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Статті в журналах з теми "Virgin dichotomy"
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Wyman, Leah M., and George N. Dionisopoulos. "Transcending The Virgin/Whore Dichotomy: Telling Mina's Story inBram Stoker's Dracula." Women's Studies in Communication 23, no. 2 (April 2000): 209–37. http://dx.doi.org/10.1080/07491409.2000.10162569.
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Chiper, Sorina. "Of Masters, Men, Machines and (M)others: Revisiting the Virgin and the Dynamo in a Post/Trans-Human Context." Human and Social Studies 4, no. 2 (June 1, 2015): 78–100. http://dx.doi.org/10.1515/hssr-2015-0016.
Повний текст джерелаАнотація:
Abstract The Education of Henry Adams owes its cultural cachet, in part, to Adams’ elaboration of a dichotomy that has pitted religion against science and technology. Though Western ideologies of modernity have viewed religion in rather negative terms, the current revival of religiosity in the postist context (post-modern, post-communist, post-colonial, post-human) invites a reconsideration of the role of religious belief, practice and objects/symbols in the current society. This article discusses Henry Adams’s dichotomy of the Virgin and the Dynamo, and recontextualizes it from a post-human perspective. It argues that the return of religiosity or spirituality, in its multiple forms, is an ethical stance that signals a cultural need for the feminine values of care, solidarity, affection and affiliation.
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PORTER, BRIAN. "Hetmanka and Mother: Representing the Virgin Mary in Modern Poland." Contemporary European History 14, no. 2 (May 2005): 151–70. http://dx.doi.org/10.1017/s0960777305002298.
Повний текст джерелаАнотація:
Marian devotion has long been a central component of Catholic spirituality, in part because the image of the Virgin has been accommodated effectively within so many diverse cultural contexts. In modern Poland, Marianism gained much of its power from the way it linked seemingly contradictory models of femininity together within a national (or even nationalist) worldview. Mary, the Queen of Poland, has been offered to the faithful as a model for conceptualising the feminine within the nation, a model which is flexible enough to endure because it rests on a basic dichotomy: on the one hand, Mary is a powerful, sometimes militant, protector of Poland; on the other, she is an exemplar of feminine domesticity. She provides an image of authority and power which ultimately (perhaps paradoxically) poses little challenge to traditional norms of femininity – indeed, she is frequently called upon to fortify those norms. Marianism thus provides some of the glue that helps hold together two otherwise distinct strains of Polish national thought, one focused on maintaining conservative gender relations and the other on attaining victory in the international realm.
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Jordaan, D. J., and W. Mulder. "Maar net nog ’n butch? ’n Feministiese lesing van die Halewijnlied." Literator 16, no. 1 (April 30, 1995): 67–84. http://dx.doi.org/10.4102/lit.v16i1.587.
Повний текст джерелаАнотація:
Just another butch? A feminist reading of the HalewijnliedIn this article the authors argue that a form of covert feminism is present in the Halewijnlied (Song of Halewijn), an important Middle Dutch text. Utilizing the poststructuralist notion of écriture rather than lecture, the latent content of the text is explored, enabling the authors to (re-)construct the ‘meaning' of the text within the context of Kristeva's notion that the Virgin cult constitutes "a triumph of the unconscious in monotheism This "triumph of the unconscious "amounts to a form of female power which is the “underhand double of explicit phallic power" and sets up a temporary "commonality of the sexes" within the patriarchal system. By means of the personage of the Princess, Freudian displacement in terms of social sex roles occurs, negating some of the binary oppositions characterising the man:woman dichotomy. This process results in an 'androgenic’ space in which both sexes are temporarily set free from the sexual roles forced upon them by a patriarchal system.
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Rosburg, Regan Suzanne. "The Relentless Memorial." International Journal of Civic Engagement and Social Change 4, no. 1 (January 2017): 23–44. http://dx.doi.org/10.4018/ijcesc.2017010102.
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This manuscript, per the author, will explain “Environmental Melancholia” and “Collective Social Mania,” and describe how they are connected in a hedonic loop of capitalism and buyer's remorse. This manuscript will also explain the role of symbolism and symbolic acts in healing one's grief, and the connection it has to art. The materials used in the artwork, Relentless Memorial, reference the unyielding pollution and mass production of goods created by the petroleum industry, as well as creating a dichotomy between a clean, white, virgin plastic to an ever-increasingly polluted, contaminated world. The formal presentation of Relentless Memorial as an installation is intended to provide a place of contemplation and mourning. Furthermore, the presentation of the installation as a panorama is related to the phenomenon of panoramas of the nineteenth century, and the onset of environmental pollution during the industrial revolution of that time. It invites a layered investigation into how that industry has influenced the environmental melancholia felt by society today.
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Louis-Charles, Hans M., Benigno E. Aguirre, and Jamile M. Kitnurse. "The Aftermath of IrMaria in the U.S. Virgin Islands: Temporal Patterns of Looting, Burglaries, and Community Solidarity." International Journal of Mass Emergencies & Disasters 39, no. 3 (November 2021): 319–45. http://dx.doi.org/10.1177/028072702103900301.
Повний текст джерелаАнотація:
This study investigates the aftermath of Hurricanes Irma and Maria (IrMaria) in the U.S. Virgin Islands and the dichotomy between media reports depicting mass looting and chaos with statements by public officials disputing these claims. Perceptions on post-hurricane criminality can influence sheltering and evacuation behavior as well as frame public policy. The authors review the post-disaster collective behavior literature and implement a mixed-methods approach to examine the veracity of these looting claims. Post-disaster interviews with impacted households, business owners, and public servants reveal a pro-social environment with strong community solidarity in the immediate aftermath of IrMaria. Sheltering behavior was not influenced by fears of looting, but was influenced by previous hurricane false alarms. Regression of available FBI-UCR data shows the rate of burglary has declined across the islands since 2010. An aggregate-level report by the U.S. Virgin Islands Police Department shows a decline in all crimes throughout the US territory compared to the fiscal year before IrMaria, but a four percent increase in burglary incidents. The comparable increase in incidents occurred within four months of IrMaria's landfall, followed by a precipitous decrease in incidents. This finding aligns with theoretical calls to consider temporal phases and patterns of post-disaster crime. Considering the delayed federal response and the decrease in all other crimes for the fiscal year, the authors attribute the momentary increase in burglary incidents as a misnomer and are likely survival appropriating acts that decreased with burgeoning humanitarian assistance. This study recommends disaster public policy and recovery efforts prioritize the unmet needs of hurricane survivors and greater scrutiny of the constraints of US colonialism that impede disaster resilience. Additionally, the paper highlights other concerns raised by participants during fieldwork interviews and emphasizes the necessity and value of ethical post-disaster qualitative research.
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Weck, Karen E., Susanne S. Kim, Herbert W. Virgin, and Samuel H. Speck. "Macrophages Are the Major Reservoir of Latent Murine Gammaherpesvirus 68 in Peritoneal Cells." Journal of Virology 73, no. 4 (April 1, 1999): 3273–83. http://dx.doi.org/10.1128/jvi.73.4.3273-3283.1999.
Повний текст джерелаАнотація:
ABSTRACT B cells have previously been identified as the major hematopoietic cell type harboring latent gammaherpesvirus 68 (γHV68) (N. P. Sunil-Chandra, S. Efstathiou, and A. A. Nash, J. Gen. Virol. 73:3275–3279, 1992). However, we have shown that γHV68 efficiently establishes latency in B-cell-deficient mice (K. E. Weck, M. L. Barkon, L. I. Yoo, S. H. Speck, and H. W. Virgin, J. Virol. 70:6775–6780, 1996), demonstrating that B cells are not required for γHV68 latency. To understand this dichotomy, we determined whether hematopoietic cell types, in addition to B cells, carry latent γHV68. We observed a high frequency of cells that reactivate latent γHV68 in peritoneal exudate cells (PECs) derived from both B-cell-deficient and normal C57BL/6 mice. PECs were composed primarily of macrophages in B-cell-deficient mice and of macrophages plus B cells in normal C57BL/6 mice. To determine which cells in PECs from C57BL/6 mice carry latent γHV68, we developed a limiting-dilution PCR assay to quantitate the frequency of cells carrying the γHV68 genome in fluorescence-activated cell sorter-purified cell populations. We also quantitated the contribution of individual cell populations to the total frequency of cells carrying latent γHV68. At early times after infection, the frequency of PECs that reactivated γHV68 correlated very closely with the frequency of PECs carrying the γHV68 genome, validating measurement of the frequency of viral-genome-positive cells as a measure of latency in this cell population. F4/80-positive macrophage-enriched, lymphocyte-depleted PECs harbored most of the γHV68 genome and efficiently reactivated γHV68, while CD19-positive, B-cell-enriched PECs harbored about a 10-fold lower frequency of γHV68 genome-positive cells. CD4-positive, T-cell-enriched PECs contained only a very low frequency of γHV68 genome-positive cells, consistent with previous analyses indicating that T cells are not a reservoir for γHV68 latency (N. P. Sunil-Chandra, S. Efstathiou, and A. A. Nash, J. Gen. Virol. 73:3275–3279, 1992). Since macrophages are bone marrow derived, we determined whether elicitation of a large inflammatory response in the peritoneum would recruit additional latent cells into the peritoneum. Thioglycolate inoculation increased the total number of PECs by about 20-fold but did not affect the frequency of cells that reactivate γHV68, consistent with a bone marrow reservoir for latent γHV68. These experiments demonstrate γHV68 latency in two different hematopoietic cell types, F4/80-positive macrophages and CD19-positive B cells, and argue for a bone marrow reservoir for latent γHV68.
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Rebeggiani, Stefano. "Theban Myth in Virgil's Aeneid: The Brothers at War." Classical Antiquity 39, no. 1 (April 1, 2020): 95–125. http://dx.doi.org/10.1525/ca.2020.39.1.95.
Повний текст джерелаАнотація:
This article offers a thorough study of Virgil's interaction with the myth of Eteocles and Polynices' war for the throne of Thebes, as represented especially in Athenian tragedy. It demonstrates that allusions to the Theban myth are crucial to the Aeneid's construction of a set of tensions and oppositions that play an important role in Virgil's reflection on the historical experience of Rome, especially in connection with the transition from Republic to Empire. In particular, interaction with Theban stories allows Virgil to explore: (1) the dichotomy between similarity and foreignness in the depiction of Rome's enemies; (2) the tension in differing attitudes towards the state as reflected in antithetical character types—namely, the selfless youth who sacrifices himself for the community and the would-be tyrant prepared to go to any lengths to achieve sole power; and, finally, (3) the dichotomy between opposing notions of time defined by teleology, on the one hand, and circularity and repetition on the other, the two representing the differing temporalities of epic and tragedy, respectively.
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Jeffers McDonald, Tamar. ""Very Little Wrist Movement": Rock Hudson Acts out Sexual Heterodoxy." Canadian Journal of Communication 31, no. 4 (December 21, 2006). http://dx.doi.org/10.22230/cjc.2006v31n4a1681.
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Abstract: Hollywood films of the late 1950s obsessed over the idea of virginity, seeking to render it externally through acting style. Generally virginities thus spectacularized are female: male virginity belongs to the man’s past. When found, therefore, the male virgin is inevitably established as both a comic figure and a fake. Rock Hudson performances remove such assurances, however: in Pillow Talk he plays a womanizer and a potential virgin. Hudson usually offers a performance dichotomy, with the heterodox sexualities evoked by movement, the traditional male calm and still: Man’s Favorite Sport? (1964), however, reverses this trope and makes the calm, experienced, persona the fake.
Résumé : Les films vers la fin des années 50 étaient obsédés par l’idée de la virginité, cherchant à l’exprimer extérieurement, à travers un style de jeu particulier. Généralement, ces vierges étaient représentés par des femmes : la virginité masculine appartenant au passé d’un homme. L’homme vierge est inévitablement représenté comme un caractère comique et faux. Les performances de Rock Hudson éliminent ces assurances, par contre: dans Pillow Talk il joue le rôle d’un joueur qui a le potentiel d’être vierge. Hudson nous offre une dichotomie de performance : les sexualitiés hétérodoxes sont évoqués par mouvement ; le masculinité traditionnelle est calme, immobile. Mais Man’s Favorite Sport? (1964) renverse ce trope et fait l’homme calme, expérimenté, l’article truqué.
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Duclot, Florian, Yan Liu, Samantha K. Saland, Zuoxin Wang, and Mohamed Kabbaj. "Transcriptomic analysis of paternal behaviors in prairie voles." BMC Genomics 23, no. 1 (October 1, 2022). http://dx.doi.org/10.1186/s12864-022-08912-y.
Повний текст джерелаАнотація:
Abstract Background The importance of fathers’ engagement in care and its critical role in the offspring’s cognitive and emotional development is now well established. Yet, little is known on the underlying neurobiology due to the lack of appropriate animal models. In the socially monogamous and bi-parental prairie vole (Microtus ochrogaster), while 60–80% of virgin males show spontaneous paternal behaviors (Paternal), others display pup-directed aggression (Attackers). Here we took advantage of this phenotypic dichotomy and used RNA-sequencing in three important brain areas to characterize gene expression associated with paternal behaviors of Paternal males and compare it to experienced Fathers and Mothers. Results While Paternal males displayed the same range and extent of paternal behaviors as experienced Fathers, we observed structure-specific transcriptomic differences between parental behaviors phenotypes. Using differential expression, gene set expression, as well as co-expression network analyses, we found that phenotypic differences between Paternal males and Attackers were mainly reflected by the lateral septum (LS), and to a lower extent, the nucleus accumbens (NAc), transcriptomes. In the medial preoptic area (MPOA), the profiles of gene expression mainly reflected differences between females and males regardless of their parental behaviors phenotype. Functional enrichment analyses of those gene sets associated with Paternal males or Attackers in the LS and the NAc revealed the involvement of processes related to the mitochondria, RNA translation, protein degradation processes, as well as epigenetic regulation of gene expression. Conclusions By leveraging the natural phenotypic differences in parental behaviors in virgin male prairie voles alongside fathers and mothers, we identified a marked structure- and phenotype-specific pattern of gene expression associated with spontaneous paternal behaviors independently from fatherhood and pair-bonding. The LS transcriptome related to the mitochondria, RNA translation, and protein degradation processes was thus highlighted as a primary candidate associated with the spontaneous display of paternal behaviors. Altogether, our observations further characterize the behavioral and transcriptomic signature of parental behaviors in the socially monogamous prairie vole and lay the groundwork to further our understanding of the molecular underpinnings of paternal behavior.
Дисертації з теми "Virgin dichotomy"
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Bergstrand, Julia. "Mina, the "Angel", and Lucy, the "Monster" : two sides of femininity in Bram Stoker's Dracula." Thesis, Högskolan Kristianstad, Fakulteten för lärarutbildning, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hkr:diva-20723.
Повний текст джерелаАнотація:
This paper analyses the characters Mina and Lucy in Bram Stoker’s Dracula, showing how they are juxtaposed in terms of femininity. By using feminist criticism and the concepts of the angel in the house, monstrous femininity, and the virgin/whore dichotomy, this paper explores how Mina represents the self-sacrificing, supportive, and wifely angel in the house, while Lucy represents the sexual, disobedient, and powerful monstrous female. This is analyzed through Mina’s interactions with the men, as well as through her view on femininity, and through Lucy’s interactions with the men and with Mina. This paper then explores how these differing gender roles lead to different outcomes for the two women. Mina is excluded but is able to be purified from vampirism while still alive. In contrast, Lucy, being a threat to British Victorian femininity, has to be killed and mutilated before her memory can be purified. How well the women fit into the male community’s view of the Victorian female ideal, with Mina fitting it the best, is found to be the reason for why Lucy suffers a worse fate than Mina.
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Sánchez, Sierra. "Woman Hollering/la Gritona: The Reinterpretation of Myth in Sandra Cisneros’ The House On Mango Street and Woman Hollering Creek." Wittenberg University Honors Theses / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=wuhonors1617712283824549.
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King, James R. "A dichotomy of prescence." Thesis, This resource online, 1991. http://scholar.lib.vt.edu/theses/available/etd-03032009-040426/.
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Smart, Ann Morgan. "The Urban/Rural Dichotomy of Status Consumption: Tidewater Virginia, 1815." W&M ScholarWorks, 1986. https://scholarworks.wm.edu/etd/1539625332.
Повний текст джерелаКниги з теми "Virgin dichotomy"
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Demystifying the female body in Hispanic male authors, 1880-1920: Overcoming the virgin/prostitute dichotomy. Lewiston, N.Y: E. Mellen Press, 2008.
Знайти повний текст джерелаЧастини книг з теми "Virgin dichotomy"
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da Silva, Antônio Márcio. "Social Class and the Virgin/Whore Dichotomy in Bonitinha mas ordinária." In The "Femme" Fatale in Brazilian Cinema, 73–95. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137399212_4.
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Gee, Emma. "The Road Map." In Mapping the Afterlife, 39–65. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190670481.003.0003.
Повний текст джерелаАнотація:
This chapter studies the underworld journey of Virgil, Aeneid 6. It examines a series of possible models for afterlife space in Aen. 6. In particular it looks at the underworld journey of Aen. 6 in the light of ancient geographical traditions. We learn that a point-by-point idiom of representing space was much more widespread than you might imagine in antiquity. It’s found across many different genres, involving real and imagined space: geography, poetry, and art. The author argues that idioms of spatial expression are constant across representations of imagined and real space and across image and text. It is possible for Virgil to use the components of a “real” geography to construct his imaginary world. The afterlife is modeled on our concept of the “real” world, but in turn the “reality” we model it on is in large part a construct of the human artistic imagination, of our propenstiy for simplification and schematization. Like a map, the afterlife landscape allows us to simplify and schematize our environment, because it imposes no limits: it is imaginary. The afterlife landscape, in Virgil and elsewhere, acts as a fulcrum between real and imaginary space. There is no strict dichotomy between real and imagined space; instead there is a continuity between the “imagined” space of Virgil’s underworld, and the space of geographical accounts; between the world of the soul and the “real” world.
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Ramos, Santos Felipe. "Digital is Dead." In Advances in Social Networking and Online Communities, 220–36. IGI Global, 2014. http://dx.doi.org/10.4018/978-1-4666-5150-0.ch013.
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This chapter draws from a 6-month participant-observation with an Occupy Wall Street group in Richmond, Virginia—Occupy Richmond—to deliver an ethnography of public discourse in postcolonial, queer, and multimedia contexts, as part of a critical analysis of imperialism in the digital age. The author develops techno-seduction as a term to deconstruct the lure of technological determinism that promotes static interpretations of democracy, participation, and the digital, in addition to considering how these interpretations impact intrapersonal and group identity formation. Finally, the chapter asks that we suspend our conception of the digital/non-digital dichotomy by thinking of the digital as dead, as a force that guides and influences our sociopolitical interactions, rather than as an isolated concept wholly separable from the non-digital.
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Lord Hall, Joan. "Lustful Women and Male Fantasies of Female Desire." In Sexual Desire and Romantic Love in Shakespeare, 66–96. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474488563.003.0004.
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Chapter 3 examines how far Shakespeare’s plays incorporate or challenge polarized stereotypes of women as pure madonnas or promiscuous whores. Through his chaste but desiring heroines, such as Juliet, Desdemona, and Rosalind, the playwright offers a middle ground. His poem ‘Venus and Adonis’ represents fierce female libido (‘will’) sympathetically, while virginal Adonis, refusing to be seduced, reinforces the traditional dichotomy between love and lust. In contrast, Shakespeare’s early collaborative plays present females (Joan la Pucelle and Margaret in the Henry VI plays and Tamora in Titus Andronicus) as unruly women whose bold sexuality is part of their threat to patriarchy and legitimate succession. Mainly, however, it is male characters—the insecure husbands Othello, Posthumus and Leontes—who fantasize darkly about women’s ‘monstrous’ appetites and accuse their chaste wives of infidelity. The chapter concludes that even Shakespeare’s prostitutes and bawds (Mistress Quickly and Mistress Overdone) are presented as tender-hearted rather than morally corrupt. They generate sympathy as part of the vulnerable underclass in a patriarchal society.