Дисертації з теми "Utopian architecture"
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Lau, Sing Yeung (Sing Yeung Sunnie). "The death of growing cities?! : reconstructing the post-utopian urbanism in China now!" Thesis, Massachusetts Institute of Technology, 2013. http://hdl.handle.net/1721.1/79133.
Повний текст джерелаThis electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.
Cataloged from student-submitted PDF version of thesis.
Includes bibliographical references (p. 131-132).
THROUGHOUT HUMAN CIVILIZATIONS; THERE WERE MOMENTS OF COLLECTIVE ATTEMPTS TO REBUILD A UTOPIAN FUTURE TRIGGERED BY POLITICAL, ENVIRONMENTAL, SOCIAL AND/ OR ECONOMIC CRISES. CRISIS SEEMS TO BE A UNIQUE MOMENT TO INITIATE/ GAIN CRITICAL MASS ATTENTION TOWARDS MAKING A NEW PAGE/CHANGE IN HISTORY. IN OTHER WORDS, AS (ARCHITECTS AND URBAN PLANNERS) WE ARE CONSTANTLY RECONSTRUCTING UTOPIAN FUTURES, GREAT MODERNIST VISIONS IN THE 1920S' AND LATER IN 1960S'; THOUGH THEY WERE NOT ABLE TO COPE WITH THE EVOLVING ECONOMIC/ SOCIAL CONSTRUCT OF THE CURRENT SYSTEM--THE URBAN DEVELOPMENT MODEL OF CAPITALISM - THAT WE ARE OPERATING WITHIN SINCE THE INDUSTRIAL REVOLUTION. THE DISCREPANCY BETWEEN REALITIES AND THE INDIVIDUAL/ COLLECTIVE, PROJECTED FUTURE HAS SEEMED TO FAIL US. UTOPIA- BECOMES DYSTOPIA- OR EVEN SOMETHING UNREACHABLE - A MERE IDEOLOGICAL HOPE OF HUMAN CIVILIZATION--ALMOST LIKE A DOGMATIC RELIGION. PROJECTING INTO THE FUTURE, IN THE YEAR 2050, WHAT IF MOST DEVELOPMENTS IN DEVELOPED COUNTRIES ARE FACING PROBLEMS OF MAINTAINING OR DEALING WITH OVERSIZED INFRASTRUCTURES? PROBING THE FUTURE IN TODAY'S EYES SUGGEST THAT THE FATE OF "NEW" CITIES HAVE LONG BEEN SCRIPTED AND ARE PRESCRIBED TO DOOM. AND NOW, WE ARE IN A CRITICAL MOMENT OF CRISIS/ OPPORTUNITY IN TURNING OVER TO A PATH TO A NEW ATTAINABLE REALITY IN THE MIST OF UNIMAGINABLE SPEED OF CITY MAKING PROCESS IN CHINA. NEVER BEEN MORE URGENT THAN BEFORE, ECONOMIC GROWTH ACCOMPANIED BY VAST URBANIZATION-THE CITIES AND THEIR QUALITY OF LIFE ARE IN TROUBLE NOW.... HOW SHOULD ARCHITECTS/ URBANISTS REACT IN A SMART WAY THAT COULD DEVISE A REMEDY TO "CORRECT" THE ULTIMATE "SYSTEMATIC FAILURE" IN THE POST-UTOPIAN FUTURE? AND WHAT SHOULD HAVE HAPPENED TO URBANISM--30 YEARS AGO-WILL HAPPEN NOW? THIS THESIS INTENDS TO REVISIT AND UNPACK THE ARCHITECTURAL TYPOLOGY OF HYBRID GROUP-FORM IN HOUSING, QUESTIONS THE PERMANENT/ INFLEXIBLE NATURE OF THE IDEOLOGIES OF THESE TYPOLOGIES. THE THESIS ATTEMPTS AS AN COMPREHENSIVE DOCUMENTATION OF AN ANATOMY OPERATION IN FINDING THE ELEMENTS THAT CONTRIBUTE TO THE PARADOX OF INCAPABILITY IN ADDRESSING THE CYCLE OF LIFE AND DEATH OF CITIES ESPECIALLY AT THOSE MOMENTS OF ARISING COMPLICATION AND MULTIPLICITY OF ECONOMIC, POLITICAL, ENVIRONMENTAL AND CULTURAL CRISIS IN THE NEW ERA OF CHINA.
by Sing Yeung (Sunnie) Lau.
M.Arch.
Parslow, Michelle Lisa. "Women, science and technology : the genealogy of women writing utopian science fiction." Thesis, University of Exeter, 2010. http://hdl.handle.net/10036/3058.
Повний текст джерелаUecker, Jeffry Lloyd. "From Promised Lands to Promised Landfill: The Iconography of Oregon's Twentieth-Century Utopian Myth." PDXScholar, 1995. https://pdxscholar.library.pdx.edu/open_access_etds/5026.
Повний текст джерелаHann, Rachel Nicole. "Computer-based 3D visualization for theatre research : towards an understanding of unrealized utopian theatre architecture from the 1920s and 1930s." Thesis, University of Leeds, 2010. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.540209.
Повний текст джерелаCordellier, Maxime. "Recherche d'autonomie et architecture du commun dans les styles de vie communautaires." Thesis, Normandie, 2018. http://www.theses.fr/2018NORMC010/document.
Повний текст джерелаRecipients of the 1970’s legacy, intentional communities aim at reconsidering the practices and social relations specific to contemporary society. Through the association of work and domestic life they form a kind of social organization turned towards «living together » and « working the common ». Using the theoretical framework of common resistance as a basis, this thesis demonstrates that intentional communities put into practice a peculiar manner of being-in-the-world. By way of a return to the land and of a detour via nature, their action is inscribed in a temporality and a spatiality fueled by utopian projection, which draws on representations of a mythologized past. That past serves the present-time actualisation of this world, and the experimentation of a world-to-be-brought-about. These communities develop visions and ways of doing guided by what I suggest we call utopian retrospection. In doing so, they invest intersitial and oppositional public spaces by juxtaposing imaginaries and practices that correlate three social logics (myth, return, utopia) with three registers of historicity (conservation, retrospection, progression). They organise the slowing down of the techno-bureaucratic and capitalistic machine and summon the agrarian roots of earlier societies to prefigure the advent of a new society, both agrarian and political
Ekberg, Sofia. "Findings through fragmentation." Thesis, Konstfack, Inredningsarkitektur & Möbeldesign, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-6375.
Повний текст джерелаRummet mellan det som är och det som har varit Arkitektur representerar vår historia och det kollektiva minnet. Att minnas definieras som ‘förmågan att lagra erfarenheter och göra det möjligt att känna igen och lära’. Minnen placerar oss i förhållande till tid och rum vilket gör att platser och arkitektur kommer att spela en stor roll som bärare av vår kollektiva historia. Byggnader som bär spår av tid där de har varit grunden i en annan kontext kan utgöra ett unikt möte mellan det rum som existerar och det som har varit. När vårt medvetna väljer ut och sorterar bland minnen fragmenteras det som vi upplevt och bara vissa delar finns kvar. Fragment kan definieras som en pusselbit som tillhört en helhet och blivit en spillra. Styrkan i arkitektonisk fragment är att de kan läsas på nya sätt efter att det isolerats från en helhet och antingen läsas in i en ny kontext eller ingen. Genom att fragmentera byggnader som representerar en specifik tid och grupp av människor som har använt dom vill jag förkroppsliga dessa rumsliga minnen innan de för alltid går förlorade.
Founeau, Matthieu. "Esthétiques de l'Utopie : l'architecture inquiétée par l'art contemporain." Thesis, Montpellier 3, 2019. http://www.theses.fr/2019MON30077.
Повний текст джерелаAesthetics of Utopia : architecture queried by contemporary art In 1516, the English humanist Thomas More wrote Utopia and thereby designated a full genre which, far from being a new notion, will question and shake the whole artistic and philosophical domains. Through our research, we will approach this elusive «place of nowhere» with an interdisciplinary work where architecture and contemporary art will question each other. Therefore, we must understand Utopia in the proper space and time of contemporaneity and contemporary which is, as Giorgio Agamben stressed, «the one which is slapped in the face by the beams of darknesses that comes from his time». Far from the codes and the logics of History and chronology, we will attempt to understand Utopia within a network where philosophy, aesthetic, literature, poetry, psychoanalysis and of course, architecture and plastic arts challenge and question each others. Based on the model of a mind map, where paths that are going nowhere are running into each others, we must see this research as an intimate, attractive and lyrical promenade. A stroll towards motives such as the journey, the disaster/shipwreck, the door, the threshold, the maze, the tower, the tree, the pyramid, the island, the refuge, or the building site, the ruin, the home et cetera. Finally, it is necessary to note that it is from and through works of art that our statement will progress, strenghtened by their creative and lyrical powers which are also set in motion by utopia
Abrahamson, Michael. "Browsing for Utopia." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1230663236.
Повний текст джерелаJeanroy, Audrey. "Claude Parent, architecture et expérimentation, 1942-1996 : itinéraire, discours et champ d'action d'un architecte créateur en quête de mouvement." Thesis, Tours, 2016. http://www.theses.fr/2016TOUR2001.
Повний текст джерелаTo dedicate a monographic research to an alive architect is a difficult exercise, particularly since Claude Parent (born in 1923) himself contributed to his own myth-making, as much in his work as through his activity as a critic. The most detached historian outlook cannot be totally neutral in front of buildings often little skated by memory, although sometimes already considered like « heritage ». It is maybe the least voluntary paradoxe which Claude Parent liked to build around his person. Through his numerous articles, he builds himself a character of scandal and, because of this, was somewhat marginalized by the profession. He claimed to be nevertheless a « man of construction », humble in front of the strength of the architectural act. This study follows the general practice of the monography. It is however revisited through the study of the actors of the architectural profession when Claude Parent debated publicly the subject, with the analysis of the commissioners and architects, and with the study of the urban politics in which the architect places his buildings and his theoretical speculations. This research also questions the complexity of the normative relationships which architectural criticism entertains with design and constructive practices. Claude Parent considers himself like an architect as well as a man of medias. His professional, public and composite stature, as well as his outlook on the period, more complex, shed light on the decades 1950-1990, still little studied in the history of architecture
Navas, Perrone Maria Gabriela. "Utopía y privatopía en la Vila Olímpica de Barcelona: Los impactos sociales de un barrio de autor." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/401430.
Повний текст джерелаThe Olympic Village is presumed as the Nova Icària of the twentieth century and is recognized as the introductory work of the renowned "Barcelona model". It was built on the remains of an important industrial area of Poblenou, with the intention of regenerating this land, which has been historically used for activities that are considered as unhealthy. This practice echoes the utopian vocation of urbanism as follows: it neutralizes the conflict manifestation that contradicts the olympic city’s revival, through the artificial creation of an in vitro neighborhood, which stimulates the land value and channels the bourgeois control of the city to the seaboard. This is a representative case of neoliberal urbanism, which promotes the substitution of the neighborhood by urbanization projects. The result is a privatized residential complex that has been built from segregation and isolation.
Hack, Keith Martin. "Utopia and Oblivion." Thesis, Virginia Tech, 2021. http://hdl.handle.net/10919/103945.
Повний текст джерелаMaster of Architecture
On the shores of the Schuylkill River in Philadelphia, the largest and longest operating oil refinery on the east coast has been recently closed following a massive explosion. The 1300+ acre facility is heavily polluted and contaminated with a multitude of toxic chemicals. This project proposes using the existing refinery infrastructure in conjunction with biological processes to clean the contaminated soil and make the site fit for all types of life again. Riparian ecosystems (those at the edges of waterways) are some of the most important to planetary healthy, and as such are an important area of focus in repairing the damage wrought by large-scale industrial and petrochemical processes. Because these processes of repair and reinhabitation require long periods of time, this project is imagined in a distant future.
Stacher, Susanne. "Dreamland Alps. L'architecture alpine au prisme du sublime." Thesis, Université Paris-Saclay (ComUE), 2016. http://www.theses.fr/2016SACLV070.
Повний текст джерелаThe thesis questions in which way the sublime has influenced the architecture built in the Alps, from the beginning of tourism until today.The first part shows how the Alps became in the beginning of the 18th century the topos of a new perception of nature, which crystallized in the notion of the sublime. Situated between terror and enthusiasm, this term implies an experience of the limit. Longing for this sensation, the travelers went to the Alps. A little later, mountains were constructed artificially in the cities, first as a symbol for liberty during the French Revolution, then in form of illusionist panorama-paintings, up to factice Swiss sceneries in amusement-parks in the end of the 19th century. This induced a flood of tourists, transforming the Alps into a “Dreamland”, for different kind of dreams.The main part analyses in which way the sublime became the guiding principle for various architectures: While the alpine grand-hotel framed the scenery by panoramic windows in order to contemplate the wilderness outside, crystalline architectures are conceived out of utopic visions, looking for a harmonious world. In the end of the 19th century the focus on the “wild nature” was transferred on to singular elements of nature, especially the sun, which (being considered as a remedy) became a real myth. This becomes evident in the “Live Reform”-groups, as well as in the advertisements for sanatoriums. The Alps were considered as a “therapeutic landscape”, as well as an ideal territory for education. Numerous children-colonies have been built by different religious and political institutions, leading to a fight about the appropriation of the children; the ideological differences became visible in the architectural typologies. But the Alps were also considered as an ideal territory to experiment the sensation of giddiness and speed. This became possible by the increasing net of cable-cars and sport-hotels, where cantilevers emphasized the experience of the limit (inherent to the sublime). With the upcoming mass tourism it was not anymore the wild nature which was considered as sublime, but the technic, which dominates nature.The analysis of the alpine architecture through the prism of the sublime leads to an observation of the actual alpine tourism, emphasizing the radicalism of the various phenomena throughout history. The different figures of the sublime open towards a reflection about the future constructions, in the continuity of a visionary relationship between man and nature
Die Dissertation hinterfragt auf welche Weise das Erhabene die Architektur in den Alpen beeinflusst hat, vom Beginn des Tourismus an bis heute. Im ersten Abschnitt wird aufgezeigt, wie die Alpen zu Beginn des 18. Jahrhunderts zum Topos einer neuartigen Naturbetrachtung wurden, die sich im Begriff des Sublimen (Erhabenen) kristallisierte. Zwischen Schrecken und Faszination angesiedelt, liegt diesem Gefühlszustand eine Grenzerfahrung zugrunde. Auf der Suche nach diesem Gemütszustand, suchten Reisende sehnsuchtsvoll die Welt der Berge auf; diese wurde alsbald in künstlicher Form in den Städten rekonstruiert, vom Freiheitssymbol der Französischen Revolution angefangen, über illusionistische Panoramabilder, bis hin zum Vergnügungspark im 19.Jh. Die daraufhin einsetzende Reiseflut verwandelte die Alpen in ein Land, in dem ganz unterschiedliche Träume projiziert wurden. In den folgenden Kapiteln wird untersucht, inwiefern das Sublime bei den unterschiedlichen Architekturen als Leitmotiv erscheint: Während beim alpinen Grandhotel die Aussicht auf das Panorama inszeniert wurde, um das Spektakel der „wilden Natur“ zu betrachten, standen bei den Kristallarchitekturen utopische-visionäre Gedanken im Vordergrund. Der Fokus auf die wilde Natur verlagerte sich gegen Ende des 19. Jahrhunderts auf einzelne Naturelemente, insbesondere auf die Sonne, die als Heilmittel zum Mythos erhoben wurde. Dies kommt sowohl in den Lebensreformgruppen zum Ausdruck, als auch auf den Werbeplakaten für Sanatorien. Die Alpen fungierten als „therapeutische Landschaft“ und wurden auch als idealer Ort der Erziehung angesehen. Verschiedene religiöse und politische Institution errichteten Kinderkolonien, wobei sich ein wahrer ideologischer „Kampf um das Kind“ entspann, der architektonisch gesehen zu sehr unterschiedlichen Resultaten führte. Die Alpen waren aber auch ein ideales Territorium, um den Rausch der Bewegung auszuleben. Dies wurde durch ein immer dichter werdendes Netz von Seilbahnen, Sporthotels und Hütten ermöglicht, wobei die Grenzerfahrung des Sublimen architektonisch bewusst inszeniert wurde. Mit dem aufkommenden Massentourismus wurde nicht mehr die wilde Natur, sondern die Technik als erhaben angesehen, die es ermöglichte, die Berge zu dominieren. Die Analyse der alpinen Architektur durch das Prisma des Sublimen führt uns zum Schluss zu einer Betrachtung des heutigen alpinen Tourismus im Spiegel des Wandels des Erhabenen-Begriffs, wobei die Radikalität der verschiedenen Phänomene hervorgehoben wird. Die unterschiedlichen Figuren des Erhabenen öffnen somit ein Nachdenken über das zukünftige Bauen in den Alpen, in der Kontinuität einer bestimmen Beziehung zwischen dem Menschen und der Natur
Abreu, Ivanir Reis Neves. "Convênio escolar: utopia construída." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/16/16138/tde-13052010-152451/.
Повний текст джерелаThis thesis focuses on the analysis of a set of schools built between 1949 and 1953 in São Paulo, during the 2nd School Agreement (2º Convênio Escolar), a contract between state and municipality authorities ,which its main purpose was to extirpate the serious lack of classrooms,until the Celebration of the 400th Anniversary of the city of São Paulo. The team engaged in the conception and development of the projects was coordinated by the architect Hélio de Queiroz Duarte and composed by two architects from Rio de Janeiro, Eduardo Corona and Roberto Goulart Tibau, both graduated at Escola Nacional de Belas Artes, Oswaldo Correa Gonçalves, engineerarchitect and Ernest Robert Carvalho Mange, engineer, both graduated at Escola Politécnica from University of São Paulo. The result of their work are 52 schools which have been built with a specific architectural programme, concepts of a school opened to the community, according to Anísio Teixeiras beliefs, educator, with whom Hélio Duarte has worked in Bahia, developing a public school planning to include deprived children and give them opportunity to attend a school. This exchange of ideas between architect and educator resulted in solid pedagogic concepts, and were applied on the projects of the Convênio Escolar ,architecture and pedagogy, beginning with the idealistic principles from modern architecture and the renewal ideas from New School Movement in Brazil (Escola Nova), coming from the international movement Education Act, resulted in an identity which characterized this set of schools. The objective of this research is to create the possibility to recognize the history of Brazilian Modern Architecture from the educational perspective and design a time scale to locate the beginning between pedagogues from Escola Nova movement and architecture. In the beginning of 1930s, during Getúlio Vargas era,we watched the construction of a national development plan, from the establishment of a national industrial park.This movement caused deep changes into social Brazilian structure. Education, through Escola Nova movement, became the guide line of this transformation, fighting for the childrens right to attend public school, besides presenting a new pedagogical model structured from this new attitude which claimed for a new space to reflect this renewal model of school. The national development plan, at the cultural sphere, got together politicians and intelectuals to build a national identity, and architecture, meaning here the expression of a time, appropriated the rationalism of modern international architecture that, in the hands of young architects could find a rich field of experiment. São Paulo is the scene of this movement, that in the mid of 1940s, was already an international metropolis and revealed in its urban space, the contradiction between richness and poorness, between center and outskirts. The schools of the Convênio Escolar came to serve the districts which have, in the public school, the first sign of the presence of a State Government that, coming from the dictatorship of Getulio Vargas, start a new democracy phase.
Ferreira, J. M. Simões. "Visões de utopia-as teorias de arquitectura e as utopias políticas nos alvores da Idade Moderna, Alberti, Filarete, Colonna, da Vinci, Morus, Campanella, Bacon, Rabelais." Master's thesis, Instituições portuguesas -- UNL-Universidade Nova de Lisboa -- FCSH-Faculdade de Ciências Sociais e Humanas -- -Departamento de Filosofia, 2001. http://dited.bn.pt:80/30498.
Повний текст джерелаAkbarzadeh, Masoud S. M. Massachusetts Institute of Technology. "Hydropower cities : a new candidate for eco-utopia." Thesis, Massachusetts Institute of Technology, 2011. http://hdl.handle.net/1721.1/65539.
Повний текст джерелаCataloged from PDF version of thesis.
Includes bibliographical references (p. [83]).
The increasing need for water due to incessant growth of population of the world makes it imperative to build water reservoirs in different location of the world. Water reservoirs most of the time are used as a mean to generate energy. Hydropower energy is one of most efficient and renewable ways of energy production which has negative other implications on human and natural environments. Design and construction of large scale dams provide regional water and global energy support for communities while deprave some people from their home lands and number of environmental effects. In this thesis, the new paradigm of planning dams and related infrastructures are investigated to not only provide the water and energy for the local people, but to lessen the environmental effects of such infrastructures. In each step through this thesis an architectural proposition would be provided and its flaws and effects would be considered to provide better environment for its inhabitants and natural eco system. It is worth noting that the propositions in this architectural design research are schematic and need further consideration and investigation by professionals in related areas. At the end, a specific site in Senegal River valley would be chosen for the application of the last scheme with consideration of the local characteristics of the site and its requirements.
by Masoud Akbarzadeh.
M.Arch.
Latusek, Matthew Alexander. "Anticipations of Utopia : discovering an architecture for post-war Britain." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/28683.
Повний текст джерелаMoulin, Fabrice. "Embellir, bâtir, demeurer. Représentations de l’architecture et du geste architectural dans la littérature de la deuxième moitié du dix-huitième siècle en France (1748-1788)." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040201.
Повний текст джерелаStarting in the 1740's, influenced by various factors such as archaeological discoveries, the "grands travaux" of Louis XV, and the "Academies crisis", the world of architecture entered a period of deep transformation. Questions of architecture, then at the heart of cultural debate, also nourished the literary imagination. This work explores the forms and figures of this imagination, as it relates to architecture in all of its dimensions. As a field, architecture wasexperiencing an unprecedented crisis. Architectural knowledge was shifting from academia to the general press. The press hosted substantial debates on the embellishments of the capital, Paris, which inspired utopian literature. But there was also a practical dimension to architecture, the act of construction, and literature exploited the symbolic value of this. This element also played an essential role in the imaginary representation of the new relationships between man and nature - bridges, ruins,or huts represented man's struggle againstnature or their harmonious fusion - and man and society: building one's home brought out the core values of the modern individual. Finally, as a space, worked on and lived in, architecture asserted itself as a critical component of literary imagination. From Rousseau to Sade, the internal architectures of the novel, virtuous or libertine, became more than just simple decor - they were inseparable from the character's actions or the reader's fantasies
Wilson, Robin Murdoch. "Image, text, architecture : sites of utopic critique." Thesis, University College London (University of London), 2007. http://discovery.ucl.ac.uk/1459113/.
Повний текст джерелаMixon, Dawn Hensley. "Imperfect utopia : a proposal for a political architecture in the postmodern era." Thesis, Georgia Institute of Technology, 1990. http://hdl.handle.net/1853/23160.
Повний текст джерелаMinosh, Peter. "Moderate utopias : the reconstruction of urban space and modernist principles in postwar France." Thesis, Massachusetts Institute of Technology, 2007. http://hdl.handle.net/1721.1/39311.
Повний текст джерелаIncludes bibliographical references (p. 121-133).
This thesis explores the implementation of the American Marshall Plan in France and its precipitation of structural changes within the realms of economics, politics, and cultural subjectivity, studying their manifestations in both the built work of the postwar reconstruction and its concurrent discourse on architecture and urbanism. In the turn from the interwar classical to the postwar Keynesian economy, there followed a cultural transformation that resulted in the social welfare state. The consequence is what Deleuze would describe as a shift from mechanisms of discipline to societies of control, where the mass subject controlled by centralized agents would transform to the active subject of a middle class physically operating of the mechanisms of agency that control them, this thesis studies the architectural manifestation of this transformation. Through the discursive projects set out in the journals I'Architecture d'aujourd'hui and Techniues et Architecture, as well as through a study of Orleans, Le Havre, and Maubeuge - reconstruction cities whose architects encompassed a range of formal styles - there was a development in postwar reconstruction architecture that ran parallel to that of the modernist project; one that ultimately displaced the authority of CIAM and precipitated a rejection of architectural modernism with the emergence of Team X thinking.
(cont.) This discourse intends to offset the standard historiography of postwar architecture as a modernist aesthetic lineage, employing instead an exploration of the motivation of an economic agency in the development of architectural form. While the modernist project struggled to find its place within the postwar reconstruction, cities were being built that employed new principles of construction and organization on a vast scale. These reconstruction cities, almost wholly outside of the modernist influence would mold architecture to the hegemonic organizational space of the postwar, as well as permanently imbricate architecture into new modes of capitalist production and social regulation.
by Peter Minosh.
S.M.
Fernandes, Miguel João Mendes do Amaral Santiago. "As cidades e o desejo-metamorfoses da utopia no final do séc. XX." Master's thesis, Instituições portuguesas -- UTL-Universidade Técnica de Lisboa -- -Faculdade de Arquitectura, 1998. http://dited.bn.pt:80/30332.
Повний текст джерелаCosta, Sandra Cristina de Jesus Vaz. "A Cidade Universitária de Coimbra-um projecto de modernização cultural : utopia e realidade." Master's thesis, Instituições portuguesas -- UNL-Universidade Nova de Lisboa -- FCSH-Faculdade de Ciências Sociais e Humanas -- -Departamento de História da Arte, 1998. http://dited.bn.pt:80/30354.
Повний текст джерелаSoydemir, Gokcek Esin. "Modern Urban Utopias And The Case Of Dubai." Master's thesis, METU, 2012. http://etd.lib.metu.edu.tr/upload/12613358/index.pdf.
Повний текст джерелаBoeri, Elisa. "Architecture, théorie et représentation au temps de la Révolution française : les dessins de l'architecture civile de Jean-Jacques Lequeu (1757-1826) à la Bibliothèque nationale de France." Thesis, Paris 1, 2016. http://www.theses.fr/2016PA01H041.
Повний текст джерелаThe research aims to explore the figure of Lequeu in the cultural and architectural panorama of the French Revolution, proposing a critical distance from the famous drawings named Figures lascives. Our analysis focused on what constitutes the core of his graphic work: the numbered drawings of Architecture Civile, that Lequeu drafts from 1778 and now conserved at the Cabinet des estampes of Bibliothèque nationale de France (Paris). Visionary in its attempt to create a new conception of architectural drawing, Lequeu developed the character of its architecture, where the most of eighteenth century's contradictions are concentrated. lnevitably attracted to the modern, it has systematically horror oh that, and turns his eyes to an idealized past, dreamed but elusive port. lt is in this juxtaposition of elements, which of place of Lequeu: no architect before him has tried such a great mix of different interests and skills. The link with the art of his time, who discovers, for the first lime, the psychological introspection, describes the role of Lequeu in the history of European architecture. The drawings of Architecture Civile interpret both the anguish of an artist struggling with the old, and the modernity of the French technical culture of the eighteenth century
Guimarães, Humberto Pio. "Rodrigo Brotero Lefèvre: a construção da utopia." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/18/18142/tde-29012007-142309/.
Повний текст джерелаThis dissertation aims at giving a panorama of Rodrigo Brotero Lefèvre´s production from 1960 to 1984 both as an architect and a university lecturer, considering the political and cultural scenario in Brazil over that period. It shows the interweaving of theory and practice typical of this author, through a concern about and control of planning, which pervades his writings and works. It also raises the discussion of perennial issues related to his professional work as a wage earner and a self-employed man: collectivity, technique, national issues and the future. It focuses on the connection of his production with the modern architecture stream in the state of São Paulo as regards ideology and language, based upon a radical criticism associated with the interpretative tendency developed by brazilian marxist intellectuals, in the sense of the duality between archaism and modernity. It eventually stresses the commitment of his ideas to architecture users and producers, seeking a synthesis of utopia and reality.
Walker-Brown, DaMario X. "Cotton in the Crevices: Remnants of a Black Utopia." University of Cincinnati / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1617107572497883.
Повний текст джерелаGransotto, Larissa Rodrigues. "Cabo Polônio : uma viagem através das utopias urbanas." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2009. http://hdl.handle.net/10183/18197.
Повний текст джерелаThis work concerns the theme of the utopia through urban bias. By using the text in the form of a trip, is there a roadmap that is divided into three main points: the departure, arrival and return. It starts revisiting some of the major Western utopians of history; it arrives to a new urban area located beyond our borders - Cabo Polonio - and returns it to make the relationship between this unusual destination and utopias, their contexts, times and ideas. The research proposes to use the utopian thinking as a tool for understanding, reflection and approach to the new cities - real or ideal.
Gonçalves, Ricardo Felipe. "Utopias, ficções e realidades na metrópole pós-industrial." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/16/16138/tde-15102014-162051/.
Повний текст джерелаUnlike the explicit values and pragmatic motivations of architectural production , utopian proposals involve a more introspective and imaginary universe that subverts the reality in which they were manufactured in response to relevant feelings we have on the cities they inhabit, often connected to quite accurate spatial characteristics. These connections, though imaginary, contribute to the evolution of ideas that can brighten the paths of architectural practice. These utopias reverberate themselves over time and their heritage can be identified and assimilated within the critical process of discussion and design of architecture, either in a visually explicit or a conceptually subtle manner. The recognition of utopian architectures at the present time is a relevant approach, since the contemporary city is presented as a scenario of complex heterogeneous social relations, where different cultural values are juxtaposed in urban space, creating a multiplicity of expectations on it. This work will focus on the analysis of manifesto-projects: utopian, provocative and speculative proposals whose images communicate an axiological universe as an intrinsic reaction to its historical and urban context , working in the construction of the idea of the city\'s urban future or alternative realities . On the first part, this research aims to recognize the urban utopias conceived in modernity and dystopias revealed in the movie universe by analyzing their aesthetic, conceptual and methodological aspects that reflect the values that are worshiped, starting from the industrial metropolis, investigating new paradigms and concepts that contribute to the reflection of the architecture and the city. The second part of the work aims to investigate the continuity or rupture of these values in post modernity and also in contemporary designs, including the evolution of the theme of utopia linked to architectural practice in the post - industrial society.
Shapins, Jesse Moss. "Mapping the Urban Database Documentary: Authorial Agency in Utopias of Kaleidoscopic Perception and Sensory Estrangement." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:11021.
Повний текст джерелаHuck, Martin Keith. "The City of Aetheria." Thesis, Virginia Tech, 2014. http://hdl.handle.net/10919/47494.
Повний текст джерелаMaster of Architecture
Cole, Alexandra. "The Unconventional Center." University of Cincinnati / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1617104988049521.
Повний текст джерелаAmar, Sylvia. "Laboratoires d'architectures écotopiques : des communautés d'hier aux écovillages d'aujourd'hui : États-Unis, Europe 1965-2015." Thesis, Aix-Marseille, 2020. http://www.theses.fr/2020AIXM0201.
Повний текст джерелаSince the seventeenth century, communitarian initiatives have been deploying their utopian quest for a better world, integrating a fundamental ecological and educational dimension into this project. A cross-historiography of utopia and ecology allows us to trace a continuity of these concerns, in the communities of the 1960s and 1970s as well as in today's ecovillages, including a sample of eight sites in the United States and Europe. This approach shows that some communitarian initiatives rely on architecture as the medium for expressing their socio-spatial project. Over the entire period studied (1965-2015), this dynamic enables them to be described as laboratories of ecotopic architecture. Could communities and ecovillages — even on their very small, decentralized and rural scale — contribute to defining models of society that allow for a better « living the Earth »? The research proposes to explore this issue through two hypotheses. On the one hand, the architectural productions of communities and ecovillages would be based on a spatial approach that closely combines ideology and territory, creating an alternative trend, guided by a desire to build in an ecological way. On the other hand, this architectural heritage would be caught in a tension between rupture and tradition, and would be embodied in hybrid achievements. The concept of laboratory of architecture is put forward both as a theoretical reading-grid unifying these heterogeneous experiences, and as a methodological device activating the potential of a realizable utopia, towards its effective and perfectible realization
Mandoul, Thierry. "L' «Histoire de l'architecture » d'Auguste Choisy : entre raison et utopie." Paris 8, 2004. http://www.theses.fr/2004PA083577.
Повний текст джерелаThe study of this work is the engineer Auguste Choisy's book, "Histoire de l'architecture", published in 1899. The dissertation examines the book's conception of history, revealing the scientific construction underlying the historical narrative. It discusses the manner in which the "Histoire" was subject to the episteme of its time, influenced by engineering and natural sciences as well as social and political utopias. The study also focuses on the status and the use of graphic representation, exploring a working thought process in which the rational and the imaginary prove to be inseparably associated. It aims to define the significant elements that form both the rules of architectural production and the structure of the historical interpretation itself. Finally, it situates "Histoire de l'architecture" within a general history of labour and considers to what extent the book may be qualified as a technical and Saint-Simonian utopia
Feliciano, Ana Marta das Neves Santos. "Habitação e utopia nos anos sessenta-as propostas do Grupo Archigram no contexto de uma década de rupturas." Master's thesis, Instituições portuguesas -- UTL-Universidade Técnica de Lisboa -- -Faculdade de Arquitectura, 2001. http://dited.bn.pt:80/29399.
Повний текст джерелаGreen, Nigel. "Photography and the representation of modernist architectural space : from the melancholy fragment to the colour of utopia." Thesis, University of Kent, 2007. http://www.research.ucreative.ac.uk/id/eprint/1060.
Повний текст джерелаVan, Acker Wouter. "Universalism as Utopia: A Historical Study of the Schemes and Schemas of Paul Otlet (1868-1944)." Doctoral thesis, Ghent University, Ghent, Belgium, 2011. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/241589.
Повний текст джерелаinfo:eu-repo/semantics/nonPublished
Mehrin, Nazanin. "The Collective : A Study for Alternative Ways of Living." Thesis, KTH, Stadsbyggnad, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-124397.
Повний текст джерелаBRAKEFIELD, KATHLEEN HEATHER. "PROMOTING COMMUNITY: AN ARTISTS' RESIDENCE." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1114105112.
Повний текст джерелаMiyada, Paulo Kiyoshi Abreu. "Supersuperfícies: New Babylon (Constant Nieuwenhuys e Internacional Situacionista, 1958-74) e Gli Atti Fondamentali (Superstudio, 1972-73). O pensamento utópico como parte da cultura arquitetônica no pós-guerra europeu." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-05072013-114121/.
Повний текст джерелаThe object of the present dissertation is the utopian content of two projects developed from 1958 to 1974: New Babylon (Constant Nieuwenhuys and Situationist Internacional, 1956-74) and Gli Atti Fondamentali (Superstudio, 1972-73). This research considers the cultural and political debate contemporary to that time as a parameter for organizing a comparative scheme. To the light of a contemporary discussion of utopia, these projects reveal themselves as critical and speculative enterprises based on proposing spatial and social models for the future. They consist of urban ideals that relate with fundamental changes of the urbanization paradigm during the post-war years. Both yearn for an urban model in which automate infrastructures homogeneously provide abundant resources to a society that is free from both labor and private property.
Ribeiro, Diego Mauro Muniz. "Internacional Situacionista e Superstudio: arquitetura e utopia nos anos 1960-1970." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/16/16136/tde-20122016-144850/.
Повний текст джерелаThis dissertation proposes to investigate, in the field of architecture and urbanism, the The term \"utopia\" in a period in which it was especially Dissensual: the late 1950s to the early 1970s in the European context. The case of the Situationist International and the Superstudio. We will more closely follow the situationist writings from the Foundation of the movement (1957) until about 1961, when discussions of the Focus on architecture, urbanism and art. In the case of Superstudio, We will prioritize its production from its inception (December 1966) until 1973, Which is when the interest of the group migrates from the theme of utopia to the study of modes of Vernacular and non-urban life. The election of these two groups concerns the Quite different from what each one deals with the question of utopias, at the same time That the common Marxist ballast allows us to draw a series of comparisons, marking Their approximations and divergences.
Coutu, Louise. "L'utopie comme théorie critique de l'architecture contemporaine." Rouen, 2006. http://www.theses.fr/2006ROUEL625.
Повний текст джерелаDinoy, Ashvini Mary. "An Urban Koliwada: Redevelopment of a Fishing Village in Mumbai, India." Thesis, Virginia Tech, 2018. http://hdl.handle.net/10919/85014.
Повний текст джерелаMaster of Architecture
Ganjavie, Amir. "Le rôle de la pensée utopique dans l'aménagement viable des villes de demain." Thesis, Université Laval, 2010. http://www.theses.ulaval.ca/2010/27133/27133.pdf.
Повний текст джерелаScachetti, Emmeline. "La saline d'Arc-et-Senans : manufacture, utopie et patrimoine (1773-2011)." Thesis, Besançon, 2013. http://www.theses.fr/2013BESA1030/document.
Повний текст джерелаThe Saltworks of Arc-et-Senans were built from 1774 according to the drawings of thearchitect Claude Nicolas Ledoux. Today they are a famous touristic and cultural centre, especially since they have been inscribed on the Unesco World Heritage List in 1982. However their history is before everything a history of a place where salt is produced during more than one century. Further to the decision of the Ferme générale, they were built to solve the difficulties about salt sources exploitation at the saltworks of Salins, particularly the lack of wood. Because they are saltworks without salt resources, their exploitation question their lack of autonomy behind their economic failure. They struggle to find a place in the salt market because of legal and economic frameworks of the Salines de l'Est. These latter were firstly protected by the state monopoly on salt until the law of 1840. Then they were left incompetiton with private entrepreneurs who tried to gather all the eastern salt mines within a public limited company. The Saltworks of Arc-et-Senans closed in 1895 because they were less profitable than the others and this could not be improved. They narrowly escaped usual destiny of former production places : become an industrial wasteland. In 1926, they were listed historical monument then bought by the department of Doubs in 1927. It was the time to approach the future of industrial sites whose activity stopped. Many projects of conversion suceeded each other until the 1960s with no results. A solution was found in 1972 by technocrats working in cultural fields, with the creation of the Centre du futur. The identity of this place was rebuilt with the concept of ideal city and the Saltworks became the heritage of utopia. However from a touristic point of view, they struggle today to show a coherentidentity to visitors. Because the industrial memory of this place has been eclipsed, the Saltworks of Arc-et-Senans is an unique example of invented heritage
Cavdar, Rabia Cigdem. "Literary Spaces As The Representation Of Dominant Ideologies In The Context Of Dystopias Written Between 1920 And 1950." Master's thesis, METU, 2011. http://etd.lib.metu.edu.tr/upload/12613854/index.pdf.
Повний текст джерелаWe written by Russian novelist Yevgeny Zamyatin, Brave New World written by Aldous Huxley and Nineteen Eighty Four written by George Orwell. These cases will be used to open the claim that dominant ideology determines the spatial distances of revolutionary thoughts and architecture, and appear as both cause and result of a materialisation of thoughts, thereby forming a dialectic representation of that ideology. Four main items will form the thesis
architecture, ideology, literary spaces (textual spaces) and trilogy of utopia/dystopia/heterotopias.
Souza, Diego Beja Inglez de. "Tumulto no conjunto: habitação, utopia e urbanização nos limites de duas metrópoles contemporâneas São Paulo/Paris (1960-2010)." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/16/16133/tde-29072014-104645/.
Повний текст джерелаIn this thesis, we propose a simultaneous understanding of the history of two emblematic territories in the outskirts of São Paulo and Paris as a strategy to comprehend the last fifty years of the social housing history in both countries, through the analysis of the transformations of a tipical grand ensemble build in the 1960 that has been recently through a deep renewal process, the Cité Balzac, confronted with the particular case of one fragment of the biggest housing projects complex in Latin America, the Cidade Tiradentes. Recent projects of urban renewal, new collective housing constructions and some special public equipments in both territories reinforce the exceptionality of the chosen cases, starting point for parallels, contrasts, common questions and crossed sights.
Brayer, Marie-Ange. "Entre art et architecture : la maquette comme objet d'expérimentation au XXe siècle." Paris, EHESS, 2016. http://www.theses.fr/2016EHES0136.
Повний текст джерелаThe architectural model is envisaged as an object of experimentation, at the crossroads of artistic and architectural practices. Three moments of epistemological rupture have been identified, each of which has in turn shattered the understanding of the model: The historical avant-gardes; The radical architecture of the 1960s-1970s in Europe; Digital architecture. Although up to the beginning of the 20th century the model was grasped in its analogical relation to architecture, the practices of the historical avant-garde movements led to its being increasingly seen as an object of experimentation. The avant-gardes transformed the work into a model, into a "spatial construction" while the architectural model acquired the status of aesthetic object, interfering with the other fields of creation (sculpture, photography, film, theater, etc. ). The experimental architecture of the 1960s-1970s opened a utopian breach in the concept of the architectural project. This resulted in the collapse of the architectural project as the production of a codified language which was now disseminated though multiple modes of expression (performances, design objects, environments, etc. ), and which gradually began to replace the tools for planning. The advent of digital technologies in the 1990s profoundly transformed the role of the architectural model, which within digital space became a digital matrix, code, image, prototype, generic object. As with the historical avant-gardes and radical architecture, the model has once again become a device for joining different planes of perception, in a physical and cognitive dimension, where the rules governing the image and the object are interchangeable, in a "mutability" of languages and scales
Dax, Malcolm A. "The Physical from the Void." Thesis, Virginia Tech, 2016. http://hdl.handle.net/10919/64439.
Повний текст джерелаMaster of Architecture
Puppi, Marcelo. "La dimension culturelle du rationalisme structurel : architecture, histoire et utopie chez Léonce Reynaud, Fernand de Dartein et Auguste Choisy." Paris 1, 2013. http://www.theses.fr/2013PA010517.
Повний текст джерелаLeyval, David. "La banlieue, à l'épreuve de l'utopie." Lyon 3, 2004. http://www.theses.fr/2004LYO31009.
Повний текст джерелаAs major stakes in our contemporary society, the crisis of urban areas appears particularly keen in the suburbs. In spite of the specialists' rather consensual statements and propositions, little theory has fed our knowledge of urban phenomenon. Therefore, the purpose of this study is on one hand to search for philosophical contributions in order to build an articulate knowledge and reestablish new foundations to town planning. On the other hand, the purpose is also to show the necessity of a strictly morphological approach, indeed sufficient, to understand and deal with the question of suburbs. For so, new tools of measure and analysis will be elaborated and experimented, as to bring out procedures to create new forms for the city