Дисертації з теми "Woolf"
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Frotscher, Mirjam M. "Virginia Woolf." Technische Universität Dresden, 2015. https://ul.qucosa.de/id/qucosa%3A15358.
Повний текст джерелаFrotscher, Mirjam M. "Virginia Woolf." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-219530.
Повний текст джерелаKatayama, Aki. "History repeats itself : Woolf, Green, Rhys and Woolf again." Thesis, University of East Anglia, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.327501.
Повний текст джерелаBas, Judith Hall. "Post-Impressionist Woolf." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1998. http://www.kutztown.edu/library/services/remote_access.asp.
Повний текст джерелаSource: Masters Abstracts International, Volume: 45-06, page: 2840. Typescript. Abstract precedes thesis as preliminary leaves [1]-2. Includes bibliographical references (leaves 104-106).
Vondrak, Amy Margaret Edmunds Susan. "Strange things: Hemingway, Woolf, and the fetish (Ernest Hemingway, Virginia Woolf)." Related Electronic Resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2003. http://wwwlib.umi.com/cr/syr/main.
Повний текст джерелаAdams, Kat Russell Richard Rankin. ""More attachment to life & larger" Orlando and Woolf's theories of fiction /." Waco, Tex. : Baylor University, 2008. http://hdl.handle.net/2104/5282.
Повний текст джерелаMurrie, Greg. "The death of Rachel Vinrace : a psychological and sociological study of Virginia Woolf's The voyage out /." Title page, contents and abstract only, 1990. http://web4.library.adelaide.edu.au/theses/09ARM/09armm984.pdf.
Повний текст джерелаGuest, Dorinda. "Virginia Woolf : Embracing Death." Thesis, University of Kent, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.499842.
Повний текст джерелаHastings, Sarah. "Sex, gender, and androgyny in Virginia Woolf's mock-biographies "Friendships Gallery" and Orlando." Cleveland, Ohio : Cleveland State University, 2008.
Знайти повний текст джерелаAbstract. Title from PDF t.p. (Mar. 17, 2009). Includes bibliographical references (p. 48-49). Available online via the OhioLINK ETD Center. Also available in print.
Cheng, Oi-yee. "Marriage and women's identity in the novels of Virginia Woolf." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21161471.
Повний текст джерелаYates, Andrea L. "Riding the hyphen : Derrida--Woolf /." View online ; access limited to URI, 2006. http://0-wwwlib.umi.com.helin.uri.edu/dissertations/dlnow/3222141.
Повний текст джерелаScaramuzza, Filho Mauro. "Kew Gardens, de Virginia Woolf." reponame:Repositório Institucional da UFPR, 2009. http://hdl.handle.net/1884/20251.
Повний текст джерелаLi, Boting, and 李博婷. "Leonard Woolf: towards a literarybiography." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B45697735.
Повний текст джерелаVeyna, Alejandra. "Virginia Woolf and Literary Impressionism." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/440.
Повний текст джерелаRoe, Sue. "Virginia Woolf, writing and gender." Thesis, University of Kent, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.383896.
Повний текст джерелаLloyd, Mandy. "Virginia Woolf and early childhood." Thesis, University of Newcastle upon Tyne, 2009. http://hdl.handle.net/10443/3143.
Повний текст джерелаGuier, Emily J. "Remembering the future community and immunity in Virginia Woolf's The years /." Laramie, Wyo. : University of Wyoming, 2009. http://proquest.umi.com/pqdweb?did=1939245961&sid=1&Fmt=2&clientId=18949&RQT=309&VName=PQD.
Повний текст джерелаEsser, Daniela. "Meta-Woolf Biofiktionen und re-writes als zeitgenössische literarische Versionen von Virginia Woolf und ihren Werken." Trier Wiss. Verl. Trier, 2008. http://www.wvttrier.de.
Повний текст джерелаWright, Elizabeth Helena. "Virginia Woolf and the dramatic imagination." Thesis, St Andrews, 2008. http://hdl.handle.net/10023/510.
Повний текст джерелаMcEwin, Emma. "Virginia Woolf and the visual arts /." Title page and introduction only, 1991. http://web4.library.adelaide.edu.au/theses/09AR/09arm1423.pdf.
Повний текст джерелаRanatunga, Gayanthi. "Kipling, Woolf, and Orwell: literary ethnographers." Thesis, Wichita State University, 2011. http://hdl.handle.net/10057/5194.
Повний текст джерелаThesis (M.A.)--Wichita State University, College of Liberal Arts and Sciences, Dept. of English.
Handley, V. "Access to justice : the Woolf reforms." Thesis, University of Manchester, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542416.
Повний текст джерелаDonovan, Anna Gay. "Virginia Woolf : a language of looking." Thesis, University of Exeter, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.324071.
Повний текст джерелаKoulouris, Lambrotheodoros. "Virginia Woolf : Hellenism, Greekness and loss." Thesis, University of Sussex, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.413888.
Повний текст джерелаMarie, Caroline. "Virginia Woolf : le roman du spectacle." Paris 4, 2003. http://www.theses.fr/2003PA040246.
Повний текст джерелаAt the turn of the twentieth century, the performing arts are polymorphous and ever-evolving, just as Virginia Woolf's novels, especially Orlando, The Waves, The Years and Between the Acts. This study highlights similarities between these novels and some plays that Woolf had read or seen. First and foremost, it refers to major modern theatrical theories to compare Woolf's narrative and polemical strategies with those of the playwrights, scenographers and film-makers of her time, whether she knew these conceptions or not. Indeed theatricality and spectacularity, defined as systems of traits that may be transferred to other artistic genres, shape Woolf's fiction more than specific plays. As a web of effective metaphors theatricality and spectacularity partake to the creation of meaning in the novels. They bring about the motives of transformation, action and expressivity while allowing for distanciation and critical awareness
Smith, Amy Charlotte. "Powerful mysteries myth and politics in Virginia Woolf /." Diss., Online access via UMI:, 2007.
Знайти повний текст джерелаMontera, Paola Boisson Claude. "Articulation et implicite étude contrastive des connecteurs logiques /." Lyon : Université Lumière Lyon 2, 2006. http://theses.univ-lyon2.fr/sdx/theses/lyon2/2006/montera_p.
Повний текст джерелаHotho-Jackson, Sabine. "Zwischen Tradition und Moderne : Geschichte bei Virginia Woolf /." Heidelberg : C. Winter, 1990. http://catalogue.bnf.fr/ark:/12148/cb355679021.
Повний текст джерелаJin, Guanglan. "East meets West : Chinese reception and translation of Virginia Woolf /." View online ; access limited to URI, 2009. http://0-digitalcommons.uri.edu.helin.uri.edu/dissertations/AAI3367993.
Повний текст джерелаTsang, Ching-man Irene. "Gender and gender roles in Virginia Woolf." Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/hkuto/record/B38598747.
Повний текст джерелаTsang, Ching-man Irene, and 曾靜雯. "Gender and gender roles in Virginia Woolf." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B38598747.
Повний текст джерелаPotts, Gina Marie Vitello. "Nomadic subjects : the writing of Virginia Woolf." Thesis, Birkbeck (University of London), 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.444550.
Повний текст джерелаAbbs, Carolyn. "Virginia Woolf: A mosaic of nonverbal arts." Thesis, Abbs, Carolyn (2001) Virginia Woolf: A mosaic of nonverbal arts. PhD thesis, Murdoch University, 2001. https://researchrepository.murdoch.edu.au/id/eprint/52930/.
Повний текст джерелаJakubowicz, Karina. "Gardens in the work of Virginia Woolf." Thesis, University College London (University of London), 2018. http://discovery.ucl.ac.uk/10046712/.
Повний текст джерелаCassigneul, Adèle. "Voir, observer, penser : Virginia Woolf et la photo-cinématographie." Thesis, Toulouse 2, 2014. http://www.theses.fr/2014TOU20048.
Повний текст джерелаThis study contends that Virginia Woolf's writing draws its inspiration from Julia Margaret Cameron's Victorian photographs, the 1920s avant-garde photography and cinema, and Woolf's own Monk's House Albums, making her work at once photographic and cinematographic, or photo-cinematographic. Exploring the Woolfian text as a complex representation device, I examine the plasticity of its prose and narrative strategies to show how photography and cinema help to shape its aesthetic, but also ethical and political contents. This thesis first places Woolf's works in their modernist context and underlines the part played by the Hogarth Press, enabling Woolf to include images in her texts. I then shed light on the kinematic aspect of her work by analysing the photo-filmic exploration of the London scene and the montage of stream of consciousness. The third part probes into the anachronic rhythm of fluctuating time, emphasising the haunting aspects of memory through surviving images that condense their temporality in the instant (snapshot) or unroll it (streaming images) ; thus time achieves a personal and intimate, but also collective and historical dimension. Finally, I look at the Woolfian text as a subversive place of negotiation inhabited by eccentric characters with elusive identities and in which images help the author to make a "poethical" stand
Pillière, Linda. "Etude linguistique de quelques propriétés du style de Virginia Woolf." Paris 4, 1997. http://www.theses.fr/1997PA040329.
Повний текст джерелаThis thesis aims to present a lexicogrammatical study of Virginia Woolf’s style, and to explain how apparently contradictory stylistic effects can coexist in an author's work. A survey of Woolf’s critics, and comments made by the author herself, reveal that two terms are often applied to her style : fluidity and fragmentation. After analysing these two concepts we undertake a detailed analysis of three extracts from her novels. The extract from "Jacob's room" offers an illustration of her fragmented style, the passage from "Mrs Dalloway" is an example of her fluid style and the one from "The years" illustrates the coexistence of both effects. The stylistic traits common to all three texts are studied in the third chapter, as is the predominant role of repetition. The final chapter offers a closer study of certain lexicogrammatical items present in the three extracts and other novels by Virginia Woolf. The concept of narrative and the methods used by Woolf to break the linear sequence of narrative are examined. The absence of sequence, both temporal and causal, the rupture of sequence and the inversion of sequence are each studied in turn, and the various lexicogrammatical elements pertaining to them. Other examples feature in a table at the end of the thesis. From this analysis we realise that breaking textual linearity does not necessarily lead to all cohesive ties disappearing. On the contrary, other ties and links appear within the text, notably paradigmatic relations. We conclude that an overall stylistic effect is a combination of different elements interacting and modifying each other and, while fragmentation or fluidity may exist within a passage studied in isolation, within the larger framework of Woolf's works the effect may be very different
Filho, Lindberg S. Campos. "Estética modernista e patriarcado capitalista: um estudo sobre Orlando de Virginia Woolf." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-17102017-150721/.
Повний текст джерелаThe central objective of this dissertation is a reading of the novel Orlando: A biography (1928) by Virginia Woolf from an interpretative hypothesis of its construction process. Basically, it seeks to investigate how the selection, organisation and articulation of the social and aesthetic materials involved in its production takes place, in a such a way that it is possible to reconstruct the work\'s key moments as well as to propose interpretative codes. In the first chapter there is an extensive analysis of the formal devices that constitute the narrative; in chapter two it is identified in the novel\'s dialectics of form and content two antagonist ideological formations: the figuration of capitalist patriarchy which organises colective experience in an authoritarian way and the aesthetic of cultural modernisation that rises in opposition to the former. Finally, in the conclusion, all the main points discussed in the previous chapters are summarized and it proposes that Woolf\'s project thematizes the human interiority\'s amplitude in order to create a symbolic compensation for the increasing dehumanization of social life in the interwar period. Thus, we identify two modernist paths: one that places centrality on subjectivization and another on objectivization of the artistic process. This dissertation supposes that Woolf belongs to the first lineage.
Johansen-Halsaunet, Rikke. "Androgynitet og bevissthetsstrøm : Virginia Woolfs Mrs Dalloway og Orlando fra roman til film." Thesis, Norges teknisk-naturvitenskapelige universitet, Institutt for språk og litteratur, 2014. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-26540.
Повний текст джерелаRichter, Yvonne. "A critic in her own right taking Virginia Woolf's literary criticism seriously /." unrestricted, 2009. http://etd.gsu.edu/theses/available/etd-04162009-164658/.
Повний текст джерелаTitle from file title page. Randy Malamud, committee chair; Paul Schmidt, Lee Anne Richardson, committee members. Description based on contents viewed Aug. 13, 2009. Includes bibliographical references (p, 91-97).
Ke, Lingxiang. "Les Lettres de Virginia Woolf comme laboratoire d’écriture." Thesis, Montpellier 3, 2015. http://www.theses.fr/2015MON30040/document.
Повний текст джерелаThis dissertation means to explore the aesthetics of Woolf's epistolary writing. For Woolf, letters become a vast field, a free space for experimenting her original theories of writing, developing her unique techniques and perfecting her style of modern writing. They also provide a space for finding her authorial voice, position and self. Delving into the six volumes of Woolf's private letters, we first explore how they depict the author's daily life, its wealth and intensity. Through her exchanges with her numerous addressees, Woolf redefines the epistolary genre: apart from their informative function, letters offer artistic descriptions of life and people, which are composed by Woolf in a specific manner, often fuelled by various other arts—painting, cinema, music, or drama. Such a representation transforms the most private epistolary genre into a public, dialogical and inter-medial genre. Intimacy and self-protectiveness, together with a desire for self-exposure stimulate Woolf to develop a style of “central transparency”—her figurative or suggestive method that enables her to express emotion and represent herself
Félix, Claude-Alain. "Une étude sur la personnalité de Virginia Woolf." Montpellier 1, 1993. http://www.theses.fr/1993MON11169.
Повний текст джерелаMOSTFA, MOHAMED ALI. "Temps et personne dans les vagues de virginia woolf." Lyon 2, 1994. http://www.theses.fr/1994LYO20019.
Повний текст джерелаThe aim of this thesis intitled tense and person in the waves of virginia woolf, is to propose an other way of reading to the text in the light of linguistics reflextions. The first part studies the use of the tenses and their distribution in the text. The analysis in this part helped us to distangle the differents relations that exist between what i called interludes and chapters on temporal level. The second part focuses on the use of personal pronouns i and you in the "chapters". This study leads us to think about the differents relations that take place between the characters on the one hand, and the characters and their statements on the other
Mraz, David Michael. "Reading masculinity in Virginia Woolf''s The waves." Cleveland, Ohio : Cleveland State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=csu1260994491.
Повний текст джерелаAbstract. Title from PDF t.p. (viewed on Dec. 18, 2009). Includes bibliographical references (p. 53-54). Available online via the OhioLINK ETD Center and also available in print.
Totev, Stela Kostova. "Variation on motherhood in Woolf, Lawrence, and Joyce." Thesis, University of Ottawa (Canada), 2002. http://hdl.handle.net/10393/6445.
Повний текст джерелаEriksson, Charlotte. "Katherine Mansfield och Virginia Woolf : Masker och självidentiteter." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-44885.
Повний текст джерелаHargreaves, Tracy. "Virginia Woolf and twentieth century narratives of androgyny." Thesis, Queen Mary, University of London, 1994. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1444.
Повний текст джерелаTippin, Robert Eric. "Playing modern : essaying, 1880-1920, Wilde, Chesterton, Woolf." Thesis, University of Cambridge, 2019. https://www.repository.cam.ac.uk/handle/1810/290416.
Повний текст джерелаWalczyk, Kayla. "Melancholy Aesthetics:: Experiencing Loss in Woolf and Duras." Thesis, Boston College, 2018. http://hdl.handle.net/2345/bc-ir:107892.
Повний текст джерелаThesis advisor: Kayla Walczyk
Fiction, in that it need not position itself at a safe distance from melancholia in order to point at with a theoretical probe, presents a more accurate vision of the melancholic structure. Instead of simply describing and defining melancholia, fiction can inhabit the space of the pathology. In this way, it can perform the consuming and debilitating suffering that ensues after the experience of an inexpressible loss. In doing so, it can force the reader to experience in the act of reading what it would be like to meet melancholia in all its disturbing allure and destructive capacities. Certain fictional representations of loss, in the way they pull their readers into a melancholic vortex, profoundly enact the difficulties that result in this encounter. The capacity of fiction to render the melancholic structure in all its complexity is evident in Marguerite Duras’ The Ravishing of Lol Stein and in Virginia Woolf’s To the Lighthouse. In the way these texts perform the dynamics of the melancholic structure, they push beyond the precipice of where scientific language is forced to stop. This reading of The Ravishing of Lol Stein and To the Lighthouse is not an attempt to psychoanalyze fictional characters or the authors who created them; such a study is highly speculative and relatively unproductive. It is an attempt to recognize how melancholy seems to be functioning in and performed by these texts, and in this interpretive schema, recognizing how fiction can do what theory cannot
Thesis (BA) — Boston College, 2018
Submitted to: Boston College. College of Arts and Sciences
Discipline: Departmental Honors
Discipline: English
Owen, Meirion. "Arnold Bennett, Virginia Woolf : fiction, form and experiment." Thesis, Keele University, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.536749.
Повний текст джерелаBoisset, Pestourie Marie-Claire. "L'écriture du silence dans l'oeuvre de Virginia Woolf." Lyon 2, 1998. http://www.theses.fr/1998LYO20002.
Повний текст джерелаThere is a texture of silence in virginia woolf's writing, not only in her "novels", from the beginning to the end and at all stages of their composition, but also in a variety of ways in her letters, diaries and essays. Far from being merely a theme, silence is an operative part of the writing (the fiction being at the centre of our analysis), in that it provides it with breathing, inspiration, rhythmical patterns, pauses, breaks and interruptions, whether full to the brim or empty at the core : it plays a crucial role in the aesthetic outlook of the texts. Some of them have a veritable aura of mystery, a luminous indication of the peculiar metaphysical dimension of the work of an author well-known, and even self-proclaimed, as an atheist. Even though the term "mysticism" in the traditional sense seems little relevant to her texts, it still remains that in many respects her writing works negatively (i. E. , by reference to the sense used in the field of photography, with the same implications as for negative theology or philosophy) : where words cannot go, however strong they may be, this writing shows indirectly what cannot be said straightforwardly. The emptiness of silence or blanks thus serve as an agent of revelation, pointing out towards the "scaffolding" of the world, a presence (or being) which surges out of the surface level of the text in a miracle moment (or moment of being). Paradoxically, woolf's writing is devoted to what is intrinsically beyond its reach, whether it be uneasily addressed as unnameable "being" (where other writers would speak of god), or else as the spirit of reality or life itself (which also includes death). Woolf's writing derives from an ingrained desire to tell the ultimate truth (about love, about sexuality and the body too), the various obstacles to the production of this work of a genius, utterly desperate yet wholly alive at the same time, all contribute to the making of a brilliant, infinitely diverse writing of silence