Дисертації з теми "Women educators – United States-History – 20th century"
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Sharp, Leslie N. "Women shaping shelter." Diss., Georgia Institute of Technology, 2004. http://hdl.handle.net/1853/7268.
Повний текст джерелаMills, Pamela J. "Double vision : the dual roles of women on the homefront during World War II through the lens of government documentary films." Virtual Press, 1992. http://liblink.bsu.edu/uhtbin/catkey/834129.
Повний текст джерелаDepartment of History
Leach, Kristine. "Nineteenth and twentieth century migrant and immigrant women : a search for common ground." Scholarly Commons, 1994. https://scholarlycommons.pacific.edu/uop_etds/2280.
Повний текст джерелаMcCann-Washer, Penny. "An American voice : the evolution of self and the awareness of others in the personal narratives of 20th century American women." Virtual Press, 1997. http://liblink.bsu.edu/uhtbin/catkey/1063194.
Повний текст джерелаDepartment of English
Li, Jing. "Self in community: twentieth-century American drama by women." HKBU Institutional Repository, 2016. https://repository.hkbu.edu.hk/etd_oa/322.
Повний текст джерелаGreenwood, Anne Leslie. ""For Country and For Home": Elite Richmond Women and Changing Southern Womanhood during the First World War." Thesis, Virginia Tech, 2008. http://hdl.handle.net/10919/32085.
Повний текст джерелаMaster of Arts
Scott, Codee. "A Woman's Place is at Work: The Rise of Women's Paid Labor in Five Texas Cities, 1900-1940." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1011821/.
Повний текст джерелаBalic, Iva. "Always Painting the Future: Utopian Desire and the Women's Movement in Selected Works by United States Female Writers at the Turn of the Twentieth Century." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc11060/.
Повний текст джерелаSagorje, Marina. "Self and society in Mary McCarthy's writing." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:8fd1de71-c10c-4341-8283-ccebfeebf2a7.
Повний текст джерелаBoettcher, Anna Margarete. "Through Women's Eyes: Contemporary Women's Fiction about the Old West." PDXScholar, 1995. https://pdxscholar.library.pdx.edu/open_access_etds/4966.
Повний текст джерелаCraig, Maddison L. "Women in the Foreign Service: A Case Study of Margaret Parx Hays, 1942-1964." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1609150/.
Повний текст джерелаSinclair, Donna Lynn. "Caring for the Land, Serving People: Creating a Multicultural Forest Service in the Civil Rights Era." PDXScholar, 2015. https://pdxscholar.library.pdx.edu/open_access_etds/2463.
Повний текст джерелаMunoz, Cabrera Patricia. "Journeying: narratives of female empowerment in Gayl Jones's and Toni Morrison's ficton." Doctoral thesis, Universite Libre de Bruxelles, 2009. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210259.
Повний текст джерелаThrough comparative analysis of eight fictional works, I explore the writers’ idea of female freedom and emancipation, the structures of power affecting the transition from oppressed towards liberated subject positions, and the literary techniques through which the authors facilitate these seminal trajectories.
My research addresses a corpus comprised of three novels and one book-long poem by Gayl Jones, as well as four novels by Toni Morrison. These two writers emerge in the US literary scene during the 1970s, one of the decades of the second black women’s renaissance (1970s, 1980s). This period witnessed unprecedented developments in US black literature and feminist theorising. In the domain of African American letters, it witnessed the emergence of a host of black women writers such as Gayl Jones and Toni Morrison. This period also marks a turning point in the reconfiguration of African American literature, as several unknown or misplaced literary works by pioneering black women writers were discovered, shifting the chronology of African American literature.
Moreover, the second black women's renaissance marks a paradigmatic development in black feminist theorising on womanhood and subjectivity. Many black feminist scholars and activists challenged what they perceived to be the homogenising female subject conceptualised by US white middle-class feminism and the androcentricity of the subject proclaimed by the Black Aesthetic Movement. They claimed that, in focusing solely on gender and patriarchal oppression, white feminism had overlooked the salience of the race/class nexus, while focus by the Black Aesthetic Movement on racism had overlooked the salience of gender and heterosexual discrimination.
In this dissertation, I discuss the works of Gayl Jones and Toni Morrison in the context of seminal debates on the nature of the female subject and the racial and gender politics affecting the construction of empowered subjectivities in black women's fiction.
Through the metaphor of journeying towards female empowerment, I show how Gayl Jones and Toni Morrison engage in imaginative returns to the past in an attempt to relocate black women as literary subjects of primary importance. I also show how, in the works selected for discussion, a complex idea of modern female subjectivities emerges from the writers' re-examination of the oppressive material and psychological circumstances under which pioneering black women lived, the common practice of sexual exploitation with which they had to contend, and the struggle to assert the dignity of their womanhood beyond the parameters of the white-defined “ideological discourse of true womanhood” (Carby, 1987: 25).
Doctorat en philosophie et lettres, Orientation langue et littérature
info:eu-repo/semantics/nonPublished
Silverman, Joel Matthew. "Pursuing celebrity, ensuing masculinity: Morris Ernst, obscenity, and the search for recognition." Thesis, 2006. http://hdl.handle.net/2152/2956.
Повний текст джерела"An understanding of classical pentecostal mission: Azusa Street mission as transcendence of race and class, inculturation and detraditionalization." 2001. http://library.cuhk.edu.hk/record=b5890819.
Повний текст джерелаThesis (M.Div.)--Chinese University of Hong Kong, 2001.
Includes bibliographical references (leaves 60-65).
Abstracts in English and Chinese.
Introduction
Chapter Chapter One
Chapter A. --- Root of Pentecostalism: the Black Heritage
Chapter B. --- Transcending Race & Class
Chapter a. --- History of the Marginalized Black Slave in America
Chapter i. --- Social Context in America: Slavery & Racism
Chapter ii. --- Formation of Black church
Chapter b. --- The Outpouring of the Spirit: Transcending Race and Class
Chapter Chapter Two --- Transforming Christianity: Inculturation
Chapter a. --- The Concept of Inculturation
Chapter b. --- Worship in the Azusa Street Revival
Chapter c. --- African Heritage
Chapter d. --- Worship
Chapter e. --- Spirit Possession
Chapter Chapter Three --- Yielding Detraditionalization
Chapter a. --- Marginalization of Women in Mission
Chapter i. --- Masculine Domination of Missionary Societies
Chapter ii. --- Traditional Roles of Women
Chapter iii. --- Opposition of a Single Woman as a Missionary
Chapter iv. --- Resistance of Setting-up of Women's Board
Chapter v. --- Unjust Criticisms from Masculine Organizations
Chapter vii. --- Widow Case
Chapter b. --- Patriarchal Christian Tradition
Chapter c. --- Pentecostal Women in Mission
Chapter d. --- The Power of Holy Spirit: Detraditionalization
Conclusion
Bibliography
Stypa, Caitlyn Marie. "Purdue girls : the female experience at a land-grant university, 1887-1913." Thesis, 2013. http://hdl.handle.net/1805/4207.
Повний текст джерелаGarrett-Scott, Shennette Monique. "Daughters of Ruth : enterprising black women in insurance in the New South, 1890s to 1930s." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-3471.
Повний текст джерелаtext
Koenigsknecht, Theresa A. ""But the half can never be told" : the lives of Cannelton's Cotton Mill women workers." Thesis, 2013. http://hdl.handle.net/1805/4655.
Повний текст джерелаFrom 1851 to 1954, under various names, the Indiana Cotton Mills was the dominant industry in the small town of Cannelton, Indiana, mostly employing women and children. The female industrial laborers who worked in this mill during the middle and end of the nineteenth century represent an important and overlooked component of midwestern workers. Women in Cannelton played an essential role in Indiana’s transition from small scale manufacturing in the 1850s to large scale industrialization at the turn of the century. In particular, this work will provide an in-depth exploration of female operatives’ primary place in Cannelton society, their essential economic contributions to their families, and the unique tactics they used in attempts to achieve better working conditions in the mill. It will also explain the small changes in women’s work experiences from 1854 to 1884, and how ultimately marriage, not industrial work, determined the course of their later lives.
Wheeler, Belinda. "AT THE CENTER OF AMERICAN MODERNISM: LOLA RIDGE’S POLITICS, POETICS, AND PUBLISHING." Thesis, 2008. http://hdl.handle.net/1805/1683.
Повний текст джерелаAlthough many of Lola Ridge's poems champion the causes of minorities and the disenfranchised, it is too easy to state that politics were the sole reason for her neglect. A simple look at well-known female poets who often wrote about social or political issues during Ridge's lifetime, such as Edna St. Vincent Millay and Muriel Rukeyser, weakens such a claim. Furthermore, Ridge's five books of poetry illustrate that many of her poems focused on themes beyond the political or social. The decisions by critics to focus on selections of Ridge's poems that do not display her ability to employ multiple aesthetics in her poetry have caused them to present her work one-dimensionally. Likewise, politically motivated critics often overlook aesthetic experiments that poets like Ridge employ in their poetry. Few poets during Ridge's time made use of such drastically varied styles, and because her work resists easy categorization (as either traditional or avant-garde), her poetry has largely gone unnoticed by modern scholars. Chapter two of my thesis focuses on a selection Ridge's social and political poems and highlights how Ridge's social poetry coupled with the multiple aesthetics she employed has played a part in her critical neglect. My findings will open up the discussion of Ridge's poetry and situate her work both politically and aesthetically, something no critic has yet attempted. Chapter three examines Ridge’s role as editor of Modern School, Others and Broom. Ridge's work for these magazines, particularly Others and Broom, places her at the center of American modernism. My examination of Ridge's social poetry and her role as editor for two leading literary magazines, in conjunction with her use of multiple aesthetics, will build a strong case for why her work deserves to be recovered.
Maurer, Anna C. ""Churches in the Vanguard:" Margaret Sanger and the Morality of Birth Control in the 1920s." Thesis, 2015. http://hdl.handle.net/1805/7908.
Повний текст джерела