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Книги з теми "Urban spectacle"

Щоб переглянути інші типи публікацій з цієї теми, перейдіть за посиланням: Urban spectacle.

Автор: Grafiati

Опубліковано: 14 березня 2023

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1

Dubai: Behind an urban spectacle. New York: Routledge, 2010.

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2

1967-, Cronin Anne M., and Hetherington Kevin, eds. Consuming the entrepreneurial city: Image, memory, spectacle. New York: Routledge, 2008.

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3

Hammond, Frederick. Music and spectacle in baroque Rome: Barberini patronage under Urban VIII. New Haven: Yale University Press, 1994.

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4

Wendy, Bancroft, ed. Cinemazoo: My urban safari. Vancouver: Granville Island Pub., 2011.

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5

Indy dreams and urban nightmares: Speed merchants, spectacle, and the struggle over public space in the world-class city. Toronto: University of Toronto Press, 2002.

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6

Le Quartier des spectacles et le chantier de l'imaginaire montréalais. Québec]: Presses du l'Université Laval, 2015.

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7

Robert, Hollands, ed. Urban nightscapes: Youth cultures, pleasure spaces and corporate power. New York, N.Y: Routledge, 2003.

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8

Hannigan, John. Fantasy city: Pleasure and profit in the postmodern metropolis. London: Routledge, 1998.

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9

Fantasy city: Pleasure and profit in the postmodern metropolis. London: Routledge, 1998.

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10

Elsheshtawy, Yasser. Dubai: Behind an Urban Spectacle. Routledge, 2009. http://dx.doi.org/10.4324/9780203869703.

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11

Elsheshtawy, Yasser. Dubai: Behind an Urban Spectacle. Taylor & Francis Group, 2009.

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12

Elsheshtawy, Yasser. Dubai: Behind an Urban Spectacle. Taylor & Francis Group, 2009.

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13

Elsheshtawy, Yasser. Dubai: Behind an Urban Spectacle. Taylor & Francis Group, 2013.

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14

Elsheshtawy, Yasser. Dubai: Behind an Urban Spectacle. Taylor & Francis Group, 2009.

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15

Consuming the entrepreneurial city: Image, memory, spectacle. New York: Routledge, 2008.

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16

Consuming the Entrepreneurial City: Image, Memory, Spectacle. Routledge, 2008.

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17

Carter, Michael J., and Jonathan Edmondson. Spectacle in Rome, Italy, and the Provinces. Edited by Christer Bruun and Jonathan Edmondson. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780195336467.013.025.

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Анотація:

The city of Rome and other urban communities throughout the empire were alive with spectacles of all kinds, including triumphs, funerals, executions, and religious festivals with their various games (ludi). This chapter considers the critical role that inscriptions play in our understanding of Roman spectacles. It focuses in particular on spectacles in the theatre (ludi scaenici), circus (ludi circenses), athletic stadium, and especially the amphitheatre (munera and venationes). Epigraphic discoveries of many types continue to add new details and insights that our moralizing literary sources simply ignore: tombstones of spectacle performers; statue-bases honouring local elites who sponsored spectacles; building inscriptions from theatres, amphitheatres, and circuses; senatorial decrees, imperial edicts/letters, and municipal laws regulating public spectacle; announcements of upcoming spectacles; curse tablets; and inscribed artifacts depicting gladiators, actors, and charioteers.

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18

Gayborhood: From Sexual Liberation to Cosmopolitan Spectacle. Lexington Books/Fortress Academic, 2023.

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19

Vita, Stefano Di, and Mark Wilson. Planning and Managing Smaller Events: Downsizing the Urban Spectacle. Taylor & Francis Group, 2020.

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20

Dobraszczyk, Paul. Dead City: Urban Ruins and the Spectacle of Decay. I. B. Tauris & Company, Limited, 2017.

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21

Vita, Stefano Di, and Mark Wilson. Planning and Managing Smaller Events: Downsizing the Urban Spectacle. Taylor & Francis Group, 2020.

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22

Vita, Stefano Di, and Mark Wilson. Planning and Managing Smaller Events: Downsizing the Urban Spectacle. Taylor & Francis Group, 2020.

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23

Vita, Stefano Di, and Mark Wilson. Planning and Managing Smaller Events: Downsizing the Urban Spectacle. Taylor & Francis Group, 2020.

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24

Planning and Managing Smaller Events: Downsizing the Urban Spectacle. Taylor & Francis Group, 2020.

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25

Wilson, Mark I., and Stefano Di Vita. Planning and Managing Smaller Events: Downsizing the Urban Spectacle. Taylor & Francis Group, 2022.

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26

Parsons, Deborah L. A Cultural History of Madrid: Modernism and the Urban Spectacle. Berg Publishers, 2003.

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27

Parsons, Deborah L. A Cultural History of Madrid: Modernism and the Urban Spectacle. Berg Publishers, 2003.

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28

Routledge Handbook of Architecture, Urban Space and Politics, Volume I: Violence, Spectacle and Data. Taylor & Francis Group, 2022.

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29

Haghighi, Farzaneh, and Nikolina Bobic. Routledge Handbook of Architecture, Urban Space and Politics, Volume I: Violence, Spectacle and Data. Taylor & Francis Group, 2022.

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30

Haghighi, Farzaneh, and Nikolina Bobic. Routledge Handbook of Architecture, Urban Space and Politics, Volume I: Violence, Spectacle and Data. Taylor & Francis Group, 2022.

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31

Masquerade and Money in Urban Nigeria: The Case of Calabar. University of Rochester Press, 2022.

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32

Faflik, David. Urban Formalism. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823288045.001.0001.

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Анотація:

Urban Formalism radically reimagines what it meant to “read” a brave new urban world during the transformative middle decades of the nineteenth century. At a time when contemporaries in the twin capitals of modernity in the West, New York and Paris, were learning to make sense of unfamiliar surroundings, city peoples increasingly looked to the experiential patterns, or forms, from their everyday lives in an attempt to translate urban experience into something they could more easily comprehend. Urban Formalism interrogates both the risks and rewards of an interpretive practice that depended on the mutual relation between urbanism and formalism, at a moment when the subjective experience of the city had reached unprecedented levels of complexity. What did it mean to read a city sidewalk as if it were a literary form, like a poem? On what basis might the material form of a burning block of buildings be received as a pleasurable spectacle? How closely aligned were the ideology and choreography of the political form of a revolutionary street protest? And what were the implications of conceiving of the city’s exciting dynamism in the static visual form of a photographic composition? These are the questions that Urban Formalism asks and begins to answer, with the aim of proposing a revisionist semantics of the city. This book not only provides an original cultural history of forms. It posits a new form of urban history, comprised of the representative rituals of interpretation that have helped give meaningful shape to metropolitan life.

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33

Koch, Natalie. Geopolitics of Spectacle: Space, Synecdoche, and the New Capitals of Asia. Cornell University Press, 2018.

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34

Devaney, Thomas. Enemies in the Plaza: Urban Spectacle and the End of Spanish Frontier Culture, 1460-1492. University of Pennsylvania Press, 2015.

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35

Enemies in the Plaza: Urban Spectacle and the End of Spanish Frontier Culture, 1460-1492. University of Pennsylvania Press, 2015.

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36

The Geopolitics of Spectacle: Space, Synecdoche, and the New Capitals of Asia. Cornell University Press, 2018.

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37

Feinberg, Matthew I. From the Theater to the Plaza: Spectacle, Protest, and Urban Space in Twenty-First-Century Madrid. McGill-Queen's University Press, 2022.

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38

Building the City of Spectacle: Mayor Richard M. Daley and the Remaking of Chicago. Cornell University Press, 2016.

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39

Spirou, Costas, and Dennis R. Judd. Building the City of Spectacle: Mayor Richard M. Daley and the Remaking of Chicago. Cornell University Press, 2016.

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40

Lowes, Mark Douglas. Indy Dreams and Urban Nightmares: Speed Merchants, Spectacle, and the Struggle over Public Space in the World Class City. University of Toronto Press, 2016.

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41

Bhattacharya, Rimli. Public Women in British India: Icons and the Urban Stage. Routledge, 2018.

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42

Bhattacharya, Rimli. Public Women in British India: Icons and the Urban Stage. Taylor & Francis Group, 2018.

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43

Public Women in British India: Icons and the Urban Stage. Taylor & Francis Group, 2018.

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44

Bhattacharya, Rimli. Public Women in British India: Icons and the Urban Stage. Taylor & Francis Group, 2018.

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45

Bhattacharya, Rimli. Public Women in British India: Icons and the Urban Stage. Taylor & Francis Group, 2018.

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46

Kalof, Linda, ed. The Oxford Handbook of Animal Studies. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199927142.001.0001.

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Анотація:

Animal studies is an interdisciplinary field that captures one of the most important topics in contemporary society: how can humans rethink and reconfigure their relationships with other animals? This “animal question” is the focus of The Oxford Handbook of Animal Studies. In the last few decades, animal studies has flourished, with the widespread recognition of (1) the commodification of animals in a wide variety of human contexts, such as the use of animals as food, labor, and objects of spectacle and science; (2) the degradation of the natural world and a staggering loss of animal habitat and species extinction; and (3) the increasing need to coexist with other animals in urban, rural, and natural contexts. These themes are mapped into five major categories, reflected in the titles of the five parts that structure this volume: “Animals in the Landscape of Law, Politics, and Public Policy”; “Animal Intentionality, Agency, and Reflexive Thinking”; “Animals as Objects in Science, Food, Spectacle, and Sport”; “Animals in Cultural Representations”; and “Animals in Ecosystems.” Each category is explicated with specially commissioned chapters written by international scholars from diverse backgrounds, including philosophy, law, history, English, art, sociology, geography, archaeology, environmental studies, cultural studies, and animal advocacy. The thirty chapters of the handbook investigate issues and concepts central to understanding our current relationship with other animals and the potential for coexistence in an ecological community of living beings.

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47

Boutin, Aimée. Introduction. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039218.003.0001.

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Анотація:

This introductory chapter provides an overview of the book's main themes. This book adopts a sensory approach to understanding the city as a sonic space that orchestrates different, often conflicting sound culture. It shows how city noise heightens the significance of selective listening in the modern urban condition and argues for an aural rather than visual conception of modernity. In nineteenth-century Paris, urban renewal did not mark the beginning of a period of diminution of sound, but rather it was a time of increasing awareness of, and emphasis on, noise. By reconsidering the myth of Paris as the city of spectacle, where the flâneur's scopophilia reigns supreme, this book attends to what has been silenced by the visual paradigm that still prevails in nineteenth-century French cultural studies. It explores perceptions of street noise in nineteenth-century Paris by selecting specific sounds from the 1830s to the 1890s—peddling sounds—that were distinctive.

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48

Alonso, Paul. Peter Capusotto y sus videos. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190636500.003.0005.

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Peter Capusotto y sus videos is an Argentinean satirical show that criticizes the entertainment industry in social and political terms. Hosted by actor and comedian Diego Capusotto, the popular show is broadcast on TV Pública, the state channel in Argentina. Through fictional characters and a documentary/journalistic style, Capusotto ridicules celebrity culture and targets social stereotypes. Chapter 5 analyzes the role of the show in deconstructing and questioning key aspects of the local urban identity reflected in popular culture, more specifically in rock music (rock nacional), a genre with a particular evolution and relevance in the country. Through the analysis of Bombita Rodríguez, Violencia Rivas, and Micky Vainilla, some of Capusotto’s most famous characters, this chapter illustrates how the show’s satirical approach demystifies Argentinean identities that exist within the realm of media spectacle while exposing sociopolitical tensions after the 2001 socioeconomic crisis and during the Kirchner era.

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49

Lippert, Amy K. DeFalco. Visual Desire: Love, Lust, and Virtual Reality. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190268978.003.0006.

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In nineteenth-century urban America, visual culture intertwined with and amplified a thriving sex industry. Long before the escapades of Civil War soldiers, the “wide-open” climate of gold rush California was prompting lawmakers to debate the merits of measures to suppress obscene pictures and texts. Forty years before the widespread application of the passport system, the first photographic archive of prospective immigrants was composed of Chinese women in the West. Before Anthony Comstock became a household name, San Francisco’s Custom House, police, and courts were struggling to suppress and prosecute a flood of “indecent materials” pouring through the port town from far-flung points like China, Japan, and France. Although San Francisco’s female population steadily increased from the late 1850s onward, commodified images and spectacles catering to male consumers’ lust—and female consumers’ curiosity, if not also lust—only became more popular and numerous in its urban culture.

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50

Walking Washington, D.C: 30 treks to the newly revitalized capital's cultural icons, natural spectacles, urban treasures, and hidden gems. 2016.

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