Дисертації з теми "Vittoriano"
Оформте джерело за APA, MLA, Chicago, Harvard та іншими стилями
Ознайомтеся з топ-50 дисертацій для дослідження на тему "Vittoriano".
Біля кожної праці в переліку літератури доступна кнопка «Додати до бібліографії». Скористайтеся нею – і ми автоматично оформимо бібліографічне посилання на обрану працю в потрібному вам стилі цитування: APA, MLA, «Гарвард», «Чикаго», «Ванкувер» тощо.
Також ви можете завантажити повний текст наукової публікації у форматі «.pdf» та прочитати онлайн анотацію до роботи, якщо відповідні параметри наявні в метаданих.
Переглядайте дисертації для різних дисциплін та оформлюйте правильно вашу бібліографію.
LEPRONI, CHIARA. "Henry Sidgwick e il dibattito tardo-vittoriano sull'idea di libertà." Doctoral thesis, Università Cattolica del Sacro Cuore, 2007. http://hdl.handle.net/10280/107.
Повний текст джерелаThe study aims to connect the thought of Henry Sidgwick (1838-1900) about liberty with British intellectual background of the late-Victorian age, paying a special attention to a comparison of it with the philosophy, the methods and goals of two important philosophers of his generation, Thomas Hill Green (1836-1882) e Herbert Spencer (1820-1903).
LEPRONI, CHIARA. "Henry Sidgwick e il dibattito tardo-vittoriano sull'idea di libertà." Doctoral thesis, Università Cattolica del Sacro Cuore, 2007. http://hdl.handle.net/10280/107.
Повний текст джерелаThe study aims to connect the thought of Henry Sidgwick (1838-1900) about liberty with British intellectual background of the late-Victorian age, paying a special attention to a comparison of it with the philosophy, the methods and goals of two important philosophers of his generation, Thomas Hill Green (1836-1882) e Herbert Spencer (1820-1903).
Paterlini, Riccardo <1985>. "Vittorini americano. La traiettoria americanistica di Elio Vittorini." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2017. http://amsdottorato.unibo.it/7836/1/paterlini_riccardo_tesi.pdf.
Повний текст джерелаThe thesis investigates the intellectual contribution of Elio Vittorini to the American Literature, from the early 30s to the postwar period. The research focuses on the anthology "Americana", published in October 1942, after two years of troubled negotiations with MinCulPop.
Belvedere, Antonio. "Pratiche dell'architettura in Vittorio Ugo." Versailles-St Quentin en Yvelines, 2014. http://www.theses.fr/2014VERS009S.
Повний текст джерелаVittorio Ugo (Palermo, 1938-2005) is an Italian architect, mostly known in Italy and France as theorist and a critic as well, Professor at University of Palermo from 1964 to 1987. Much less known is his architectural work as author of projects on different scales: architecture, urban-planning, design. The years from 1957 to 1987 represent a sort of long training period, which prepare the second phase of Ugo’s biography, devoted exclusively to the Theory of Architecture. Born from a family of artists - his grandfather was a sculptor, his father an architect - he was looking for an original way to be an architect, feeling an ethical need to see architecture from a scientific point of view. The main argument of this research, starts from the belief that the fame of Vittorio Ugo as a theorist, together with his open International impulse - France and Japan were his second homeland – conceals a complex "apprenticeship ", yet to be revealed. Many of his former pupils wondered who he was, where he came from, what had determined his passion of teaching and the care he devoted to his students. In 1978, he was living in Paris attending the heated debates that took place at the prestigious Ecole des hautes études en sciences sociales, inside the courses of Louis Marin and Hubert Damisch. «[. . . ] Que venait chercher Victor Hugo auprès de cette école de pensée sémiologique?» What was Vittorio Ugo looking for in that school of semiological thought? Philippe Potié was asking a few years ago. How to explain the choice of Ugo to devote himself to the Theory, after twenty years of designing?
Cedrati, C. "LE RIME DI VITTORIO ALFIERI." Doctoral thesis, Università degli Studi di Milano, 2011. http://hdl.handle.net/2434/153114.
Повний текст джерелаAecherli, Claire-Line. "L'opera di Vittorini : uno studio strutturale." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=66020.
Повний текст джерелаMarek, Heidi. "Elio Vittorini und die moderne europäische Erzählkunst : 1926-1939 /." Heidelberg : C. Winter, 1990. http://catalogue.bnf.fr/ark:/12148/cb366496644.
Повний текст джерелаBerriel, Nádia Jorge 1983. "Antigone de Vittorio Alfieri : uma tradução." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270172.
Повний текст джерелаDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-22T02:08:04Z (GMT). No. of bitstreams: 1 Berriel_NadiaJorge_M.pdf: 849852 bytes, checksum: c58e0a274adf4d28a2ea692d6cd8ce13 (MD5) Previous issue date: 2012
Resumo: este trabalho consiste numa tradução da peça Antigone, do tragediógrafo italiano Vittorio Alfieri, escrita em 1776 em Florença, Itália. Esta tragédia revela inquietações artísticas e particularidades linguísticas que refletem o período que antecede o Risorgimento, tanto no âmbito político quanto no que se refere à cultura e ao idioma italiano. A presente dissertação apresenta também um perfil biográfico de Vittorio Alfieri, autor até o momento pouco conhecido no Brasil, a partir de estudo de sua autobiografia e de estudos publicados na Itália sobre sua obra e seu envolvimento com movimentos políticos que culminaram na Revolução Francesa
Abstract: this work consists on a translation of the play Antigone, by the Italian tragedy writer Vittorio Alfieri. The play was written in 1776 in Florence, Italy. This tragedy reveals artistic concerns and linguistic particularities that reflect the period of time that precedes the Risorgimento, both in a political extent as in where the Italian culture and language is concerned. The present dissertation presents also a biographic profile of Vittorio Alfieri, author until this moment little known in Brazil, based on the study of his autobiography and texts published in Italy about the author's work and involvement in political movements that led to the French Revolution
Mestrado
Teoria e Critica Literaria
Mestra em Teoria e História Literária
Duarte, Adriana Cristina Vieira. "Frontiera: uma introdução a Vittorio Sereni." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8148/tde-17112015-115719/.
Повний текст джерелаItalian poet Vittorio Sereni (1913-1983) is still unpublished and relatively unknown in Brazil. In order to introduce the author to the Brazilian public, this research studies his debut book, Frontiera, 1941. Through a brief overview of the history of the Italian modern poets, the present study investigates the path followed by Vittorio Sereni during his youth, at the beginning of his literary career. Such path, as will be shown later, was of the utmost importance for the poets humanitarian, cultural and intellectual development, and includes the philosophy lectures given by Antonio Banfi at the University of Milan, the time spent as a writer at the magazine \"Corrente di vita giovanile\" and the admiration of and friendship with fellow poets Eugenio Montale, Giuseppe Ungaretti and Umberto Saba. Moreover, this research addresses the controversial debate on whether Sereni integrated or not the Italian hermetic movement in the 1930s and 40s. Lastly, through the study of four poems from the selected book, \"Inverno\", \"Inverno a Luino\". \"Strada di Zenna\" e \"Ecco le voci cadono\", recurrent central themes in Frontiera will be presented and analyzed.
Bortolini, Chiara <1987>. "Mario Luzi/Vittorio Sereni:incontro nella realtà." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/3513.
Повний текст джерелаSACCONAGHI, CARLO. "VITTORIO SERENI TRADUTTORE DI EZRA POUND." Doctoral thesis, Università degli Studi di Milano, 2017. http://hdl.handle.net/2434/471648.
Повний текст джерелаBELVEDERE, Antonio. "Pratiche dell'architettura in Vittorio Ugo (1957-1987)." Doctoral thesis, Università degli Studi di Palermo, 2014. http://hdl.handle.net/10447/90994.
Повний текст джерелаVittorio Ugo (Palermo, 1938-2005) is an Italian architect, mostly known in Italy and France as theorist and a critic as well, Professor at University of Palermo from 1964 to 1987. Much less known is his architectural work as author of projects on different scales: architecture, urban-planning, design. The years from 1957 to 1987 represent a sort of long training period, which prepare the second phase of Ugo’s biography, devoted exclusively to the Theory of Architecture. Born from a family of artists - his grandfather was a sculptor, his father an architect - he was looking for an original way to be an architect, feeling an ethical need to see architecture from a scientific point of view. The main argument of this research, starts from the belief that the fame of Vittorio Ugo as a theorist, together with his open International impulse - France and Japan were his second homeland – conceals a complex "apprenticeship ", yet to be revealed. Many of his former pupils wondered who he was, where he came from, what had determined his passion of teaching and the care he devoted to his students. In 1978, he was living in Paris attending the heated debates that took place at the prestigious Ecole des hautes études en sciences sociales, inside the courses of Louis Marin and Hubert Damisch. «[...] Que venait chercher Victor Hugo auprès de cette école de pensée sémiologique?» What was Vittorio Ugo looking for in that school of semiological thought? Philippe Potié was asking a few years ago. How to explain the choice of Ugo to devote himself to the Theory, after twenty years of designing?
Franco, Lina. "Politiques de la litterature : elio vittorini et georges bataille." Paris 7, 2000. http://www.theses.fr/2000PA070030.
Повний текст джерелаSimionato, Mariasole <1993>. "PROGETTAZIONE LETTERARIA: ELIO VITTORINI SULLE TRACCE DI ERNEST HEMINGWAY." Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/12302.
Повний текст джерелаSegalini, Sara <1997>. "Elio Vittorini: la scrittura come impegno culturale e civile." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/20540.
Повний текст джерелаDemozzi, Vittoria [Verfasser], and Viatcheslav [Akademischer Betreuer] Mukhanov. "On inflationary perturbations / Vittoria Demozzi. Betreuer: Viatcheslav Mukhanov." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2011. http://d-nb.info/1015084273/34.
Повний текст джерелаNeri, Laura. "Vittorio Sereni, Andrea Zanzotto, Giovanni Giudici : un'indagine retorica /." Bergamo : Sestante : Bergamo University Press, 2001. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=009422866&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
Повний текст джерелаSpano, Marco <1991>. "La Vittoria di Stalin e la Rivoluzione Culturale." Master's Degree Thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/5786.
Повний текст джерелаSchneider, Ulrike. "Der weibliche Petrarkismus im Cinquecento : Transformationen des lyrischen Diskurses bei Vittoria Colonna und Gaspara Stampa." Stuttgart Steiner, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&docl̲ibrary=BVB01&docn̲umber=016078634&linen̲umber=0001&funcc̲ode=DBR̲ECORDS&servicet̲ype=MEDIA.
Повний текст джерелаDe, Marinis Elisa <1987>. "Vittorio Moschini (1896-1976). Protagonista e testimone della cultura." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/2801.
Повний текст джерелаScardellato, Giovanna <1991>. "Vittorio Gassman tra teatro e cinema: Il caso Kean." Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/8999.
Повний текст джерелаBerizzi, Elena <1995>. "La Giornata della Vittoria: propaganda o sentita festa popolare?" Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17099.
Повний текст джерелаMorsi, Gamal. ""Amerika ist immer woanders" : die Rezeption des American Dream in Italien; ein exemplarischer Vergleich anhand der Prosa Cesare Paveses und Elio Vittorinis /." Marburg : Tectum Verl, 2001. http://catalogue.bnf.fr/ark:/12148/cb38879614t.
Повний текст джерелаColla, Vittoria <1993>. "Children’s socialization, involved parenting, and the construction of the family-school partnership in everyday family interactions: a study on parent-assisted homework as a morally dense educational arena." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2022. http://amsdottorato.unibo.it/10217/1/Vittoria%20Colla%20PhD%20thesis.pdf.
Повний текст джерелаAmorim, Luís da Silva. "Vittorio Gregotti-o pensamento e o Centro Cultural de Belém." Master's thesis, Instituições portuguesas -- -Universidade Lusíada -- -Departamento de Arquitectura (Lisboa), 2001. http://dited.bn.pt:80/30432.
Повний текст джерелаScaccianoce, Giosuè Luisetti Federico. "Pier Vittorio Tondelli, Camere separate e il romanzo di formazione." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2006. http://dc.lib.unc.edu/u?/etd,444.
Повний текст джерелаTitle from electronic title page (viewed Oct. 10, 2007). "... in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Romance Languages and Literatures (Italian)." Discipline: Romance Languages; Department/School: Romance Languages.
Avery, Victoria Jane. "The early works of Alessandro Vittoria (c.1540-c.1570)." Thesis, University of Cambridge, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310880.
Повний текст джерелаKerimoglu, Kagan. "Vittorio Storaro: How to maintain artistic style in digital cinematography." Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2018. http://www.nusl.cz/ntk/nusl-392819.
Повний текст джерелаPompili, A. "The contribution of Vittorio Spinazzola to the excavation of Pompeii." Thesis, University of Manchester, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.699810.
Повний текст джерелаSchurr, Claudia-Elisabetta. "Vittoria Colonna und Michelangelo Buonarroti : Künstler- und Liebespaar der Renaissance /." Tübingen : G. Narr, 2001. http://catalogue.bnf.fr/ark:/12148/cb38879826c.
Повний текст джерелаPezzutti, Margherita <1993>. "Memoria e identità nel Museo della Battaglia di Vittorio Veneto." Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/13545.
Повний текст джерелаAntropoff, Matthias von [Verfasser], Vittoria [Akademischer Betreuer] Borsò, and Frank [Akademischer Betreuer] Leinen. "Das Messianische im Werk von Álvaro Mutis: von der Substanzlosigkeit zur Bedeutsamkeit von Präsenz / Matthias von Antropoff. Gutachter: Vittoria Borsò ; Frank Leinen. Betreuer: Vittoria Borsò." Düsseldorf : Universitäts- und Landesbibliothek der Heinrich-Heine-Universität Düsseldorf, 2011. http://d-nb.info/1015458645/34.
Повний текст джерелаNasra, Khira. "La littérature d'opposition en Italie sous le fascisme : Vittorini, Pratolini, Bilenchi, Cassola." Paris 3, 1988. http://www.theses.fr/1989PA030090.
Повний текст джерелаMY THESIS DEALS WITH OPPOSITION LITTERATURE AND ITS REPRESENTATIVES. THAT IS VITTORINI, CASSOLA, PRATOLINI, CASSOLA AND BILENCHI LIVING WITNESSES OF THE FASCIT REALITY. IT EVOKES AND DEFINES THE SOCIAL, HISTORICAL AND CULTURAL CONTEXT HAVING FAVORED THE UPRISING OF MUSSOLINI'S IDEOLOGY AS WELL AS IT ANALYSES THE ENDURING AND PERMANENT CHARACTER OF SUCH AND IDEOLOGY FOR A 20 YEARS PERIOD. THESE REASONS UNDERLYING SUCH AND EVOLUTION ARE ON THE ONE HAND THE FIRST WORLD WAR IMPACT OVER THE COUNTRY ON THE ECONOMIC AS WELL AS CULTURAL PLANS. ON THE OTHER HAND, THE GOUVERNMENT'S INCAPACITY TO GIVE A PROPER ANSWER IN FRONT OF SUCH AN DANGER. IT TURNS OUT TO BE AN ECONOMIC AS WELL AS A STATE CRISIS. SUCH A CLIMATE HAS UNDOUBTEDLY FAVORED THE UPRISING OF FASCISM AS WELL AS ITS CONSOLIDATION. THE ONLY POSSIBLE ANSWER TO SUCH AN EVOLUTION WAS THE GIVING BIRTH TO AN INTELLECTUAL OPPOSITION MOVEMENT, FOLLOWED BY AN UNSUCCESSFUL ATTEMPT TO RECUPERATE IT BY THE FASCIST GOVERNMENT. WRITING AS THE ONLY MEANS TO RESIST FASCIST IDEOLOGY, HAS GONE ON ASSERTING ITS EXISTENCE WITH INCREASING strength. IT IS A LITTERARY "GENRE" THE INSPIRATION OF WHICH DERIVES FROM DAILY LIFE AND POINTING OUT THE EMINENTLY OPPRESSIVES AND HYPOCRITICAL NATURE OF THE FASCIST IDEOLOGY AS WELL AS THE IMMUTABLE CHARACTER OF ITS PREESTABLISHED HIERARCHY
Bonetto, Valentina Beatrice <1989>. "Elio Vittorini e il mito americano. La ricerca dell'altrove in epoca fascista." Master's Degree Thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/6133.
Повний текст джерелаMartorelli, Ugo. "Redeat verum studi sulla tecnica poetica dell'Alethia di Mario Claudio Vittorio." Stuttgart Steiner, 2006. http://d-nb.info/988745232/04.
Повний текст джерелаBrundin, Abigail Sarah. "Vittoria Colonna, 1490-1547 : Petrarchism and Evangelism in sixteenth-century Italy." Thesis, University of Cambridge, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368619.
Повний текст джерелаDietz, Thomas Michael S. M. Massachusetts Institute of Technology. "The road from pope to king : il Corso Vittorio Emanuele, II." Thesis, Massachusetts Institute of Technology, 2005. http://hdl.handle.net/1721.1/33601.
Повний текст джерелаVita.
Includes bibliographical references (p. 84-88).
The formal unification of the Kingdom of Italy in 1861, and the later addition of the Roman capital in 1870, sparked criticism from Papal authorities and fostered a growing secularist sentiment among royal political leaders. Yet the Kingdom of Italy also sought to mediate those differences, having formed a liberal constitutional monarchy under the former King of Savoy, Carlo Alberto (and later, his son, Vittorio Emanuele II). This thesis will address the urban manifestation of the conflicted relationship between the Papacy and the new royal government of the Kingdom of Italy in Rome, with a particular regard for the manner in which the Corso Vittorio Emanuele II portrays the Risorgimento king. The Corso Vittorio Emanuele II also serves as the means by which French and British models operative in Italy can be evaluated, with the consequences of this urban intervention analyzed in relation to the particular practice of conservation employed in Italy at the conclusion of the nineteenth-century. The history of this urban intervention will first be indexed against three successive periods in the royal Italian government (the Destra, Sinistra, and Giolittian parliaments), all of which proposed differing visions for the new capital. The history of Roman urban planning will then be considered with regard to the pre-Risorgimento initiatives of Pope Pius IX and Cardinal Merode, the municipal :Development Plan of 1873, and the later royal Development Plan of 1883 (the plan that generally defined the avenue's construction).
(cont.) The Corso Vittorio Emanuele II will then be investigated in greater depth, paying particular attention to the Development Plans of 1873 and 1883, the official Variant of 1886 (which was actually built), and a selection of other unofficial counterproposals. The intention is to demonstrate that the Italian admiration for British political and conservation models- which do have a common philosophical basis-were somewhat contradictory in application, resulting in a uniquely modern approach to urbanism in Rome and a surprisingly respectful treatment of ecclesiastical structures (even despite the ongoing conflict between Papal and royal authorities).
by Thomas Michael Dietz.
S.M.
Massaccesi, Cristina. "Intertext and postmodern space in the work of Pier Vittorio Tondelli." Thesis, University College London (University of London), 2007. http://discovery.ucl.ac.uk/1446025/.
Повний текст джерелаDorigo, Martina <1990>. "Catalogo dei dipinti del Museo Diocesano "Albino Luciani" di Vittorio Veneto." Master's Degree Thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/6663.
Повний текст джерелаKlier, Alexander. "Umweltethik: wider die ökologische Krise ein kritischer Vergleich der Positionen von Vittorio Hösle und Hans Jonas." Marburg Tectum-Verl, 2000. http://deposit.d-nb.de/cgi-bin/dokserv?id=2992397&prov=M&dok_var=1&dok_ext=htm.
Повний текст джерелаPiller, Maike Charlotte. "Kultur und Literatur : Sizilienbilder in Luigi Pirandellos "Novelle per un anno" und Elio Vittorinis "Conversazione in Sicilia" /." kostenfrei, 2009. http://media.obvsg.at/AC07677974-2001.
Повний текст джерелаMarciano', Maria Flavia <1993>. "Bompiani, editore-intellettuale e Vittorini, intellettuale-editore (1933-1943): due officine a confronto." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15724.
Повний текст джерелаOrlando, Vincent d'. "L'écriture en accusation : engagement et modernité dans l'oeuvre narrative et critique d'Elio Vittorini." Paris 3, 1994. http://www.theses.fr/1995PA030038.
Повний текст джерелаThe narrative works of elio vittorini (1908-1966) are now considered with debate and controversy. Apart from "conversation in sicily" his works have sunk into oblivion,because he found it hard to complete his stories,the sicilian writer himself often seemed to be the first to scorn his own narrative production. The reader consequently tends to draw vittorini's truth from outside his narration through an analysis of the impressive critical,journalistic and editorial production of the "cultural operator". By a systematic study of vittorini's fiction,critical articles and theoretical contributions,our dissertation means to transcend the traditional opposition between the writer and the publicist and to reveal the coherence of thought running through the work of an in tellectual imbedded in modernity. In order to this,we can envisage the narrative silence of the latter period as an imbalance between his creative intention and th reality of his literary theme both sicilian and rustic - that cannot elude a nostalgic vision of the world. As a minor part of an intellectual exploration essentially
Brunelli, Silvia <1993>. "Il festival del teatro del Vittoriale come impresa culturale: il caso Tener-a-mente." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/14361.
Повний текст джерелаSaggiomo, Vittorio [Verfasser]. "Ion transport across membranes mediated by a dynamic combinatorial library / Vittorio Saggiomo." Kiel : Universitätsbibliothek Kiel, 2010. http://d-nb.info/1019984619/34.
Повний текст джерелаSoutherden, Francesca Emily. "'Geografie e topografie': Landscapes of Desire in the Poetry of Vittorio Sereni." Thesis, University of Oxford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.487066.
Повний текст джерелаBassi, Umberto. "L'eslege nobile nel Saul Di Vittorio Alfieri, un'ipotesi interpretativa del personaggio principale." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0016/MQ54978.pdf.
Повний текст джерелаBeltramo, Georgia. "Inventare una strega : Intrighi e malefici alla corte di Vittorio Amedeo II." Thesis, Lyon, 2017. http://www.theses.fr/2017LYSE2105.
Повний текст джерелаOn December 14th 1716, in the Miolans Castle, the gruelling questioning of Clara Maria Ribolletta began. She was a young woman from Asti, of 17-18 years of age, who was placed on trial for witchcraft and treason, and finally hanged. In the archival pile that contains the juridical process, one can find the fates of other two women, Cattarina and Marianna, both of them partner of Clara in the social assistance institute of Torino. In a discontinuous succession of confessions and retractions, psychological coercions and physically inflicted tortures, one can glimpse a series of networks of relationships, all of them to be retraced, reconstructed and reconducted in diverse and reciprocal contexts. Reading Clara’s answers to the questioners - secular judges members of the Savoy Senate, the highest judiciary in the State - it is important to ask and understand why a so young girl accuses herself and a part of her family, already far from her, of “being sorcerers branded by the devil” and having damned Savoy Prince on the behalf of others, causing his death. With the exception of Sabrina Loriga - whose work I'm going to explore in more detail in my thesis - all historians who have so far come across this case have only mentioned it in passing and simply considered it as a part of the all too familiar arm wrestle between Church and state, who fought to widen or preserve their jurisdictional areas. In this perspective, the «inciarmi» and the curse would be configured as an occasion for conflict employed by the sovereign in order to lead the battle against the Roman Church. Hence, it is in this same period that we find that the civil and the ecclesiastical courts confronted each other harshly. Their aim was to stabilize the right in the processual procedures around the numerous forced baptisms that Catholics infringed to Jews. But, in this case, no avocation act has been fulfilled by the judiciary at the Inquisition's expenses, nor the church claimed its legitimate right on the cause. Hence, trying to get the reasons which leaded behavior and choices of the participants to this process, it is necessary to follow other paths.«La complessità irresoluta dell’approccio biografico» allowed me to deal with a series of fundamental issues related to the research outcome : form the dialectics which constantly appears among rules and behaviours, individuals and institutions, to different approach of study until the complex, ambiguous, though rich of heuristic possibility, relationship between history and literature. The unyelding impudence that Clara accuses of witchcraft herself and her family with and the richness in details when she tells to the magistrates, despite of her being illiterate, about satanic scenes worthy comparable to the best pages of Il maestro e margherita seme to make the accused such an eccepirò al case for some aspects not so different from menocchio by Ginzburg: no doubt, actually, that Clara too has some relations with the wellknown oxymoron "the normal exceptional" coined by edoardo grendi right about the friulian miller.The two cases are however fundamentally different in one respect. Menocchio deals with books: he reflects and ponders until he formulates a cosmogonic theory that is at the same time exceptional and original. Ginzburg will use his theory as emblematic of a broader process of cultural circularity that involves different social strata. Clara, however, is illiterate and has no books to dialogue with; rather, she can relate only to the various social contexts in which she has ended up living. This is why her story, together with that of the other two accused, retraced through the contextualisation of relations and individual acts that had a role in the trial, represents and emphasises that exceptionality. With her story, it is possible to bring the belief in witchcraft back to the framework of individual behaviours, choices and aims, rather than leaving it to the formal framework of cultural categories
Angelini, Nicola. "The posthumous dimension of the poetry of Vittorio Sereni and Giorgio Caproni." Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/9093/.
Повний текст джерелаInsero, Serena. "Vittorio Alfieri et le genre autobiographique : la Vita entre réalité et imagination." Thesis, Université de Lorraine, 2014. http://www.theses.fr/2014LORR0284/document.
Повний текст джерелаThis research work wants to analyse the difference between the literary side of the author’s biography and his real existential experience.The first part of the research, “La Vita come memoria selettiva”, deals with the author’s workshop and wants to analyse the elaborative phases of the autobiographical text, supplied with manuscript 13 and 24.The first paragraph of the thesis, whose title is “Presenza e significato del paratesto nella Vita”, analyses the textual apparatus of the autobiography. The second paragraph, “Figure e Figuranti nella Vita”, analyses the characters,mentioned and unmentioned, in the autobiographic work. At the end, the third paragraph, “Francesco Elia, il servo che dirige il suo padrone. Aspetti della commedia settecentesca nella Vita”, concentrates on the study of the servant’s character.The second part, written in an innovative tone, wants to study the personality of Alfieri in depth.The last chapter, “La memoria delle cose”,concentrates on a series of objects of different importance in the author’s autobiography that is full of consonances and discordances between reality and imagination