Дисертації з теми "Vitruvio"
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Amadei, Daniela. "L'ordine e la geometria nel teatro antico. Diffusione e fortuna del De Architectura di Vitruvio. Caso studio: il teatro romano di Fanum Fortunae." Doctoral thesis, Università Politecnica delle Marche, 2015. http://hdl.handle.net/11566/242950.
Повний текст джерелаThe close relationship that links numbers and beauty has ancient origins and has accompanied the studies and considerations of numerous philosophers and various artists. An interesting theory associates the birth of mathematics to the first religious rites, these are considered by many the very first theatrical experiences that connect intimately the concept of order and the concept of space. The thesis examines the relation between the mathematical patterns and the theatre space, this last one is often defined as the mirror of the society. The entire work has been produced using as the main source the De Architectura, which is the only text on the subject of architecture to survive antiquity. To better explain the concepts of architectural order, disposition, eurythmy and symmetry Vitruvius draws a connection between the "ideal" proportions of the human body and the "ideal" proportions of the building, together they reflect the perfect relationships of numbers that give birth to beauty and to cosmic order. Both in the description of the human body and the theatre, the graphic aspect and the geometric forms become essentials and fundamentals. These patterns were also used by Plato in his work the Timaeus, he used them to generate the visible world. A study that has his basis in mathematics and continues his development in the dicipline of drawing accompanied by the graphic analysis found in the first editions of De Architectura. A discussion that highlights multiple versions of a text that unfortunately leaves many unsolved questions. The Vitruvian theatre analysis has later been identified in the case of the Roman theatre of Fanum Fortunae for two reasons: first of all because the theatre was discovered only recently and it is new to this kind of research and also, because, as Vitruvius said, in Fanum Fortunae is located the only public building realized by him: the basilica. Essential was the planimetric analysis of the theatre, whose correspondeces and compliances with Vitruvius' indications help us to prove the effective presence of the Roman architect in Fano.
Bassoli, Irene. "Il teatro romano di Urbs Salvia. Ipotesi ricostruttiva del progetto architettonico." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2021.
Знайти повний текст джерелаCalil, Marcos Rogério. "Analema de Vitruvius: dos relógios solares até o relógio de sol plano horizontal." Pontifícia Universidade Católica de São Paulo, 2008. https://tede2.pucsp.br/handle/handle/13383.
Повний текст джерелаCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
Vitruvius, who was born near Rome around the first century BC, introduces in his work Ten Books on Architecture several teachings on Roman architecture, concepts regarding war machines, and also information about the science of his time. His name, place of birth, the dates of his birth and death, and the exact year when the work was written are still open issues, stimulating controversies among specialists who seek to understand the thoughts of the Roman architects who lived in that period. Besides that, several words used within the Ten Books on Architecture are left without translation, because their contextual meaning cannot be understood. The work Ten Books on Architecture, allegedly written by Vitruvius, not only provides the reader with architectural concepts of the first century BC, but also allows a glimpse of the Roman view of the Universe at that time. The aim of the ninth book is explaining Astronomy and the mechanism of the sky for the construction of sundials, and presents the analemma. Vitruvius analemma is a basic geometric analysis preceding the construction of all sundials at that time. However, Vitruvius only describes the construction of the geometric diagram, and not its use and application, a task that is left to mathematicians. He does mention the names of several inventors and their respective sundials, but he does not offer any further details. This work presents, in chapter I, a philological analysis of Vitruvius. Chapter II offers a detailed analysis of Vitruvius book IX, chapter VIII, verse I, where the author refers to many types of sundials and their inventors. After a thorough examination of those sundials, in chapter III the readers will be able to check each stage of the construction of the analemma, commented with the use of translations into Latin, French, Italian, English, Spanish and Portuguese, together with the opinions of commentators. Finally, chapter IV shows an example of how Vitruvius analemma can be applied for the construction of a plane horizontal sundial, following the analysis of Gustav Bilfinger
Nascido por volta do século I a.C. nas regiões próximas de Roma, Vitruvius apresenta na sua obra Dez Livros de Arquitetura, diversos ensinamentos sobre arquitetura romana e conceitos construtivos sobre as máquinas de guerras da época, acompanhadas de informações sobre a ciência da época. Seu nome, local de nascimento, datas de vida e morte e data exata da elaboração da obra são questões abertas que geram debates entre os especialistas que desejam entender os pensamentos dos arquitetos romanos que viveram durante esse período. Atrelados a esses fatores, os textos inseridos nos dez livros deixam diversas palavras sem tradução por não apresentarem um entendimento acerca do propósito contextual. A obra Dez Livros de Arquitetura, atribuído a Vitruvius, além de proporcionar ao leitor os conceitos arquitetônicos do século I a.C. também permite captar uma visão de Universo que os romanos tinham dessa época. Desses dez livros, apenas o nono apresenta o propósito de explicar a Astronomia com fundamentos de mecânica celeste objetivando como resultado final a construção de relógios solares e apresentação do analema . O analema de Vitruvius é uma analise fundamental que antecede todas as demais construções de relógios solares existentes na época. Porém, Vitruvius nos indica apenas a construção e não o uso e aplicação do mesmo, deixando essa tarefa para os matemáticos. Descrevendo os nomes de vários inventores e seus respectivos relógios solares, sem no entanto esclarecer detalhes. Este trabalho tem como objetivo apresentar ao leitor, no decorrer do primeiro capítulo, uma análise filológica de Vitruvius. No segundo capítulo, a pesquisa realiza uma análise aprofundada do capítulo oito, verso um, contido no livro nove, onde Vitruvius apresenta diversos tipos de relógios solares e seus autores. Após a análise minuciosa desses relógios solares, no capítulo três o leitor poderá verificar cada etapa de construção do analema de Vitruvius com seus comentários através da análise de textos traduzidos para o latim, francês, italiano, inglês, espanhol e português, além de opiniões apresentadas por comentadores. Por fim, no capítulo quatro, será apresentado para o leitor um exemplo de aplicação do analema de Vitruvius para a construção de um relógio solar plano horizontal, seguindo a análise de Gustav Bilfinger
Giacobbi, Alessandro. "La testimonianza riscoperta. Proposta di valorizzazione e rifunzionalizzazione del "Teatro Greco" di Villa Adriana." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2019. http://amslaurea.unibo.it/18211/.
Повний текст джерелаWulfram, Hartmut. "Literarische Vitruvrezeption in Leon Battista Albertis "De re aedificatoria" /." München : K. G. Saur, 2001. http://catalogue.bnf.fr/ark:/12148/cb38963958s.
Повний текст джерелаFisher, Matt 1959. "Erasing Vitruvius." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61129.
Повний текст джерелаFilho, Francisco Borges. "O desenho e o canteiro no Renascimento Medieval(séculos XII e XIII): indicativos da formação dos arquitetos mestres construtores." Universidade de São Paulo, 2005. http://www.teses.usp.br/teses/disponiveis/16/16131/tde-13102005-115856/.
Повний текст джерелаThis study concentrates on the XII and XIII century. The period is known as the Medieval Renaissance and is considered the time of the prime production of gothic architecture, with the appearance and consolidation of innovations in construction techniques. The main focus of this research is on practical procedures and know-how on geometry of the period. The type and depth of knowledge in geometry, considered at the time, the heart of the medieval stone masons profession, are studied in conjunction with the writings of Euclid (The Elements) and Vitruvius (De Architectura), showing the extent to which these works were known by masters builders throughout de Middle Ages. In the books of Villard de Honnecourt, proof exists that the manual on Practical Geometry Geometria Fabrorum were used by architects masters builders. The training and education of architects at the time was not formal, but occurred through the tradition of practicing skills of the profession, mostly taught orally or through antique texts, available through translations in the vernacular language used mainly in Guilds. Knowledge transmitted by monks or clergy, who dominated Latin, were also important ways of enriching the procedures and traditional skills, spread orally from this source. Only at the end of the Middle Ages, some German masters builders started writing about and revealing the secret of stone masons. Design and construction detailing decisions were private, belonging essentially to the architect master builder, which proves that the medieval design, in its different forms of representation and execution, as well as various uses of tools and instruments, brought about an architectural space coherent with the knowledge of geometry and technologies available at the time.
McEwen, Indra Kagis. "Vitruvius : writing the body of architecture." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37779.
Повний текст джерелаThe exegesis is developed in four parts. The first deals with the corporeal identity of the book itself: a ten-scroll "angelic" messenger, whose written form proves to be as significant an index of its meaning as its content. The second part assesses Vitruvius' presentation of his treatise to Augustus in the preface to Book 2 of his treatise as the emperor's Herculean body: at once the agent and proof of Roman conquest and, like Hercules, the philanthropic purveyor of the benefits of civilisation to conquered peoples. The third unravels what Vitruvius meant when he said that buildings, temples especially, were to be put together in the same way that nature puts together the bodies of beautiful men. The fourth part concludes that the beautiful body, in question is the body of the king: that of the emperor himself, whose body---corpus imperii---was, at that historical juncture, imagined as congruent with the body of the Roman world. For Vitruvius, through architecture---as architecture---this kingly body was to be the chief agent of the empire's enduring coherence.
That the project of Roman world dominion so consistently shaped this first self-conscious attempt to give a comprehensive account of architecture raises troubling questions about the discipline itself. It is in raising such questions that Vitruvius' De architectura acquires more than antiquarian interest.
Duarte, Claudio Walter Gomez. "\"Elegância\" e \"sutileza\" na concepção dos templos dóricos gregos (sécs V-II a. C.)." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/71/71131/tde-03062015-110455/.
Повний текст джерелаThis thesis addresses the conception of Greek Doric Temple Design and architecture found in the analysis of and interface between textual sources and material culture. This thesis notes the importance of and the role that \"elegance\" and \"subtlety\" played, according to Vitruvius, in the modus operandi of Greek architects, including technical and methodological resources in the development of Greek Doric temples between the fifth and second centuries BC. This work aims to clarify and establish links between these relatively subjective concepts and the subjacent logic that guided these architects, both in design as well as in their precise application in construction, thus verifying the Modular hypothesis proposed by Mark Wilson Jones. Towards this end, this thesis addresses the scientific foundations of Greek architecture by analyzing two groups of temples: Group 1, comprised of eight 6 x 13 hexastyle temples from the fifth century BC and Group 2, comprised of nine hexastyle peripteral temples in varied peristyle lateral configuration, dated between the fourth and second centuries BC. The starting point of and the fundamental reference for the research are scholarly articles published by Mark Wilson Jones in 2001 and 2006 in The American Journal of Archaeology and Nexus, respectively. This work seeks to systematically update the latest debates and discussions surrounding this topic via the author\'s own analysis and subsequent conclusions.
Estill, Alexander Clayton. "Vitruvian delight customization within the speculative model /." Cincinnati, Ohio : University of Cincinnati, 2005. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1129233879.
Повний текст джерелаESTILL, ALEXANDER CLAYTON. "VITRUVIAN DELIGHT: CUSTOMIZATION WITHIN THE SPECULATIVE MODEL." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1129233879.
Повний текст джерелаO'Hara, Joanne E. "Colen Campbell and the preparatory drawings for Vitruvius Britannicus." Thesis, University of York, 2010. http://etheses.whiterose.ac.uk/1572/.
Повний текст джерелаLemerle, Frédérique. "Les "Annotations" de Guillaume Philandrier sur le "De architectura" de Vitruve, Livres I à IV /." Paris : Picard, 2000. http://catalogue.bnf.fr/ark:/12148/cb37106087v.
Повний текст джерелаContient le fac-sim. de l'éd. de Lyon : J. de Tournes, 1552. Bibliogr. p. 50-58. Bibliogr. des oeuvres de G. Philandrier p. 48-49. Index.
Courrént, Mireille. "L'idee de nature dans le de architectura de vitruve." Caen, 1995. http://www.theses.fr/1995CAEN1178.
Повний текст джерелаDavidovits, Frédéric. "Géologie et construction dans le de architectura de Vitruve." Caen, 2007. http://www.theses.fr/2007CAEN1475.
Повний текст джерелаCam, Marie-Thérèse. "Commentaire du livre 7 du "de architectura" de vitruve." Caen, 1991. http://www.theses.fr/1991CAEN1087.
Повний текст джерелаThe commentary on vitruv's de architectura, book 7, devoted to covering (pavements, mural platering, paintings, colors), shows convergences between arhceological data and vitruvian advice, coming from personal experience and book learning. The study of vocabulary inables us to comprehend the specificity of technical words used by a corporation having large abilities
Günther, Stefan. "Klassicismens interiörer : inredningskonst och arkitekturprofiler från Vitruvius till Tessin = Classical interior architecture : the history of interior detail in Italy, France and Sweden from Vitruvius to 1700 /." Stockholm : Norstedt, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-4003.
Повний текст джерелаSchuler, Stefan. "Vitruv im Mittelalter : die Rezeption von "De architectura" von der Antike bis in die frühe Neuzeit /." Köln ; Wien : Böhlau, 1999. http://catalogue.bnf.fr/ark:/12148/cb37195342b.
Повний текст джерелаSpriggs, Megan. "Fabrique et discours, Salomon de Caus and the Vitruvian ideal of architecture." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape2/PQDD_0035/MQ64121.pdf.
Повний текст джерелаSpriggs, Megan. "Fabrique et discours : Salomon de Caus and the Vitruvian ideal of architecture." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=30139.
Повний текст джерелаEscalante, Ana S. (Ana Stephanie). "Vitruvius on architecture : a modem application and stability analysis of classical structures." Thesis, Massachusetts Institute of Technology, 2013. http://hdl.handle.net/1721.1/83710.
Повний текст джерелаCataloged from PDF version of thesis.
Includes bibliographical references (pages 65-66).
Imperial Rome has left numerous legacies, the most well-known being its literature and monuments. Though many monuments, such as the Pantheon, are well-preserved, in cases where little physical evidence remains, historians can often use literary sources to inform reconstruction efforts. For more technical studies of Roman construction, technical literature is rare and the contemporary awareness of such literature even less known. When Vitruvius wrote De architectura, he did not intend for it to be a manual for instruction but rather a central source of general architectural knowledge. Directly aimed at architects, contractors, and other individuals involved in the design and construction of buildings, De architectura provides insight into contemporary technical knowledge. One aim of this thesis is to identify the presence of Vitruvian knowledge in imperial Roman structures. De architectura was written during the time of Augustus, therefore Augustan monuments show the immediate impact and relevance of the knowledge presented by Vitruvius. Almost a century later, architectural innovation was a hallmark of Hadrian's reign, but a study of Hadrianic structures demonstrates the longevity of De architectura. A structural analysis of the Teatro Marittimo and Sala dei Filosofi in Hadrian's villa at Tivoli, both influenced by Vitruvian precepts, was carried out to characterize the load distribution in supporting structures. The results of this analysis demonstrate that although Vitruvius gave no quantitative support for his guidelines, his suggestions are structurally sound, even by modem engineering standards.
by Ana S. Escalante.
S.B.
Cellauro, Louis. "Daniele Barbaro and his Venetian editions of Vitruvius of 1556 and 1567." Thesis, Courtauld Institute of Art (University of London), 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.338923.
Повний текст джерелаVarsamis, S. "Spatial palindromes/palindromic spaces : spatial devices in Vitruvius, Mallarmé, Polieri, Perec and Libeskind." Thesis, University College London (University of London), 2010. http://discovery.ucl.ac.uk/20479/.
Повний текст джерелаDayot, Liliane. "Globalisation et projet social : pratiques différentes à l'école élémentaire, Vitruve, Paris 20e." Paris 8, 1987. http://www.theses.fr/1988PA080199.
Повний текст джерела"Pedagogic" practice, social and political. Evaluation of a team work and of an experience of globalization within a strategy of social project. First, the social milieu is introduced in the school in the form of clients of the restaurant administered by the students, the intercultural project is developing, the adults-children collective administer themselves the green classes. Following a stay in porgual, autonomous groups of portuguese use the school locations, children work in a printing press. The departures in small groups articulated with the life of the school. The project decides and the specificity of the site is therefore reduced to its minimum. It is the end of a school cut from the reality to allow the child to live social situations that carry training. It is not the "opening on life", but the "opening in life". The project assumes and provocates a change of the status of the child and an action on and in the social milieu, to live the project creates furthermore the best conditions for the acquirement of knowledge. What is finally concerned is the contribution to knowledge. Political struggle against failure involves in education a radical revision of access modes to knowledge, of the status of children and of the articulation of school and social milieu. We thus create a socio political breach which is not of the pattern of the pedagogic renovation. This conception appears while the team destituted. The political juncture was not favorable and two strategies are developed in vitruve, the opening enlargement and the reinforced enlargement until the ycaused rupture. This evaluation of the educative action arouses the problem of the functioning way of the team. To denounce the vitruve myth, its statufication and to analyze the degenerescence is not a reconsideration of the work within a team
Dayot, Liliane. "Globalisation et projet social pratiques différentes à l'école élémentaire, Vitruve, Paris 20e /." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37604290p.
Повний текст джерелаBarba, Sevillano Arturo. "La acústica virtual como herramienta arqueológica. Historia y sonido en el Teatro Principal de Valencia." Doctoral thesis, Universitat Politècnica de València, 2016. http://hdl.handle.net/10251/62687.
Повний текст джерела[ES] Este trabajo toma el Teatro Principal de Valencia como materia de estudio y plantea profundizar en el conocimiento de su historia, arquitectura y acústica. Nuestro objetivo final ha sido analizar y reconstruir las condiciones acústicas del teatro en diversos momentos históricos, aportando con ello una novedosa forma de acercamiento al patrimonio arquitectónico valenciano. Pretendemos, además, mostrar la potencialidad de las actuales herramientas de simulación acústica y auralización para el estudio de la tipología arquitectónica teatral más extendida en Europa desde el siglo XVII: el teatro barroco a la italiana. El Teatro Principal de Valencia es un ejemplo paradigmático de teatro a la italiana al reunir todas y cada una de las características formales que definen esta tipología edilicia. Inaugurado en el año 1832, es el decano de los teatros valencianos y uno de los recintos a la italiana en activo más antiguos de España, anterior incluso a los proyectos pioneros del Teatro Real de Madrid (1850) y del Gran Teatre del Liceu de Barcelona (1847). Hemos llevado a cabo trabajos de búsqueda en archivo, vaciados de prensa, investigación bibliográfica, así como consulta y recopilación de documentos, planimetría e imágenes (inéditas muchas de ellas) que han hecho posible la recuperación de la historia del recinto teatral valenciano, desdibujada en gran medida por el paso del tiempo. Todo ello ha constituido en sí mismo un objetivo de esta tesis, y como tal se presenta en el apartado de resultados. Este estudio histórico pormenorizado del teatro nos ha permitido seleccionar cinco momentos en los que sus diferencias morfológicas podrían poner de manifiesto cambios en su acústica: 1832, 1859, 1928, 1968 y 2015. Se han realizado medidas acústicas normalizadas en el teatro y hemos desarrollado modelos informáticos tridimensionales de las cinco morfologías seleccionadas. El modelo acústico actual ha sido ajustado con las medidas in situ. A partir de dicho modelo, se han introducido modificaciones volumétricas, geométricas y de coeficientes de absorción y/o difusión con objeto de revertir virtualmente cada una de las intervenciones arquitectónicas que ha experimentado la sala teatral, siempre basándonos en criterios históricos documentados. Todo ello nos ha permitido reconstruir la historia sonora del Teatro Principal de Valencia, pudiendo comparar los cambios que sus parámetros acústicos han experimentado en sus más de 180 años de vida. Como colofón a la tesis, se ha profundizado en el realismo gráfico del modelo geométrico del Teatro Principal actual mediante el empleo de técnicas de texturización y realidad virtual fotorrealística, habiendo conseguido un modelo que permite experimentar auralizaciones del Teatro Principal en un impactante entorno gráfico inmersivo (CAVE, ProwerWall, etc.) que abre la puerta a nuevas líneas de investigación.
[CAT] Aquest treball pren el Teatre Principal de València com a matèria d'estudi i planteja aprofundir en el coneixement de la seua història, arquitectura i acústica. El nostre objectiu final ha estat analitzar i reconstruir les condicions acústiques del teatre en diversos moments històrics, aportant amb això una nova forma d' apropar-nos al patrimoni arquitectònic valencià. Pretenem, a més, mostrar la potencialitat de les actuals eines de simulació acústica i auralització per a l' estudi de la tipologia arquitectònica teatral més estesa a Europa des del segle XVII: el teatre barroc a la italiana. El Teatre Principal de València és un exemple paradigmàtic de teatre a la italiana ja que reuneix totes i cadascuna de les característiques formals que defineixen aquesta tipologia edilícia. Inaugurat l 'any 1832, es tracta del degà dels teatres valencians i un dels més antics d'Espanya, anterior fins i tot als projectes pioners del Teatro Real de Madrid (1850) i del Gran Teatre del Liceu de Barcelona (1847). Hem dut a terme treballs de recerca en arxiu, buidats de premsa, recerca bibliogràfica, així com consulta i recopilació de documents, planimetria i imatges (moltes inèdites) que han fet possible la recuperació de la història del recinte teatral valencià, desdibuixada en gran mesura pel pas del temps. Tot això ha constituït en si mateix un objectiu d' aquesta tesi, i com a tal l' hem presentat en l' apartat de resultats. Aquest estudi històric del teatre ens ha permès seleccionar cinc moments en què les seues diferències morfològiques podrien posar de manifest canvis en la seua acústica: 1832, 1859, 1928, 1968 i 2015. S'han realitzat mesures acústiques normalitzades al teatre i hem desenvolupat models informàtics tridimensionals de les cinc morfologies seleccionades. El model acústic actual ha estat ajustat amb les mesures in situ. A partir d'aquest model, s'han introduït modificacions volumètriques, geomètriques i de coeficients d'absorció i / o difusió a fi de revertir virtualment cadascuna de les intervencions arquitectòniques que ha experimentat la sala teatral, sempre basant-nos en criteris històrics documentats. Així hem pogut reconstruir la història sonora del Teatre Principal de València i comparar els canvis que els seus paràmetres acústics han experimentat al llarg de la seua vida. Com a colofó de la tesi, hem aprofundit en el realisme gràfic del model geomètric del Teatre Principal actual mitjançant l' ús de tècniques de texturització i realitat virtual fotorealística, havent desenvolupat un model que permet experimentar auralitzacions del Teatre Principal en un impactant entorn gràfic immersiu (CAVE, ProwerWall, etc.) que ens obri la porta a noves línies d' investigació.
Barba Sevillano, A. (2016). La acústica virtual como herramienta arqueológica. Historia y sonido en el Teatro Principal de Valencia [Tesis doctoral no publicada]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/62687
TESIS
Nichols, Marden Fitzpatrick. "Vitruvius and the rhetoric of display : wall painting, domestic architecture and Roman self-fashioning." Thesis, University of Cambridge, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.611534.
Повний текст джерелаRumble, Lucy Elisabeth. "Of good use or serious pleasure : Vitruvius Britannicus and early eighteenth century architectural discourse." Thesis, University of Leeds, 2001. http://etheses.whiterose.ac.uk/404/.
Повний текст джерелаMcIntosh, Gillian Elizabeth. "Re-thinking the Roman Domus: how architects and orators construct self, space, and language." Columbus, Ohio : Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1061239970.
Повний текст джерелаTitle from first page of PDF file. Document formatted into pages; contains viii, 220 p. Includes abstract and vita. Advisor: Erik T. Gunderson, Dept. of Greek and Latin. Includes bibliographical references (p. 203-220).
Touw, Katrina. "Firmitas re-visited: Permanence in Contemporary Architecture." Thesis, University of Waterloo, 2006. http://hdl.handle.net/10012/2858.
Повний текст джерелаA close examination of definitions, interpretations and contemporary approaches is provided in order to create a conceptual framework that reveals complex implications of the term. Four strategies for understanding the concept are offered: 'realms versus modes', definitions, a distillation of four positions relating to permanence, and an inquiry into contemporary issues relating to the concept. 'Absolute' and 'relative' realms illuminate a scope for permanence, and 'static' and 'dynamic' modes are discussed. A series of definitions are reviewed that reveal nuance in implications. An analysis of four essays on permanence is included, one from the beginning of the twentieth century and three from the end. This section reveals a series of conflicts relating to the way contemporary Western society uses and understands the term.
Permanence within architecture is widely associated with the Vitruvian definition of firmitas: mass and solidity crafted to endure eternally. Vitruvius' employment of 'permanence' is used as a grounding definition and a fundamental reference for the term's evolution into contemporary usage. In observing the endurance of the original Vitruvian term today, a disconnect becomes evident: absolutism in a society defined by relativity. This thesis argues for the critical significance of the term at a pivotal point in history in addressing the problem of disposable architecture on both a cultural and ecological level. Final open-ended questions are raised that consider staggering construction and demolition waste statistics, implying that permanence could play a significant role in effective responses to a global environmental crisis.
Yzurdiaga, Katherine P. "Reconsidering Firmitas: Durability as an Integral Function of the Sustainably Built Environment." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/pomona_theses/111.
Повний текст джерелаSilva, Edgard Dias da. "Os conceitos elementares de estatística a partir do homem vitruviano: uma experiência de ensino em ambiente computacional." Pontifícia Universidade Católica de São Paulo, 2008. https://tede2.pucsp.br/handle/handle/11300.
Повний текст джерелаSecretaria da Educação do Estado de São Paulo
The objective of this study was to investigate the potential of an intervention of education on the concepts of Statistics with elementary students from high school, built from a cultural visit (exhibition of Leonardo Da Vinci), and the environment as a tool complexity. It is a search for embossing qualiquantitative, which followed an almost-experimental model in the format pretest/ intervention/post-test, supplemented by qualitative analysis of the activities carried out during a speech of education. They were subjects of the search 45 students in two classes of the 2 nd grade of high school, a public school in the outskirts of the city of Sao Paulo. The two classes were randomly allocated to the experimental group, which participated in the intervention, the control group, which took its lessons routine. Both groups answered the pre-test simultaneously. Students in the experimental group visited the exhibition "Leonardo Da Vinci - A display of a Genius," focusing on the "Vitruvian man", which explores the various proportions of the human body, then in the classroom, collected their own data (age, gender, number of siblings, weight, height, size of the arms, among others), organizing them into tables and graphs, calculating measures of central tendency, exploring the relationship between the body measures, and finally dealt with the data on the environment using computer Tabletop software. After the speech the two groups answered the post-test. The results showed that the experimental group presented a statistically superior performance in the post-test, this result, combined the results of qualitative assessment allows us to conclude that the intervention of education, based on a work contextualized offered conditions for a significant learning these concepts
O objetivo deste trabalho foi investigar as potencialidades de uma intervenção de ensino sobre os conceitos elementares de Estatística com alunos do Ensino Médio, construída a partir de uma visita cultural (exposição de Leonardo Da Vinci), tendo como ferramenta o ambiente computacional. Trata-se de uma pesquisa de cunho quali-quantitativo, que seguiu um modelo quaseexperimental, no formato pré-teste/intervenção/pós-teste, complementada pela análise qualitativa das atividades executadas durante uma intervenção de ensino. Foram sujeitos da pesquisa 45 alunos de duas turmas da 2ª série do Ensino Médio, de uma escola pública da periferia da cidade de São Paulo. As duas turmas foram alocadas aleatoriamente ao grupo experimental, que participou da intervenção e, ao grupo controle, que teve suas aulas rotineiras. Ambos os grupos responderam o pré-teste simultaneamente. Os alunos do grupo experimental visitaram a exposição Leonardo Da Vinci A exibição de um Gênio , focando o Homem Vitruviano , que explora as diversas proporções do corpo humano; depois, na sala de aula, coletaram seus próprios dados (idade, gênero, número de irmãos, peso, altura, envergadura dos braços, dentre outras), organizando-os em tabelas e gráficos, calculando medidas de tendência central, explorando as relações entre as medidas corporais e, finalmente, trataram os dados no ambiente computacional utilizando o software Tabletop. Após a intervenção os dois grupos responderam o pós-teste. Os resultados mostraram que o grupo experimental apresentou um desempenho estatisticamente superior no pós-teste, esse resultado, aliado aos resultados da avaliação qualitativa nos permite concluir que a intervenção de ensino, baseado num trabalho contextualizado ofereceu condições para uma aprendizagem significativa desses conceitos
Alfert, Klaus. "Vitruv: specifying temporal aspects of multimedia presentations : a transformational approach based on intervals /." Aachen : Shaker, 2003. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=015751088&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
Повний текст джерелаSmith, Brian G. "Two Highly Diverse Studies In Computing: A Vitruvian Framework For Distribution And A Search Approach To Cancer Therapies." DigitalCommons@USU, 2008. https://digitalcommons.usu.edu/etd/136.
Повний текст джерелаBINDA, LAURA. "NUOVE RICERCHE PER LA BIOGRAFIA E LA PRODUZIONE STORIOGRAFICA DI CARLO BIANCONI (1732-1802)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2017. http://hdl.handle.net/10280/18751.
Повний текст джерелаNew information and analysis about Carlo Bianconi’s biography and writings mainly appear from unpublished archival material bare. This work allows to clarify the education of Bianconi, who grew up in a family of bibliophiles and art collectors. He kept abreast of theoretical development of Winckelmann and Mengs, who personally knew and he gradually moved closer and accepted the models of the classicism that was also mediated by the relationship established with Francesco Algarotti, who is here reevaluate. Regarding his two-year period spent in Rome, the relationship with the Cardinal Albani and moreover his trip to Naples, a glimmer is opened, with important implications for his intellectual maturity. Furthermore, there are: the reason regarding the choice of Bianconi as Secretary of the Academy of Brera, his educational initiatives and the relationship with Carlo di Firmian. From time to time, his many correspondents, his figurative works of art and especially his published writings were commented (for example the guide of Bologna and Milan) and his unpublished writings (such as Vitruvius, theoretical writings on the origin of architecture and engraving, orations) are remembered and also the collaboration with the Enciclopedia Metodica of Pietro Zani is reconsidered. Artist, collector, art writer and teacher, immersed in a climate of a Rationalism, he is a early supporter of the new taste for the classic.
BINDA, LAURA. "NUOVE RICERCHE PER LA BIOGRAFIA E LA PRODUZIONE STORIOGRAFICA DI CARLO BIANCONI (1732-1802)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2017. http://hdl.handle.net/10280/18751.
Повний текст джерелаNew information and analysis about Carlo Bianconi’s biography and writings mainly appear from unpublished archival material bare. This work allows to clarify the education of Bianconi, who grew up in a family of bibliophiles and art collectors. He kept abreast of theoretical development of Winckelmann and Mengs, who personally knew and he gradually moved closer and accepted the models of the classicism that was also mediated by the relationship established with Francesco Algarotti, who is here reevaluate. Regarding his two-year period spent in Rome, the relationship with the Cardinal Albani and moreover his trip to Naples, a glimmer is opened, with important implications for his intellectual maturity. Furthermore, there are: the reason regarding the choice of Bianconi as Secretary of the Academy of Brera, his educational initiatives and the relationship with Carlo di Firmian. From time to time, his many correspondents, his figurative works of art and especially his published writings were commented (for example the guide of Bologna and Milan) and his unpublished writings (such as Vitruvius, theoretical writings on the origin of architecture and engraving, orations) are remembered and also the collaboration with the Enciclopedia Metodica of Pietro Zani is reconsidered. Artist, collector, art writer and teacher, immersed in a climate of a Rationalism, he is a early supporter of the new taste for the classic.
Alfert, Klaus [Verfasser]. "Vitruv: Specifying Temporal Aspects of Multimedia Presentations : A Transformational Approach based on Intervals / Klaus Alfert." Aachen : Shaker, 2003. http://d-nb.info/1172611459/34.
Повний текст джерелаLindholm, Henrik. "Axis Mundi." Thesis, Konstfack, Inredningsarkitektur & Möbeldesign, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-3657.
Повний текст джерелаManenti, Leandro. "Repensando vitrúvio : reflexão acerca de princípios e procedimentos de projeto." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2014. http://hdl.handle.net/10183/97848.
Повний текст джерелаThis study resumes the six fundamental concepts related to architectural design described by Vitruvius in his treatise De architectura in the first century BC. Analyzing the literature about the Roman author, it is possible to identify, still today, shortcomings in the understanding of the design theory, which are motivators to the proposed in depth study. From the complete mapping of the occurrences of the concepts of ordinatio, dispositio, eurythmia, symmetria, decor and distributio in the text of the treatise, as well as other related concepts, the study seeks to raise and discuss the possible understandings, which in sequence are confronted with descriptions of the projects also contained in the treatise. From this comparison, the study aims at validating the principles and procedures of designing according to Vitruvius as well as contributing to the discussion of architectural making in a broad sense.
Benzineb, Baya. "La triade vitruvienne revisitée à travers l'exemple de l'architecture d'Hervé Tordjman : la place de l'art et de la technique dans le processus de conception." Thesis, Université Grenoble Alpes (ComUE), 2016. http://www.theses.fr/2016GREAH005/document.
Повний текст джерелаVitruvian triad revisited through the example of the architecture of Hervé Tordjman. The place of art and technique in the design process. Today, the design of architecture remains as to its origin, dependent on the interaction of three inseparable qualities stated by Vitruvius: firmitas, utilitas and venustas, once considered essential to the act of conceiving. The embodiment of this triad in the creative process of contemporary designers that is the concern of this thesis, both artists-architects-engineers, architects or artists-architects-engineers, is subject on the one hand, to cognitive mechanisms: the model and analogical thinking; and secondly to individual skills and postures.However, despite this personal character of the design process, these three qualities which once had to be articulated by one person (i.e. the architect), are now conducted in unison as a collective process.Indeed, thanks to new existing digital technologies, the architect and engineers are mobilized in a process said collaborative that abolishes the boundaries between the architectural part and the constructive system that is architecture and construction. Through the analysis of the work of the Parisian architect Hervé Tordjman (1975), we must emphasize the importance acquired by the "firmitas" in the creation process by being harmoniously integrated with other components (utilitas and venustas). Thus, the author’s view as well as that of each player in the design chain becomes part in the process. Such a collective articulation of the Vitruvian trinity in the contemporary practice project marks an evolution in how to design the architectural act, not a rupture
Petiot, Damien. ""Templum [...] maximum et primarium est urbis ornamentum". Architecture et cadre urbain des églises dans les traités, les villes neuves et les aménagements urbains de l'Italie de la Renaissance (1450-1615)." Thesis, Tours, 2018. http://www.theses.fr/2018TOUR2028.
Повний текст джерелаSymbolic edifice of the Renaissance, the church was fundamental in Italian architects’ theoretical reflexions. Their thought, based on Vitruvius’ De architectura and its numerous Renaissance editions, attributes also a great importance to the town in the development of an ideal human community. There’s nothing surprising about that both topics, religious architecture and town planning, meet each other in the theory as in the pratice to glorify the God’s house. However, not at all isolated, the place of worship is inserted in a concentrated urban network. Located close to other symbols of power, like seigneurial castle and local council, the church establishes an ambivalent dialogue with them. Similarly, the town square and the avenue can contribute to its isolated location or its urban integration. Therefore, the notions of religious architecture and town planning appear polysemous. Relying on varied sources (treatises, humanists’ writings, drawings, plans, etc.) the present thesis strives to examine the numerous values of Renaissance’s churches. Does their urban setting participate to make the church the city’s greatest and noblest ornament, as claimed by Alberti ?
Viola, Antonio. "Architecture et connaissances : ou l'architecture comme "encyclios disciplina" : le traité "De architectura" de Vitruve : une enquête d'ordre historique et herméneutique." Paris 1, 2003. http://www.theses.fr/2003PA010544.
Повний текст джерелаPlačko, Michal. "Sledování lidské postavy ve videosekvenci." Master's thesis, Vysoké učení technické v Brně. Fakulta elektrotechniky a komunikačních technologií, 2014. http://www.nusl.cz/ntk/nusl-220561.
Повний текст джерелаPatry, Delphine. "Histoire d’un idéal. L’autonomie des élèves dans l’enseignement public français (1959-2019) : les expériences de l’École Vitruve et du Lycée Autogéré de Paris." Thesis, Montpellier, 2019. http://www.theses.fr/2019MONTS094.
Повний текст джерелаThis thesis analyses the history of student’s autonomy as an ideal and pedagogical practice within French public education from 1959 to the present day, based on the study of two singular educational institutions: the Ecole Vituve and the Lycée Autogéré de Paris. A polysemous notion, with multiple definitions and fluctuating contours, we have chosen to analyse autonomy in the educational field. Based on a chronological plan, we studied autonomy as a reference for the New education, an idealized vision of education, a lever for social transformation, classroom practice and an educational finality. In a social-historical approach, based on the archives of the institutions and interviews, we were able to study the discourses and practices implemented since the creation of these institutions, which have chosen to make autonomy the backbone of their projects. We were able to clarify Robert Gloton's role in this dynamic. The study of the links between these two specific experiences and the school institution seemed to us to reveal certain changes in the French public education system. In this study, autonomy appears to be an ideal that is always present in education, but also controversial issue with a definition that is always subject to controversies and debates. Nevertheless, autonomy as an educational goal remains a main issue in understanding current and future debates
Calil, Marcos Rogerio. "Astronomia de Vitrúvio e a datação da sua época." Pontifícia Universidade Católica de São Paulo, 2013. https://tede2.pucsp.br/handle/handle/13281.
Повний текст джерелаCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
Born in the surrounding areas of Rome between 85 and 80 BC, Vitruvius has written The Ten Books on Architecture. The period, possibly, dates between the end of the Republic and the beginning of Augustus principality. Between 29 and 27 BC, after had written the main text of his work, Vitruvius saw the need of preface and dedicate his treaty to Augustus Caesar. Inserted on this accented political movement, Vitruvius publishes, in 27 BC, his work. For Vitruvius, the science of the architect is compounded by several disciplines and different types of knowledge, being necessary have acquaintance in literary art, science of drawing, geometry, arithmetic, historical facts, philosophy, music, medicine and astronomy, since all this disciplines have, among them, connection and communication. In fact, Vitruvius proofs on its work that managed all these knowledge areas. From The Ten Books on Architecture, the book 9 is dedicated to Astronomy, objectifying the comprehension of sundials systems. The complex construction of its analemma, a pre-construction of the sundials, brings several Astronomy concepts practiced on that time. And based on these concepts we determined the year of 47 BC as the year the ninth book was written. Besides, through the historical debate occurred among the vitruvian scholars, we determined the year Vitruvius has born, died, written, prefaced and dedicated his work. We present, in the first chapter, an abstract of the Ten Books of Vitruvius, the different trajectories of the vitruvian editions since the IX century until the present date and 16 editions we consider significant for any vitruvian scholar. In the second chapter, we analyze the historical process about the debate among scholars, referent to the date Vitruvius lived and wrote his work. In the third chapter, we analyzed the book 9, objectifying localize Astronomy contents described by Vitruvius, of which, thereafter, assisted us to conclude which year he wrote this book. Finally, in the chapter 4, the conclusion is made based on the studies of theorists presented in the chapter 2 and the concepts of Astronomy presented in chapter 3, we determined the year Vitruvius has born, died, written, prefaced and dedicated his work
Nascido nas regiões próximas à Roma, entre 85 a 80 a.e.c. Vitrúvio redigiu a obra Dez Livros de Arquitetura. O período, possivelmente, data entre o final da República e o começo do principado de Augusto. Entre 29 a 27 a.e.c, após ter escrito o texto principal da obra, Vitrúvio vê a necessidade de prefaciar e dedicar seu tratado para Augusto César. Inserido nessa acentuada movimentação política, Vitrúvio publica, em 27 a.e.c. sua obra. Para Vitrúvio, a ciência do arquiteto é ornada de muitas disciplinas e de vários saberes, sendo necessário ter conhecimento em arte literária, ciência do desenho, geometria, aritmética, fatos históricos, filosofia, música, medicina e astronomia, pois todas essas disciplinas tem, entre si, ligação e comunicação. De fato, Vitrúvio prova na sua obra que era munido de todos esses saberes. Dos Dez Livros de Arquitetura, o livro 9 é dedicado para a Astronomia, objetivando a compreensão do sistema dos relógios solares. A complexa construção do seu analema, uma pré construção dos relógios solares, traz consigo diversos conceitos de Astronomia praticados na época. E foi com base nesses conceitos que determinamos o ano de 47 a.e.c. como sendo o ano de redação do nono livro. Além disso, através do debate histórico ocorrido entre os estudiosos vitruvianos, determinamos o ano em que Vitrúvio nasceu, faleceu, redigiu, prefaciou e dedicou sua obra. Apresentamos, no primeiro capítulo, um resumo dos Dez Livros de Vitrúvio, as diferentes trajetórias das edições vitruvianas durante os séculos IX até apresente data e 16 edições que consideramos significativas para qualquer estudioso vitruviano. No segundo capítulo, analisamos o processo histórico sobre o debate entre os estudiosos, referente à data que Vitrúvio viveu e redigiu sua obra. No terceiro capítulo, analisamos o livro 9, objetivando localizar conteúdos de Astronomia descritos por Vitrúvio, os quais, mais a frente, nos auxiliaram a concluir a determinação do ano que ele redigiu esse livro. Por fim, no capítulo 4, a conclusão é realizada com base nos estudos dos teóricos apresentados no capítulo 2 e dos conceitos de Astronomia apresentados no capítulo 3, determinamos o ano que Vitrúvio nasceu, faleceu, redigiu, prefaciou e dedicou sua obra
Lima, Clovis Antonio Benedini. "Ratio Venustatis: razões da beleza nos livros I e III do De Architectvra de Vitrúvio." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-03102015-122813/.
Повний текст джерелаAccording to Vitruvius, architecture must be oriented by the principles of firmitas, utilitas and uenustas. We tried to question how the ratio uenustatis is inserted in the De Architectura and its role. There are some terms which are gathered around the concept of uenustas - such as: species, aspectus, aspiciens, figura, uisus, oculus - concerning the visual matters directed to the building works, already indicated by the architecture\'s fundamental definitions - ordinatio, dispositio, eurythmia, symmetria, decor and distributio. As it is witten in Book III, the aspectus bestows aucthority (auctoritas) on the building and the eustylos pseudodipteros temple appears as a major exemplum in the set of preceptions. But before it is necessary to the authorized work to count upon the architect\'s authority, to that instructed in the litterae, among varied arts and eruditions, and apt at the same time to fabrica and ratiocinatio. The prominent authority (egregias auctoritates) promised to the majesty of the power lead by the Imperator in the first exordium, on the occasion of the efforts undertaken in the public building, are concerned with the opportuniies and advantages (opportunitas) issued from an adequate arrangement of the limited urban area (moenia) - from the selection of the site to the common use buildings settlement - showing themselves intrinsically connected with the heed of the ratio uenustatis that permeates the other fields of the ars aedificatoria.
Serrero, Françoise. "Vitruve 1982-1995, les annees jean marc regard sur une ecole publique qui reflechit a la construction des savoirs et a l'apprentissage de la citoyennete." Paris 7, 1999. http://www.theses.fr/1999PA070105.
Повний текст джерелаMichael, Richard J. "Restriking the Vitruvian Balance in Residential Architecture through the Incorporation of Sustainable and Regionally Appropriate Design Fundamentals: Designing, Building and Operating a Passive Solar Residence in the Sonoran Desert." Thesis, The University of Arizona, 2007. http://hdl.handle.net/10150/190385.
Повний текст джерелаMafra, Adriano Vilela. "O Cosmos no Corpus : Vitrúvio e as estruturas do universo no tratado da arquitetura." reponame:Repositório Institucional da UFABC, 2017.
Знайти повний текст джерелаDissertação (mestrado) - Universidade Federal do ABC, Programa de Pós-Graduação em Filosofia, São Bernardo do Campo, 2017.
A pesquisa investiga a arquitetura do universo tal como proposta por Vitrúvio no século I a.C. São apresentadas as artes e disciplinas da arquitetura vinculadas às práticas da gnomônica e o contexto que envolve o arquiteto na Antiguidade, tal como alguns aspectos políticos e religiosos que integram o discurso das estruturas do universo descritas no Tratado de Arquitetura. São desenvolvidas as questões que envolvem o livro como objeto traduzido e transformado ao longo de milhares de anos e algumas reflexões quanto aos desenhos e as pinturas mencionadas na obra. Também temos os comentários e desenvolvimentos das questões quanto à cosmologia junto às elaborações de mapas e ilustrações a partir do conteúdo descrito pelo arquiteto. Foram pesquisadas as teorias de autores que antecedem o período da obra e que forneceram os ensinamentos para a execução das enxertias de Vitrúvio, assim como também se buscou aplicar os termos que são apresentadas como definições constitutivas da arquitetura, ao considerarmos o livro como um produto desta arte.
The present research investigates the architecture of the universe as proposed by Vitruvius in the first century BC. The arts and disciplines of architecture related to the practices of gnomonics and the context surrounding the architect in Antiquity are presented, as well as some political and religious aspects that end up integrating the discourse about the structures of the universe as described in the Treatise on Architecture. The book is hereby presented as an object translated and transformed over thousands of years and some reflections on the drawings and paintings are proposed. Comments and developments regarding the cosmology required for the elaborations of maps and illustrations are also examined in the text provided by the architect. Finally, some of the the theories of authors that precede the period of the work and who provided the teachings for Vitruvius' graftings were investigated, as well the applications tof terms that are presented as constitutive definitions of the architecture, the book being taken as a product of this art.
Guzzo, Eleonora. "Le tombeau de Jean-Jacques Rousseau au Panthéon : du mythe de la cabane rustique de Vitruve à sa fortune dans l'iconographie des traités d'architecture entre XVe et XVIIIe siècle." Paris, EPHE, 2014. http://www.theses.fr/2014EPHE4027.
Повний текст джерелаThe thesis concerns the study of Jean-Jacques Rousseau's tombeau in the crypt of Pantheon in Paris, a subject still unexploited. The formal characteristics of the wooden monument, a small scale rustic temple, are observed and framed within the context of the iconographic tradition of the origins of architecture with te Vitruvian Hut as its archetype. The role played by architects Auguste Cheval de Saint-Hubert and Jean-Thomas Thibault in the conception of the tomb has been analysed, based on original documents uncovered in french archives and supported by a punctual analysis of many types of resources. The possible participation of Antoine-Chrysostome Quatremère de Quincy for the development of the concept of the monument is also included as part of the debate about the organisation, in octobre 1794, of the ceremony in honour of Rousseau. Morever, an architectural survey has been executed in the context of this work, in order to study the proportions of the monuments that strongly resembles a wooden rustic temple. This survey reveals several interesting connections with the Classical Order System (specifically the Tuscan Order) theorised upon within the literature. The tree-shaped wooden columns of the tombeau recall directly Vitruvius' description of the first human-built structure, so similar to the one Laugier tries to illustrate in the frontispiece of his treatise and very near to the primitive house after the first revolution theorised by Rousseau himself