Дисертації: "Writerly"

1

Neill, Natalie. "The writerly adaptation." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape3/PQDD_0025/MQ52360.pdf.

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2

Neill, Natalie Carleton University Dissertation Film Studies. "The Writerly adaptation." Ottawa, 2000.

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3

Robillard, Amy Elizabeth Howard Rebecca Moore. "Reimagining students' writerly authority co-investigation and representations of student writers in composition studies /." Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2004. http://wwwlib.umi.com/cr/syr/main.

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4

Schoettler, Megan Patricia. "The Development of Writerly Self-Efficacies: Mixed-Method Case Studies of College Writers Across the Disciplines." Miami University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=miami150125815878849.

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5

Goldsmith, Christy. "Enacted Identities| A Narrative Inquiry into Teacher Writerly Becoming." Thesis, University of Missouri - Columbia, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=13877145.

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This narrative inquiry explored the ways in which four mid-career English teachers construct themselves as W/writers and how those writerly identities are performed in their pedagogy. I curated data collected from extended interviews, journals, personal and professional writings to build narratives of these teachers-as-writers. Through these narratives and metaphorical thinking (Lakoff & Johnson, 1980), I analyzed the wholeness of each participant’s experience with writing.

Then, in stage two of the study, I used data collected from teaching observations to build a continuum of process —> product, employing Goffman’s (1974) frame analysis to place the teachers within that continuum. This continuum represented the stable thread that continued through the teachers’ personal and professional identities and led to three insights: (1) Those teachers who identified as Writers were more comfortable teaching writing processes (2) The desire to be seen as a “kind of W/writer or teacher” brings risk writing instruction and (3) Agency provides Writers a way to mitigate the risk of teaching writing.

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6

Brandon, Katie Emily. "A writerly reading of art : theories of authorship and artists' books, 1960-1980." Thesis, University of Manchester, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.505486.

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7

Kastner, Stacy. "Identity Chats: Co-Authorized Narratives and the Performance of Writerly Selves in Mass-Multiliterate Times." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1370452658.

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8

Flemister-White, Cassundra Lynett. "Unlimiting writers' agency and alleviating writer's block." CSUSB ScholarWorks, 2000. https://scholarworks.lib.csusb.edu/etd-project/1589.

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This thesis examines two causes of writer's block developed during the revision stage of the composing process: instructors' unexplained notations and unwanted voice alterations within students' texts. The study examines the emotions students experience caused by instructors' actions which Nelson and Rose say contribute to temporary and even permanent cases of writer's block. After exemplifying the connection between emotions and writer's block, the remainder of the study focuses on finding solutions to these causes of writer's block. As a result of my research, I discovered the primary solution is communication between instructors and students.

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9

Haas, Sarah S. "By writers for writers : developing a writer-centred model of the writing process." Thesis, Aston University, 2010. http://publications.aston.ac.uk/15207/.

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This thesis, set within an Action Research framework, details the development and validation of a writer-centred model of the writing process. The model was synthesised within the boundaries of a writers’ group for MA students. The initial data collected, and analysed using the principles of grounded theory, were retrospective descriptions of group members’ writing processes. After initial analysis, additional data, from group members’ writing, and from audio recordings, were used for further analysis, and to form a model of the writing process. To ascertain whether the model had value outside the specific context in which it was made, it was validated from three different perspectives. Firstly, the retrospective descriptions of other writers were collected and analysed, using the model as a framework. Secondly, the model was presented at academic conferences; comments about the model, made by members of the audience, were collected and analysed. Finally, the model was used in writing courses for PhD students. Comments from these students, along with questionnaire responses, were collected and the content analysed. Upon examination of all data sources, the model was updated to reflect additional insights arising from the analysis. Analysis of the data also indicated that the model is useable outside its original context. Potential uses for the model are 1) raising awareness of the process of writing, 2) putting writers at ease, 3) serving as a starting point for individuals or groups to design their own models of the writing process, and 4) as a tool to help writers take control of their writing processes.

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10

Dor, Garance. "Partitions plastiques et scéniques : d’un langage visuel à une iconographie performative." Thesis, Rennes 2, 2022. http://www.theses.fr/2022REN20015.

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L’enjeu de cette thèse qui allie recherche et création est d’étudier la partition par les formes scripturaires ou typographiques qu’elle emprunte. Nous analysons également ses modalités de diffusion dans le cadre de notre propre pratique d’artiste-éditeur avec la revue Véhicule et grâce à des entretiens avec différents protagonistes de l’édition théâtrale. Nous prenons comme cadre de cette étude sur la partition son statut de projet destiné à un tiers, document-actif qui, même lorsqu’il provient des archives, inclut une potentielle activation. De la sorte, nous posons l’hypothèse que la partition est à la fois œuvre et outil, trace et devenir. La partition est alors déléguée à un lecteur/spectateur concurremment déchiffreur, co-créateur de l’œuvre et responsable de son activation ou de son interprétation. Après avoir posé quelques repères généraux sur la notion de partition, nous interrogeons celle-ci dans sa plasticité. Nous observons d’abord des œuvres grammatextuelles pour comprendre comment la page, en tant que forme graphique, peut être agissante et transmettre des instructions visuelles ou textuelles au lecteur-interprète. Puis, nous analysons des partitions qui produisent des images, par une effectuation concrète ou mentale
The issue of this thesis combining research and creation is to study the score through the written or typographic forms it uses. We also analyse the ways and means of the diffusion of score, in our own practice as publisher-artist with the review Véhicule and through interviews with various protagonists of the theatre publishing scene. The framework that was chosen for this study of the score is its status as project destined to a third person, an active document which, even when it comes from archives, involves a possible activation. Thus, we formulate the hypothesis that the score is at once work and tool, trace and project. The score is then delegated to a reader/spectator who is at the same time a writerly decoder, who co-creates the work and is responsible for its activation or its performance. After having laid out a few general points of reference on the concept of the score, we question its existence as a visual art work. We first observe grammatextual works, in order to understand in what way the page, as graphic form, can be active and transfer visual or textual instructions to the reader-performer. Then we will analyze scores that produce images, via a concrete or mental operation

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11

Tetschner, Ben. "The story of a writer : a study of the creation and maintenance of a writer's identity /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p1422970.

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12

Shaheen, Maria D. "Struggling Writers, or Writers Struggling? A Case Study of Four First Grade Writers." Kent State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=kent1310599042.

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13

Sloan, Philip J. "Assembling the identity of "writer"." Kent State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=kent1416523281.

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14

North-Coleman, Cheryl M. "From easy rider to easy writer an examination of non-traditional writers and their road to literacy /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 248 p, 2009. http://proquest.umi.com/pqdweb?did=1654500721&sid=4&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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15

Dinkler, Pamela D. "Recursive composing in freshman composition : case studies of four student writers in search of the self-made writer /." The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487694389393886.

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16

Kedzerski, Patricia Ellen. "Student writers as readers : six case studies of basic writers and non-basic writers." The Ohio State University, 1990. http://rave.ohiolink.edu/etdc/view?acc_num=osu1287427079.

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17

Ergle, Roberta Brown. "Becoming writers boy-writers in a fourth grade /." [Gainesville, Fla.] : University of Florida, 2008. http://purl.fcla.edu/fcla/etd/UFE0022881.

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18

Dyer, Heather. "A writer's journey." Thesis, Aberystwyth University, 2017. http://hdl.handle.net/2160/8951332c-524e-476d-a220-c4398e25be9d.

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'A Writer’s Journey' is a memoir that describes my journey through a creative block, during which time I also explored the practice of mindfulness. Throughout the memoir I draw parallels between creativity and the practice of mindfulness, concluding that that both require a non-judgemental, playful, curious mind set which is not attached to a set outcome. Both creativity and mindful awareness ultimately require a deconstruction of the self in order to attain new insights, or growth. A Writer’s Way describes my efforts to achieve a deconstruction of the self through mindful awareness in order to restore my creativity. A Writer’s Journey therefore explicitly aligns two paradigms: the creative process and spiritual growth. However, as a quest narrative, A Writer’s Journey also implicitly aligns a third paradigm: the mythic archetype or universal symbolic story structure as outlined in Joseph Campbell’s monomyth The Hero’s Journey. In all three paradigms the ‘protagonist’ experiences an initial dissatisfaction followed by a period of dialectic tension, after which they must deconstruct their egoic self and move beyond conditioned thinking to receive new insights. The original contribution of the critical commentary is a close examination of the ways in which the mythic archetype and the creative process are aligned. I conclude that the archetype can be read as a metaphor for the creative process itself (the mythic approach to creativity), and that the message implicit in the archetype is ‘live creatively’. Reading the mythic archetype as a metaphor for the creative process has implications for our understanding of the purpose of story as well as our understanding of the mechanisms of the creative process. I explore this in ‘Chapter 3 – What Do Stories Do?’ I suggest that the annihilation of the egoic self that the hero experiences in the belly of the whale is analogous with the incubation phase required for creative insight. In both paradigms, I suggest that a temporary ‘deconstruction of the self’ is required before new insights or growth can be attained. A deconstruction of the self is the ultimate aim of the practice of mindful meditation, or mindful awareness. The critical commentary also makes explicit how the memoir conforms to the stages of the mythic archetype. As a quest narrative in which the quest is creativity itself, A Writer’s Journey illustrates the mythic approach to creativity. It also illustrates the mythic approach to spirituality. I believe that the original contribution of the creative folio, therefore, is that it demonstrates the mythic approach to both creativity and spirituality, in the form of a reading memoir.

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19

Alkaff, Abdullah Abdul Rahman Omer. "Metadiscourse in texts produced in English by Yemeni/Arab writers : a writer/reader oriented cross-cultural analysis of letters to the editor." Thesis, University of Exeter, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.324129.

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20

MacRobert, Marguerite. "How creative writers write : interviews with successful publishing writers." Thesis, Stellenbosch : University of Stellenbosch, 2010. http://hdl.handle.net/10019.1/5224.

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Thesis (MA (English))--University of Stellenbosch, 2010.
ENGLISH ABSTRACT: This thesis describes a qualitative investigation of the creative writing processes of successful publishing authors in the South African context. Four successful South African authors of fiction were interviewed with the intention of garnering current, local insights into the creative writing process in order to nuance this field of knowledge and to challenge reductive, undynamic ways of thinking about it. What these creative writers say about their writing processes is discussed in the context of previous empirical research on the writing process and the creative process in the related fields of composition studies and psychology. The resulting theoretical paradigm for the study was a flexible, recursive cognitive process model of the writing process within the context of a particular domain and field, in opposition to a stage model of writing or models of writing that are devoid of social and affective context. Interviews with Margie Orford, Imraan Coovadia, Lesley Beake and John van de Ruit investigated how expert creative writers work in the South African context and explored contributing factors to the writing process, from initial inspiration or origination of ideas through to submission of completed manuscripts for publication. The creative writers in question are experienced authors who have published more than once as the intention was to discover what successful or established authors of literary fiction do, with an eye to making a contribution to current international attempts at theorising the field of creative writing. The results of this research indicated clear support for most of the combined underlying theories and hypotheses discussed in the literature study, with an indication of some areas that required further refining and research, such as the impact of situational variables on the writing process. Finally some suggestions are made as to how the theoretical models might be improved through combination and comparison with one another and with more extensive empirical research, and some of the implications of this research for creative writing pedagogy and the development of novice writers are explored.
AFRIKAANSE OPSOMMING: Hierdie tesis beskryf ’n kwalitatiewe ondersoek van die kreatiewe skryfprosesse van suksesvolle gepubliseerde outeurs in die Suid-Afrikaanse konteks. Onderhoude is met vier suksesvolle fiksieskrywers gevoer met die doel om hedendaagse, plaaslike insig in die kreatiewe skryfproses te verkry ten einde hierdie kennisgebied te nuanseer en reduserende, ondinamiese denke daaroor aan te veg. Hierdie kreatiewe skrywers se beskrywing van hul skryfproses word bespreek teen die agtergrond van vorige empiriese navorsing oor die skryfproses en die kreatiewe proses in die verwante gebiede van stylstudies en sielkunde. Die teoretiese paradigma vir die studie wat hieruit gespruit het, was ’n buigsame, rekursiewe kognitiewe prosesmodel van die skryfproses in die konteks van ’n spesifieke domein en gebied, in teenstelling met ’n faseskryfmodel of skryfmodelle sonder enige maatskaplike en affektiewe konteks. Deur middel van onderhoude met Margie Orford, Imraan Coovadia, Lesley Beake en John van de Ruit is ondersoek hoe ervare kreatiewe skrywers in die Suid-Afrikaanse konteks werk, en faktore wat tot die skryfproses bydra, is ondersoek. Sodanige proses strek van aanvanklike inspirasie of die oorsprong van idees tot die inlewering van voltooide manuskripte vir publikasie. Die betrokke kreatiewe skrywers is bedrewe outeurs wat reeds meer as een keer gepubliseer het, aangesien die voorneme was om uit te vind hoe suksesvolle of gevestigde outeurs te werk gaan met die oog daarop om ’n bydrae te maak tot huidige internasionale pogings om die gebied van kreatiewe skryfwerk te teoretiseer. Die resultate van hierdie studie toon duidelike ondersteuning vir die meeste van die gekombineerde onderliggende teorieë en hipoteses wat in die literatuurstudie bespreek is, alhoewel daar ’n aanduiding is dat sommige gebiede verdere verfyning en navorsing verg, byvoorbeeld die impak van situasionele veranderlikes op die skryfproses. Laastens word enkele aanbevelings gemaak oor hoe die teoretiese modelle verbeter kan word deur kombinasie en vergelyking met ander modelle en deur meer omvattende empiriese navorsing, en die implikasies van hierdie navorsing vir die pedagogie van kreatiewe skryfwerk en die ontwikkeling van amateurskrywers word ook ondersoek.

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21

Finkel, Kelsey Jo. "Exploring the writer's toolbox : a study of how writers and their use of writing implements and surfaces relate to their ways of thinking for writing." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:daaae0e7-10f0-4c9f-bbe3-8157c2fa47df.

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The state of writing abilities throughout the United States presents an urgent issue. Low student achievement in English Language Arts (ELA) exams and standardized English assessments persist (National Center for Education Statistics, 2012), while businesses spend billions of dollars on remedial writing instruction (Dillon, 2008). Technology is increasingly cited as a potential solution to these issues. Evidence for this is limited, as is existing research into the basis of the issues that technology might address. On account of that context, this thesis turns to a basic distinction between digital and non-digital writing: the writing surface and implement, or pen and paper - screen and keyboard. Conceptualizing such artefacts through a view of writing as a way of thinking raises the following question, which is this study's guiding inquiry. Might we use digital implements and surfaces to support the ways of thinking involved in composing written works of semantic cohesion? Building on research into writing as thinking, the study presented in this document analyses how uses of writing surfaces and implements relate to ways of thinking while writing, and which contextual factors influence those relationships. Drawing on a neuro-anthropological approach, the study focuses on the writer's mind as the driver and source of the lived experience of writing. Expert writers, therefore, are considered to be those who exhibit the ways of thinking while writing to which other writers aspire. To examine a range of uses of writing surfaces and implements with reference to expert writers' ways of thinking, the study was conducted in two parts. Part 1involved a content analysis of published interviews with professional writers. This generated a framework through which to conduct in-depth qualitative research with college student writers - part 2. This thesis is as much about thinking while writing as it is about the different tools available for writing. As such, the study refutes the hyperbolic and deterministic claims about technology and writing, and finds that technology is not leading to new ways of thinking while writing. Instead, surfaces and implements available allow writers to change how they practise their ways of thinking while writing. By considering this distinction and developing understandings of the dynamics involved and their implications, writers may begin to realize the potential of technology for writing. Ultimately, this thesis contributes to existing theories on writing through an informed discussion of how to think about implements and surfaces in ways that support writerly thinking, and by offering fresh ways to think about the lived practice of writing.

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22

Jacobson, Debra Ellen. "Supporting kindergarten writers." Diss., The University of Arizona, 2002. http://hdl.handle.net/10150/289771.

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This study of teacher interactions with kindergarten writers is grounded in a holistic, socially-mediated constructivist framework. As a participant observer, I conducted a sociolinguistic microanalysis of ten transcripts from a kindergarten classroom to look at how teachers support kindergarten writers. These transcripts served as the primary data. Secondary data included copies of children's writing, dialogue journals between myself and the classroom teacher, videotapes and audiotapes. The three dimensions of context, focus and position were analyzed. Four of the five contexts were related to the classes' journal writing engagement: Mini-Lessons, Targeted Journal Conferences, Concurrent Journal Conferences and Journal Sharing. The fifth context was a writing and drawing option that children chose during Free Choice time. The teachers' five foci identified in the analysis were: Management, The Writing Act, Conventions, Materials and Meaning. The positions the teachers were in as they engaged with children and their writing were: Follower, Leader, Informer and Director. Two-way and three-way cross analyses revealed that the teachers were primarily in the Leader position focusing on Conventions. Students' primary foci were Materials and Management. Also, the specifics of the context as well as the adult present in that context influenced the foci and the positions of the teacher. The findings of this study and the professional literature about learning and teaching both indicate that teachers of young children feel pressures from a variety of sources to teach conventions. This pressure, often results in teachers leading children to produce conventional writing at the expense of children learning about the writing system at their own pace and in ways that make sense to them. Findings from this study also suggest that it would be useful to configure classroom contexts so children have access to the teacher as they are exploring the writing system and using it for authentic purposes.

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23

Swende, Helena. "Utvärdering av report writers." Thesis, Linköping University, Department of Computer and Information Science, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-2502.

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Анотація:

Report writers (sv rapporteringsverktyg) används för att skapa och hantera databasbaserade rapporter. Detta examensarbete handlar om Reporting Services, ett helt nytt rapporteringsverktyg från Microsoft. Syftet med examensarbetet var att utvärdera Reporting Services för att se vad verktyget har att erbjuda i förhållande till rapporteringsverktyg från andra tillverkare. En jämförelse mellan Reporting Services och rapporteringsverktyg från tre andra betydande tillverkare har gjorts. En djupare utvärdering av Reporting Services, där arkitektur, funktionalitet och andra egenskaper gåtts igenom grundligt, har också genomförts. Arbetet har visat att problemet att jämföra olika rapporteringsverktyg med varandra är ganska komplext och att olika verktyg lämpar sig olika bra i olika situationer och kontexter. Verktygens arkitektur skiljer sig åt och de erbjuder olika funktionalitet. Arbetet har också visat att Reporting Services definitivt är ett bra alternativ för företag som använder SQL Server, inte minst ur ekonomisk synvinkel. Verktyget ger användarna en god kontroll över utformningen av rapporter, det är lätt att exportera rapporter till olika format och det finns flera bra möjligheter att distribuera rapporter till läsare.

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24

Hickson, David J., and D. S. Pugh. "Great writers on organizations." Ashgate Publishing, 2009. http://hdl.handle.net/10454/2791.

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No
Great Writers on Organizations presents succinctly each of the contributions made by 80 of the most prominent management thinkers to the understanding of organizational behaviour and managerial thinking. Among those included are early theorists such as Henri Fayol, Frederick W. Taylor and Max Weber, classical writers such as Alfred D. Chandler, Peter Drucker and Frederick Herzberg, through to modern thinkers such as Oliver Williamson, Rosabeth Moss Kanter, and Charles Handy. New writers included in the Third Omnibus Edition are: Lex Donaldson, Stewart Clegg, Richard Whitley, Michel Foucault and Kathleen Eisenhardt. The volume is an indispensable resource for academics, students and managers on what the great writers have to say about the key managerial tasks of how to organize and motivate.

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25

Shub, Samantha Jo. "Metacognition in adolescent writers." CSUSB ScholarWorks, 1998. https://scholarworks.lib.csusb.edu/etd-project/1781.

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26

Schramm, Mary Jane. "Effects of process journals on college basic writers' awareness of themselves as writers." Virtual Press, 1993. http://liblink.bsu.edu/uhtbin/catkey/864912.

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In recent years, many composition teachers and theorists have turned to the process approach to writing in an attempt to better understand both the act of writing and the writers themselves. Even though various theorists have made headway in the analysis of students' writing processes, further research is needed to explore whether college basic writers are aware of their own writing processes and whether this awareness can lead to discovery of the self as a writer and to diminished writing anxiety.One way for students to become aware of their composing processes is through process journals, in which they write about their actions in creating and revising their papers. Using process journals as an independent variable, this project studied differences among three groups of basic writers at Ball State University: those who wrote process journals frequently, infrequently, and not at all. I evaluated effects of process journals on self-reported awareness of process, as measured by a Writing Skills Questionnaire, and on writing apprehension, as measured by the Writing Apprehension Test (WAT). To measure changes among groups over two semesters, I analyzed students' questionnaire responses using mean scores and two Analysis of Variance (ANOVA) tests.Results showed that process journals did have a significant impact on students' attitudes about themselves as writers and on their awareness and control of writing processes. This study did not find, however, that process journals significantly decreased students' writing apprehension scores. In addition, it did not find Ball State University's basic writing students to be highly apprehensive writers. Although further research is needed to verify these results and expand the scope of research in process journals, the initial findings here suggest that process journals can be an important part of many students' writing experiences.
Department of English

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27

Webb, Sheree C. "The Writers and Writing of Computer User Documentation: A Social Perspective." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc500281/.

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Анотація:

This thesis studies the writing of computer user documentation from a social perspective by examining the process of creating computer documentation and the role of documentation writers in the work place. This study consisted of in-depth interviews and observations of four writers of computer user documentation.

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28

Cheng, Chiuyee Dora. "Academic Writing of Multilingual Undergraduates: Identity and Knowledge Construction Across Five Disciplines." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu153187612119893.

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29

Chaffe, Tomas. "The Secret Writer." Thesis, Konstfack, Institutionen för Konst (K), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-3980.

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This essay reflects a particular method and way of working that I employ when undertaking artistic research. My artworks are rooted and develop from the situation I find myself in as an artist, the very context I exhibit the work within. I do this by trying to understand this position, both on the micro and macro scale. As an artist currently studying at—and subsequently exhibiting in relation to— Konstfack, I base my research with the physical manifestation of the school. An imposing building that was part of a huge headquarters and factory site for the telecommunication company, Ericsson, in south Stockholm. The title of my essay is from the translation of a unique German cipher machine, the Geheimschreiber, made known to me through enquiry into this site. Throughout the Second World War the German army used this machine to send highly encrypted military messages across Swedish telephone cables. Following one of the greatest accomplishments in the history of cryptography, a Swedish mathematician broke this German code and subsequently assisted in designing a deciphering machine on behalf of the Swedish Intelligence branch. This device, known as the App, was secretly developed and manufactured by Ericsson, possibly where I now study. In exploring the theme of secrets, this essay originates from an underpinning desire and subject of my work to reveal what is concealed or overlooked. Through researching and writing this essay I attempt to have a better understanding on the notion of secrets, in both the private and public realms. Introducing the artistic process and situation I am working from, I explore the central role that secrets play within society. In order to understand secrecy today I introduce the intertwined and associated contemporary debates of privacy, (both private and public) and transparency through such subjects as Google’s new privacy policy, mobile phone hacking, WikiLeaks and offshore banking.

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30

Odom, Stuart A. "Translator writer systems." Master's thesis, This resource online, 1992. http://scholar.lib.vt.edu/theses/available/etd-12232009-020105/.

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31

Kim, Chul-Kyu. "Writer-reader interaction in science popularisations : a corpus based cross-cultural study of writers' management of textual interaction with readers in English and Korean science popularisation discourse." Thesis, University of Liverpool, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.427052.

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32

Claiborn, Caroline. "Writing the Strike: How Writers Won the 2007-8 Writers Strike and Changed TV." Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/18535.

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I argue that television entertainment writers, their cultural status, and rhetorical skills are critical to national discourse and media structures. Focusing on the 2007-8 writers strike, the project analyzes videos that writers made about the conflict, showing how "rhetorical writers" used satire, complex argumentation, and knowledge of digital media to publicize writers' value. These "pro-writer" videos, online and on television, challenged media executives for primacy in entertainment industries and helped writers win the right to compensation when their work is viewed online. Exploring the histories of television writers and writing alongside technological and political changes, the project pinpoints a lineage of irreverent and ironic humor that contributed to the strike videos. This lineage of "rhetorical" writers and writing, which deconstructs cable news and media politics using satire, prepared writers for the 2007-8 strike by honing their skills in argumentation and activist community-building using satire.

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33

Greaves, Anthony Eric. "Stendhal's Italy : a writer's magic lantern." Thesis, University of Exeter, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.304475.

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34

Zhao, Yebing. "A QI 气 Theory of Voice: Cultivating and Negotiating Inventive and Ethical Qi-Voice in Writing". Miami University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=miami1617901205834771.

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35

Dunlap, Mary Beth. "A Study of Freelance Writers." Thesis, The University of Arizona, 1987. http://hdl.handle.net/10150/292192.

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36

Wright, Eamon David. "British women writers and race." Thesis, Goldsmiths College (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.298874.

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37

Darabi, Rachelle L. "Basic writers and learning communities." Virtual Press, 2004. http://liblink.bsu.edu/uhtbin/catkey/1285086.

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38

Singh, Amritesh. "Tudor women writers fashioning masculinity." Thesis, University of York, 2011. http://etheses.whiterose.ac.uk/1522/.

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This thesis contributes to the growing interest in early modern masculinity and its literary representations by introducing texts by women writers into dialogue with their male-authored counterparts. It argues for a more nuanced approach that recognises that the concepts of masculinity and femininity can only be fully understood when studied in relation with each other. The first chapter explores how, notwithstanding the wisdom of conduct books and marriage guides, the demands of the state may not always be commensurate with those of the domestic realm and shows that this conflict necessitates a rethinking of existing definitions of masculinity by focusing on selected writings of the Tudor sisters Mary and Elizabeth and Jane Fitzalan’s *Tragedie of Iphigeneia*. The second chapter identifies how Elizabeth’s unique discursive strategies were designed to elicit support from her male subjects and subdue the belligerence that simmered under polemic like John Stubbs’ *Gaping Gulf*. In her letters to Anjou, the chapter examines how Elizabeth manoeuvred around her position as a beloved and as a monarch to fashion a husband who would not only be sympathetic but also subordinate to her political authority. This chapter also shows how the fabulous world of John Lyly’s *Galatea* consummates the Queen’s desire for the ideal male subject. The final chapter investigates the construction of martial manhood. It juxtaposes Mary Sidney’s *The Tragedy of Antonie* with William Shakespeare’s *Antony and Cleopatra* to determine how the figure of Cleopatra, common to both plays, challenges and revises the martial code of masculinity as embodied by Antony. By examining the authorial position appropriated by Cleopatra in the plays and its impact on the narrative, this chapter also extends this thesis’ interest in the extent to which female characters within texts compete for diegetic control with male protagonists.

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39

Wylie, Dan. "White writers and Shaka Zulu." Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002276.

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The figure of Shaka (c. 1780-1828) looms massively in the historical and symbolic landscapes of Southern Africa. He has been unquestioningly credited, in varying degrees, with creating the Zulu nation, murderous bloodlust, and military genius, so launching waves of violence across the subcontinent (the "mfecane"). The empirical evidence for this is slight and controversial. More importantly, however, Shaka has attained a mythical reputation on which not only Zulu self-conceptions, but to a significant degree white settler self-identifications have been built. This study describes as comprehensively as possible the genealogy of white Shakan literature, including eyewitness accounts, histories, fictions and poetry. The study argues that the vast majority of these works are characterised by a high degree of incestuous borrowing from one another, and by processes of mythologising catering primarily to the social-psychological needs of the writers. So coherent is this genealogy that the formation of an idealised notion of settler identity can be discerned, especially through the common use of particular textual "gestures". At the same time, while conforming largely to unquestioning modes of discourse such as popularised history and romance fiction, individual writers have attempted to adjust to socio-political circumstances; this study includes four close studies of individual texts. Such close stylistic attention serves to underline the textually-constructed nature of both the figure of Shaka and the "selves" of the writers. The study makes no attempt to reduce its explorations to a single Grand Unified Explanation, and takes eclectic theoretical positions, but it does seek throughout to explore the social-psychological meanings of textual productions of Shaka - in short, to explore the question, Why have white writers written about Shaka in these particular ways?

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40

Padilla, Elena M. "Byron and the Modernist Writers." W&M ScholarWorks, 2002. https://scholarworks.wm.edu/etd/1539626365.

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41

Alshareif, Rawan Alshareif. "THE SPIRITUAL INFLUENCE OF WESTERN WRITERS ON THE FIRST GENERATION OF ARAB-AMERICAN IMMIGRANT WRITERS." University of Akron / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=akron1525998116330318.

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42

Beardsley, Sara K. "FORGOTTEN BESTSELLER: SITUATING JAMES BALL NAYLOR’S RALPH MARLOWE IN TURN-OF-THE-CENTURY AMERICAN LITERARY HISTORY." Ohio Dominican University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=odu1437990143.

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43

Syme, Margaret Ruth. "Tolkien as gospel writer." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=43459.

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To the extent that Tolkien's fantasy meets his own criteria for faL. ie as the "eucatastrophic " tale which points toward "Evangelium," the eschaton when God's plan in creation will be fulfilled and the effects of the fall overcome, Tolkien may be described as a gospel writer. That he intended his work to be read as "gospel," "the good news of the Kingdom of God," is suggested by its allusions to biblical and classical mythology, its linear view of history, its presentation as a compilation of received tradition. collected and translated by many hands from a wide variety of sources, by the location of Middle Earth in the distant past of our own world and by the author's attempt to create a world which comforms to familiar patterns of evolution. Less successful is his effort to provide his tale with a consistent Christian point of view.
Dans la mesure, cette oeuvre d'imagination repond aux crit6res de f6erie de Tolkien en tant que conte "eucatastrophic" qui montre le chemin vers "I'Evangelium", cette eschatalogie qui se situe au moment o0 la volontê de Dieu est accomplie et les effets de la chute sont surmontes, Tolkien peut etre. considers comme un auteur biblique. Le fait qu'il est voulu que son oeuvre soit lue en tant qu'"&angile", "la bonne nouvelle du Royaunie de Dieu" est suggêre par diffèrentes choses: les allusions faites a la mythologie biblique et classique, la vision linêaire de l'histoire, la presentation du texte en tant que compilation d'une tradition provenant de sources diverses, transmise, recueillie et traduite par diffèrentes personnes, la situation geographique dans "Middle earth"(l'empire du Milieu) dans un passé lointain, le fait que l'auteur ait essay6 de crêer un monde conforme au processus connu de l'êvolution. 10anmoins l'auteur n'a pas rêussi dans ce conte a maintenir un point de vue chrêtien. fr

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44

James, Nicola. "Jane Gardam : religious writer." Thesis, University of Glasgow, 2016. http://theses.gla.ac.uk/7628/.

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This thesis examines the work of the award-winning contemporary English short story and novel writer Jane Gardam. It proposes that much of her achievement and craft stems from her engagement with religion. It draws on Gardam’s published works from 1971 to 2014 including children’s books and adult novels. While Gardam has been reviewed widely, there is little serious critical appreciation of her fiction and there are misreadings of the influence of religion in her work. I therefore analyse the religious dimensions of her stories: the language, stylistics and hermeneutic of Gardam’s three religious influences, namely the Anglo-Catholic, Benedictine and Quaker movements and how she sites them within her work. The thesis proposes lectio divina, arguably an ancient form of contemporary reader-response criticism, as a framework to describe the Word’s religious agency when embedded or alluded to in fiction. It also considers and applies critical discussion on the medieval concept of the aevum, a literary religious space. Finally, I suggest that religious writing such as Gardam’s has a place in the as yet unexplored ‘poetic’ strand of Receptive Ecumenism, a new movement that seeks to address reception of the Word between members of different faith communities. Having examined many aspects of Gardam’s writing, its history and potential, I conclude that her achievement owes much to her engagement with particular and divergent forms of religious life and practice.

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45

Simkins, William Scott. "Steinbeck the Writer-Knight." W&M ScholarWorks, 1990. https://scholarworks.wm.edu/etd/1539625595.

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46

Hatziolou, Elizabeth. "John Wain : a writer's life and work." Thesis, Loughborough University, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.337953.

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47

Soucy, Adrienne Carleton University Dissertation Linguistics and Applied Language Studies. "Writer's notebooks: writing to learn in ESL." Ottawa, 1993.

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48

Reed, Pat. "Writer's block: A crisis in business writing." CSUSB ScholarWorks, 1986. https://scholarworks.lib.csusb.edu/etd-project/428.

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49

Hartnett, Kimberly Mackay. "A guidebook for implementing a writer's workshop." CSUSB ScholarWorks, 1998. https://scholarworks.lib.csusb.edu/etd-project/1769.

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The purpose of this project is to provide beginning teachers or teachers new to writing instruction with a step-by-step guideline for implementing writer's workshop in a K-3 classroom. The first eight weeks of writer's workshop are outlined and defined complete with prompts and reflections teachers can use to make this strategy responsive to the needs of their students.19 440 0 Thesis (M.A.)--California State University, San Bernardino, 1998.

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50

Harvey, Lynn Kirkland. "Writers on writing, implications for educators." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq24151.pdf.

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