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Книги з теми "Urban hub of Diamniadio"

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Автор: Grafiati

Опубліковано: 7 липня 2024

Оновлено: 7 липня 2024

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1

Stalnaker, Stan. Hub culture: The next wave of urban consumers. Singapore: Wiley, 2002.

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2

India). Science and Heritage Initiative Indian Institute of Technology (Kharagpur. SandHI: Creative innovation hub report : 'a creative economic regeneration & urban design revival project: Biopara, College Street, Kolkata' RAK, 'A creative economic & urban design based pilot project of Kumartuli area, Kolkata, West Bengal (in association with Kolkata Museum of Modern Arts)'-CKI under SRIC, SandHI, IIT Kharagpur. Kharagpur: Indian Institute of Technology Kharagpur, 2015.

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3

Magadlela, Dimisani, Emmanurl Haruperi, Nobantu Mpotulo, Denise Zinn, and Paul van Schaik. Urban Hub 23 - Integral Africa: Thriveable Cities. Independently Published, 2021.

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4

Mendonça, Cristina, Alan Dean, Marilyn Hamilton, Peter Buchanan, and Paul Krause. Urban Hub 15 : Dancing with the Future: Thriveable Cities. Independently Published, 2019.

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5

Schaik, Barbara van, Alan Dean, and Paul van Schaik. Urban Hub 16 : Wellbeing a New Frontier: Thriveable Cities. Independently Published, 2019.

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6

Pampallis, Paddy, Anne-Marie Voorhoeve, Marilyn Hamilton, Paul Krause, and Stefan Frankenberger. Urban Hub 21 - Coming of Age 'Dare to Dream': Thriveable Cities. Independently Published, 2020.

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7

Hamilton, Marilyn. Urban Hub 20 : Accelerating City Change in a VUCA World: Thriveable Cities. Independently Published, 2020.

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8

Schaik, Paul van. Urban Hub 19 : Deep Drivers an Integral Theory of Change: Thriveable Cities. Independently Published, 2019.

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9

Southern Dallas County Texas: A strategy for developing the Southern Dallas County logistics hub. Washington, D.C: Urban Land Institute, 2006.

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10

Goyens, Tom, ed. Radical Gotham. University of Illinois Press, 2018. http://dx.doi.org/10.5406/illinois/9780252041051.001.0001.

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New York City's identity as a cultural and artistic center, as a point of arrival for millions of immigrants sympathetic to anarchist ideas, and as a hub of capitalism made the city a unique and dynamic terrain for anarchist activity. For 150 years, Gotham's cosmopolitan setting created a unique interplay between anarchism's human actors and an urban space that invites constant reinvention. Tom Goyens gathers essays that demonstrate anarchism's endurance as a political and cultural ideology and movement in New York from the 1870s to 2011. The authors cover the gamut of anarchy's emergence in and connection to the city. Some offer important new insights on German, Yiddish, Italian, and Spanish-speaking anarchists. Others explore anarchism's influence on religion, politics, and the visual and performing arts. A concluding essay looks at Occupy Wall Street's roots in New York City's anarchist tradition. Contributors: Allan Antliff, Marcella Bencivenni, Caitlin Casey, Christopher J. Castañeda, Andrew Cornell, Heather Gautney, Tom Goyens, Anne Klejment, Alan W. Moore, Erin Wallace, and Kenyon Zimmer

11

Konove, Andrew. Black Market Capital. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520293670.001.0001.

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For more than three hundred years, Mexico City’s Baratillo marketplace was synonymous with crime, vice, and the most disreputable elements of urban society. Despite countless attempts to disband it, the Baratillo persevered, outlasting Spanish colonial rule and dozens of republican governments. In the twentieth century, transformed the neighborhood of Tepito it into a global hub of black-market commerce. Black Market Capital argues that the Baratillo and the broader shadow economy—which combined illicit, informal, and second-hand exchanges—have been central to the economy and the politics of Mexico City since the seventeenth century. The Baratillo benefited a wide swath of urban society, fostering unlikely alliances between elite merchants, government officials, newspaper editors, and street vendors. Vendors in the Baratillo turned their market’s economic appeal into political clout, petitioning colonial and national-era officials and engaging in the capital’s public sphere to defend their livelihoods. Using records from municipal and national archives in Mexico City, newspapers, travelers’ accounts, and novels, Black Market Capital reconstructs the history of one of Mexico City’s most enduring yet least understood institutions. It provides a new perspective on the relationship between urban politics, the informal economy, and public space in Mexico City between the seventeenth and the twentieth centuries.

12

Lippert, Amy DeFalco. Consuming Identities. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190268978.001.0001.

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Along with the rapid expansion of the market economy and industrial production methods, innovations including photography, lithography, and steam printing created a pictorial revolution in the nineteenth century. Consuming Identities: Visual Culture in Nineteenth-Century San Francisco explores the significance of that revolution in one of its vanguard cities: San Francisco, the revolving door of the gold rush and the hub of Pacific migration and trade. The proliferation of visual prints, ephemera, spectacles, and technologies transformed public values and perceptions, and its legacy was as significant as the print revolution that preceded it. In their correspondence, diaries, portraits, and reminiscences, thousands of migrants to the city by the Bay demonstrated that visual media constituted a central means by which to navigate the bewildering host of changes taking hold around them in the second half of the nineteenth century. Images themselves were inextricably associated with these world-changing forces; they were commodities, but they also possessed special cultural qualities that gave them new meaning and significance. Visual media transcended traditional boundaries of language and culture that had divided groups within the same urban space. From the 1848 conquest of California and the gold discovery to the disastrous earthquake and fire of 1906, San Francisco anticipated broader national transformations in the commodification, implementation, and popularity of images. For the city’s inhabitants and visitors, an array of imagery came to mediate, intersect with, and even constitute social interaction in a world where virtual reality was becoming normative.

13

Castaneda, Christopher J., and Montse Feu, eds. Writing Revolution. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042744.001.0001.

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Writing Revolution examines the ways in which Spanish-language anarchist print culture established and maintained transnational networks from the late 19th through 20th centuries. Organized both chronologically and thematically, the chapters in this book explore how Spanish-speaking anarchists based in the United States, Latin America, and Spain promoted comprehensive social and economic reform, that is, the social revolution, while confronting an aggressively industrializing world that privileged authority vested in the state, capital, and church over the working class, specifically, and individual freedoms, generally. These chapters make it clear that anarchism—despite politically motivated attempts to define it differently—was not simply an ideology devoted to violently overthrowing the state but a movement that actively promoted free thought, individual liberty, and social equality. We show how Spanish-speaking anarchists developed a pervasive and vibrant transnational print network in which the United States was a major hub that enabled worker solidarity reinforced by a continuing emphasis on well-established enlightenment-era concepts of freedom, personal liberty, and social equality, through journalism and literature. Within this historical context of activism and culture production from below, the essays in this volume show how anarchist periodicals connected, fostered, and maintained Spanish-speaking radicals and groups in major metropolises including Barcelona, Brooklyn, Buenos Aires, Chicago, Havana, Los Angeles, Madrid, and New York City among many others, but also smaller urban areas such as Detroit, New Orleans, Tampico (México), Steubenville (Ohio), and Tampa.

14

Dassanowsky, Robert, and Katherine Arens, eds. Interwar Salzburg. Bloomsbury Publishing Inc, 2024. http://dx.doi.org/10.5040/9798765112618.

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A long-overdue reassessment of post-1918 Salzburg as a distinct Austrian cultural hub that experimented in moving beyond war and empire into a modern, self-consciously inclusive, and international center for European Culture. Interwar Salzburg tells the story of a European cultural capital eclipsed in histories enamoured with Austria's imperial past and the glittering aristocratic cultures of Vienna, Prague, and Budapest. For over 300 years, however, Salzburg had its own legacy as a city-state at an international crossroads, less stratified than Europe's colonial capitals and seeking a political identity based in civic participation with its own economy and politics. After World War I, Salzburg became a refuge: a small city with easy access to the rest of Europe, less overtaxed by refugees and soldiers returning from the front than the other Habsburg capitals, and more interested in building a new "Capital for Europe," as writer Hermann Bahr termed it, rather than rebuilding a past. Salzburg's urban and bucolic spaces staged encounters that had been brutally cut apart by the war; its deep-seated traditions of citizenship, art, and education guided its path. Contributors from around the globe recover an evolving but now lost vanguard of European culture, fostering not only new identities in visual and performing arts, film, music, and literature, but also a festival culture aimed at cultivating an inclusive public (not an international elite) and a civic culture sharing public institutions, sports, tourism, and a diverse spectrum of cultural identities serving a new European ideal.

15

Kallis, Aristotle. The Minimum Dwelling Revisited. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350346215.

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This book provides an intellectual history of the modernist ‘minimum dwelling’, exploring how early modernism saw mass housing as a primary vehicle for achieving the utopian transformation of society. It reappraises the often-overlooked 2nd and 3rd CIAM conferences (1929-31), addressing their engagement with the 'minimum dwelling' and revealing them both as milestones in the organisation's annals and as seminal moments in the history of interwar modernism. In 1929, an eclectic international group of avant-garde modernist architects, including Ernst May, Mart Stam, Walter Gropius and Le Corbusier, met in Frankfurt for the second instalment of the CIAM conferences. They discussed a design programme for cost-effective, good-quality housing, seeking new approaches and processes to maximize quality and functionality while ensuring affordability for the wider population. In exploring the meaning and form of the 'minimum dwelling', they also re-defined dwelling as the hub of a new way of living, proposing a revolutionary multi-scalar approach to urban design based on the concept of the Existenzminimum (‘optimally minimal housing’). Despite the two conferences falling short of the organizer’s expectations, and being overshadowed by later instalments, the participating architects sanctioned a semantic shift from minimum as bare necessity to a very different, aspirational, kind of minimalism – transforming the entire conversation on mass low-cost dwelling in design, social and ethical terms. Split into two parts, The Minimum Dwelling Revisited first takes a genealogical approach to explore the provenance of the concept of ‘minimum dwelling’ prior to the 2nd and 3rd CIAM conferences, it then traces the proceedings of the two conferences themselves. Addressing the origins of the ‘minimum dwelling’ concept but also its legacies, and serving as a corrective to the overemphasis on 4th CIAM conference and the Athens Charter, the book is essential reading for scholars researching urban design during the Interwar period.