Дисертації з теми "Women – Humor"
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Gibbs, Fran French 1945. "Humor as Experienced by Hearing Impaired Women." Diss., The University of Arizona, 1996. http://hdl.handle.net/10150/565553.
Повний текст джерелаChastain, Stephanie G. "The gendering of humor : toward a feminist narrative /." Thesis, Connect to this title online; UW restricted, 1996. http://hdl.handle.net/1773/6673.
Повний текст джерелаGeddes, Tara. "Gender humor as a reflection of attitudes toward women and men." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ35059.pdf.
Повний текст джерелаKarman, Barbara A. "Women and Humor: A Linguistic and Rhetorical Analysis of Joke Target." Kent State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1366049215.
Повний текст джерелаHill, Gregory Thomas. "Sex and gender differences in humor, creativity, and their correlations /." Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p3004286.
Повний текст джерелаLyn, Francesca. "Graphic Intimacies: Identity, Humor, and Trauma in Autobiographical Comics by Women of Color." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5904.
Повний текст джерелаForrette, John Michael. "Humor Styles and Acceptance as Predictors of Quality of Life in Men and Women with Coronary Artery Disease." Xavier University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=xavier1564589976674187.
Повний текст джерелаThornton, Meghan Schwain Kristin. "The impression of humor Mary Cassatt and her rendering of wit /." Diss., Columbia, Mo. : University of Missouri--Columbia, 2009. http://hdl.handle.net/10355/6530.
Повний текст джерелаHoover, Jessica. "Let's Bump Up the Lights: Exploring "The Carol Burnett Show" as a Cultural Antecedent to Feminist Media Studies." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc1538695/.
Повний текст джерелаHoover, Jessica. "Let's Bump Up the Lights: Exploring The Carol Burnett Show as a Cultural Antecedent to Feminist Media Studies." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1538695/.
Повний текст джерелаConnor, Jutterstedt Emelie. "Özz Nûjens ståuppkomik som diskursiv praktik: Humor, PK och självmotsägelser." Thesis, Stockholms universitet, Genusvetenskap, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-152109.
Повний текст джерелаCandita, Linda A. "Hooked on humour : achieving rapport in humorous interactions between men and women who are friends." Thesis, View thesis, 2008. http://handle.uws.edu.au:8081/1959.7/38155.
Повний текст джерелаDias, Rodrigo da Silva. "Estudo comparativo do fenótipo clínico de mulheres com transtorno afetivo bipolar em fase reprodutiva da vida com e sem piora pré-menstrual do humor." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/5/5142/tde-28052010-101220/.
Повний текст джерелаThe impact of hormonal fluctuation during the menstrual cycle on the course of bipolar disorder in women is poorly studied. We also found many gaps in knowledge about its clinical presentation and its implications for the evolution of Bipolar Disorder, especially the association with rapid cycling and its predictive value for recurrence. Methods: Women with Bipolar Disorder (types I, II or Not Otherwise Specificated ) participants Systematic Treatment Enhancement Program for Bipolar Disorder, aged between 16 and 40, were divided into two groups: with and without reports of Premenstrual Exacerbation of Bipolar Disorder in the baseline assessment. These groups were compared to clinical features of BD, reproductive life and treatment at study entry. The time difference of recurrence between groups who were euthymic at the baseline assessment were done with survival analysis Kaplan Meier\'s survival curve and Cox regression models. The number of episodes between the patients who were followed for a period of one year was also compared. Results: Of 706 women who completed the questionnaire, 490 (69.4%) reported premenstrual exacerbation. At study entry, compared to those without premenstrual exacerbation, women with premenstrual exacerbation were more depressed, had more psychiatric comorbidities, mood symptoms with the use of hormonal contraceptives, irregular menstrual cycles, and were receiving less drug treatment. Women with premenstrual exacerbation also reported more mood episodes during the previous year and were more likely to state rapid cycling in the same period. In a prospective evaluation among women who started the study in euthymic mood state (premenstrual exacerbation n = 66, without premenstrual exacerbation n = 63), the premenstrual exacerbation group had a smaller time to relapse when associated subsyndromal mood states to relapse in mania, depression or mixed state. The median time to relapse of 50% of the sample was 4.5 months for women with premenstrual exacerbation, compared with 8.5 months for the group without premenstrual exacerbation (p = 0,02). The premenstrual exacerbation was also a significantly positive factor for a greater severity of depressive symptoms and elevation of mood among women with one year of follow-up. Conclusions: Women with Bipolar Disorder who reported premenstrual exacerbation had a higher psychiatric comorbidity, greater number of episodes of mood in the previous year and rapid cycling. Prospective evaluation showed a higher rate of recurrence, more states and more subsyndromal episodes, but not rapid cycling among women in the premenstrual exacerbation. Our results suggest that premenstrual exacerbation can be considered a clinical marker predictor of a worse clinical phenotype and associated with a worst disease progression in women of reproductive with bipolar affective disorder
Akl, Amira. "Multimodal Expressions of Young Arab Muslim American Women." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1404692026.
Повний текст джерелаCowan, Mary Louise. "There's nothing funny about the evolution of humour : the impact of sex, style, and status on humour production and appreciation." Thesis, University of Stirling, 2014. http://hdl.handle.net/1893/21792.
Повний текст джерелаMartins, Ana Margarida Estrada. "Efeitos de um programa de exercício físico na aptidão funcional e composição corporal de uma população idosa." Master's thesis, Universidade de Évora, 2012. http://hdl.handle.net/10174/15234.
Повний текст джерелаAksit, Gokcesu. "Women." Phd thesis, METU, 2013. http://etd.lib.metu.edu.tr/upload/12615735/index.pdf.
Повний текст джерелаs novel way of making the woman visible since, producing a new entity for observation, this style of practice led to the emergence of a new profession of medicine, gynecology. In this way, the &ldquo
white-armed&rdquo
women of ancient times were brought into the realm of the visible. Examination of the case histories in the corpus revealed that the observational style was used in light of two principles, that of nature as an active force, generally for healing, and water as a function and humor
both the nature and water concepts uniting the analytical and the metaphorical in a holistic way. The nature inspiration enables an ecological view of Hippocratic practice in such a way that later categories described by Kuhn as incommensurable are seen to function in interrelation. The theoretical trajectory therefore, involves a short survey which starts with Popper and follows through Kuhn, Lakatos, Feyerabend, and finally Crombie, with the latter&rsquo
s concept of &ldquo
styles of thinking&rdquo
which accounts for how habits of thought inform specific practices like Hippocratic gynecology.
Knoepfelmacher, Juliana Rosenthal. "A questão da mulher e a ordem social: o humor em Dorothy Parker." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-16092009-170337/.
Повний текст джерелаThe aim of this study is to analyse Dorothy Parker´s short stories in dialogue with her poems in order to show the modernity of her writings and the function played by humour. Analysing the works of the great american writer in the thirties, we see how humour is used as a tool in the construction of the feminine and the social role of women, with the purpose of destabilizing and making a change in the status quo. The theoretical framework based on Vladimir Propp and Henri Bergson helps to demonstrate that in spite of Dorothy Parker´s work being considered dated by some, the satiric sense that emerges from her writings is still present in our times and reveals the context in which those women were inserted.
Cairns, Anna. "Jokes for women : suffrage and the sense of humour on the stage." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:bf0d5cf7-b876-4c97-acc7-da730b56daa6.
Повний текст джерелаHorstman, Lori A. "Humor as a Coping Mechanism in Caregiver Stress." Miami University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=miami1377785245.
Повний текст джерелаLewis, Melinda Maureen. ""That's What She Said": Politics, Transgression, and Women's Humor in Contemporary American Television"." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1394394312.
Повний текст джерелаCandita, Linda A. "Hooked on humour achieving rapport in humorous interactions between men and women who are friends /." View thesis, 2008. http://handle.uws.edu.au:8081/1959.7/38155.
Повний текст джерелаA thesis submitted to the University of Western Sydney, College of Arts, School of Communication Arts, in full satisfaction of the requirements for the degree of Doctor of Philosophy. Includes bibliographical references.
Eddy, Deborah J. "Meaningful Mischiefs: Feminist Craftivism and Performance." Thesis, Griffith University, 2022. http://hdl.handle.net/10072/413981.
Повний текст джерелаThesis (Professional Doctorate)
Doctor of Visual Arts (DVA)
Queensland College of Art
Arts, Education and Law
Full Text
Krelko, Rebecca Elizabeth. "Homophobia, Humor and Male Rape: Family Guy's Role in the Modern Construction of Hegemonic Masculinity." Ohio University Art and Sciences Honors Theses / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ouashonors1366995686.
Повний текст джерелаDrottz, Charlott, and Sara From. "Från husmor till yrkeskvinna : En kvalitativ analys av moderskap i magasinen Husmodern och Mama." Thesis, Linnéuniversitetet, Institutionen för samhällsvetenskaper, SV, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-17096.
Повний текст джерелаSaavedra, Cuya Alba Isabel Antonella. "El humor como crítica social a la imagen hegemónica femenina en YouTube: Nancy Risol." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/655581.
Повний текст джерелаThe present study analyzes the exponents that reveal themselves against the cultural hegemony on YouTube platform, through the use of humor. The main objective is to identify the elements of this resource to make a social criticism of the hegemonic woman’s image on YouTube, in the case of the youtuber Nancy Risol. The methodology used is qualitative and the data obtained comes from a content analysis of her most popular videos. Also, from interviews with students who consume the kind of videos Nancy produces. In this way, the study reveals what makes this youtuber successful, what impact it generates on the audience and what is the intervention of brands in the process.
Trabajo de investigación
Jack, Rosemary. "The power and pleasure of women's laughter : an exploration of the use of humour in contemporary fiction written by women." Thesis, Lancaster University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.249815.
Повний текст джерелаPiat, Emilie. "L’humour dans la poésie féminine britannique contemporaine (1945-2000) : stratégies et figures." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA046.
Повний текст джерелаThe only consensus around the question of contemporary women poetry is that of its diversity: the themes and forms of the poems written by women are almost as varied as the origins of the poets themselves. Diversity is also one of the aspects underlined by most of the publications on the subject of humour. The term applies to so many phenomena that it is virtually impossible to reduce it to a final definition. Yet it is precisely because humour is so difficult to define that it constitutes a particularly appropriate prism to approach contemporary women poetry. Humour is by essence “transgender”. It subverts social order as well as instances of real or symbolical power, and challenges sexual and generic identities. Unsurprisingly, women poets have seen it as a choice weapon to attack received opinions and stereotypes, especially when those aim at defining femininity. Humour should therefore be considered as a form of writing, or rather a set of forms, expressing a specific positioning and operating on the level of enunciation, reception, rhetoric and prosody. This posture, which can be interpreted as irreverence, incongruity or difference, testifies of the complex ties women have established with the poetic tradition. But to do so, women have also developed strategies which enable them to explore common knowledge and accepted truths, and thus redefine the contours of contemporary poetry
Jesus, Márcia de Oliveira. "A mulher nas crônicas de José Simão: um estudo da construção dos estados de violência." Pontifícia Universidade Católica de São Paulo, 2008. https://tede2.pucsp.br/handle/handle/14545.
Повний текст джерелаThe purpose of this dissertation is to analyze how does language, in its different manifestations, constitute one of the utmost expressive ways of violence in the newspaper Folha de S. Paulo, being such newspaper considered one of the most prestigious and trustful mass communication in Brazil. Specifically, our survey aims demonstrating how the expressions of violence against women are constructed in José Simão s chronicles. Marked, mostly, by a grotesque and inelegant humor, Simão s texts embrace issues that cover from economics and politics to sports and entertainment. Through an apparent adrift chat, the amusement postulated by José Simão s chronicles seem to nullify the violence that when considered something non serious allows that, through it, one does and says things that outside that context, social rules would not allow. In this survey one noticed that the violence forms against women in José Simão s chronicles have been rooted for long time in the core of our sexist and patriarchal society, becoming visible, yet also invisible, because hidden under the form of laws, racism, intolerance, habits and traditions. Whilst reproducing old generalizing and prejudiced stereotypes that deal with the female universe, the author contributes - very much - to violence dissemination and perpetuation that abases women on daily basis. We prove that the woman s image is violently antagonized, turning motif of depreciation and mockery. For the exam of our corpus, we consider as analysis categories, the violence consummated against women, either because of her physical form or because of cultural and social aspects, or her moral quality. The corpus was divided in accordance with those three categories. In linguistic terms, violence against women can be felt by the poly-semantic exploration expressed in the chronicles, not only using metaphors and ironies, but also using depreciatory terms, ambiguities, malicious change of first names and neologisms
O objetivo desta dissertação é analisar de que modo a linguagem, nas suas várias manifestações, constitui uma das formas mais expressivas da representação da violência no jornal Folha de S. Paulo, uma vez que esse periódico é considerado um dos veículos de informação de maior prestígio e credibilidade do Brasil. Especificamente, nossa pesquisa se dispõe a demonstrar como são construídas, nas crônicas de José Simão, as expressões de violência contra a mulher. Marcados, principalmente, pelo humor grotesco e deselegante, os textos de Simão abrangem assuntos que vão desde a economia e a política até esportes e entretenimento. Por meio de uma aparente conversa sem rumo, o divertimento postulado pelas crônicas de José Simão parece anular a violência pois, sendo considerado algo não-sério , permite que, por meio dele, se faça e diga coisas que fora dele as normas sociais não permitiriam. Nesse estudo verificou-se que as formas de violência contra as mulheres nas crônicas de José Simão estão arraigadas há muito tempo no seio de nossa sociedade, machista e patriarcal, fazendo-se visíveis, mas também invisíveis, porque escondidas sob formas de leis, racismos, intolerâncias, costumes e tradições. Ao reproduzir velhos estereótipos generalizantes e preconceituosos que dizem respeito ao universo feminino, o autor contribui - e muito para a disseminação e perpetuação da violência que avilta diariamente as mulheres. Comprovamos que a imagem da mulher é violentamente hostilizada, tornando-se motivo de depreciação e zombaria. Para o exame do nosso corpus, consideramos como categorias de análise a violência consumada contra a mulher, seja pela sua forma física, seja por aspectos culturais e sociais, seja por sua qualidade moral. O corpus foi dividido segundo estas três categorias. Em termos lingüísticos, a violência contra as mulheres se fez sentir pela exploração polissêmica ocorrida nas crônicas, não só pela utilização das metáforas e das ironias, mas também pelo uso de termos pejorativos, de trocadilhos, da alteração maliciosa de nomes próprios e de neologismos
Geddes, Tara. "Gender humor as a reflection of attitudes toward women and men." 1998. http://hdl.handle.net/1993/1616.
Повний текст джерелаNoemiLovo and 郎心怡. "Incongruity-resolution theory and humor in women jokes’ punchlines in Italian, Spanish, English and Mandarin Chinese." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/87188607996573028144.
Повний текст джерела國立成功大學
外國語文學系
102
The study aims to investigate and compare women jokes in four different languages: Italian, Spanish, English and Mandarin Chinese. The main purpose is to compare how the punchline of women jokes is constructed and what are the feminine characteristics they portray in the languages in question. The study first collected the data from several websites and only women jokes that show female characteristics were collected. The theoretical backgrounds are based on Incongruity-Resolution Theory (Shultz, 1972), the Isotopy Disjunction Model (Attardo, 1994), and the Blending theory (Fauconnier and Turner, 2002). Secondly, a self-administrated questionnaire was distributed to 31 Italian and Taiwanese male participants, respectively, in order to observe whether male participants see women as women jokes portray them. We attempt to answer the following research questions: (1) What are the elements that construct Italian, English, Spanish and Mandarin Chinese women jokes’ punchline? What are the differences shown in the punchlines? (2) How are women illustrated in women jokes? (3) Do men see women as women jokes illustrate them? What does this tendency entail about gender jokes? The results of the study include: (a) The humor shown in women jokes’ punchline in the four languages can be categorized into 13 categories where in Italian, English and Chinese the most frequent one is ANAPHORA (CONTENT); and in Spanish ANSWER. (b) As far as referential jokes and verbal jokes are concerned, our results are in accordance with Attardo’s (1994) results that referential jokes out number verbal jokes with a majority of lexical verbal jokes. (c) Western women jokes mainly express the punch line by playing with words or by applying synonyms; whereas Mandarin Chinese women jokes’ funniness are mainly represented by a ‘whole idea’. (d) The feminine characteristics that are revealed in women jokes can be categorized into seven categories: UNPLEASANT, INCAPABLE, TALKATIVE, MONEY DEPENDENT, MANIPULATOR, HOUSEWIVES and OTHER, where UNPLEASANT takes most of the ground. (5) The male participants reported that they do not agree with the characteristics of women being stupid, annoying, betrayers as women jokes portray them; however, they are prone to agree that women are talkative and bad drivers. Humorous statements, illustrated differently in divergent languages and cultures, are hard for precise comprehension. Therefore, the different constructions of punchlines help Italian, English, Spanish and Mandarin Chinese language learners comprehend better the humor expressed in the jokes.
Candita, Linda A., University of Western Sydney, College of Arts, and School of Communication Arts. "Hooked on humour : achieving rapport in humorous interactions between men and women who are friends." 2008. http://handle.uws.edu.au:8081/1959.7/38155.
Повний текст джерелаDoctor of Philosophy (PhD)
Grimes, Andrea Bradley. "Chicks aren't funny : an ethnography of female stand-up comedians." Thesis, 2010. http://hdl.handle.net/2152/ETD-UT-2010-05-1334.
Повний текст джерелаtext
Jasper, Ann Deviney. "Humor and irony in the postwar writings of Carmen Martín Gaite, Rosa Montero and Carme Riera: 1978-1988." Thesis, 2003. http://hdl.handle.net/2152/672.
Повний текст джерелаRoome, Dorothy M. "Humour as "cultural reconciliation" in South African situation comedy : an ethnographic study of multicultural female viewers." Thesis, 1998. http://hdl.handle.net/10413/8706.
Повний текст джерелаThesis (Ph.D.)-University of Natal, Durban, 1998.
Bhula, Vidhya. "Questioning gender : the representation of race and gender in global and local print media responses of the Caster Semenya saga." Thesis, 2011. http://hdl.handle.net/10539/10742.
Повний текст джерелаHans, Julia Boissoneau. "The transparent mask: American women's satire 1900-1933." 2011. https://scholarworks.umass.edu/dissertations/AAI3465006.
Повний текст джерела