Дисертації з теми "World politics 20th century"
Щоб переглянути інші типи публікацій з цієї теми, перейдіть за посиланням: World politics 20th century.
Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями
Ознайомтеся з топ-50 дисертацій для дослідження на тему "World politics 20th century".
Біля кожної праці в переліку літератури доступна кнопка «Додати до бібліографії». Скористайтеся нею – і ми автоматично оформимо бібліографічне посилання на обрану працю в потрібному вам стилі цитування: APA, MLA, «Гарвард», «Чикаго», «Ванкувер» тощо.
Також ви можете завантажити повний текст наукової публікації у форматі «.pdf» та прочитати онлайн анотацію до роботи, якщо відповідні параметри наявні в метаданих.
Переглядайте дисертації для різних дисциплін та оформлюйте правильно вашу бібліографію.
1
Hojdyssek, Gunter Art College of Fine Arts UNSW. "From laughing at the world to living in the world." Awarded by:University of New South Wales. Art, 2007. http://handle.unsw.edu.au/1959.4/43091.
Анотація:
Born in 1938 in Poland, I epxperienced wartime Berlin and post-war Stalinism. My first job, at sixteen, was with the East Berlin States Opera and the Bertold Brecht's Berliner Ensemble. The play writes Betrtold Brecht and Buechner had the strongest influence on me. Brecht's play 'Mutter Courage and her children' and Georg Buechner's 'Woyzech' encapsulated the harsh realities of post-war Europe, and confirmed my desire for social justice and reform. Yet, the main influence on my work comes from my own life experience. My life in Australia has become a kind of exile-a deprivation of the origin of my culture and my cradle. After nearly forty years in Australia I feel a little displaced. Yet I left Europe voluntarily to escape from the very culture and history I now miss. I am experiencing a common dilemma of migration. I belong neither here nor there-a kind of dislocation. There exists a twilight zone in the in-between time-a discontinuity of my Berliner development. Artists such as Kaethe Kollwitz, John Heartfield, George Grosz, Otto Dix, and Max Beckman influenced my teenage years. Later, Joseph Beuys, Anselm Kiefer and Georg Baselitz. I work with found objects, such as toys crafted by human hand. I am giving them a new meaning, a new being. They are meditations on the conflict of war, where women and children are the primary victims of political fragmentation. My sculptures evoke memories of a childhood stolen. They take on a menacing character reminding the viewer of the effects war has on humanity. But Art is the reflector and searcher; it is our way to enlightenment. Joseph Beuys introduced the concept of an expanded notion of art ("der erweiterte Kunstbegriff???) to surpass the boundaries of modernism with in art, science, spirituality, humanism and economics. He drew attention to the potential of human creativity. Art, against all odds, is poetry to life.
2
Askew, Joseph Benjamin. "The status of Tibet in the diplomacy of China, Britain, the United States and India, 1911-1959." Title page, contents and abstract only, 2002. http://web4.library.adelaide.edu.au/theses/09PH/09pha8356.pdf.
Анотація:
"June 2002" Bibliography: leaves 229-270. This thesis examines the changes in diplomacy of China, the West, Tibet and India from 1911 to 1951, while Tibet functioned as an independent country, and during 1951 to 1959 while under Chinese control. Tibet maintained its own currency, government, armed forces and way of life until 1959. The thesis also examines the cultural shifts in the political, social and military spheres in these countries. It assumes that the general world trend in political life has been towards increasingly intolerant and extreme politics. If Tibet remains part of China with little chance of resuming independence, it is because the Chinese government and people were quicker to adopt radical Western philosophies than the Tibetans were.
3
Castle, Allan. "Collusion and challenge : major wars, domestic coalitions and revisionist states." Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=41997.
Анотація:
This dissertation examines the emergence of revisionism in the foreign policies of the great powers: it is concerned with the rise of 'challenger' states. Current approaches to the rise of challengers (arguments from 'structure', 'prudence', and 'historical sociology') are if generally useful also incomplete, leaving the emergence of several great power challengers not fully explained. This dissertation offers a new explanation, not as a replacement but as a complement to these theories, and in doing so accomplishes two tasks: first, it explains cases previously unaccounted-for; and second, it does so in a fashion that acknowledges the co-determination of domestic and international politics. The new model suggests that the seeds of challenges to international orders are often found in the wartime experience itself, in social pacts between elites and societal groups struck to achieve mobilization requirements. Violation of these pacts in the postwar period can in turn generate powerful political movements for the overthrow of both the domestic and international postwar orders. The explanation offered by this model is then applied to five cases of great power behaviour after major wars. While imperfect in its ability to account for great power behaviour in all these cases and thus requiring refinement, the model obtains sufficient support to warrant further exploration of these and other cases in future studies.
4
Wasim, Naz. "Reconceptualising panregions at the end of the 20th century : a Pakistani perspective of world politics at the turn of the millennium." Thesis, University of Hull, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.402501.
5
Milner, Wesley T. "Progress or Decline: International Political Economy and Basic Human Rights." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2180/.
Анотація:
This dissertation is a cross-national, empirical study of human rights conditions in a dynamic international political economy. The scope of the examination covers 176 developed and developing countries from 1980 through 1993. Through evaluating the numerous theoretical aspects of human rights conceptualization, I draw upon Shue's framework and consider whether there are indeed "basic rights" and which rights should fit into this category. Further, I address the debate between those who claim that these rights are truly universal (applying to all nations and individuals) and those who argue that the validity of a moral right is relative to indigenous cultures. In a similar vein, I empirically investigate whether various human rights are interdependent and indivisible, as some scholars argue, or whether there are inherent trade-offs between various rights provisions. In going beyond the fixation on a single aspect of human rights, I broadly investigate subsistence rights, security rights and political and economic freedom. While these have previously been addressed separately, there are virtually no studies that consider them together and the subsequent linkages between them. Ultimately, a pooled time-series cross-section model is developed that moves beyond the traditional concentration on security rights (also know as integrity of the person rights) and focuses on the more controversial subsistence rights (also known as basic human needs). By addressing both subsistence and security rights, I consider whether certain aspects of the changing international political economy affect these two groups of rights in different ways. A further delineation is made between OECD and non-OECD countries. The primary international focus is on the effects of global integration and the end of the Cold War. Domestic explanations that are connected with globalization include economic freedom, income inequality and democratization. These variables are subjected to bivariate and multivariate hypothesis testing including bivariate correlations, analysis of variance, and multiple OLS regression with robust standard errors.
6
Wernitznig, Dagmar. "No documents, no history : a political biography of Rosika Schwimmer (1877-1948)." Thesis, University of Oxford, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.711810.
7
Kinder, John Oliver. "Power in stalinist states: the personality cult of Nicolae Ceausescu." Thesis, Virginia Polytechnic Institute and State University, 1989. http://hdl.handle.net/10919/91168.
Анотація:
This study examines the Socialist Republic of Romania as a Stalinist state which employs a personality cult. The leader of a state is the focus of a personality cult, but he does not enjoy the status it gives without consent from elsewhere within the government. In order to determine where this power comes from, three possible sources are discussed. These are: Nicolae Ceausescu, president of Romania; the state bureaucracy; and the people. The Soviet Union, during the time of Stalin, is used as a comparative element. When Nicolae Ceausescu came to power he did so with the consent of the elite. As the Romanian elite are less inclined to support his policies, Ceausescu has had to continually take steps to stay ahead of the opposition. The Romanian people also lent their support to Ceausescu earlier, and have since become discontented with the regime. This study concludes that a leader with a personality cult must have some form of consent to come into power, but his personal characteristics will determine how he leads and whether or not he will be able to remain in power if that consent is withdrawn.M.A.
8
Bruneau, Quentin. "Knowing sovereigns : forms of knowledge and the changing practice of sovereign lending." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:127b0026-030f-417d-9cb8-f871936d6227.
Анотація:
This thesis examines how sovereign lending, i.e. the practice of lending capital to sovereigns, has changed since the early nineteenth century. It tackles this question by investigating how lenders have thought about sovereigns for the past two centuries, focusing on the tools they have used to know and represent them. I argue that there was a critical shift in the early twentieth century in terms of the kinds of knowledge lenders deployed to know sovereigns. This shift differentiates the old sovereign lending from the new. In the old sovereign lending, merchant banking families such as the Rothschilds knew sovereigns through intensely personal relations based on gentility, whereas in the new sovereign lending, joint stock banks, credit rating agencies and international institutions largely came to know sovereigns through statistics. Though difficult to imagine nowadays, the description of sovereigns through quantifiable facts (the original definition of 'statistics') was revolutionary for early twentieth century lenders. Despite constituting the origins of sovereign credit ratings, this key shift has been overlooked in all major studies about sovereign debt. The new sovereign lending rose to prominence from the interwar period to the 1970s and now defines our world. The identification of this crucial shift is based on the development and application of the concept of forms of knowledge. Forms of knowledge refer to enduring ways of knowing and representing the constituent units of the international system used by international practitioners (e.g. diplomats, military strategists, financiers, and international lawyers). Examples of forms of knowledge include, but are not limited to, modern cartography, international treaties, statistics, gentility, and heraldry. The use of this concept is that it leads to a better understanding of how international practitioners and their practices undergo radical changes. In so doing, it provides a firmer empirical grasp on the question of how fundamental discontinuities arise in international relations.
9
Pendegraft, Gregory. "Third World Decolonization: The Pan Africanist Movement in the Age of Nasserism." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984267/.
Анотація:
In the mid-twentieth century Egyptian President Gamal Abdel-Nasser, along with President Kwame Nkrumah of Ghana rose to international prominence as leaders and visionaries who were able to achieve political independence in their respective home countries while attempting to shape a destiny for Africa that did not involve Western imperialism. For Nasser's part, he first secured independence for Egypt, then turned his attention to the Middle East, but soon became as active in the politics of Sub Saharan Africa, also known as black Africa, as he was in the Arab world. This thesis explores Nasser's forays into Sub Saharan Africa during the period of decolonization on the continent and how his aspirations for Africa were equally a part of his political agenda that came to be known as Nasserism. Considering Nasser was the leader of the Third bloc, Egypt's fate was tied to Africa just as much as it was to the Middle East. Beyond the aspects of Nasser's involvement in Africa, this work also explores the active role Africans played in their quest for independence from European colonizers. Many African leaders during this time were as prominent and as shrewd as Nasser and were committed to establishing an anti-imperialist continent while developing modern African states based on the principles of Pan Africanism. While this occurred, new countries began to enter Africa and it became up to the African heads of state to determine how much involvement they wanted from these outsiders and at what cost. As these many dynamics played out in Africa, Pan Africanism was simultaneously occurring in the United States that linked black America's fate with Africa in movements that emphasized black nationalism and Third World political ideology.
10
Mecum, Mark M. "Solving Alliance Cohesion: NATO Cohesion After the Cold War." Ohio : Ohio University, 2007. http://www.ohiolink.edu/etd/view.cgi?ohiou1180549294.
11
Grimsel, Naadirah. "Changing world order : the Republic of Turkey's rise as a middle power." Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/86391.
Анотація:
Thesis (MA)--Stellenbosch University, 2014.ENGLISH ABSTRACT: Changes in world order have caused major shifts in the global positioning of states at the international level. The end of the Cold War ushered in a new power structure that shifted from a bipolar arrangement to a multipolar disposition. The emergence of this new world order allowed for emerging and developing states, such as Turkey, the opportunity to fill gaps left by the power vacuum created by the new multipolar power arrangement. This led the Turkish state on its path to become a middle power within the new world order. To assess the impact of changing world orders in the promotion of Turkey as a middle power in the new order, this study uses Coxian Critical Theory and the social relations of forces framework to account for Turkey’s middle power ascent. The framework developed by Robert Cox consists of three aspects, namely world orders, forms of state and the social relations of production. The change in world order both in the post-Cold War and post-2001 era has caused fundamental shifts within the Turkish state, both in terms of forms of state and in the social relations of production. Changes in the forms of state of the Turkish Republic following the end of the Cold War allowed for the creation of more robust civil society organizations, and a state that was transformed by the spread of international norms that originated at the world order level. International norms at the world order level not only affected the forms of state, but also the social relations of production and the political economy of Turkey. As a result changes in the forms of state and social relations of production informed by changes at the world order level, influenced the creation and execution of a proactive autonomous and internationally geared Turkish foreign policy, which is indicative of a middle power.
AFRIKAANSE OPSOMMING: Aanpassings in die wêreld orde het grootskaalse verskuiwings op internasionale vlak in die globale positionering van state te weeg gebring. Die einde van die Koue Oorlog het ontwikkel in ‘n nuwe mag struktuur wat beweeg het van bipolêre magskikking tot multi-polêre ingesteldheid. Die opkoms van hierdie nuwe wêreld orde het vir opkomende en ontwikkelende state, soos Turkye, die geleentheid gebied om in rolle in te tree wat ontstaan het as gevolg van die magsleemte wat veroorsaak is deur die nuwe multi-polêre orde. Die faktore het daartoe bygedra dat Turkye ‘n nuwe rol as ‘n intermedïere moondheid (‘middle power’) begin aanneem het. Hierdie studie het die Kritiese Teorie van Robert Cox gebruik om te bepaal wat die impak is van die veranderende wêreld orde op die ontwikkeling van Turkye as ‘n intermedïere moondheid in die nuwe wêreld orde, asook die mag van sosiale verwantskappe (‘social relations of forces’) raamwerk om rekenskap te gee and Turkye se rol as intermedïere moondheid. Die raamwerk wat deur Robert Cox ontwikkel is bestaan uit drie aspekte; die wêreld ordes, staatsvorme, en die sosiale verwantskappe van produksie. In beide die post- Koue Oorlog en die post-2001 era het die verandering in wêreld orde merkwaardige verskuiwings in die Turkse staat veroorsaak; beide in terme van die aard van die staat asook die sosiale verwantskappe van produksie. Teen die einde van die Koue Oorlog het die veranderinge in die aard van die staat van die Turkse Republiek toegelaat dat meer kragtige burgerlike samelewingsorganisasies kon bestaan, sowel as ‘n staat wat omskep was deur die verspreiding van internasionale norme, wat ontstaan het op wêreld orde vlak. Hierdie internasionale norme het nie net die forms of state vorm of aard van die staat beïnvloed nie, maar ook die sosiale verwantskappe van produksie en die politieke ekonomie van Turkye. Uit die aard van die saak het veranderinge in die vorm van die staat en sosiale verwantskappe van produksie wat veroorsaak was deur die verandering op wêreld orde vlak, gelei tot die ontstaan en ontwikkeling van ‘n pro-aktiewe, selfstandige en internationaal gerigte Turkse buitelandse beleid. Die laasgenoemde dui aan op Turkye se ewolusie as ʼn intermedïere moondheid.
12
Kokkinos, Stephanie Helen. "China in Africa: The use of soft power and its implications for a global peaceful rise." Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/20172.
Анотація:
Thesis (MA)--Stellenbosch University, 2012.ENGLISH ABSTRACT: Soft power is more relevant now than ever before. In fact, in the current world system it has become an important element in exercising state power and mapping out leadership strategies. This assignment attempts to analyse the use of soft power as a post-Cold War foreign policy strategy on the part of China. Chinese relations with the African continent are assessed to prove the increasing rate at which China has expended trade and diplomatic relations in the past two decades, and to determine the degree to which soft power is contributing to China’s prospects of a harmonious rise to a position of global power. China’s foreign policy is ideologically underpinned by nationalism and confucianism. This stance is based on the need to protect and promote the economic and social stability of the state, as well as to secure a sound diplomatic identity in the international arena. For this reason, China has expanded economic interests abroad, particularly, looking upon Africa as a source of mutual development and investement, economic cooperation and an enhanced network for trade. This has lead to the growth of ‘soft’ ties between the Chinese nation and many African states, through the provision of aid, diplomatic cooperation on policy issues and the sharing of cultural values and institutional norms. In this way, China has been able to promote the perception of a peaceful rise to power and make a valuable contribution to the Chinese goal of constructing a harmonious world. Concluding a thorough analysis of China’s foreign policy behaviour it is determined that China-Africa relations are based, at least in part, on soft power, as a means to gain increased international influence. This is contended by the likeness between the behaviour advocated by soft power theory and that of Chinese interaction with African states. Furthermore, this partnership can be understood as a potential global shift towards multilateralism and the belief in an emerging international order that organised by regionalised powers that cooperate with each other on international platforms. The theory of constructivism, particularly its emaphasis on the roles of ideas, identities and institutions, is a valuable perspective to consider in approaching this discussion of China as a peacefully emerging global power.
AFRIKAANSE OPSOMMING: ‘Sagtemag’ is nou meer relevante vandag as ooit tevore. Dit is inderdaad ‘n belangrike element in die uitoefening van staat mag en leierskap strategieë in die huidige wêreld. Hierdie werkstuk poog om die gebruik van sagte mag te ontleed as ‘n buitelandse beleid strategie op die deel van Sjina sedert die einde van die Koue Oorlog. Sjinese verhoudings met Arika word geassesseer om te bewys die toenemende tempo waarteen diplomatieke betrekkinge in die afgelope twee dekades bestee het, en die graad aan wat sagte mag dra Sjina se vooruitsigte van ‘n harmonieuse aanleiding tot wêreld mag te bepaal. Sjina se buitelandse beleid is ideologies ondersteun deur nasionalisme en Confucianisme. Hierdie standpunt is gebaseer op die behoefte om die ekonomiese stabiliteit van die staat te beskerm en om ‘n gesonde diplomatieke indentiteit te verseker op ‘n internasionale vlak. Om hierdie rede het Sjina uigebrei om die ekonomiese belange in die buiteland, veral op soek op die Afrika-vasteland as ‘n bron van wedersydse ontwikkeling en belegging, ekonomiese samewerking en ‘n groter handelsmerk netwerk. Dit het gelei tot die groei van die ‘sagte’ bande tussen Sjina en baie Afrika-lande, deur die voorsiening van fonds, diplomatieke samewerking oor beleidskwessies en die deel van kulturele waardes en institusionele norme. Op hierdie manier het Sjina die persepsie van ‘n vreedsame opkoms by wêreld mag te bevorder en ‘n waardevolle bydrae tot die Sjinese doel vir ‘n ‘Harmonious World’ te bou. Die sluiting van ‘n deeglike ontleding van Sjina se buitelandse beleid word bepaal dat Sjina-Afrika verhoudings is op sagtemag gebou om ‘n verhoogde internaionale invloed te kry. Dit is aangevoer deur die gelykenis tussen sagtemag teorie en die gedrag wat bepleit word deur Sjinese interaksie met Afrika-lande. Verder kan hierdie vennootskap verstaan word as ‘n moontlike globale verskuiwing na multilateralisme en die potensiële van ‘n nuwe internationale bestel wat gereël is deur regionalisering magte. Konstruktivisme, veral die teorie se nadruk op die rolle van idees, indentiteite en instellings, is ook ‘n waardevolle perspektief te oorweeg in die nader van heirdie bespreking van Sjina as ‘n vreedsame wyse opkomende wêreld mag.
13
O'Gorman, Aoife Siobhán. "Wissenschaft at war : British and German academic propaganda and the Great War." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:0fd95e59-568d-48e4-8b72-302757436f84.
Анотація:
This thesis explores academic propaganda in the first two years of the First World War, examining the activity of the university men in Britain and Germany who were left behind when their students went to the Front. Using pamphlets and manifestoes, it seeks to highlight the way the War split the international academic community and the creation of a debate which examined not only the causes of the War, but the reasons for which the nations were fighting. By exploring the propaganda organisations of both countries, as well as the academic milieu in which the subjects of this thesis worked, it hopes to provide the context within which this propaganda was created, before turning to an examination of the content of the propaganda - an aspect which has often been overlooked in propaganda studies. The investigation of the content looks first at the outbreak of war and the reaction of the academic community to a shock which shook their community. It then turns to the arguments expounded on culpability for the War, and the ideals for which each side felt they were fighting, illustrating the shift in emphasis from a political war to an ideological conflict between two opposing world views. Finally, the thesis considers perceptions of the War in the early years of the conflict, and the way in which it was seen both as a panacea to overcome social divisions and a catharsis which would lead the way to a new world - ideas which would provide the foundation for later war aims. In taking this comparative approach, the aim is to provide new insights into a fascinating and relatively little-known aspect of the history of the First World War.
14
Burns, Nathan. "The Caspian Region: Arena for Clashing Civilizations?" Honors in the Major Thesis, University of Central Florida, 2006. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1208.
Анотація:
This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.Bachelors
Sciences
Political Science
15
Skold, Martin. "Winning a race with no finish line : assessing the strategy of interstate competition." Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/12985.
Анотація:
This dissertation offers a framework for understanding the strategies of states engaged in competition for regional hegemony. Although international relations literature refers extensively to such competition and obliquely to states' strategies, to date little has been done to show how states' strategies in such competition may be analyzed. Drawing on a variety of strategic literature, this dissertation synthesizes a theoretical approach to analyzing the strategies of states engaged in regional security competition. Employing insights drawn from business strategy, this dissertation argues for an essentially asymmetric understanding of fundamental policy goals for states engaged in competition for regional hegemony, with one state attempting to maintain a dominant position and another attempting, by focusing limited resources, to supplant it. The competition is understood metaphorically (based on an anecdote from the end of the Cold War) as a “race with no finish line,” with the reigning hegemon attempting to extend the race and the challenger attempting to create a finish line and cross it. With homage to realism, liberalism, and constructivism, possible state goals are categorized as belonging to three realms: security, welfare, and intangible goals. These are used as metrics for a state's success or failure in any given competitive scenario, as well as the resources at its disposal. Drawing on military strategic literature, this thesis then applies decision-cycle analysis to state competitive behavior. The conclusions from this analysis are then synthesized into a framework for analysis of similar regional competitive scenarios, the first such framework yet devised for such purposes. A case study: the “Dreadnought Race” between Britain and Germany prior to World War One, is then examined, in which states' performance is analyzed in the competitive scenario in light of the above strategic precepts.
16
Hutton, Daniel Mckinley. "A geopolitical analysis of U.S. alliance building within the Middle East." Thesis, Virginia Tech, 1989. http://hdl.handle.net/10919/43087.
Анотація:
The concept of geopolitics - is reconsidered as a viable framework in analyzing the power relationship between nation states and then applied to the Middle East.
After reviewing the historical development of geopolitics, it is modified, and then set against alternative approaches in explaining Middle Eastern alliances. Ultimately, geopolitics is used in order to rationalize America's alliance network within the region.Master of Arts
17
Mushohwe, Knowledge. "An analysis of selected cartoons published during Zimbabwe's 2008 elections." Thesis, Nelson Mandela Metropolitan University, 2011. http://hdl.handle.net/10948/1609.
Анотація:
During Zimbabwe’s 2008 harmonised elections the country’s media laws had a direct impact on the way editorial cartoonists expressed themselves. Although the online newspapers were unregulated and the print media published under Zimbabwe’s media laws, Public Order and Security Act and Access to Information and Protection of Privacy act - the editorial cartoons from both sources show deliberate bias towards one candidate and contempt towards the main rival. The study contextualises the understanding of the editorial cartoon, as practised in an environment of freedom of speech and defined by the four categories identified by Press (1981) and Manning and Phiddian (2004), and delineates the effect of media laws on the newspaper industry in Zimbabwe. The four categories of editorial cartoons identified are descriptive editorial cartoons, laughing satirical editorial cartoons, destructive satirical editorial cartoons, and savage indignation editorial cartoons. The study reviews eight editorial cartoons, read using a semiotic framework investigating non-verbal communication, as defined and suggested by Du Plooy (1996), and a text and language grid, as suggested by Leech (1974), according to the criteria of symbols/metaphors, exaggeration/distortion, stereotypes, caricature, irony, captions, and background knowledge, as developed by Fetsko (2001). A comparative analysis of the cartoons reveals that objectives and functions of the unregulated zimonline.co.za and the regulated the Herald newspapers are the same. They constitute propagandistic representations of Zimbabwean politics that are more an extension of political ideology than they are a reflection of the country’s sociopolitical landscape.
18
Ghattas, Micheline Germanos. "The Consolidation of the Consociational Democracy in Lebanon: The Challenges to Democracy in Lebanon." PDXScholar, 2013. https://pdxscholar.library.pdx.edu/open_access_etds/1415.
Анотація:
This dissertation looks at democracy in Lebanon, a country that has a pluralistic society with many societal cleavages. The subject of this study is the consolidation of democracy in Lebanon, described by Arend Lijphart as a "consociational democracy". The research question and sub-question posed are:
1- How consolidated is democracy in Lebanon?
2- What are the challenges facing the consolidation of democracy in Lebanon?
The preamble of the 1926 Lebanese Constitution declares the country to be a parliamentary democratic republic. The political regime is a democracy, but one that is not built on the rule of the majority in numbers, since the numbers do not reflect the history of the country and its distinguishing characteristics. The division of power is built on religion, which defies the concept prevailing in western democracies of the separation between church and state. As the internal and the external conditions change, sometimes in a violent manner, the democracy in the country still survives. Today, after the war that ravaged Lebanon from 1975 to 1990, the Syrian occupation that lasted until 2005, the Israeli war in the summer of 2006, and the roadblocks in the face of the overdue presidential election in 2008, democracy is still struggling to stay alive in the country. There is no denying or ignoring the challenges and the attempts against democracy in Lebanon from 1975 to the present. Even with these challenges, there are some strong elements that let democracy survive all these predicaments. The reasons and events of the 1975-1995 war are still being sorted out and only history will clear that up. Can we say today that the Consociational democracy in Lebanon is consolidated? To answer this question Linz & Stepan's three elements of a consolidated democracy are used as the criteria: the constitution of the land, people's attitude towards democracy and their behavior. The analysis examines the Lebanese Constitution, surveys about people's attitude towards democracy, and reported events about their behavior, such as political demonstrations and political violence narrated in the media. The findings of this study show that although the Lebanese find democracy as being the only game in town, the consolidation of democracy in the country still faces some challenges, both internal and external. The study also shows that the criteria used for western democracies need to be adjusted to apply to a society such as the one in Lebanon: plural, religious and traditional.
19
Bentz, Gustav. "Fighting Springboks : C Company, Royal Natal carbineers : from Premier Mine to Po Valley, 1939 - 1945." Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/85636.
Анотація:
Thesis (MMil)-- Stellenbosch University, 2013.ENGLISH ABSTRACT: Germany’s declaration of war on Poland on 1 September 1939 and the consequent war in Europe not only found the Union of South Africa politically divided but militarily unprepared to fight a modern war let alone make any worthwhile contribution toward its European allies’ war effort. The task of getting South Africa into the fight fell to newly appointed Prime Minister J.C. Smuts who cleverly outmanoeuvred J.B.M. Hertzog as leader of the nation. Not only was the Union Defence Force (UDF) severely ravaged by several budget cuts during and after the depression but it seemed to have no inclination of embracing the kind of mechanisation that was the hallmark of most European armies. Within the space of a year Smuts managed to transform the UDF and on 17 July 1940 the 1st South African Infantry Brigade set sail for East Africa where Mussolini’s Italians reigned supreme after brushing aside a couple of British border guards and laying claim to a few miles of British territory. One of the units dispatched by Smuts was the 1st Royal Natal Carbineers from Pietermaritzburg in Natal. Throughout the campaign the Regiment’s C Company fought with distinction but had the dubious honour of being the South African unit that suffered the most casualties during the whole campaign. Several of C Company’s men then become the vehicles through which the remainder of the war is experienced as the men were moved from one theatre of battle to another. Through their eyes the hunting trips into the East African bush and the death of their Commanding Officer, among other things, are relived. The victorious Springboks are then sent to Egypt where they were needed in an effort to break the deadlock that existed between the British 8th Army and the German Afrika Korps. Amidst the ebb and flow of the battle the men of C Company still found time to experience the sights and sounds of Africa’s most populous cities, Cairo and Alexandria. Here many young soldiers were exposed to pleasures and pastimes not to be had back in the Union. In spite of the eventual defeat of the German forces North Africa C Company witnessed the destruction of the 5th South African Brigade at Sidi Rezegh and suffered the loss of a combined platoon when Tobruk capitulated on 21 June 1942. After a brief period on home leave in 1943 C Company was back in action, this time in Italy as part of the 6th South African Armoured Division. Here they faced mountains, heavy snow and an enemy desperately fighting for every hill, stream and building. In the months which followed C Company were often in the midst of the action and many men lost close friends on the slopes of the Italian mountains. As final victory became apparent during the first months of 1945, C Company’s men began preparing for their post-war lives and when the first planes and ships left for the union at the end of April 1945 the men felt that they have served their country well and did their regiment proud.
AFRIKAANSE OPSOMMING: Ten tyde van Duitsland se oorlogsverklaring Pole op 1 September 1939 wat die weg gebaan het het vir die gevolglike oorlog in Europa was die Unie van Suid-Afrika nie net polities verdeel nie maar ook militêr onvoorbereid op 'n moderne oorlog. Die kans dat Suid Afrika n beduidende bydrae tot sy Europese bondgenote se oorlogspoging sou kon maak was ook skraal. Die taak om Suid-Afrika voor te berei vir die komende stryd het op die skouers van die nuutaangestelde premier J.C. Smuts gerus wat deur middel van politieke manuvrering vir J.B.M. Hertzog uitoorlê het as leier van die volk. Nie net was die Unie Verdedigings Mag (UVM) erg uitgemergel deur verskeie besnoeings in sy begroting tydens en ná die depressie nie, maar daar was klaarblyklik geen begrip vir die proses van meganisasie gehad waarmee die meeste Europese weermagte doenig was nie. Binne die bestek van 'n jaar het Smuts daarin geslaag om die UVM te transformeer en op 17 Julie 1940 seil die 1ste Suid-Afrikaanse Infanterie Brigade Oos-Afrika toe waar Mussolini se magte die kruin van die golf ry nadat hulle ‘n paar Britse grensposte eenkant toe gevee het en 'n paar myl Britse grondgebied beset het. Die 1st Royal Natal Carbineers van Pietermaritzburg was een van die eenhede wat in Oos Afrika teen die Italianers sou veg. Tydens die veldtog veg die Regiment met onderskeiding, maar verwerf ook die twyfelagtige eer om die Suid-Afrikaanse eenheid te wees wat die meeste ongevalle gely het gedurende die hele veldtog. Verskeie van C Kompanie se manne word gebruik as ‘n lens waardeur die res van die oorlog ervaar word soos die troepe van een front na die ander verskuif word. Deur middel van hul wedervaringe word, onder andere, die jagtogte in die Oos-Afrikaanse bos en die dood van hul bevelvoerder herleef. Na Oos-Afrika word die seëvierende Springbokke na Egipte gestuur waar hulle benodig word om die Britse 8ste Leër by te staan in in die stryd teen die Duitse Afrika Korps. Te midde van die stryd kom die manne van C Kompanie nog tyd vind om Afrika se mees digbevolkte stede, Kaïro en Alexandrië te besoek waar baie jong soldate blootgestel is aan genot en tydverdryf wat nie beskikbaar was in die Unie nie. Ten spyte van die uiteindelike nederlaag van die Duitse magte in Noord-Afrika was C Kompanie teenwoordig tydens die vernietiging van die 5de Suid-Afrikaanse Brigade by Sidi Rezegh en ervaar ook die verlies van 'n gekombineerde peloton toe Tobruk oorgegee op 21 Junie 1942. Na 'n kort tydperk in Suid Afrika is C Kompanie terug in aksie, hierdie keer in Italië as deel van die 6de Suid-Afrikaanse Pantserdivisie. Hier word hulle gekonfronteer deur berge, swaar sneeu en 'n vyand wat desperaat veg vir elke heuwel, stroom en bouval. In die daaropvolgende maande bevind C Kompanie hom dikwels te midde van die aksie sterf vele goeie vriende teen die hange van die Italiaanse bergreekse. Namate dit duidelik begin raak dat die Duitsers die oorlog gaan verloor begin C Kompanie se manne hulself voorberei vir hul na-oorlogse lewens. Met die vertrek van die eerste vliegtuie en skepe na die Unie teen die einde van April 1945 was die manne van Natal oortuig daarvan dat hulle hul land na die beste van hulle vermoë gedien het en dat hulle die goeie naam van hulle regiment gestand gedoen het.
20
De, Santiago Ramos Simone C. "Dem Schwerte Muss Der Pflug Folgen: Űber-Peasants and National Socialist Settlements in the Occupied Eastern Territories during World War Two." Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc3681/.
Анотація:
German industrialization in the nineteenth century had brought forward a variety of conflicting ideas when it came to the agrarian community. One of them was the agrarian romantic movement led by Adam Műller, who feared the loss of the traditional German peasant. Műller influenced Reichdeutsche Richard Walther Darré, who argued that large cities were the downfall of the German people and that only a healthy peasant stock would be able to ‘save' Germany. Under Darré's definition, “Geopolitik” was the defense of the land, the defense with Pflug und Schwert (plow and sword) by Wehrbauern, an ‘Űberbauer-fusion' of soldier and peasant. In order to accomplish these goals, new settlements had to be established while moving from west to east. The specific focus of this study is on the original Hegewald resettlement ideas of Richard Walther Darré and how his philosophy was taken over by Himmler and fit into his personal needs and creed after 1941. It will shed some light on the interaction of Darré and Himmler and the notorious internal fights and power struggles between the various governmental agencies involved. The Ministry for Food and Agriculture under the leadership of Darré was systematically pushed into the background and all previous, often publicly announced re-settlement policies were altered; Darré was pushed aside once the eastern living space was actually occupied.
21
Fanstone, Ben Paul. "The pursuit of the 'good forest' in Kenya, c.1890-1963 : the history of the contested development of state forestry within a colonial settler state." Thesis, University of Stirling, 2016. http://hdl.handle.net/1893/25290.
Анотація:
This is a study of the creation and evolution of state forestry within colonial Kenya in social, economic, and political terms. Spanning Kenya’s entire colonial period, it offers a chronological account of how forestry came to Kenya and grew to the extent of controlling almost two million hectares of land in the country, approximately 20 per cent of the most fertile and most populated upland (above 1,500 metres) region of central Kenya . The position of forestry within a colonial state apparatus that paradoxically sought to both ‘protect’ Africans from modernisation while exploiting them to establish Kenya as a ‘white man’s country’ is underexplored in the country’s historiography. This thesis therefore clarifies this role through an examination of the relationship between the Forest Department and its African workers, Kenya’s white settlers, and the colonial government. In essence, how each of these was engaged in a pursuit for their own idealised ‘good forest’. Kenya was the site of a strong conservationist argument for the establishment of forestry that typecast the country’s indigenous population as rapidly destroying the forests. This argument was bolstered against critics of the financial extravagance of forestry by the need to maintain and develop the forests of Kenya for the express purpose of supporting the Uganda railway. It was this argument that led the colony’s Forest Department along a path through the contradictions of colonial rule. The European settlers of Kenya are shown as being more than just a mere thorn in the side of the Forest Department, as their political power represented a very real threat to the department’s hegemony over the forests. Moreover, Kenya’s Forest Department deeply mistrusted private enterprise and constantly sought to control and limit the unsustainable exploitation of the forests. The department was seriously underfunded and understaffed until the second colonial occupation of the 1950s, a situation that resulted in a general ad hoc approach to forest policy. The department espoused the rhetoric of sustainable exploitation, but had no way of knowing whether the felling it authorised was actually sustainable, which was reflected in the underdevelopment of the sawmilling industry in Kenya. The agroforestry system, shamba, (previously unexplored in Kenya’s colonial historiography) is shown as being at the heart of forestry in Kenya and extremely significant as perhaps the most successful deployment of agroforestry by the British in colonial Africa. Shamba provided numerous opportunities to farm and receive education to landless Kikuyu in the colony, but also displayed very strong paternalistic aspects of control, with consequential African protest, as the Forest Department sought to create for itself a loyal and permanent forest workforce. Shamba was the keystone of forestry development in the 1950s, and its expansion cemented the position of forestry in Kenya as a top-down, state-centric agent of economic and social development.
22
Boauod, Marai. "The Making of Modern Egypt: the Egyptian Ulama as Custodians of Change and Guardians of Muslim Culture." PDXScholar, 2016. http://pdxscholar.library.pdx.edu/open_access_etds/3102.
Анотація:
Scholarship on the modern history of the Middle East has undergone profound revision in the previous three decades or so. Many earlier perceptions, largely based on modernization theory, have been either contested or modified. However, the perception of the Egyptian ulama (the traditionally-educated, religious Muslim scholars) in academic scholarship remains largely affected by the legacy of hypotheses of the modernization theory. Old assumptions that the Egyptian ulama were submissive to political power and passive players incapable of accommodating, let alone of fathoming, conditions of the modern world, and who chose or were forced to retreat from this world, losing much, if not all, of their relevance and significance, still infuse the scholarly literature.
Making use of materials obtained from the Egyptian National Archives, this study offers an examination of modern legal reform in Egypt from the nineteenth century through the first part of the twentieth century with the ulama and their legal institutions in mind. As the findings of this study effectively illustrate, the Egyptian ulama were by no means submissive. Rather, they were patient. Far from being passive agents of the past, the Egyptian ulama were active participants who played a critical role in the building of modern Egypt. The ulama had at their disposal sustained social and moral influence, a long-standing position as community leaders, a reputation as defenders and representatives of Islam, the power to validate or invalidate the political establishment by means of public and doctrinal legitimization, and the final authority over laws of family and personal status. Through these strengths, the ulama were able to influence the direction of change and to impact its scope and nature during transitional period that witnessed the making and remaking of modern Egypt.
Considering the nature of changes that they allowed to be introduced to the shari-based justice system and the ones they resisted, as well as their stance regarding social matters, the Egyptian ulama comprehended and recognized modernity as useful. Advanced techniques had to be embraced to strengthen state institutions. However, the ulama thwarted massive and sudden adoption of modernity's cultural elements, so that Egypt would not become a chaotic country and go astray. On the weight of their position as the ultimate authority over family law, the Egyptian ulama blocked rapid social change imposed from the top. Alterations to family law and the social structure were undertaken gradually and with a great deal of delicacy. Therefore, the long-standing social order was not suddenly destroyed and replaced with a new one. Instead, changes to the long-standing social structure were allowed to evolve slowly, while the core was largely preserved.
The ulama's far-reaching plan, which was realized in the long run, was to maintain Islam's position in modern Egypt as a guide and as the main source of legitimacy. As will be shown in this study, the history of the Egyptian ulama reveals not passivity, detachment, or submission but careful, and deliberate action.
23
Feinman, David Eric. "Divided government and congressional foreign policy a case study of the post-World War II era in American government." Master's thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4891.
Анотація:
The purpose of this research is to analyze the relationship between the executive and legislative branches of American federal government, during periods within which these two branches are led by different political parties, to discover whether the legislative branch attempts to independently legislate and enact foreign policy by using "the power of the purse" to either appropriate in support of or refuse to appropriate in opposition to military engagement abroad. The methodology for this research includes the analysis and comparison of certain variables, including public opinion, budgetary constraints, and the relative majority of the party that holds power in one or both chambers, and the ways these variables may impact the behavior of the legislative branch in this regard. It also includes the analysis of appropriations requests made by the legislative branch for funding military engagement in rejection of requests from the executive branch for all military engagements that occurred during periods of divided government from 1946 through 2009.ID: 029809199; System requirements: World Wide Web browser and PDF reader.; Mode of access: World Wide Web.; Thesis (M.A.)--University of Central Florida, 2011.; Includes bibliographical references (p. 110-112).
M.A.
Masters
Political Science
Sciences
24
Thériault, Mark J. "Art as propaganda in Vichy France, 1940-1944." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=112592.
Анотація:
The French government under Philippe Petain, based at Vichy, simultaneously collaborated with the Germans and promoted French patriotism. French artists and designers produced an abundance of posters, paintings, sculptures and other objets d'art, examples of which are included here, to promote the values of the "new order." Although Christian symbols were common, fascist symbols among the mass-produced images support the idea that the Vichy regime was not merely authoritarian, but parafascist.The fine arts were purged of "foreign" influences, yet the German Arno Breker was invited to exhibit his sculptures in Paris. In the spirit of national redressement, traditional French art was promoted; however, Modern art, which Hitler condemned as cultural Bolshevism, continued to be produced. With reference to the words of Petain, Hitler, French artists and art critics, and a variety of artworks, this thesis shows how art was used to propagate the ideology of the Vichy regime.
25
Daley, Shawn T. "Centralia, Collective Memory, and the Tragedy of 1919." PDXScholar, 2015. https://pdxscholar.library.pdx.edu/open_access_etds/2576.
Анотація:
The Centralia Tragedy of 1919 has been represented in numerous works over the course of the past 100 years. The vast majority of them concern the events of the day of the Tragedy, November 11, 1919, and whether a small group of Wobblies – members of a union group known as the International Workers of the World (I.W.W.) – opened fire on a group of parading American Legionnaires. This particular element, whether or not the Wobblies opened fire on the Legionnaires or the Legionnaires actually charged the hall where the Wobblies were staying, has generated significant concern in academic and popular literature since it occurred.
This study is less concerned with the events of the day itself, accepting that the full truth might not ever be known. It is instead focused on the collective remembering of that event, and how those recollections splintered into several strands of memory in the nearly 96 years since. It categorizes those strands into three specific ones: the official memory framework, the Labor countermemory framework, and the academic framework.
Each strand developed from early in the Tragedy’s history, starting with authors and adherents in the days after a 1920 trial. That trial, which declared the Wobblies guilty of the deaths of four Legionnaires while not holding anyone accountable for the lynching of Wobbly Wesley Everest, generated ample discord among Centralians. This lack of closure prompted the various aggrieved parties to produce books, pamphlets, speeches, protests and even a famed statue in Centralia's main park. Over time, the various perspectives congealed into the distinct strands of memory, which often flared up in conflict between 1930 and the present day.
26
Costello, Paul. "The goals of the world historians : paradigms in world history in twentieth century." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74629.
Анотація:
Following Nietzsche, Oswald Spengler posed the central problems of the cyclical history of civilization in the twentieth century. Subsequent world historical theorists have attempted to answer Spengler's nihilistic perspective on the destined rise and fall of all cultures by rescuing a progressive movement which transcended the downfall of civilizations. World history since Spengler has been written in pursuit of an answer to the crises of modernism: to the 'Death of God,' the problem of progress, the emergent technological order with its bureaucratic management of society, and the need sensed by the metahistorians for a new 'mythical' grounding to avert the fall of the West. The "Crisis of the West" dominates the perspectives of the world historians. Their goals for the solution of 'modernism,' through the religious transformation of society or political and cultural world unity, are central to their motivation as writers and to the formulation of their paradigms.
27
Kylin, Sebastian. "Brave New World : Blind Perception of the Early 20th Century." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-66354.
Анотація:
Huxley’s Brave New World portrays a futuristic hyperbole of mankind’s future as a result of technological advancements. From a New Historical perspective, this essay examines how BNW satirizes contemporary society by satire where the audience is both a part of the problem and solution. Through the use of satire Huxley’s novel successfully portrays horrific examples of how human life in a not so distant future may find that the technology which revolutionized our lives actually enslaves us. Post-novel examples such as Hitler and his Nazi regime is a real life example of the type of totalitarian regime that is possible as a direct result of scientific progress in many fields. In this paper, however, posterity is excluded from the analysis. Instead this essay focuses on the contemporary society as depicted in early 20th century literature and how it reflects identifiable satirical elements in BNW. The analysis depicts how several discourses of contemporary industrialized Britain such as rationalism, socialism, industrialism, freedom, religion and political indifference are reflected in the novel. Ultimately, Huxley’s dystopian reflection of human future taunts us, the audience, by directly and indirectly illuminating the dangers of blindly accepting scientific advancements in the name of progress. The one, perhaps most relevant question the novel raises is – are we truly free when we are free to have the most wonderful time?
28
Vassiliou, Maria. "Politics, public health and development : malaria in 20th century Greece." Thesis, University of Oxford, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.424677.
29
Cooper, Simon Eric. "Radical politics and literary form in 20th century American writing." Thesis, University of Newcastle Upon Tyne, 2013. http://hdl.handle.net/10443/1855.
Анотація:
This thesis focuses on the US literary left of the 1930s, tracing precursors in pre-WWI anarchism and the bohemian culture of 1920s Greenwich Village, and following the careers of key authors, beyond the Depression, into popular and mainstream culture post-WWII. The free verse of Michael Gold, the ‘proletarian’ novels and short fiction of Robert Cantwell, Tillie Olsen and Erskine Caldwell are read as instances of a kind of modernism from below. As such, they are held up for consideration alongside the more politically conservative modernisms of T. S. Eliot, Ezra Pound and D. H. Lawrence, as well as the work of two writers also on the left but more securely situated in the official canon: Ralph Ellison and George Oppen. The emphasis throughout is on form, understood as fluid and subject to self-conscious experimentation: the politics of the works considered are in this sense embodied in the transformation of pre-existing forms and structures. For this reason a multidisciplinary approach is adopted, with attention being paid to contemporaneous production (with some overlap of personnel) in music and visual culture. There are considerable difficulties involved in the attempt to harness the techniques of ‘high’ cultural thinking to the needs of an organised left with close links to the labour movement: problems of intention; matters of tone; issues of distribution. These difficulties are worked through in order to answer two fundamental questions. First, how did this historical project, riven by contradiction from the outset, manage to achieve even the limited success that it did? Second, why should a place be maintained in contemporary criticism for its recovery? Ultimately, an argument is made for an inclusive critical practice sensitive to the traces of exclusion and absence as figured in the non-representational, whilst at the same time resisting the temptations of obscurantism, superficiality or idealization.
30
Asbury, Michael. "Hélio Oiticica : politics and ambivalence in 20th century Brazilian art." Thesis, University of the Arts London, 2003. http://ualresearchonline.arts.ac.uk/8953/.
Анотація:
This study investigates the presence of ambivalence as a strategy of cultural politics from modern to contemporary art in Brazil. It focuses on the development of modern art leading to the work of Hélio Oiticica, whose approach to avant-garde practice in Brazil was concurrent with intense articulations between the forces of social change and re-evaluations of the legacy of Modernism. The thesis has a strong historiographical emphasis and is organised in three parts: Part one attempts to view the emergence of Modernism in Brazil beyond the prevailing interpretations that emphasise its inadequacy compared to canonical paradigms. Part two discusses the development of abstraction in Brazil, particularly that associated with the constructivist tradition and its relationship with the prevailing positivism of a nation that saw modernity as its inevitable destiny. Such a relationship, between art and ideology, implicitly questions the purported autonomous nature of modern art. Again, what emerged were definite regional distinctions, themselves based on seemingly universal theoretical propositions. The context of Hélio Oiticica's emergence as a constructivist-oriented artist is discussed in order to establish the theoretical foundation for his subsequent articulations between notions of avant-garde and Brazilian popular culture. Part three deals with Oiticica's theoretical and artistic proposals. It centres on the artist's transition from a position concerned primarily with the aesthetic questions of art, to one in which art became engaged on a social, ethical and ultimately political level. Oiticica's relationship with concurrent developments in theatre and later in music and cinema is given particular attention. The artist's questioning of the divides between such fields of specialisation, socio-cultural borders or categories of creative production is argued to have arisen out of Oiticica's lessons from Neoconcretism as well as his individual creative approach to relations of friendship. The latter integrated the wider concept of participation that eventually drove the work through the apparent equivocation between national culture and avant-garde practice. The study concludes with an analysis of the artist's posthumous dissemination and its relation with today's contemporary Brazilian art.
31
Heath, Karen Patricia. "Conservatives and the politics of art, 1950-88." Thesis, University of Oxford, 2014. https://ora.ox.ac.uk/objects/uuid:d62a078b-4009-40a8-8765-1a4f5e0fbcbc.
Анотація:
This thesis offers a new policy history of the National Endowment for the Arts, the federal agency responsible for providing grants to artists and arts organisations in the United States. It focuses in particular on the development of conservative perspectives on federal arts funding from the 1950s to the 1980s, and hence, illuminates the broader evolution of conservative political power, especially its limits. The most familiar narrative holds that the Endowment found itself caught up in the Culture Wars of the late 1980s when Christian right groups objected to certain federal grants, particularly to Andres Serrano's Piss Christ and Robert Mapplethorpe's Self-Portrait with Whip. This thesis, however, uncovers the older origins of conservative opposition to state support for the arts, analyses conservative conceptions of art, and illuminates the limited federal role the right sought to secure in the arts in the post-war period. Numerous studies have analysed the meanings and origins of the Culture Wars, but until now, scholars had not examined conservative approaches to federal arts politics in a historical sense. Historians have generally been too interested in explaining change to the detriment of examining continuity, but this approach under-emphasises the long-term tensions that underlie seemingly sudden political eruptions. This work also offers a deep account of the conservative movement and the arts world, an area that has so far been almost completely ignored by scholars, even though a focus on marginalised players is essential to understanding the limits of conservatism. In a general sense then, this thesis evaluates the range and diversity of the conservative movement and illuminates the overall odyssey of the right in modern America. In so doing, it provides a new insight into the ways we periodise political history and also invites a broader view of how we understand politics itself.
32
Matsubara, Nao. "The prospect for Okinawa's initiative : towards getting rid of the U.S. Military presence in Okinawa." Title page, contents and abstract only, 2002. http://web4.library.adelaide.edu.au/theses/09ARM/09armm4344.pdf.
Анотація:
Includes bibliographical references (leaves [56]-[62]) Focusses on issues concerning the U.S. military presence on the island. Elaborates on Okinawa's suffering due to the military bases which have hindered Okinawa's economic development, created serious pollution and encouraged crime
33
Akyuz, Zeynep Ceren. "Evolution Of Oil Politics In Iraq From The 20th Century Onwards." Master's thesis, METU, 2011. http://etd.lib.metu.edu.tr/upload/12613778/index.pdf.
Анотація:
The objective of this thesis is to analyze the Iraqi politics of oil in the period from 20 th century onwards. Within this regard, while &ldquorentier state&rdquo
conception is generally put under consideration to understand the state&rsquo
s centrality in political, economic and social spheres of oil &ndash
producing countries, contrary to this conventional approach,this thesis argues that the key to all achievements and all failures of Iraqi state is related to the status of oil in Iraq&rsquo
s engagement with the superpowers and the attractiveness of Iraqi oil for other external actors like international non-state actors and multinational companies. In the first instance, the engagement of Britain and later on, the inclusion of the U.S to the national, regional and international affairs of Iraq are discussed within the boundaries of the aforementioned argument. The role of oil in the creation of the state, in its relations with neighbour countries and in relations conducted with the super powers of the international system is analyzed. Within this context, in the aftermath of the September 11, the U.S&rsquo
s intense desires for regime change in Iraq is analyzed to reveal that the main motivation behind the invasion of Iraq in 2003 is related with the country&rsquo
s vast oil resources. In the similar vein, the developments in the post- invasion period are analyzed to indicate the prevailing prominent role of oil. Eventually, this thesis states that even though changes and continuities occur in the course of time and accordingly divergences and convergences exist in the implementations of the Iraqi state, the issue of guaranteeing the flow of oil at reasonable price has remained in the focal point of the external interventions to Iraq.
34
Delshad, Ja'far. "Religion, politics and poetry in Najaf in the early 20th century." Thesis, SOAS, University of London, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.503512.
35
Ganczak, Iwona. "At the crossroads of politics and culture : Polish dissident art of the 1980s." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=83104.
Анотація:
This thesis will examine the political and social significance of the new artistic language that emerged in Poland in the 1980s. The new artistic language pertains to symbols, imagery and themes that originated in the discourse of the opposition and can be defined as the amalgam of the traditional religious vocabulary and time-specific symbols of oppression under Communism. The most prominent in this category are the symbols of the cross, the flowers, the national red and white flag, exclusively contemporary symbols such as the "television-people" as well as an array of traditional religious vocabulary. This unusual relationship between symbolic language of art and the symbols of the Church and the Solidarity accounted for the inherently political nature of dissident art. This thesis will discuss dissident art in context of the contemporary discourses: the discourse of the Communist Party, the Church, John Paul II and Solidarity.
36
陳桂月 and Kwee-nyet Chin. "The mythical world of modern Chinese writers (1919-1949)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31234744.
37
Osman, Newal. "Partition and Punjab politics, 1937-55." Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608215.
38
Berger, Anna M. "MUNKÁCS: A Jewish World That Was." University of Sydney, 2010. http://hdl.handle.net/2123/6336.
Анотація:
MA (Research)Prior to World War II an estimated 11 million Jews lived in hundreds of communities throughout Europe. The rural Subcarpathian city of Munkács was one such place with a strong and vibrant Jewish presence - a Jewish community which constituted some 40% of its population. Munkács had experienced a long history of ethnic, religious and cultural diversity. These different ethno-religious groups managed to live, if not in close friendships, but certainly for the most part, in reasonable harmony until the Hungarian occupation in 1938. The city was well known as a major centre of Jewish life in all its varieties, from the ultra-Orthodox Hasidim to the completely secular Zionists, communists and assimilationists. It was also well known for the internal frictions between some of these factions. In Munkács the ethnic cleansing of the Holocaust happened within a few short weeks in May 1944. The entire community was destroyed, mostly deported to Auschwitz, where some 85% of them were murdered. My aim in this thesis is to contribute to the historiography of The Jewish World That Was by reconstructing a picture of daily Jewish life in Munkács in the period between the two World Wars. My perspective was a grassroots one - a bottom up view of daily life, utilising archival and scholarly secondary sources as a backdrop for the memories of some of those who lived it. I have, through their authentic voices, drawn a word picture of how they lived, learned, worked, prayed and played. In doing this, my contention has been that, to understand the full devastation of the Holocaust, it is imperative to reconstruct the rich, dynamic and colourful fabric of daily life of pre-Holocaust Jewish Europe. It is also my view that it is urgent to do this while there are still those who can help us do so.
39
Berger, Anna M. "MUNKÁCS: A Jewish World That Was." Thesis, The University of Sydney, 2009. http://hdl.handle.net/2123/6336.
Анотація:
Prior to World War II an estimated 11 million Jews lived in hundreds of communities throughout Europe. The rural Subcarpathian city of Munkács was one such place with a strong and vibrant Jewish presence - a Jewish community which constituted some 40% of its population. Munkács had experienced a long history of ethnic, religious and cultural diversity. These different ethno-religious groups managed to live, if not in close friendships, but certainly for the most part, in reasonable harmony until the Hungarian occupation in 1938. The city was well known as a major centre of Jewish life in all its varieties, from the ultra-Orthodox Hasidim to the completely secular Zionists, communists and assimilationists. It was also well known for the internal frictions between some of these factions. In Munkács the ethnic cleansing of the Holocaust happened within a few short weeks in May 1944. The entire community was destroyed, mostly deported to Auschwitz, where some 85% of them were murdered. My aim in this thesis is to contribute to the historiography of The Jewish World That Was by reconstructing a picture of daily Jewish life in Munkács in the period between the two World Wars. My perspective was a grassroots one - a bottom up view of daily life, utilising archival and scholarly secondary sources as a backdrop for the memories of some of those who lived it. I have, through their authentic voices, drawn a word picture of how they lived, learned, worked, prayed and played. In doing this, my contention has been that, to understand the full devastation of the Holocaust, it is imperative to reconstruct the rich, dynamic and colourful fabric of daily life of pre-Holocaust Jewish Europe. It is also my view that it is urgent to do this while there are still those who can help us do so.
40
Shouba, Derek C. (Derek Christopher). "Unionism and unionist politics : 1906-1914." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23357.
Анотація:
This thesis will trace the development of Conservative ideology in Great Britain between 1906 and 1914. During these years the Conservative party was defeated by the Liberal party on three separate occasions. Many historians believe that this string of electoral contretemps offers convincing evidence that Conservatism, as an evolving pattern of beliefs, was fundamentally unsuited to the political climate of Great Britain at the turn of the century. According to this interpretation of Edwardian Conservatism, it was only the timely onset of war which saved the party from having to come to terms with the democratic impulse of an unfamiliar era. This is a gross exaggeration of the plight of Conservatism before the war, for the party's unwavering commitment to the economic status quo was not in itself a recipe for electoral catastrophe. What may well have turned out to be fatal to the party's well-being was Joseph Chamberlain's Tariff Reform campaign. In 1903 Chamberlain offered the party an all-encompassing creed, a total solution to Britain's problems, both domestic and foreign, and a positive platform to sustain the party in office. Balfour sensed the dangers of a comprehensive ideology that was inherently of its own time. He, and Bonar Law after him, helped to rehabilitate Conservative ideology by limiting its scope and suggesting that Tariff Reform was merely one weapon among many in a large Conservative arsenal.
41
Reibman, Max Yacker. "Cairo and the international politics of Egypt and Syria, 1914-1920." Thesis, University of Cambridge, 2014. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708103.
42
Yu, Xuying, and 郁旭映. "Alternative modernity discourse and intellectual politics in modern and contemporary China: a case study ofXueheng school." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B48079844.
Анотація:
This thesis sets to sketch Chinese intellectuals’ sustained efforts to search for an alternative modernity to the Western model throughout the twentieth century, and uncover the interaction between intellectual politics and Chinese modernity discourse by historicizing and contextualizing Chinese modernity discourse.
This study starts with delineating the consistence and the inconsistence of Chinese modernity discourses by juxtaposing different historical conditions and examining reappeared trends of thoughts. Three intellectual currents, i.e., cultural conservatism, humanism, and professionalism, which emerged in the May Fourth period and remerged in the post-socialist condition, are examined to mirror the spiral dynamics and the locus of Chinese modernity. Their respective roles in reconstructing Chinese cultural, ethical and academic orders in response to Western model of modernity are highlighted in the research. Cultural conservatism attempts to legitimize the Chinese culture in the framework of global modernity by resetting or reinterpreting the dialectical relation between the whole and part, universalism, and essentialism. Humanism emphasizes the standard, the guidance of authority, and the self-perfection to resist the ethical disorder caused by the so-called “modern spirit”, which is embodied by individualism, romanticism, and the immoderate expansion of desire. Professionalism influences the pattern of producing and reproducing knowledge about modernity by re-standardizing the academic and the discursive fields and by remolding the identity of the agents.
After exposing how the “alternative modernity” in China, as a discursive-political device, has been produced and repackaged with various contents and meanings, this thesis proceeds to explore the intellectual pedestal of Chinese modernity discourses from two aspects. First, how do the intellectual strategies of self-positioning and position-taking influence knowledge production and reproduction of the Chinese modernity discourse; second, how articulation and re-articulation of modernity discourse reflect the self-adjustments of intellectual politics as well as identity shifts. Through the comparative and diachronic examinations, it poses that, as Chinese modernity discourse is increasingly served as a symbolic capital or a strategy of intellectual politics, it gradually loses its authenticity or even becomes a signifier without signified. Meanwhile, the state-led modernization practice is reversely becoming homogenous, stable, and less diverse, although the dominant ideology, namely, socialism with Chinese characteristics, is, in itself, hybrid, paradoxical, and strategically manufactured.published_or_final_version
Comparative Literature
Doctoral
Doctor of Philosophy
43
Feng, Dongning. "Text, politics and society : literature as political philosophy in post-Mao China." Thesis, University of Stirling, 1997. http://hdl.handle.net/1893/2216.
Анотація:
The purpose of this study is to arrive at a critical overview of politics and literature in the Chinese context. The relationship has increasingly become a "field" of studies and theoretical inquiry that most scholars in either disciplines are wary to tread. This thesis tries to venture into this problematic field by a theoretical examination as well as an empirical critique of Chinese literature and politics, where the relationship seems even more paradoxical, but adds more insight into the argument. The Introduction and Chapter One set up a framework by asking some general but fundamental questions: what literature is, and how it is to be related to politics. Chapter Two examines the historical function of literature and Chinese writers in society to establish the basis of argument in the Chinese context. Chapter Three focuses the discussion on the relationship between politics and literature during the Mao era and after. Chapters Four analyses the literary works published during the post-Mao period to establish the argument that literature, as part of our perception of the world, is most concerned with human society and social amelioration and participates in the socio-political development by contributing to it through a discourse that is otherwise inaccessible. Chapter Five explores the argument further by extending it into the field of cinema, which basically comes from the same narrative tradition of prose literature, but offers a wider and different dimension to the argument pursued. Chapter Six and the Conclusion try to draw together the argument by examining literature as both form and content to argue how and why literature is related to politics and how it has functioned in a political manner in Chinese society. To summarise, Chinese literature in this period will b& shown to be involved In a process of political reform and development by way of bringing the reader to participate in a critical and philosophical dialogue with power, history and future. In the long run, it offers emancipating visions and possibilities revealed to the reader in ways that are historical, developmental, philosophical and comparative. This study focuses on the prose fiction published in this period, for it is the leading force in China's cultural development and constitutes the major trunk of the modern Chinese canon. In addition, the research also extends to drama and films, and the way they, together with prose fiction, make up the most popular perception and intellectual discovery of contemporary Chinese society and politics and best inform the argument of the study of politics and literature.
44
Ouyang, Yiwen. "Westernisation, ideology and national identity in 20th-century Chinese music." Thesis, Royal Holloway, University of London, 2012. http://repository.royalholloway.ac.uk/items/8f19c444-ee12-c022-d86c-879118683355/7/.
Анотація:
The twentieth century saw the spread of Western art music across the world as Western ideology and values acquired increasing dominance in the global order. How did this process occur in China, what complexities does it display and what are its distinctive features? This thesis aims to provide a detailed and coherent understanding of the Westernisation of Chinese music in the 20th century, focusing on the ever-changing relationship between music and social ideology and the rise and evolution of national identity as expressed in music. This thesis views these issues through three crucial stages: the early period of the 20th century which witnessed the transition of Chinese society from an empire to a republic and included China's early modernisation; the era from the 1930s to 1940s comprising the Japanese intrusion and the rising of the Communist power; and the decades of economic and social reform from 1978 onwards. The thesis intertwines the concrete analysis of particular pieces of music with social context and demonstrates previously overlooked relationships between these stages. It also seeks to illustrate in the context of the appropriation of Western art music how certain concepts acquired new meanings in their translation from the European to the Chinese context, for example modernity, Marxism, colonialism, nationalism, tradition, liberalism, and so on.
45
Lui, Shi-mun Patricia, and 呂詩敏. "Research on the art of Zhu Ming with special focus on his Taiji', andThe living world' series." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1985. http://hub.hku.hk/bib/B31207388.
46
Saumarez, Smith Otto. "Planning, politics and central area redevelopment, circa 1963." Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708858.
47
Januzzi, Angela. "Making an "American Classic": Faulkner, Ferber, and the Politics of 20th Century Canon Formation." Fogler Library, University of Maine, 2007. http://www.library.umaine.edu/theses/pdf/JanuzziA2007.pdf.
48
Zabecki, D. T. "Operational Art and the German 1918 Offensives." Thesis, Department of Defence Management and Security Analysis, 2009. http://hdl.handle.net/1826/3897.
Анотація:
At the tactical level of war the Germans are widely regarded as having had the most
innovative and proficient army of World War I. Likewise, many historians would agree that
the Germans suffered from serious, if not fatal, shortcomings at the strategic level of war. It is
at the middle level of warfare, the operational level, that the Germans seem to be the most
difficult to evaluate.
Although the operational was only fully accepted in the 1980s by many Western
militaries as a distinct level of warfare, German military thinking well before the start of
World War I clearly recognized the Operativ, as a realm of warfighting activity between the
tactical and the strategic. But the German concept of the operational art was flawed at best,
and actually came closer to tactics on a grand scale. The flaws in their approach to operations
cost the Germans dearly in both World Wars.
Through a thorough review of the surviving original operational plans and orders, this
study evaluates the German approach to the operational art by analyzing the Ludendorff
Offensives of 1918. Taken as a whole, the five actually executed and two planned but never
executed major attacks produced stunning tactical results, but ultimately left Germany in a far
worse strategic position by August 1918. Among the most serious operational errors made by
the German planners were their blindness to the power of sequential operations and
cumulative effects, and their insistence in mounting force-on-force attacks.
The Allies, and especially the British, were exceptionally vulnerable in certain
elements of their warfighting system. By attacking those vulnerabilities the Germans might
well have achieved far better results than by attacking directly into the Allied strength.
Specifically, the British logistics system was extremely fragile, and their rail system had two
key choke points, Amiens and Hazebrouck. During Operations MICHAEL and GEORGETTE, the Germans came close to capturing both rail centers, but never seemed to
grasp fully their operational significance. The British and French certainly did. After the
Germans attacked south to the Marne during Operation BLUCHER, they fell victims
themselves to an inadequate rail network behind their newly acquired lines. At the
operational level, then, the respective enemy and friendly rail networks had a decisive
influence on the campaign of March-August 1918.
49
Song, Robert. "Some twentieth-century Christian interpretations of liberal political thought." Thesis, University of Oxford, 1990. http://ora.ox.ac.uk/objects/uuid:b768a401-ce08-47ea-8f09-afed0be3f6e2.
Анотація:
A study of Christian interpretations of liberalism is important for social theology for two reasons: first, liberalism is the dominant political ideology of modernity, and (especially in the form "liberal democracy") is the most prominent form of public self-definition in the West, its claims often being taken to be self-evidently true. Second, liberalism is historically indebted to Christianity, and the two are susceptible of mutual confusion. A critical theological analysis of liberalism is necessary to ensure the authentically Christian nature of contemporary political theology. This analysis is conducted principally through a discussion of the criticisms of liberalism made by three Christian thinkers of the twentieth century, the American Reinhold Niebuhr (1892-1971), the French Jacques Maritain (1882-1973), and the Canadian George Grant (1918-1988). After an introductory chapter, chapter two presents an interpretation of liberalism, mapping the historical contours and varieties of liberalism from five liberal writers, and elaborating a loose framework of the conceptual structure of liberal thought. Chapter three examines Reinhold Niebuhr's criticisms of liberalism's alleged facile progressivism and optimistic conceptions of human nature and reason, and chapter four looks at George Grant's claim that John Rawls' liberal theory fails to provide the ontological affirmations necessary to defend human beings and liberal values against the dynamics of technology. Jacques Maritain's account of pluralism and the ideal of the secular state, and the contribution he can make to the current debate between liberals and communitarians, are the subjects of chapter five, while chapter six attempts to secure some theological purchase on the issues of Bills of Rights, judicial review, and the constitutional restraint of democratic majorities, with special reference to the British context. In the concluding chapter it is argued that the liberal account of justice is impossible to realize, and that central insights must be borrowed from the Augustinian tradition.
50
Goncalves, De Aranjo Passos Stéphanie. "Une guerre des étoiles: les tournées de ballet dans la diplomatie culturelle de la Guerre froide, 1945-1968 /cStéphanie Gonçalves de Aranjo-Passos." Doctoral thesis, Universite Libre de Bruxelles, 2015. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209106.
Анотація:
Ma thèse de doctorat explore les tournées de ballet des « six grandes » compagnies mondiales pendant la Guerre froide (1945-1968) :ballet de l’Opéra de Paris, Royal Ballet de Covent Garden, Bolchoï et Kirov, New York City Ballet et American Ballet. Elle envisage le ballet comme un outil de diplomatie culturelle transnationale, avec un focus particulier sur les acteurs, qu’ils soient institutionnels, artistiques ou commerciaux. Outre un aspect quantitatif qui nous a amené à cartographier les tournées, il s’agit d’une histoire incarnée par des femmes et des hommes − les danseurs − dont le métier est de tourner sur les scènes internationales, encadrés par des administrateurs et des gouvernements, qui n’ont pas les mêmes priorités et agendas les uns et les autres. Cette recherche met justement en avant les tensions, les difficultés et les dynamiques entre les différents acteurs. La thèse se construit autour de tournées représentatives du lien ténu entre danse et politique, des épisodes qui mettent en valeur les points chauds de cette Guerre froide, ayant comme point de départ ou d’arrivée Londres et Paris.
La description de la danse comme un langage, une pratique physique et un métier permet de comprendre en quoi la danse peut être un outil de communication politique et comment il a été utilisé comme tel dans la longue durée et en particulier pendant la guerre froide. Les différentes échelles – le passage régulier de la macro-histoire à la micro-histoire et inversement ainsi que les flux d’échanges culturels multiples à l’échelle internationale – ont permis de mettre en avant une multiplicité d'acteurs (artistiques, gouvernementaux, commerciaux). La constitution du mythe de la danseuse étoile, et ses représentations, résonne également avec d’autres figures mythiques construites dans la Guerre froide, comme celle de l’astronaute.
Doctorat en Histoire, art et archéologie
info:eu-repo/semantics/nonPublished