant." Eighteenth-Century Life 46, no. 3 (September 1, 2022): 123–43. http://dx.doi.org/10.1215/00982601-9955364.
Повний текст джерелаGómez, Miguel. "Del drama a la poesía y viceversa. La piedra oscura de Alberto Conejero como muestra de transmisión generacional de valores humanos." Acotaciones. Revista de Investigación y Creación Teatral 1, no. 50 (June 28, 2023): 239–60. http://dx.doi.org/10.32621/acotaciones.2023.50.08.
Повний текст джерелаRebihić, Nehrudin. "Poetry and Dramatic Work of Alija Nametak." Društvene i humanističke studije (Online) 8, no. 2(23) (December 30, 2022): 241–58. http://dx.doi.org/10.51558/2490-3647.2023.8.2.241.
Повний текст джерелаSanders, Norman, Richard A. Levin, William C. Carroll, J. A. Bryant, and Robert Ornstein. "Love and Society in Shakespearean Comedy: A Study of Dramatic Form and Content." Shakespeare Quarterly 39, no. 1 (1988): 98. http://dx.doi.org/10.2307/2870593.
Повний текст джерелаDiaz, Noelia. "Gendered Violence and Neoliberal Desaparecidos in Luis Cano’s Socavón." Modern Drama 64, no. 4 (December 1, 2021): 458–77. http://dx.doi.org/10.3138/md.64-4-1104.
Повний текст джерелаWilkins, John. "The Young of Athens: Religion and Society inHerakleidaiof Euripides." Classical Quarterly 40, no. 2 (December 1990): 329–39. http://dx.doi.org/10.1017/s0009838800042919.
Повний текст джерелаBaumgarten, Jean. "Ahuva Belkin. The Purimshpil, Studies in Jewish Folk Theater. Jerusalem: Bialik Institute, 2002. 287 pp. (Hebrew)." AJS Review 29, no. 2 (November 2005): 404–5. http://dx.doi.org/10.1017/s0364009405430172.
Повний текст джерелаAlexander, Catherine, and Catherine Alexander. "Shakespeare and War: a reflection on instances of dramatic production, appropriation, and celebration." Exchanges: The Interdisciplinary Research Journal 1, no. 2 (March 30, 2014): 279–96. http://dx.doi.org/10.31273/eirj.v1i2.93.
Повний текст джерелаShteinbuk, Feliks, and Yulia Gordiienko. "Homoeroticism vs Homoaesthetics in the Literary Works of Oles Ulianenko." Przestrzenie Teorii, no. 39 (January 5, 2024): 221–39. http://dx.doi.org/10.14746/pt.2023.39.11.
Повний текст джерелаTOMA, Florin. "THE CONVENTIONAL APPROACH OF DRAMATIC SITUATIONS TO THE DISADVANTAGE OF THE ORGANIC APPROACH FROM A HUMAN PERSPECTIVE." International Multidisciplinary Scientific Conference on the Dialogue between Sciences & Arts, Religion & Education 4, no. 1 (December 7, 2020): 123–28. http://dx.doi.org/10.26520/mcdsare.2020.4.123-128.
Повний текст джерелаAnderson, Timothy. "There’s Something about Murray: Victorian Literary Societies and Alfred Forman’s Translation of Richard Wagner’s Der Ring des Nibelungen." Modern Language Quarterly 82, no. 3 (September 1, 2021): 281–313. http://dx.doi.org/10.1215/00267929-9090280.
Повний текст джерелаProśniak, Anna. "“Sardoodledom” on the English Stage: T. W. Robertson and the Assimilation of Well-Made Play into the English Theatre." Text Matters, no. 10 (November 24, 2020): 446–59. http://dx.doi.org/10.18778/2083-2931.10.25.
Повний текст джерелаToxambayeva, Aiman, Aivar Kadyrov, and Talgat Kabyshev. "THE IMAGE OF KHANS, SULTANS AND HEROES IN THE DRAMATIC WORKS OF RAHIMZHAN OTARBAYEV." Bulletin of the Eurasian Humanities Institute, Philology Series, no. 3 (September 30, 2023): 242–59. http://dx.doi.org/10.55808/1999-4214.2023-3.17.
Повний текст джерелаZHIYENBAYEV, Yerlan, and Shakhida JUMABAYEVA. "Literary Analysis of Sharof Boshbekov’s Comedy «The Iron Woman»." Turkology 3, no. 107 (October 20, 2021): 44–56. http://dx.doi.org/10.47526/turkology.v3i107.726.
Повний текст джерелаStruk, Ivanna Mykhaylivna. "Paremias as Means of Implementation of the Category of Intertextuality in the Dramatic Text of Bukovyna Writers." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 14, no. 24 (2021): 149–57. http://dx.doi.org/10.34079/2226-3055-2021-14-24-149-157.
Повний текст джерелаZHIYENBAYEV, Yerlan, and Shakhida JUMABAYEVA. "Literary Analysis of Sharof Boshbekov‟s Comedy «The Iron Woman»." Turkology 107, no. 3 (September 30, 2021): 44–56. http://dx.doi.org/10.47526/turkology.v3i107.728.
Повний текст джерелаÖzcan, Duygu Beste Başer. "Shattering Normalcy: Disability and Queerness in Tennessee Williams’s One Arm." Modern Drama 66, no. 1 (March 1, 2023): 48–70. http://dx.doi.org/10.3138/md-66-1-1251.
Повний текст джерелаAbassilov, А. "SOCIOLINGUISTIC CONCEPTS OF K.MUKHAMEDZHANOV." BULLETIN Series of Philological Sciences 74, no. 4 (December 9, 2020): 11–15. http://dx.doi.org/10.51889/2020-4.1728-7804.01.
Повний текст джерелаCAULFIELD, MARY P. "Inseparable and No Longer Subsequent: The Relocation and Representation of Women in Irish Theatre Practices." Theatre Research International 36, no. 3 (August 30, 2011): 276–77. http://dx.doi.org/10.1017/s0307883311000514.
Повний текст джерелаSliti, Adel. "Carol Ann Duffy's ‘Standing Female Nude’." Critical Survey 35, no. 3 (September 1, 2023): 1–16. http://dx.doi.org/10.3167/cs.2023.350301.
Повний текст джерелаBalan, Mihaela-Georgiana. "Dostoevskian Literary Poliphony as Lyrical-Theatrical Hypostasis of Sergey Prokofiev’s Opera The Gambler." Artes. Journal of Musicology 21, no. 1 (March 1, 2020): 19–35. http://dx.doi.org/10.2478/ajm-2020-0002.
Повний текст джерелаDavidko, Natalya. "Violence in the History of England's Christianity: A Study on the Basis of Religious and Literary Discourse." Athens Journal of History 10, no. 3 (May 7, 2024): 213–50. http://dx.doi.org/10.30958/ajhis.10-3-3.
Повний текст джерелаPopovic Karic, Pol. "Los embaucadores enredados en Pedro Páramo." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 43, no. 2 (September 17, 2008): 273–85. http://dx.doi.org/10.1075/rro.43.2.08kar.
Повний текст джерелаBerry, Ralph. "Love and Society in Shakespearean Comedy: A Study of Dramatic Form and Content. Richard A. Levin." Modern Philology 84, no. 4 (May 1987): 426–29. http://dx.doi.org/10.1086/391579.
Повний текст джерелаNorets, Maxim V., and Olga B. Elkan. "Artistic means of representation of sociocultural issues in the works of Thomas Bernhard." Philological Sciences. Scientific Essays of Higher Education 1, no. 6 (November 2021): 121–26. http://dx.doi.org/10.20339/phs.6-21.121.
Повний текст джерелаUrtiaga, Rosa. "9/11 and the Power of the Network Society in Alejandro González Iñárritu’s Babel." Miscelánea: A Journal of English and American Studies 50 (December 19, 2014): 99–114. http://dx.doi.org/10.26754/ojs_misc/mj.20148783.
Повний текст джерелаBheacháin, Caoilfhionn Ní. "‘It was then I knew life’: Political Critique and Moral Debate in Teresa Deevy's Temporal Powers (1932)." Irish University Review 50, no. 2 (November 2020): 337–55. http://dx.doi.org/10.3366/iur.2020.0474.
Повний текст джерелаIroh, Emmanuel O. "Adaptation of drama to storytelling for classroom teaching: the modern training institute, Uyo experiment." UJAH: Unizik Journal of Arts and Humanities 23, no. 1 (August 31, 2022): 263–86. http://dx.doi.org/10.4314/ujah.v23i1.10.
Повний текст джерелаFulkerson, Laurel. "Staging a Mutiny: Competitive Roleplaying on the Rhine (Annals 1.31-51)." Ramus 35, no. 2 (2006): 169–92. http://dx.doi.org/10.1017/s0048671x00000862.
Повний текст джерелаZdunkiewicz, Lech. "Three Layers of Metaphors in Ross Macdonald’s "Black Money"." Text Matters, no. 9 (December 30, 2019): 259–70. http://dx.doi.org/10.18778/2083-2931.09.16.
Повний текст джерелаHatley, Barbara. "Contemporary Indonesian Theatre in the Regions: Stage Idiom and Social Referentiality." Theatre Research International 19, no. 1 (1994): 17–28. http://dx.doi.org/10.1017/s0307883300018782.
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