Готові списки джерел за темами / Vocal resonance

Добірка наукової літератури з теми "Vocal resonance"

Автор: Grafiati
Опубліковано: 10 грудня 2022
Оновлено: 28 січня 2023

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Статті в журналах з теми "Vocal resonance"

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Köberlein, Marie, Peter Birkholz, Michael Burdumy, Bernhard Richter, Fabian Burk, Louisa Traser, and Matthias Echternach. "Investigation of resonance strategies of high pitch singing sopranos using dynamic three-dimensional magnetic resonance imaging." Journal of the Acoustical Society of America 150, no. 6 (December 2021): 4191–202. http://dx.doi.org/10.1121/10.0008903.

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Resonance-strategies with respect to vocal registers, i.e., frequency-ranges of uniform, demarcated voice quality, for the highest part of the female voice are still not completely understood. The first and second vocal tract resonances usually determine vowels. If the fundamental frequency exceeds the vowel-shaping resonance frequencies of speech, vocal tract resonances are tuned to voice source partials. It has not yet been clarified if such tuning is applicable for the entire voice-range, particularly for the top pitches. We investigated professional sopranos who regularly sing pitches above C6 (1047 Hz). Dynamic three-dimensional (3D) magnetic resonance imaging was used to calculate resonances for pitches from C5 (523 Hz) to C7 (2093 Hz) with different vowel configurations ([a:], [i:], [u:]), and different contexts (scales or octave jumps). A spectral analysis and an acoustic analysis of 3D-printed vocal tract models were conducted. The results suggest that there is no exclusive register-defining resonance-strategy. The intersection of fundamental frequency and first vocal tract resonance was not found to necessarily indicate a register shift. The articulators and the vocal tract resonances were either kept without significant adjustments, or the fR1:fo-tuning, wherein the first vocal tract resonance enhances the fundamental frequency, was applied until F6 (1396 Hz). An fR2:fo-tuning was not observed.
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2

Liu, Rui, Cory Cornelius, Reza Rawassizadeh, Ronald Peterson, and David Kotz. "Vocal Resonance." Proceedings of the ACM on Interactive, Mobile, Wearable and Ubiquitous Technologies 2, no. 1 (March 26, 2018): 1–23. http://dx.doi.org/10.1145/3191751.

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3

Straumann, Barbara. "Vocal effect and resonance." English Text Construction 1, no. 1 (March 7, 2008): 83–96. http://dx.doi.org/10.1075/etc.1.1.07str.

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In its theoretical framework, my paper participates in the debate over voice ‘after’ Derrida. Drawing on poststructuralist and phenomenological approaches as well as recent contributions in the area of performance and cultural studies, I claim that the voice can be treated as an effect of resonance. Inherently performative and dialogic, the voice emerges by resonating with something else as well as by effecting resonances elsewhere. In Henry James’s The Bostonians (1886), this figuration is epitomized by the charismatic speaker Verena Tarrant. Her extraordinary public voice is read, manipulated and spoken by various figures of authority, who treat her as a stake in their struggle for power and publicity. Possessed by her vocal gift, they seek in turn to take possession of it. Yet while she lends her voice to others by echoing their ideas and phrases, catchwords and clichés, Verena simultaneously produces an impact on her audiences which eludes full appropriation. Her impersonal voice may express neither self-presence nor agency, but its effect is one of powerful resonance. Exceeding the text’s satire of the feminist movement and publicity culture, Verena’s doubly mesmeric voice refers us to an ambiguous and unresolvable fascination, both highlighted and performed by The Bostonians, for the voice in general and the public voice of modernity in particular.
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4

Thilakan, Jithin, Balamurali B.T., Sarun P.M., and Jer-Ming Chen. "Vocal Tract Resonance Detection at Low Frequencies: Improving Physical and Transducer Configurations." Sensors 23, no. 2 (January 13, 2023): 939. http://dx.doi.org/10.3390/s23020939.

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Broadband excitation introduced at the speaker’s lips and the evaluation of its corresponding relative acoustic impedance spectrum allow for fast, accurate and non-invasive estimations of vocal tract resonances during speech and singing. However, due to radiation impedance interactions at the lips at low frequencies, it is challenging to make reliable measurements of resonances lower than 500 Hz due to poor signal to noise ratios, limiting investigations of the first vocal tract resonance using such a method. In this paper, various physical configurations which may optimize the acoustic coupling between transducers and the vocal tract are investigated and the practical arrangement which yields the optimal vocal tract resonance detection sensitivity at low frequencies is identified. To support the investigation, two quantitative analysis methods are proposed to facilitate comparison of the sensitivity and quality of resonances identified. Accordingly, the optimal configuration identified has better acoustic coupling and low-frequency response compared with existing arrangements and is shown to reliably detect resonances down to 350 Hz (and possibly lower), thereby allowing the first resonance of a wide range of vowel articulations to be estimated with confidence.
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5

Radolf, Vojtěch. "Sensitivity of Acoustic Resonance Properties to a Change in Volume of Piriform Sinuses." Applied Mechanics and Materials 821 (January 2016): 671–76. http://dx.doi.org/10.4028/www.scientific.net/amm.821.671.

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Piriform sinuses (PS), side branches of the human vocal tract, produce extra resonances and antiresonances which influence the quality of produced voice. These acoustic resonant characteristics can be numerically simulated by 3D finite element models of the vocal tract with lateral cavities. Computations that use these accurate methods are very time consuming, therefore this study introduces a simplified 1D mathematical model to analyse acoustical effects of side branches. Although the 1D model cannot capture higher-frequency transversal mode shapes, the resulted changes caused by piriform sinuses partially correspond to recent findings of 3D computational models. New pair of resonances around 5 kHz followed by an antiresonance frequency were detected in the results of the model including PS. The first four resonance frequencies lying below the first new resonance of PS decreased with increasing PS volume and similarly both the new resonances of PS. The higher original resonances increased with increasing PS volume.
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6

Rakerd, Brad, Eric J. Hunter, and Peter LaPine. "Resonance Effects and the Vocalization of Speech." Perspectives of the ASHA Special Interest Groups 4, no. 6 (December 26, 2019): 1637–43. http://dx.doi.org/10.1044/2019_pers-19-00052.

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Purpose Studies of the respiratory and laryngeal actions required for phonation are central to our understanding of both voice and voice disorders. The purpose of this tutorial is to highlight complementary insights about voice that have come from the study of vocal tract resonance effects. Conclusion This tutorial overviews the following areas: (a) special resonance effects that have been found to occur in the vocal productions of professional performers; (b) resonance and antiresonance effects associated with nasalization, together with clinical considerations associated with the diagnosis and/or treatment of hyponasal and hypernasal speech; and (c) studies of resonant voice and what they tell us about both normal and disordered speech production.
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7

Moore, Christopher A. "The Correspondence of Vocal Tract Resonance With Volumes Obtained From Magnetic Resonance Images." Journal of Speech, Language, and Hearing Research 35, no. 5 (October 1992): 1009–23. http://dx.doi.org/10.1044/jshr.3505.1009.

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The increasing availability of magnetic resonance imaging (MRI) as a research, and even clinical, tool in speech production makes possible a wide range of quantitative methods in vocal tract measurement. In these initial stages of application, it is essential that the limits of the method be identified. The present investigation was designed to apply the techniques of digital image analysis and volumetric measurement to MRls obtained for the vocal tract during production of continuant speech sounds, and to apply these measures to a well-established and thoroughly tested model of acoustic transmission (Stevens & House, 1955). The results demonstrated that, although there were several sources of relatively large error and measurement bias, the vocal tract volumes obtained from MRIs were significantly predictive of vocal tract resonance frequencies. These results are discussed with respect to limits and potential for future application of MRI to speech production research.
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8

Heinrich-Clauer, Vita. "Body Resonance and the Voice." Clinical Journal of the International Institute for Bioenergetic Analysis 26, no. 1 (March 2016): 137–57. http://dx.doi.org/10.30820/0743-4804-2016-26-137.

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This article focuses on bioenergetic principles and the link between emotions and the voice, discussing various approaches to vocal expression in the psychotherapeutic process. There is an examination of the idiosyncrasies of bioenergetic work with the voice in contrast to therapeutic approaches that work solely with the body. There is an important distinction for practical bioenergetic work between liberating vocal discharge on the one hand and the build-up of tone, boundaries and self-efficacy on the other hand (cf. Shapiro, 2006, 2008, 2009).
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9

Joliveau, Elodie, John Smith, and Joe Wolfe. "Tuning of vocal tract resonance by sopranos." Nature 427, no. 6970 (January 2004): 116. http://dx.doi.org/10.1038/427116a.

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10

Titze, Ingo R., Brad Story, Marshall Smith, and Russel Long. "A reflex resonance model of vocal vibrato." Journal of the Acoustical Society of America 111, no. 5 (2002): 2272. http://dx.doi.org/10.1121/1.1434945.

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Дисертації з теми "Vocal resonance"

1

Mohammad, A. S. Mohammad. "Dynamic measurements of speech articulators using magnetic resonance imaging." Thesis, University of Southampton, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.297609.

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2

Ma, Zongqiang. "Spontaneous speech recognition using statistical dynamic models for the vocal-tract-resonance dynamics." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape4/PQDD_0020/NQ53993.pdf.

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3

Enflo, Laura. "Collision Threshold Pressure : A novel measure of voice function Effects of vocal warm-up, vocal loading and resonance tube phonation in water." Doctoral thesis, Linköpings universitet, Logopedi, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-91365.

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The phonation threshold pressure (PTP), i.e., the smallest amount of subglottal pressure needed to initiate and sustain vocal fold oscillation, is frequently difficult to measure due to the difficulty for some subjects to produce extremely soft phonation. In addition, PTP values are often quite scattered. Hence, the collision threshold pressure (CTP), i.e., the smallest amount of subglottal pressure needed for vocal fold collision, was explored as a possible complement or alternative to PTP. Effects on CTP and PTP of vocal warm-up (Paper 1), resonance tube phonation with the tube end in water (Paper 2), and vocal loading (Paper 3) were investigated. With the aim to accelerate the CTP measurement process, comparisons were made between CTP values derived manually and those derived by several automatic or semi-automatic parameters (Paper 4). Subjects were recorded at various F0 while phonating /pa:/-sequences, starting at medium loudness and continuing until phonation ceased. Subglottal pressure was estimated from oral pressure signals during the /p/ occlusion. Vocal fold contact was determined manually from the amplitude of the electroglottographic (EGG) signal (Papers 1 and 3) or its first derivative (dEGG) (Papers 2 and 4). Recordings were made before and after exercise: (Paper 1) Vocal warm-up was carried out in the 13 singers’ own habitual way. (Paper 2) Twelve mezzo-sopranos phonated on /u:/ at various pitches for two minutes before post-recording, and 15 seconds before each additional F0, into a glass tube (l=27 cm, id=9 mm) at a water depth of 1-2 cm. (Paper 3) Five trained singers and five untrained subjects repeated the vowel sequence /a,e,i,o,u/ at a Sound Pressure Level of at least 80 dB at 0.3 m for 20 minutes. Statistically significant results: (Paper 1) CTP and PTP decreased after warm-up in the five female voices. CTP was found to be higher than PTP (about 4 H2O). Also, CTP had a lower coefficient of variation, suggesting that CTP is a more reliable measure than PTP. (Paper 2) CTP increased on average six percent after resonance tube phonation in water. (Paper 3) CTP and PTP increased after the vocal loading in the untrained voices, with an average after-to-before ratio of 1.26 for CTP and 1.33 for PTP. (Paper 4) Automatically derived CTP values showed high correlation with those obtained manually, from EGG spectrum slope, and from the visual displays of dEGG and of dEGG wavegram.
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4

Story, Brad H., and Kate Bunton. "An acoustically-driven vocal tract model for stop consonant production." ELSEVIER SCIENCE BV, 2017. http://hdl.handle.net/10150/623128.

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The purpose of this study was to further develop a multi-tier model of the vocal tract area function in which the modulations of shape to produce speech are generated by the product of a vowel substrate and a consonant superposition function. The new approach consists of specifying input parameters for a target consonant as a set of directional changes in the resonance frequencies of the vowel substrate. Using calculations of acoustic sensitivity functions, these "resonance deflection patterns" are transformed into time-varying deformations of the vocal tract shape without any direct specification of location or extent of the consonant constriction along the vocal tract. The configuration of the constrictions and expansions that are generated by this process were shown to be physiologically-realistic and produce speech sounds that are easily identifiable as the target consonants. This model is a useful enhancement for area function-based synthesis and can serve as a tool for understanding how the vocal tract is shaped by a talker during speech production. (C) 2016 Elsevier B.V. All rights reserved.
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5

Miller, Nicola Anne. "The significance of kinaesthetic vocal sensations related to listening behaviour : an MRI study." Thesis, University of Aberdeen, 2014. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=216996.

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The aim of this project was to investigate the nature and possible significance of first-person kinaesthetic vocal sensations observed in association with musical listening. Hearing and voice are known to be closely linked but the mechanisms that underlie their close relationship are not yet understood. The presence of kinaesthetic vocal sensations challenges accounts of auditory processing that are divorced from peripheral vocal input and, instead, suggests the hypothesis that auditory and vocal processing mechanisms rely on shared peripheral substrates in addition to their increasingly recognized shared (brain-based) central substrates. To investigate this hypothesis, I used MRI and developed a measurement protocol (informed by established methods in cephalometry) that would allow me to relate vocal structures to their direct and indirect bony attachments to the craniofacial skeleton, cervical spine and sternum. After establishing the method's validity in subjects at rest, I acquired midsagittal MR images (under conditions where articulatory and postural input was negligible) while subjects (1) hummed and (2) listened (in a focused way) to low and high notes at each end of their range. Geometric and shape analysis of craniocaudal, craniocervical and anteroposterior variables revealed significant differences between low- and high-note conditions and widespread correlations between variables for both humming and listening investigations. An unexpected association between pitch change and changes of cervical alignment was also found. These results were complemented and extended by using the same MR images to build an active shape model (ASM). In addition to showing how vocal structures move together, ASM showed goal-related vocal activity to consist of one or more independent modes of variation. Together, the observations, experimental results, and evidence from diverse historical and contemporary sources, support the hypothesis that mechanisms underlying auditory and vocal processing rely on shared central and peripheral substrates. Wide-ranging implications arising from this hypothesis are also discussed.
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6

Mainka, Alexander, Anton Poznyakovskiy, Ivan Platzek, Mario Fleischer, Johan Sundberg, and Dirk Mürbe. "Lower Vocal Tract Morphologic Adjustments Are Relevant for Voice Timbre in Singing." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2016. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-202679.

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The vocal tract shape is crucial to voice production. Its lower part seems particularly relevant for voice timbre. This study analyzes the detailed morphology of parts of the epilaryngeal tube and the hypopharynx for the sustained German vowels /a/, /e/, /i/, /o/, and /u/ by thirteen male singer subjects who were at the beginning of their academic singing studies. Analysis was based on two different phonatory conditions: a natural, speech-like phonation and a singing phonation, like in classical singing. 3D models of the vocal tract were derived from magnetic resonance imaging and compared with long-term average spectrum analysis of audio recordings from the same subjects. Comparison of singing to the speech-like phonation, which served as reference, showed significant adjustments of the lower vocal tract: an average lowering of the larynx by 8 mm and an increase of the hypopharyngeal cross-sectional area (+ 21.9%) and volume (+ 16.8%). Changes in the analyzed epilaryngeal portion of the vocal tract were not significant. Consequently, lower larynx-to-hypopharynx area and volume ratios were found in singing compared to the speech-like phonation. All evaluated measures of the lower vocal tract varied significantly with vowel quality. Acoustically, an increase of high frequency energy in singing correlated with a wider hypopharyngeal area. The findings offer an explanation how classical male singers might succeed in producing a voice timbre with increased high frequency energy, creating a singer‘s formant cluster.
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7

Mainka, Alexander, Anton Poznyakovskiy, Ivan Platzek, Mario Fleischer, Johan Sundberg, and Dirk Mürbe. "Lower Vocal Tract Morphologic Adjustments Are Relevant for Voice Timbre in Singing." Public Library of Science, 2015. https://tud.qucosa.de/id/qucosa%3A29495.

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Анотація:
The vocal tract shape is crucial to voice production. Its lower part seems particularly relevant for voice timbre. This study analyzes the detailed morphology of parts of the epilaryngeal tube and the hypopharynx for the sustained German vowels /a/, /e/, /i/, /o/, and /u/ by thirteen male singer subjects who were at the beginning of their academic singing studies. Analysis was based on two different phonatory conditions: a natural, speech-like phonation and a singing phonation, like in classical singing. 3D models of the vocal tract were derived from magnetic resonance imaging and compared with long-term average spectrum analysis of audio recordings from the same subjects. Comparison of singing to the speech-like phonation, which served as reference, showed significant adjustments of the lower vocal tract: an average lowering of the larynx by 8 mm and an increase of the hypopharyngeal cross-sectional area (+ 21.9%) and volume (+ 16.8%). Changes in the analyzed epilaryngeal portion of the vocal tract were not significant. Consequently, lower larynx-to-hypopharynx area and volume ratios were found in singing compared to the speech-like phonation. All evaluated measures of the lower vocal tract varied significantly with vowel quality. Acoustically, an increase of high frequency energy in singing correlated with a wider hypopharyngeal area. The findings offer an explanation how classical male singers might succeed in producing a voice timbre with increased high frequency energy, creating a singer‘s formant cluster.
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8

Tameem, Hussain Z. "Solid modeling and geometric parameterization of the human vocal tract using magnetic resonance imaging and acoustic pharyngometer." Ohio : Ohio University, 2003. http://www.ohiolink.edu/etd/view.cgi?ohiou1071064899.

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9

Coleman, Cynthia Renee. "A study of methods used by exemplary college voice teachers in teaching improved vocal resonance /." The Ohio State University, 1989. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487673114113603.

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10

Douros, Ioannis. "Towards a 3 dimensional dynamic generic speaker model to study geometry simplifications of the vocal tract using magnetic resonance imaging data." Electronic Thesis or Diss., Université de Lorraine, 2020. http://www.theses.fr/2020LORR0115.

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Dans cette thèse, nous avons utilisé les données de l’IRM du conduit vocal pour étudier la production de la parole. La première partie consiste en l’étude de l’impact que le vélum, l’épiglotte et la position de la tête a sur la phonation de cinq voyelles françaises. Des simulations acoustiques ont été utilisées pour comparer les formants des cas étudiés avec la référence afin de mesurer leur impact. Pour cette partie du travail, nous avons utilisé des IRM statiques en 3D. Comme la parole est généralement une phénomène dynamique une question s’est posée, à savoir s’il serait possible de traiter les données 3D afin d’incorporer des informations temporelles de la parole continue. Par conséquent, la deuxième partie présente quelques algorithmes que l’on peut utiliser pour améliorer les données de production de la parole. Plusieurs transformations d’images ont été combinées afin de générer des estimations des formes du conduit vocal qui sont plus informatives que les originales. À ce stade, nous avons envisagé, outre l’amélioration des données de production de la parole, de créer un modèle de référence générique qui pourrait fournir des informations améliorées non pas pour un sujet spécifique, mais globalement pour la parole. C’est pourquoi nous avons consacré la troisième partie l’étude d’un algorithme permettant de créer un atlas spatio-temporel de l’appareil vocal qui peut être utilisé comme référence ou standard pour l’étude de la parole car il est indépendant du locuteur. Enfin, la dernière partie de la thèse, fait référence à une sélection de questions ouvertes du domaine qui restent encore sans réponse, quelques pistes intéressantes que l’on peut développer à partir de cette thèse et quelques approches potentielles qui pourraient être envisager afin de répondre à ces questions
In this thesis we used MRI (Magnetic Resonance Imaging) data of the vocal tract to study speech production. The first part consist of the study of the impact that the velum, the epiglottis and the head position has on the phonation of five french vowels. Acoustic simulations were used to compare the formants of the studied cases with the reference in order to measure their impact. For this part of the work, we used 3D static MR (Magnetic Resonance) images. As speech is usually a dynamic phenomenon, a question arose, whether it would be possible to process the 3D data in order to incorporate dynamic information of continuous speech. Therefore the second part presents some algorithms that one can use in order to enhance speech production data. Several image transformations were combined in order to generate estimations of vocal tract shapes which are more informative than the original ones. At this point, we envisaged apart from enhancing speech production data, to create a generic speaker model that could provide enhanced information not for a specific subject, but globally for speech. As a result, we devoted the third part in the investigation of an algorithm that one can use to create a spatiotemporal atlas of the vocal tract which can be used as a reference or standard speaker for speech studies as it is speaker independent. Finally, the last part of the thesis, refers to a selection of open questions of the field that are still left unanswered, some interesting directions that one can expand this thesis and some potential approaches that could help someone move forward towards these directions
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Книги з теми "Vocal resonance"

1

Resonance in singing: Voice building through acoustic feedback. Princeton, NJ: Inside View Press, 2008.

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2

Miller, Donald Gray. Resonance in singing: Voice building through acoustic feedback. Princeton, NJ: Inside View Press, 2008.

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Miller, Donald Gray. Resonance in singing: Voice building through acoustic feedback. Princeton, NJ: Inside View Press, 2008.

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Miller, Donald Gray. Resonance in singing: Voice building through acoustic feedback. Princeton, NJ: Inside View Press, 2008.

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5

Miller, Donald Gray. Resonance in singing: Voice building through acoustic feedback. Princeton, NJ: Inside View Press, 2008.

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6

Narverud, Jacob J. The resonant male singer: Daily vocal workouts to engage and empower young men. Milwaukee, Wisconsin: Shawnee Press, 2016.

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7

Phillips, Dossie Crawford. Comparison of private and group instruction in training for development of vocal sound pressure and balanced vocal resonance. 1990.

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8

Cottrell, Duane. Vocal Pedagogy in the Choral Rehearsal. Edited by Frank Abrahams and Paul D. Head. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199373369.013.27.

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One of the primary endeavors of choral conductors is the facilitation of good choral tone, which is largely dependent upon the vocal technique of the individual singers. This chapter examines principles of historical vocal pedagogy, discussing their correlation with modern scientific research, and present suggestions for practical implementation of specific techniques in choral rehearsals. The chapter discusses four primary areas of vocal pedagogy in choral rehearsals: first, the significance of laryngeal position in choral singing; second, principles of resonance in singing and their impact on the choral sound; third, a discussion of breath support in choral singing; and fourth, principles of phonation and vocal production for singers in a choral setting. Each of these four discussions contain practical suggestions for the application of specific practices and exercises that will strengthen the vocal technique of choral singers.
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9

Rardin, Paul. Building Sound and Skills in the Men’s Chorus at Colleges and Universities in the United States. Edited by Frank Abrahams and Paul D. Head. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199373369.013.26.

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Conductors of collegiate men’s choruses face unique challenges in building excellent choirs. They are likely to lead ensembles with disproportionately wide gaps between their most- and least-experienced singers, with a plurality or even majority of non-music majors—and may need to teach voice as much as they conduct. This chapter offers rehearsal techniques for these conductors which involve learning and utilizing vocal pedagogy, imparting basic phonation, and utilizing vocal tone exercises to build foundation and sound in a choir or glee club. They must then create a sense of community within their musically and vocally diverse choir; instill habits that lead to effective “core singing,” combining alignment, breathing technique, and resonance; and help male singers navigate shifts between their vocal registers.
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Malawey, Victoria. A Blaze of Light in Every Word. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190052201.001.0001.

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A Blaze of Light in Every Word presents a conceptual model for analyzing vocal delivery in popular song recordings focused on three overlapping areas of inquiry: pitch, prosody, and quality. The domain of pitch, which refers to listeners’ perceptions of frequency, considers range, tessitura, intonation, and registration. Prosody, the pacing and flow of delivery, comprises phrasing, metric placement, motility, embellishment, and consonantal articulation. Qualitative elements include timbre, phonation, onset, resonance, clarity, paralinguistic effects, and loudness. Intersecting all three domains is the area of technological mediation, which considers how external technologies, such as layering, overdubbing, pitch modification, recording transmission, compression, reverb, spatial placement, delay, and other electronic effects, impact voice in recorded music. Though the book focuses primarily on the sonic and material aspects of vocal delivery, it situates these aspects among broader cultural, philosophical, and anthropological approaches to voice with the goal to better understand the relationship between sonic content and its signification. Drawing upon transcription and spectrographic analysis as the primary means of representation, as well as modes of analysis, this book features in-depth analyses of a wide array of popular song recordings spanning genres from indie rock to hip-hop to death metal, develops analytical tools for understanding how individual dimensions make singing voices both complex and unique, and synthesizes how multiple aspects interact to better understand the multidimensionality of singing voices.
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Частини книг з теми "Vocal resonance"

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Ventura, Sandra, Diamantino Freitas, and João Manuel R. S. Tavares. "Imaging of the Vocal Tract Based on Magnetic Resonance Techniques." In Communications in Computer and Information Science, 146–57. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-11840-1_11.

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Rua Ventura, Sandra M., Diamantino Rui S. Freitas, Isabel Maria A. P. Ramos, and João Manuel R. S. Tavares. "3D Vocal Tract Reconstruction Using Magnetic Resonance Imaging Data to Study Fricative Consonant Production." In Lecture Notes in Computational Vision and Biomechanics, 247–59. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-15799-3_19.

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Półrolniczak, Edward, and Michał Kramarczyk. "Vocal Tract Resonance Analysis Using LTAS in the Context of the Singer’s Level of Advancement." In Hard and Soft Computing for Artificial Intelligence, Multimedia and Security, 249–57. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-48429-7_23.

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Howard, David M., Andy M. Tyrrell, and Crispin Cooper. "Towards an Alternative to Magnetic Resonance Imaging for Vocal Tract Shape Measurement Using the Principles of Evolution." In Genetic and Evolutionary Computation, 191–207. Chichester, UK: John Wiley & Sons, Ltd, 2010. http://dx.doi.org/10.1002/9780470973134.ch11.

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Suthers, Roderick A., and Dwight H. Hector. "Individual Variation in Vocal Tract Resonance May Assist Oilbirds in Recognizing Echoes of Their Own Sonar Clicks." In Animal Sonar, 87–91. Boston, MA: Springer US, 1988. http://dx.doi.org/10.1007/978-1-4684-7493-0_9.

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Hasib, Nigar, and Shamal Amin. "Performative Meeting for Peace. The Way of the Energetic Voice and Vocal Action." In Transrational Resonances, 363–76. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-70616-0_18.

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"Vocal Resonance." In Between Baudelaire and Mallarmé, 95–122. Routledge, 2016. http://dx.doi.org/10.4324/9781315569093-11.

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"Resonance and Range." In The Vocal Arts Workbook and Video, 110–61. Bloomsbury Publishing Plc, 2008. http://dx.doi.org/10.5040/9781472503831.ch-004.

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Chari, Anita. "Vocal resonance and the politics of intercorporeality." In Somatic Voices in Performance Research and Beyond, 198–211. Routledge, 2020. http://dx.doi.org/10.4324/9780429433030-20.

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Malawey, Victoria. "Quality." In A Blaze of Light in Every Word, 94–125. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190052201.003.0004.

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Similar to what several researchers in the early 1980s dubbed “sonance,” quality comprises more than just timbre, including also intensity, harmonic spectrum, phonation, and changes in sound. Multiple dimensions—including timbre, phonation, onset, resonance, clarity, paralinguistic effects, and loudness—create a singer’s individual vocal quality. Songs recorded and re-recorded by Lucas Silveira demonstrate the dynamic aspects associated with an ever-evolving vocal quality due to the artist’s having undergone hormone replacement therapy. The concept of quality is framed in terms of three different orientations—the physiological, acoustic, and perceptual—all of which are essential to understanding qualitative aspects of vocal delivery, more so than aspects in the domains of pitch and prosody. While sonic markers of identities are fluid social constructions rather than static essential attributes, this chapter considers how qualitative elements may signify artists’ identities and genre.
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Тези доповідей конференцій з теми "Vocal resonance"

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Kittimathaveenan, Kajornsak, Pitak Thumwarin, Nattaporn Pakalong, and Songmoung Nundrakwang. "Resonance in Vocal Techniques Analysis." In 2018 International Conference on Engineering, Applied Sciences, and Technology (ICEAST). IEEE, 2018. http://dx.doi.org/10.1109/iceast.2018.8434502.

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Sampaio, Rafael De Assuncao, and Marcel Parolin Jackowski. "Vocal Tract Morphology Using Real-Time Magnetic Resonance Imaging." In 2017 30th SIBGRAPI Conference on Graphics, Patterns and Images (SIBGRAPI). IEEE, 2017. http://dx.doi.org/10.1109/sibgrapi.2017.54.

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Thomas, Dennis C., K. Prakash, Gautam Harigovind, and Debashis Sen. "Lung Consolidation Detection through Analysis of Vocal Resonance Signals." In 2018 40th Annual International Conference of the IEEE Engineering in Medicine and Biology Society (EMBC). IEEE, 2018. http://dx.doi.org/10.1109/embc.2018.8512319.

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Tameem, Hussain Z., and Bhavin V. Mehta. "Human Vocal Tract Modeling and Geometric Parameterization." In ASME 2004 International Mechanical Engineering Congress and Exposition. ASMEDC, 2004. http://dx.doi.org/10.1115/imece2004-59662.

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This investigation uses a multi disciplinary approach to standardize a non-invasive method for measuring human vocal tract morphology. A series of Magnetic Resonance Imaging (MRI) scans are performed on the subject’s vocal tract and a detailed three-dimensional model is created through image processing and computer modeling. This information is compared with the vocal tract measurements obtained with Eccovision Acoustic Pharyngometer, in order to establish the accuracy of the instrument. The model is then used to develop other specific models through parametric modeling. This method is useful in creating solid models with limited geometrical information and helps researchers study the human vocal tract changes due to aging and degenerative diseases.
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Murtola, Tiina, and Jarmo Malinen. "Waveform Patterns in Pitch Glides Near a Vocal Tract Resonance." In Interspeech 2017. ISCA: ISCA, 2017. http://dx.doi.org/10.21437/interspeech.2017-875.

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"MAGNETIC RESONANCE IMAGING OF THE VOCAL TRACT - Techniques and Applications." In International Conference on Imaging Theory and Applications. SciTePress - Science and and Technology Publications, 2009. http://dx.doi.org/10.5220/0001792901050110.

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Zhang, Zhao, Kiyoshi Honda, and Jianguo Wei. "Retrieving Vocal-Tract Resonance and anti-Resonance From High-Pitched Vowels Using a Rahmonic Subtraction Technique." In ICASSP 2020 - 2020 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). IEEE, 2020. http://dx.doi.org/10.1109/icassp40776.2020.9054741.

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Skordilis, Zisis Iason, Asterios Toutios, Johannes Toger, and Shrikanth Narayanan. "Estimation of vocal tract area function from volumetric Magnetic Resonance Imaging." In 2017 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). IEEE, 2017. http://dx.doi.org/10.1109/icassp.2017.7952291.

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Deng, Li, and Jeff Ma. "A statistical coarticulatory model for the hidden vocal-tract-resonance dynamics." In 6th European Conference on Speech Communication and Technology (Eurospeech 1999). ISCA: ISCA, 1999. http://dx.doi.org/10.21437/eurospeech.1999-260.

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Lee, Minkyu, and Donald G. Childers. "Estimation of vocal tract front cavity resonance in unvoiced fricative speech." In 5th European Conference on Speech Communication and Technology (Eurospeech 1997). ISCA: ISCA, 1997. http://dx.doi.org/10.21437/eurospeech.1997-659.

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