Дисертації з теми "Utopia in Space"
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THUIN, ANTONIA COSTA DE. "LUANDINO AND LANGUAGE AS A SPACE TO CREATE UTOPIA." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2015. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=25564@1.
Повний текст джерелаCOORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
Esta dissertação se organiza a partir de três ensaios – A Língua como intraduzível, Os Rios que Comunicam e O Futuro do Pretérito – que focalizam questões relevantes na obra do escritor José Luandino Vieira. O objetivo é identificar, em alguns de seus livros, as formas com que a linguagem é trabalhada pelo autor em sua ficção, de modo a criar espaços de utopia política; dos tempos de luta pela independência angolana, na segunda metade do século XX, às primeiras décadas do século XXI. Pretende-se mostrar ainda como sua busca por uma utopia permanece ao longo do tempo, não tendo cessado com o fim da guerra de independência nacional. A busca por justiça e por inclusão social materializam-se como utopias, expressas sobretudo na linguagem adotada pelo escritor. No primeiro capítulo desta dissertação, discuto seu investimento na linguagem, e como isso é radical – no sentido de estar na raiz – de sua literatura e projeto de mundo. No segundo, falo mais amplamente como o rio – que flui e que segue, que some e volta a existir – é tema existente em Guimarães Rosa e Luandino, que seguem uma genealogia de criadores com a língua, mas que têm mais em comum do que ela. No terceiro, aprofundo-me nas questões políticas levantadas por seus textos e nas suas intenções.
This thesis is organized from three essays – Language as untranslatable, Rivers that communicate and Future of the Past – that focus in relevant questions of the writer José Luandino Vieira work. The aim is to identify, in some of his books, how language is used by the author in his fiction, as a tool to create political utopian spaces; beginning during the time of fighting for Angola s independence, in the second half of the twentieth century, till the first decades of the twenty first century. It intends also to show how his search for utopia continues through time, and has not stopped with the end of the national independence war. The search for justice and social inclusion gain life as utopias, expressed above all in the language adopted by the author. In the first chapter of this dissertation, I talk about his investment in language and how is this crucial for his literature and his world Project. In the second, I talk more broadly about how the river – that comes and goes, disappears and reaches back to existence – is a subject presente in both, Guimarães Rosa and Luandino, following a genealogy of language creators, but with more in common than just that. In the third, I talk in-depth about the political issues raised in his texts and his intentions.
Tan, Wei-En. "Going nowhere : utopia and the problematics of narrating impossible space /." May be available electronically:, 2007. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.
Повний текст джерелаSchön, Anna. "Utopia Trek : utopibegreppets resa genom Star Trek." Thesis, Linköping University, Department of Thematic Studies, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-2539.
Повний текст джерелаHumanity has always dreamed about a better world. These dreams has manifested themselves in the vision of Utopia - the good place, but also the non-existing place. Up until World War II man still wrote optimistic descriptions of this ideal world, and spread the idea through literature. In the aftermath of the atomic bomb and under the influence of the cold war, these publications seized to surface in literary surroundings. Despite this utopia did not die - it has only changed. Today you can find utopia, not primarily in books, but in Science Fiction. TV’s biggest Science Fiction-series, Star Trek, is perhaps the best example of this. The Master's thesis "Utopia Trek - a travel through Star Trek with the concept of utopia" takes you through the history of utopia and into its new habitat, Star Trek, where the essence of a utopia for the 21th century is found, discussed and reevaluated.
Mänskligheten har alltid drömt om en bättre värld. Dessa drömmar har manifesterats i visionen om Utopia - den goda platsen, men också platsen som inte existerar. Fram till andra världskriget skrev man fortfarande optimistiska beskrivningar av denna idealvärld, och spred idén via litteraturen. Efter hotet från atombomben och under påverkan av det kalla kriget, slutade dessa publikationer att dyka uppi litterära sammanhang. Trots detta dog inte drömmen utopia - det har bara förändrats. Idag kan man finna utopia, inte företrädesvis i böcker, utan i science fiction. Tv:s största science fiction-serie, Star Trek, är kanske det bästa exemplet på detta. Magisteruppsatsen "Utopia Trek - utopibegreppets resa genom Star Trek" tar dig genom utopias historia och in i dess nya hemvist, Star Trek, där essensen av ett utopia för 2000-talet upptäcks, diskuteras och omvärderas.
Divine, Susan Marie. "Utopias of Thought, Dystopias of Space: Science Fiction in Contemporary Peninsular Narrative." Diss., The University of Arizona, 2009. http://hdl.handle.net/10150/195666.
Повний текст джерелаEdwards, Paul Stewart. "The pre-history of post-modernity : Victor Gruen's shopping mall Utopia in American urban space." Thesis, University of Nottingham, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.421555.
Повний текст джерелаBartha, Ilinca. "L'utopie dans la littérature française de l'aube du classicisme à l'aube des lumières." Thesis, Lyon 3, 2011. http://www.theses.fr/2011LYO30014/document.
Повний текст джерелаComplex and mysterious, utopia has undoubtedly been one of the concepts whose long career in the history of human thinking and culture has been undeniable. Having in view this conceptual legacy our analysis of utopia in the French literature from the beginning of Classicism to the beginning of the Enlightment starts with the description of the theoretical background of utopia, with the word, as such, and the various significances that it has received along the time and with the presentation of the two paradigms characterizing it, the theoretical and the literary paradigm. From the origin and the metamorphoses of the concept of utopia down to its evolution towards a literary genre in itself we have approached a corpus of texts that demonstrate once and again the consecration, the maturity and the elasticity of the utopian genre, in the two novels of Cyrano de Bergerac, Les États et Empires de la Lune et du Soleil, the novel of Gabriel de Foigny, La Terre australe connue, the Aventures de Télémaque by Fénelon and the three plays by Marivaux, L’île des esclaves, L’île de la raison et La Colonie. In the light of the dual significance of the term created by More, that of a place of nowhere (« ou-Topos »), but also that of a place of happiness (« eu-Topos »), we have divided the paper into two big parts, one devoted to the analysis of the utopian space and the other to the analysis of the utopian society. Plurivalent and heterogeneous, the utopian space pursues, in every work analyzed, some general principles such as the insularity, the otherness and the isolation, and, at the same time, all of them acquire special configurations which proves both the particular identity of the work chosen and the web of significances that binds them. The analysis of the utopian society is in itself a rich source of observations and conclusions and relies on three major coordinates: the otherness of the utopian society, its ideal nature and its implicit scrutiny of the human society. Behind these theoretical pillars we discover the actual description of the utopian society, with the portrait of the Utopian being, the trial of the human being, and the numerous economic, political and organizational aspects that characterize the entire community
Nylund, Jukka. "Yugoslavia: from Space to Utopia : Negotiating national and ethnic identity amongst Serbian migrants from former Yugoslavia." Thesis, Linköping University, Department of Religion and Culture, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-5638.
Повний текст джерелаIn the 60’s and 70’s a large group of Yugoslav migrants came to Sweden in search for jobs. These people mostly belonged to the generation born after the Second World War, a generation brought up in the official discourse of “Brotherhood and Unity”. A discourse downplaying ethnic differences in favour of a national identification. With the break-up of Yugoslavia in the early 1990’s their Yugoslav national identity was beginning to be contested. The Serb migrants had to redefine themselves due to the changing situation and to replace or redefine their Yugoslav identities. This paper presents a case study for three individuals in this group and how they defined themselves before the break-up and how they handled the break-up. It presents how they today look upon Yugoslavia and how that place has changed meaning in their everyday narratives. The question I try to answer is whether someone can call himself Yugoslav when Yugoslavia no longer exists, and how the image of Yugoslavia has changed due to the break-up. I show that the image of Yugoslavia is still very much alive but this image has turned from a place in physical space to a place in their narratives, close to Foucault’s definition of a Utopian place. A place in their minds, perfected in form. They still call themselves Yugoslavs, if the social context allows that, they still use the term to relate to their origin and in discussions of place.
Green, Nigel. "Photography and the representation of modernist architectural space : from the melancholy fragment to the colour of utopia." Thesis, University of Kent, 2007. http://www.research.ucreative.ac.uk/id/eprint/1060.
Повний текст джерелаBriz, Gustavo Garrido da Silva Gonzalez. "Uma arquitectura hoje. Resgatar o futuro no passado. Centro Comunitário em Alcântara." Master's thesis, Universidade de Lisboa. Faculdade de Arquitetura, 2011. http://hdl.handle.net/10400.5/6732.
Повний текст джерелаDax, Malcolm A. "The Physical from the Void." Thesis, Virginia Tech, 2016. http://hdl.handle.net/10919/64439.
Повний текст джерелаMaster of Architecture
Jacobs, Deborah. "The images of space in the Third Sibylline Oracle." Doctoral thesis, Humboldt-Universität zu Berlin, Theologische Fakultät, 2014. http://dx.doi.org/10.18452/16932.
Повний текст джерелаOriginally, the Sibylline Oracles were a Graeco-Roman literary genre, namely a collection of oracles composed in Greek hexamters which have not come down to us. The Sibylline Books that we have today are of Jewish and Christian origin and stem from a time when the genre was adapted first by Jews and then Christians. The altogether 14 books have developed between 150 BCE and 300 CE and for the longest time were only known through quotations in the church fathers such as Eusebius and Lactantius. According to the majority of scholars, Book III is the oldest of the Sibylline corpus and developed in the 2nd century BCE in Egypt. This thesis reconsiders the established consensus using old and new evidence alike. It focuses on the image of dominion of space in the Third Sibyl. On the one hand, space is looked at as the geographical image of the world as the Sibyl has access to, on the other, space is looked at as the political-theological image of succession of empires that rule the world consecutively until eventually they are superseded by the dominion of God. The dominion of God only play a minor role in Jewish pseudepigraphy. This could be related to the fact that the writings of the Diaspora were not immediately affected by the so-called Antiochene persecution and the Maccabean revolt unlike, for instance, the Book of Daniel. In the writings of the Diaspora the topic only occurs in the Third Sibyl and in the Wisdom of Solomon. It becomes particularly important in the New Testament. With this thesis I hope to provide an important contribution to the genesis of the image of the dominion of God in the New Testament. The eschatological age that the Sibyl prophecies for the establishment of the divine dominion on earth can be described using the term utopia.
Ertuna, Ayberk Can. "Gated Communities As A New Upper-middle Class Utopia In Turkey: The Case Of Angora Houses." Master's thesis, METU, 2003. http://etd.lib.metu.edu.tr/upload/1080589/index.pdf.
Повний текст джерелаas a wave of urbanisation&rdquo
is analysed. Then, the debates about the middle class and the transformation that this social stratum has undergone are discussed. Later, the formation of gated communities around the world and in Turkey are analysed within the general framework of the transformation of the urban sphere. Finally, the theoretical arguments are scrutinised by incorporating the findings of the case study carried out in Angora Houses. In this study Angora Houses is concluded to be a gated community which is &ldquo
fortified&rdquo
for the preservation of an upper-middle class lifestyle rather than for security concerns and which reproduces socio-spatial inequalities among Ankaraites rather than standing as only the expression of them.
Val, Fiel Mónica. "La representación utópica del espacio público. Diagramas de arquitectura conceptual." Doctoral thesis, Universitat Politècnica de València, 2013. http://hdl.handle.net/10251/28392.
Повний текст джерелаVal Fiel, M. (2013). La representación utópica del espacio público. Diagramas de arquitectura conceptual [Tesis doctoral no publicada]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/28392
Palancia
Joel, Englund. "Grand Voyages: : A ticket to somewhere please!" Thesis, Konstfack, Inredningsarkitektur & Möbeldesign, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-4772.
Повний текст джерелаDench, Tracy Johnson. "'An archaeology in search of a utopia' : reading women's writing of the interwar years in the light of Kristeva's concept of the third space." Thesis, University of Aberdeen, 2000. http://digitool.abdn.ac.uk/R?func=search-advanced-go&find_code1=WSN&request1=AAIU155525.
Повний текст джерелаVerdon, Flore. "La création d’un royaume eutopique arthurien au XIIe siècle : géographies mythiques et itinéraires arthuriens pour un monde idéal." Thesis, Reims, 2019. http://www.theses.fr/2019REIML007/document.
Повний текст джерелаThis thesis analyses the fundamental role of the Arthurian kingdom in the Arthurian narrative of the twelfth century. This place raises issues related to the functions of sovereignty and tends towards the definition of an ideal that will be called « eutopic ».The study is based on the hypothesis of the existence of two Arthurian « domains » which give to the texts their fundamental polarity: on the one hand, there is the courteous domain, which is characterized by a male authority, that of Arthur, and on the other hand, the marvelous domain is comprised of fairy feminine figures. The marvelous domain is a symbolic reverse of the hero’s original domain, whose path highlights a dialectical tension. Indeed, the adventure leads him from the courteous domain to the marvelous one, to bring him back at the end to Arthur’s court. This return does not mean a regression to the starting point, but on the contrary implies the definition of a new space, both concrete and ideal, at the head of which the hero, now invested with the royal function, will reign by ensuring the well-being of his community. Therefore, this third place is distinct from the original courteous domain and proposes a regenerated variant. The new kingdom that emerges at the end of the chivalrous adventure can thus be called « eutopic ». It is a place for the construction of a humble ideal, ensuring the satisfaction of the simplest human needs: the abundance of, and more generally the restoration of all the « bad customs » that the tired king let settle down. It is the antithesis of more abstract ideals to pose this simple aspiration of human scale life
Darke, Christopher Jonathan. "Cinetopia : utopic dimensions of cinematic space." Thesis, Queen Mary, University of London, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.531445.
Повний текст джерелаPinder, David John. "Utopian spaces of the avant-garde." Thesis, University of Cambridge, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.624520.
Повний текст джерелаPohl, Nicole Barbara. "Gender and utopian space in women's literature, 1660-1789." Thesis, Birkbeck (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286365.
Повний текст джерелаRebaï, Elyssa. "Esthétique et poétique des jardins : entre art et science, parcours et discours dans la fiction sandienne." Thesis, Université Clermont Auvergne (2017-2020), 2018. http://www.theses.fr/2018CLFAL007.
Повний текст джерелаThis thesis entitled "esthetic and poetic of gardens: between art and science, path and speech in Sandian fiction" aims to study the place of garden especially in novels, tales and short stories of George Sand. The challenge of this research is to prouve that the garden for Sand is not just a backdrop, an element of flourish, or a pure topic. In contrast, it takes on a considerable scale in the author's work, even becoming a speculative object able to rethink genres and esthetics at the same time and generating rich reflections related to art (painting, architecture, drawings) and science (botany, ecology, horticulture, mineralogy) in the 19th century. The garden occupies a prominent place in the work of Sand due to its various diegetic, poetic and symbolic functions within the diegesis, but also because of its aptitude to be a pathway within which the walker can promise himself various pleasures and evolutions. The garden becomes in that way, a complete world by itself, a rich and impactful place, a veritable crucible of signs and meanings that the author uses to convey her ideology, her esthetic preferences, her intimate thoughts, her idealism, as well as her life philosophy
Lee, Sarah Jaggi. "Utopian spaces: Mormons and Icarians in Nauvoo, Illinois." W&M ScholarWorks, 2009. https://scholarworks.wm.edu/etd/1539623544.
Повний текст джерелаMcFarthing, James. "Jules Verne and the utopias of space, time and science fiction." Thesis, University of Bristol, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.665460.
Повний текст джерелаRose, McKenna Suzanne. "Caliban's robes transformative domestic spaces within early modern utopias /." abstract and full text PDF (free order & download UNR users only), 2006. http://0-gateway.proquest.com.innopac.library.unr.edu/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1433624.
Повний текст джерелаMinosh, Peter. "Moderate utopias : the reconstruction of urban space and modernist principles in postwar France." Thesis, Massachusetts Institute of Technology, 2007. http://hdl.handle.net/1721.1/39311.
Повний текст джерелаIncludes bibliographical references (p. 121-133).
This thesis explores the implementation of the American Marshall Plan in France and its precipitation of structural changes within the realms of economics, politics, and cultural subjectivity, studying their manifestations in both the built work of the postwar reconstruction and its concurrent discourse on architecture and urbanism. In the turn from the interwar classical to the postwar Keynesian economy, there followed a cultural transformation that resulted in the social welfare state. The consequence is what Deleuze would describe as a shift from mechanisms of discipline to societies of control, where the mass subject controlled by centralized agents would transform to the active subject of a middle class physically operating of the mechanisms of agency that control them, this thesis studies the architectural manifestation of this transformation. Through the discursive projects set out in the journals I'Architecture d'aujourd'hui and Techniues et Architecture, as well as through a study of Orleans, Le Havre, and Maubeuge - reconstruction cities whose architects encompassed a range of formal styles - there was a development in postwar reconstruction architecture that ran parallel to that of the modernist project; one that ultimately displaced the authority of CIAM and precipitated a rejection of architectural modernism with the emergence of Team X thinking.
(cont.) This discourse intends to offset the standard historiography of postwar architecture as a modernist aesthetic lineage, employing instead an exploration of the motivation of an economic agency in the development of architectural form. While the modernist project struggled to find its place within the postwar reconstruction, cities were being built that employed new principles of construction and organization on a vast scale. These reconstruction cities, almost wholly outside of the modernist influence would mold architecture to the hegemonic organizational space of the postwar, as well as permanently imbricate architecture into new modes of capitalist production and social regulation.
by Peter Minosh.
S.M.
Revol, Claire. "La rythmanalyse chez Henri Lefebvre (1901-1991) : contribution à une poétique urbaine." Thesis, Lyon 3, 2015. http://www.theses.fr/2015LYO30038/document.
Повний текст джерелаThis thesis proposes to explore the texts that Henri Lefebvre (1901-1991) devoted to his project of understanding rhythms, his « rhythmanalysis », a term borrowed from Gaston Bachelard, to contribute to what we call an urban poetics. Henri Lefebvre has produced fundamental work in contemporary urban studies in both his theorization of the advent of modern urban society, and his elaboration of a critical theory of urban planning with its resultant social spaces and temporalities. We show that this critical theory unfolds in line with his construction of a poetics, which is inspired by the revolutionary romanticism that the author developed through his contact with artistic practices, especially those of the Situationnist International. Against his analysis of abstraction as an inherent process of urban space and time, his rhythmanalysis contributes to the creation of an appropriate space-time, with its ability to transform urban society and reconfigure the Total body so that what is urban can be instead considered a work of art. Lefebvre provides not only a qualitative methodology for the observation of rhythms, but also the outline of a rhythmanalytic experimentation, which can be associated with the practices of an experimental utopia. Rhythmanalysis offers guidelines for an applied poetics; it goes as far as creating forms, textures and styles for urban living. This urban poetics, simultaneously a creative act and one steeped in knowledge, proceeds through experimentation and restores the rhythmic game that enriches our aesthetic experience of urban space and time
Ebeling, Mary F. E. "Democratic spaces, delayed utopias : political exile, advocacy journalism and online discourse." Thesis, University of Surrey, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.434120.
Повний текст джерелаTAVARES, FELIPE RANGEL. "CRISTOLÂNDIA: REPRESENTATIONS AND UTOPIAS IN THE (RE)PRODUCTION AND (RE)APPROPRIATION OF URBAN SPACE." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2014. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=23553@1.
Повний текст джерелаCOORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
A cidade do Rio de Janeiro passa por um processo de produção espacial banalizado, resultado de dois processos entendidos como facetas da metropolização do espaço: a mercadificação e a militarização. Uma expressão de tal banalização do espaço é percebida a partir das cracolândias, como popularmente as cenas de crack são conhecidas. Cracolândia é uma representação que oculta e mascara as contradições do espaço, uma faceta da urbanização banalizada. Por outro lado, todo esse movimento suscita a contestação e a transgressão, o protesto. E é neste sentido que, a partir do que Harvey chama de livre fluxo da imaginação, objetivamos buscar meios de moldar alternativas e possibilidades diante deste cotidiano organizado e programado pelo mundo da mercadoria. A partir do espaço de representação que é a Cristolândia, observamos as práticas espaciais dos missionários como uma luta pela reapropriação do espaço urbano, por meio de seu espaço de utopia, construído sobre uma base formada pelos valores da justiça, libertação e compaixão. Esta luta é observada como uma dentre muitas outras. O princípio norteador dessa pesquisa está em abrir alternativas e possibilidades, procurar rachaduras para superar o estado de coisas atual. Se a representação Cristolândia contesta a representação cracolândia, e busca transformá-la, acreditamos que seja possível transformar o espaço inteiro, a cidade inteira. É um projeto utópico, mas, sem utopia não há ação. Portanto, a utopia é uma necessidade urgente à revolução.
Rio de Janeiro city is under a space production process cheapened resulted by other two process understood as space metropolization’s facets: the marketfication and the militarization. One expression of such trivialization of space is noted thru Cracolândias, as the crack scene are popularly known. Cracolândia is one representation that hide and mask the space contradiction, one facet of trivialized urbanization. On the other hand all this movement raises the contestation and transgression, protest. In this meaning, from what Harvey calls free flow of imagination, objectify to search ways of framing alternatives and possibilities front of these everyday life and programed by world merchandise. From space of representations that is Cristolândia, we noted the spaces practices of missionaries as a fight for reappropriation of urban space by their utopia space, built over one base formed by values as justice, liberation and compassion. This struggle is noticed as one among many other. The research guiding principle is to open the alternatives and possibilities, seek cracks to overcome the actual state of affairs. If the representation of Cristolândia challenges the representation of cracolândia and pursuit to turn it, we believe that is possible to transform the entire space, the entire city. It is a utopian project, but without utopia there is no action. Therefore, utopia is an urgency needed for revolution.
Norman, Joseph S. "The culture of 'the Culture' : utopian processes in Iain M. Banks's space opera series." Thesis, Brunel University, 2017. http://bura.brunel.ac.uk/handle/2438/14388.
Повний текст джерелаKelly, Michael Gerard. "Speech and utopia : spaces of poetic work in the writings of Segalen, Daumal and Bonnefoy." Thesis, University of Oxford, 2002. http://ora.ox.ac.uk/objects/uuid:ecd46701-c98b-4887-8cce-74613757b5f9.
Повний текст джерелаMoulin, Fabrice. "Embellir, bâtir, demeurer. Représentations de l’architecture et du geste architectural dans la littérature de la deuxième moitié du dix-huitième siècle en France (1748-1788)." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040201.
Повний текст джерелаStarting in the 1740's, influenced by various factors such as archaeological discoveries, the "grands travaux" of Louis XV, and the "Academies crisis", the world of architecture entered a period of deep transformation. Questions of architecture, then at the heart of cultural debate, also nourished the literary imagination. This work explores the forms and figures of this imagination, as it relates to architecture in all of its dimensions. As a field, architecture wasexperiencing an unprecedented crisis. Architectural knowledge was shifting from academia to the general press. The press hosted substantial debates on the embellishments of the capital, Paris, which inspired utopian literature. But there was also a practical dimension to architecture, the act of construction, and literature exploited the symbolic value of this. This element also played an essential role in the imaginary representation of the new relationships between man and nature - bridges, ruins,or huts represented man's struggle againstnature or their harmonious fusion - and man and society: building one's home brought out the core values of the modern individual. Finally, as a space, worked on and lived in, architecture asserted itself as a critical component of literary imagination. From Rousseau to Sade, the internal architectures of the novel, virtuous or libertine, became more than just simple decor - they were inseparable from the character's actions or the reader's fantasies
Roman, Sébastien. "Conflit civil et imaginaire social : une approche néo-machiavélienne de la démocratie par l'espace public dissensuel." Phd thesis, Ecole normale supérieure de lyon - ENS LYON, 2011. http://tel.archives-ouvertes.fr/tel-00682490.
Повний текст джерелаDlamini, Mkhuleko Percival. "Real and Reimagined contemporary Utopia’s : a mediation and recreation space for migratory and resilient urban communities." Diss., University of Pretoria, 2017. http://hdl.handle.net/2263/63827.
Повний текст джерелаUKUQALA Lena umzamo ohlanganyelwe ekuqondeni izinqubo zezinsuku zokuphila zangasese kanye nezinhlelo zokwakheka nezindatshana zendawo zabantu ezenzelwe. Indawo kanye ne-nostalgia yizona zinkinga zezikhathi esiphila kuzo. Njengamanje isiphephelo sezokuphepha emhlabeni jikelele esichazwe futhi singatholakala ngaphakathi kwamanye amazwe omngcele kanye namandla angaphandle aphazamisa ‘ubuholi besikhathi samanje’ ngezikhathi. Umuntu uphonywe kusukela ebusweni bokuqala ukuze athabe ukulangazelela indawo yokuhlala. Ukuphepha nokujwayela indawo kuyindawo ebalulekile lapho abantu bakhetha ukuhlala khona. Ukuhlala kubuye kube ngumgqugquzeli wamathuba lapho abafuduka khona kanye nabafuduki bezemvelo abanemithombo encane njengeNingizimu Afrika. Ngokwe-United Nations High Commissioner for Refugees (okubizwa ngokuthi i-UNHCR kusuka lapha), kwaqunywa ukuthi ngo-2015, iNingizimu Afrika ithole izimangalo ezingu-62 159 zokukhoseliswa. Okubonke lokhu, abangu-2,499 bavunyelwe ukuba babe ngababaleki ngenkathi kuthiwa abangu-58 141 banqatshelwe, okuphakamisa ukuthi zonke izicelo ngonyaka wezi-2015 zibhekwa nazo. Kodwa-ke, abangu-14,093 babethweswa icala, futhi kulaba abangu-12 361 bahlala bevulekile ngo-2016 (i-Africa Check, 2016). Izimo zalaba bantu abahlala emadolobheni amasha zisongelwa ukuqhubeka kwendawo yokubuyisela umhlaba kanye / noma ukuguqulwa, inqubo yomthetho enobulungisa, ukutholakala kwemithombo kanye nokuhlanganiswa. Kukhona ukungabi nalutho kwezikhala zomsebenzi womphakathi ngaphakathi kwePitoli Central Business District (CBD kusuka lapha), iningi lendawo ehluleka ukubola, izindawo ezihlala emadolobheni, izindawo zokusebenza, kanye nezinkinga ezingasebenzi. Abafuduki abasha bangena emzabalazweni womuzi ukuthola amathuba asemthethweni namasosha ‘okusinda emadolobheni-ism’. Lezi zimo yizona ezithintekayo emadolobheni ezindaweni ezingekho emphakathini ezivame ukunamathela emphakathini wesikhathi sokukhiqiza. I-dissertation Real and Re-imagined Spaces njengobukeka be-Contemporary Utopia ukuhlola kabusha izimo zamanje zomuzi ezakha umongo wendawo edolobheni kanye nabantu abangenayo i-agonistic ngaphandle kwezikhala zokuxhumana. Isimo sasezindaweni zasemadolobheni siyindawo, sidliwa izinkinga zokubiya mawala, siboshwe yizindawo ezihlukahlukene kanye nezindawo zokuchitha izindawo. Ukutholakala kwamanxiwa kuboniswa ukukhathazeka ngezakhiwo ‘zeGugu’ nezindwangu. Lezi zikhala kanye namagugu asele ahlinzeka amathuba okuba nemigqa emisha yememori kanye nefa eliqaphela ukukhipha, ukwenza isikhala, umuntu kanye nemvelo, kanye nokuhamba kwesikhathi.
Mini Dissertation (MArch(Prof))--University of Pretoria, 2018.
Architecture
MArch(Prof)
Unrestricted
Ostrowidzki, Eric A. "The bunkerfication of paradise : heterotopias, closed spaces, and the pathological geographies of exclusion in J. G. Ballard's fiction." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38543.
Повний текст джерелаThe first part of this dissertation examines Ballard's "Concentration City," "Report on an Unidentified Space Station," "The Enormous Space," "The Overloaded Man," and the novel High-Rise. This section concludes generally that the imaginative geographies inscribed within those texts are closed, insular, homogeneous, pathological and exclusionary social spaces that are antithetical to a Postmodern Utopia whose socio-cultural inclusiveness would be predicated upon a "politics of difference."
The second half of the dissertation examines Ballard's later works, such as Rushing to Paradise (1994), Cocaine Nights (1996), and Super-Cannes (2001). By discursively analyzing the similar yet more ideologically transparent imaginative geographies in these recent works, the dissertation concludes that it is not exclusively the material and ideological conquest of social space by global capital that poses the greatest threat to Ballard's "utopian" socio-spatial imaginary. Rather, it is also the postcolonial threat of the dislocations and mass immigrations of the Indigenous Other precipitated by globalization. It is the emergence of the de-territorialized Other that impels Ballard's imaginative geographies to recoil inwardly into "Privatopias," "white enclaves" and "imperial ghettos" demarcated by neocolonial pathological geographies of exclusion.
Cavdar, Rabia Cigdem. "Literary Spaces As The Representation Of Dominant Ideologies In The Context Of Dystopias Written Between 1920 And 1950." Master's thesis, METU, 2011. http://etd.lib.metu.edu.tr/upload/12613854/index.pdf.
Повний текст джерелаWe written by Russian novelist Yevgeny Zamyatin, Brave New World written by Aldous Huxley and Nineteen Eighty Four written by George Orwell. These cases will be used to open the claim that dominant ideology determines the spatial distances of revolutionary thoughts and architecture, and appear as both cause and result of a materialisation of thoughts, thereby forming a dialectic representation of that ideology. Four main items will form the thesis
architecture, ideology, literary spaces (textual spaces) and trilogy of utopia/dystopia/heterotopias.
Lindström, Ida-Maja. "Spaces for Gender Equality in Sustainable Utopias : Investigations into the dreams and realities of women in ecovillage settings in Brazil." Thesis, Umeå universitet, Umeå centrum för genusstudier (UCGS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-182844.
Повний текст джерелаVodouhe, Sèlognon Gilles. "Hautepierre : un éco-quartier modèle pour la ville de Strasbourg : utopie ou réalité ?" Thesis, Strasbourg, 2015. http://www.theses.fr/2015STRAG041/document.
Повний текст джерелаStrasbourg City choice of a “garden area” method of urban planning as the Urban Renewal Project (PRU) of Hautepierre area is not without questioning specialists interested in the subject. This thesis analyzes the potential resources of Hautepierre area to be reorganized into a “garden area”. This research sheds also lights on the elaborating process of the PRU, the involvement of the inhabitants, and the principal actors of this project (inhabitants, social landlords bailleurs sociaux, professionals and political representives). Evaluating the participation of Hautepierre inhabitants in the elaboration of the Urban Renovation Project (PRU) in term of capability reveals that there is no real active participation of these inhabitants. The “garden area” appears as a compromise between the National Urban Renewal Agency (ANRU) security requirements and the demand made by the inhabitants to preserve green areas. This choice is also symbolic in regard to the history of Hautepierre area and its socio-economic caracteristics
Ekberg, Sofia. "Findings through fragmentation." Thesis, Konstfack, Inredningsarkitektur & Möbeldesign, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-6375.
Повний текст джерелаRummet mellan det som är och det som har varit Arkitektur representerar vår historia och det kollektiva minnet. Att minnas definieras som ‘förmågan att lagra erfarenheter och göra det möjligt att känna igen och lära’. Minnen placerar oss i förhållande till tid och rum vilket gör att platser och arkitektur kommer att spela en stor roll som bärare av vår kollektiva historia. Byggnader som bär spår av tid där de har varit grunden i en annan kontext kan utgöra ett unikt möte mellan det rum som existerar och det som har varit. När vårt medvetna väljer ut och sorterar bland minnen fragmenteras det som vi upplevt och bara vissa delar finns kvar. Fragment kan definieras som en pusselbit som tillhört en helhet och blivit en spillra. Styrkan i arkitektonisk fragment är att de kan läsas på nya sätt efter att det isolerats från en helhet och antingen läsas in i en ny kontext eller ingen. Genom att fragmentera byggnader som representerar en specifik tid och grupp av människor som har använt dom vill jag förkroppsliga dessa rumsliga minnen innan de för alltid går förlorade.
Schmitt, Florent. "L'art comme jeu : pratiques et utopies." Thesis, Strasbourg, 2015. http://www.theses.fr/2015STRAC019/document.
Повний текст джерелаArt as play is not only a metaphor. It is the particular form of many works of art, especially contemporary models and miniatures. Play itself is nowadays represented or staged in numerous exhibitions. However, the artist is not a player like any other but a professional player in contrast to the figure of the non-artist or amateur artist defended by avant-garde artists who had raised play to the level of art. While the consumption of art takes the form of large-scale entertainment and we witness a Disneylandisation of museums, contemporary art as play no longer seems as subversive as it did in the sixties. Yet art as play as model and tool for social change endures. It is an art of attitude, heir to the last avant-gardes, standing outside the usual boundaries of art and an art that achieves the desired by Allan Kaprow and the Situationists
Trevelyan, Peter Ross. "Formal confusion: virtuality and utopian space : an exegesis presented with exhibition as fulfillment of the requirements for thesis, Master of Fine Arts at Massey University, Wellington, New Zealand." Massey University, 2008. http://hdl.handle.net/10179/867.
Повний текст джерелаKonrath, Germana. "Às vezes fazer algo poético pode se tornar político e às vezes fazer algo político pode se tornar poético : a ocupação do tempo e do espaço na poética urbana de Francis Alÿs." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2017. http://hdl.handle.net/10183/169320.
Повний текст джерелаThis research approaches the updating of utopian impulses through the poetic trajectory of the Belgian-Mexican artist Francis Alÿs and his intertwining with the notion of the right to the city developed by Henri Lefebvre. More specifically, it questions the potential for reflection and transformation that this artistic production presents in relation to our way of thinking and occupying public spaces, both from a time and spatial point of view. The empirical object is Francis Alÿs oeuvre carried out in large western cities, mostly Latin American, between the end of the twentieth century and the beginning of the twenty-first. These actions are discussed facing the theoretical contributions from authors who are contemporary to Francis Alÿs: Gilles Deleuze and Félix Guattari, Jacques Rancière, Michel de Certeau and Néstor García Canclini. The concepts that underlie all the research, however, such as public space, right to the city and utopian impulse, go back to two thinkers from the early twentieth century: Henri Lefebvre and Ernst Bloch. The dialogue between theory and practice, seeking in artistic works the updating of the concepts brought by the cited authors and aiming to identify the reverberation of these practices in theory, forms the backbone of this master’s dissertation.
Puydebois, Maryline. "Proto-matériau végétal et utopies spatio-temporelles : oeuvres végétales contemporaines et pratiques personnelles." Thesis, Aix-Marseille, 2018. http://www.theses.fr/2018AIXM0524.
Повний текст джерелаIt is a question of our plastic practice, which integrates with the plant Art, on the status, function and creative process of the proto-material in contemporary works. This work analyses the capacity of waste, a fruit or vegetable peel to summon certain know-how, technical processes integrating into an artistic proto-language.This plant-creative principle paradoxically questions the notion of creative conservation from ordinary and ephemeral materials. These devices for preserving plant fragments create an olfactory, tactile and visual space that pays homage to the precarious nature.The mobility of a spatial-temporal utopian space is based on the fragmentation of integuments which form the basis of architectural structures nourished by a twofold thought: Western and Far Eastern. My works question the ecological ethic of a Western context of overconsumption by the fragility of vanity fragments
Serrano, Inês Domingues. "Arquitectura e cinema." Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2002. http://hdl.handle.net/10400.5/21076.
Повний текст джерелаNeste trabalho procurou—se construir um espaço entre duas disciplinas: a arquitectura e o cinema. Revelando uma cumplicidade inesperada, o cinema submerge nos ritmos da cidade, tornando—os visíveis. Ä cidade como cenário mutável, de estratos cumulativos de memórias e vestígios materiais dos gestos, dos tempos que a vão construindo. O cinema descobre esse território de utopias e apropria—se dos seus desejos materializando—os no suporte fugaz das imagens, do falso movimento que projecta a realidade num devir. Através da análise de filmografia, estabeleceram—se paralelismos com a cidade Moderna; assumindo uma relação simbiótica com as dinâmicas da cidade, o olho da câmara é comovido pelo impacto dessa realidade, restituindo, num espaço ilusório, a sua ordem invisível. Um espaço urbano que flutua por um mundo de imagens imateriais, espaço fictício e tecnificado. Habitamos num cenário fixo embora procuremos um espaço fugaz, em trânsito. A arquitectura vive aprisionada entre a imagem e a sua materialidade, entre a ilusão e a realidade. Entre a ideia e o "desejo de ser da forma". É nesse espaço heterotópico entre o sonho e a realidade que o cinema opera construindo num espaço verossímil a cidade impossível.
ABSTRACT: With this work we intend to make a link between two disciplines: architecture and cinema. Revealing an unexpected complicity, cinema sinks into the city rhythms, making them visible. The city as a mutable organism of superimposed memory s tracts, material traces of gestures, comprising the time which gave form to it. Cinema finds that land of utopias, sharing and appropriating its desires, material rising them on his own fugacious image support, of the false raccord that projects actual reality into a possible future. Trough analysis of filmography, establishing a parallel between cinema and Modern city, this work assumes the existence of a symbiotic relationship linking the city dynamics and the camera eye impressed by reality, bringing back, on an illusory space, its hidden order. An urban space that float over a world of immaterial images, technified and fictitious. We live on a settle scenery although we search a fugacious one, in transit. Architecture lives imprisoned between image and its own materiality. Between reality and illusion. Between the idea and the "desire to be" of form. In a heterotopic space, between dream and reality, the cinema builds in a likely space the impossible city.
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OLOFSSON, HJORT ANNA PERNILLA. "Konst, aktivism och forskning – radikal intervention eller samverkan i det offentliga rummet : Om gränser och territoriell indelning, illusion och det offentliga rummets demokrati." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-191817.
Повний текст джерелаKonstnärligt gestaltningsarbete vid Linköpings universitet 30hp (Utställningen som medium, kultur och mediegestaltning [KUM], avancerad nivå). Institutionen för kultur och samhälle (IKOS) Avdelningen för kultur, samhälle, form och medier (KSFM). Handledare: Anna Berglind
Bellemare, Alex. "Mundus est fabula. L'imaginaire géographique dans la fiction utopique (XVIIe et XVIIIe siècles)." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA125.
Повний текст джерелаWhy were utopian fictions in the seventeenth and eighteenth centuries written in the form of a first person imaginary travel ? Most commentators study utopian literature as being a concept ; the form it adopts and the representations it deploys are considered, at best, incidental. Our hypothesis is quite different : these texts should interest the historian of literature precisely because they present themselves in the form of a narrative in which the subjectivity of the narrator is problematic. By their construction mixing factual and fictional elements, these texts can be read in the double perspective of the “world as fable” and the “fable as world”. We will study this duality through the notion of geographical imagination : the texts we analyze are addressing the links between travel and language, territory and society, mobility and subjectivity. The geographical imagination that we will interpret is a process that informs the perception of the world and the possibility of its representation. This doctoral thesis is divided in two parts : we will investigate depictions of space and spatial practices which are both mediations between the utopian traveler and the places he crosses
CHUANG, SHU YUEH, and 莊淑月. "The space flow of coexistent real and utopia penetration in clothing." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/22712998856526571696.
Повний текст джерела實踐大學
時尚與媒體設計研究所
94
This study introduces real substance, the “wall” of architecture space, to separate virtual substance, forming virtual space and actual boundary with actual structure. A space needs the boundary to have a form, and it takes the form for the space to be sensed. In architecture space, the physical and enclosed form, internal and external communication channel, and internal-external space flowing of light and air presented by the physical senses are limited to door and window (formation of the hole). This concept is employed as metaphor of space penetration applied and converted to formation of garment opening (hole) and material changes. Through the assistance of architectural structural support framework, it is applied to this creative work. Through “penetration,” infiltrations cross one another and gather together, triggering the concept of flowing space. Based on the fact that clothing can be presented by the body and that clothing can be extracted from the auxiliary relation to the body (reality), this study attempts to endow clothing other decorative functions after it is completed as another form of artistic expression and search. First Part: Review and Interpretation of the Creation Theory The basic “wall” defines the virtual and actual spaces. Penetration makes possible coexistence of actual and virtual spaces and engenders a flowing space. From this perspective, it is explored through penetration of different components of arts (architecture, sculpture, painting, fashion, etc.). Second Part: Design Method and Creation Transformation Penetration image is employed as relationship factor of space interface transformation for analysis and exploration of the intermediate point where actual and virtual spaces coexist. Hole rendering method and penetrative material layer changes are applied to presentation of clothing opening. Into the penetrated metaphor is injected application of rendering approaches such as overlapping, transfer, contortion, deformation, transformation, transparency and rotation todescribe the change of hole in shape. Third Part: Presentation of Work The body language of the body changes the outline of the garment and generates penetration of different faces. The garment is removed from the body for independent existence. “Garment” is seen as a substance that can be penetrated and molded, and it is presented as such. Through manipulation of lighting in association with exhibition form, it demonstrates fashion art under manifold thought pattern.
Yin-hsin, Lin. "A Sense of Place in Imaginary Space: Cognition of Utopia, Dystopia, and Cyberspace." 2003. http://www.cetd.com.tw/ec/thesisdetail.aspx?etdun=U0021-2603200719134048.
Повний текст джерелаLin, Yin-hsin, and 林尹星. "A Sense of Place in Imaginary Space: Cognition of Utopia, Dystopia, and Cyberspace." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/87585233861706034739.
Повний текст джерела國立臺灣師範大學
英語研究所
92
This thesis argues that in our spatial cognition of utopias, dystopias, and cyberspace, sense of place transfers our spatial experience of the lived world to the imaginary spaces and places, influences the way we receive and perceive their spatial representations, and contributes to forming a subjective territorial identity that stands in confrontation with the encroachment of conceived, abstract space. By applying George Lakoff’s theory of conceptual metaphor and Henry Lefebvre’s three-fold spatial concepts, this thesis shows how sense of place is facilitated by spatial metaphors and how it works behind our reception and perception of the representations of imaginary space that sustain literary utopias, dystopias, and cyberspace. The first chapter introduces the concept of place, discusses sense of place in terms of the relationship between people and place, and indicates that metaphors can convert social experience of sense of place into a literary one. The second chapter deals with utopia as a spatial metaphor capable of mapping onto the imaginary space the reader’s spatial experiences. Sense of place derives from one’s spatial experience with the lived world and influences the way he/she experiences the imaginary place of utopia. The third chapter argues that security and identity are two major factors of territoriality that bear special relevance to the problem of utopian/dystopian boundaries. Considerations of security and identity justify the territorialization of people and place, which works behind the spatial formation of major utopias and dystopian novels. The fourth chapter shows how the media represent another form of power’s interpolation into people’s lives in dystopia. This forceful insertion breaks into the relationship between people and place and breaks down the integrity of people’s territory. The reader of dystopia experiences no sense of place. The last chapter demonstrates that the extensive use of spatial metaphors in computer networks focuses on three major categories: architectural, territorial, and global metaphors. It also argues that the traveler metaphor foregrounds the importance of sense of place in our spatial cognition that it carries transfers spatial experience of the lived world to the imaginary space of computer networks.
Couto, Filipe Abraão Martins do. "Lusofonia: da utopia civilizacional à realidade política." Master's thesis, 2016. http://hdl.handle.net/10362/19819.
Повний текст джерелаThroughout this thesis, the complexity of the concept of Lusophony as a civilizational project and the position of the critics on this issue will be object of analysis. The Fifth Empire myth, developed by the Portuguese spiritual thought and that is fused in the current concept of Lusophony, is constantly called into question by the international community. In a secular era and in a multicultural context, this concept has not been appreciated among the Lusophone countries, being target of suspicion, due to its apparent ethnocentric and neo-colonialist character. In this scenery, one will reflect on the effects of the civilizational utopia and its relation with the main political difficulties that the public organisms and institutions have been facing, namely, the CPLP, the AULP and the IILP. At stake is a whole post-colonial imagery of some countries, who, by nor agreeing with the expression of Lusophony, have been blocking a political-diplomatic harmonization. Other than the evaluation of the status of the concept of Lusophony, this investigation will try to develop proposals of lines of action, in order to suggest philosophical and diplomatic alternatives, regarding the mobility of health and education professionals, in a supposed Lusophone space
Mištríková, Jana. "Utópia v diele Aleja Carpentiera." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-369963.
Повний текст джерелаShih, Yao-Chi, and 史曜齊. "The Making of Anti-Utopia Landscape:The Space of Horror Film Festival in Shi-Men District." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/89919573049802563136.
Повний текст джерела淡江大學
建築學系碩士班
93
The attempt of this design essay originated in thoughts about the spacializing process which those theories and issues for criticizing space were been put into by some habitual rational design methods, as ways used to build a Utopia by attempting to insert a new space texture into a site, were not only fail to respond original issues but also cause new space problems. Besides this, with affections of those design methods, a usual practice of distinguishing some negative factors and ignoring them was existed. Therefore, simply with remindful or stimulating design methods, from neglected angles of negative factors, we try to use some experimental methods to show or enhance issues neglected at the first. The program strategy based on a festival frame which could reconfigure and redefine landscape to insert experimental designs; used one type of modern festivals - the film festival - to bring arousing effects and activations between movie text and designs in landscape to enhance each others. The program of theme used anti-utopia text types focusing on horror movies, and take advantage of the féminin propriety of horror text to insert critical issues of negative feels. The work made a respond to blind spots of rational-utopia design methods in habitual vocabularies. On the site strategy, we choose Shi-Men District where are known for its long history of movie theaters and complexity of landscape contexts.