Дисертації з теми "Typography information"
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Bland, Mark. "Johnson, Stansby and english typography 1579-1623." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.319114.
Повний текст джерелаPinkney, Alexander J. "Improving typography and minimising computation for documents with scalable layouts." Thesis, University of Nottingham, 2015. http://eprints.nottingham.ac.uk/28872/.
Повний текст джерелаBergman, Anna, and Tina Gustawsson. "Att designa efter typsnitt : En kvalitativ studie om typografins kraft och betydelse i designprocessen." Thesis, Högskolan Väst, Avd för medier och design, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hv:diva-15660.
Повний текст джерелаThis essay addresses the questions about how and why a font can convey a certain impression, feeling or tonality on a website's headings. As well as the importance of being a designer or other professionals in the field, to have knowledge and awareness of fonts. We have chosen a qualitative method based on our questions. Through interviews and a focus group, we intend to study three fonts from three different fontfamilies. Roboto (sans serif), La Parisienne (regular script) and Fifty four (display /decorative). Theories are obtained from previous studies in the subject, we refer to literature by experts and the data comes from our empirical research that we have collected from our interviews and the focus group. We have developed a website in WordPress, that has been a practical element and has served as a platform for our research by presenting the fonts of our various headings. The results of this study showed that our selected fonts of the headlines were interpreted equally by our informants and everyone answers that it depends on what kind of a typeface it is. Fonts can be interpreted from many different perspectives, the form of a font affects people's interpretation a lot but also interpreted based on personality traits, through basic feelings, past associations, connotation and the majority's response which was consistent. The knowledge of fonts plays a central role in the early design process and it becomes important for a web designer to be able to master typography and understand its powers.
Лєбєдєв, Вадим Сергійович. "Міжнародний стиль у дизайні плакату". Thesis, Національний авіаційний університет, 2021. https://er.nau.edu.ua/handle/NAU/50176.
Повний текст джерелаThe international typographic style, also known as the Swiss style, was developed in Switzerland in the 1950s, emphasizing purity, readability and objectivity. Distinctive features of the style are asymmetrical layouts, the use of a grid, serif fonts and text alignment on the left edge. Style is also associated with the preference of photography over illustrations or drawings. This style became an "international" style in art, architecture and culture after the 1950s, and was used by artists from all over the world. The report reveals the main aspects of the Swiss style.
Matsdotter, Freja, and Lellah Johanna Turesson. "Typographical trust issues : The impact of font types on trust in the context of online banking websites." Thesis, Högskolan Dalarna, Informatik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:du-30580.
Повний текст джерелаSyftet med denna studie var att undersöka om val av teckensnitt påverkar hur text och avsändare uppfattas i samband med internetbankers webbplatser. Stora summor investeras för att producera effektiva designenheter; därför behöver grafiska designers vara medvetna om hur deras val av teckensnitt påverkar läsarens uppfattning av text. Målet med denna studie var att öka medvetenheten kring påverkan av teckensnitt och att skapa en användbar rapport som kan guida designers i deras val av teckensnitt. Tidigare studier inom ämnet argumenterar för hur typografi är ett avgörande verktyg inom visuell kommunikation och hur valet av ett passande teckensnitt är av mycket stor vikt. Undersökningar har visat på att läsare är medvetna om skillnaden i hur väl olika kombinationer teckensnitt och text fungerar. I en studie av Shaikh, Chaparro och Fox (2006) lyfts seriff och sanseriff som de mest passande i flest situationer medan skripter enbart passade bra för scrapbooking och e-hälsningar och moderna ”modern display”- teckensnitt uppfattades som oförskämda eller grova. I föreliggande studie användes en litteraturstudie, två fokusgrupper, en kvantitativ webbenkät och två visuella innehållsanalyser. Resultaten visar på att valet av teckensnitt påverkar hur mottagaren uppfattar sändaren i denna kontext. De teckensnitt som ansågs mest passande var strikta och strukturerade men inte tråkiga, utan dekorativa element och med en medelhög x-höjd i förhållande till versalhöjd.
Markkula, Aino-Maija, and Sally Hansson. "Färgens och typografins inverkan på tillförlitlighet till e-handelswebbsidor ur ett konsumentperspektiv." Thesis, Högskolan Dalarna, Institutionen för information och teknik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:du-37317.
Повний текст джерелаThe purpose of this study was to understand how credible consumers in Sweden with differentgender roles and ages perceived electronic (e-) commerce websites based on the visual design. Thepurpose was answered by examining the impact of colour and typography on perceived credibilityof e-commerce webpages from the consumers’ perspec=ve.In 2021, e-commerce services are increasingly being used to purchase products. Businesses cannowadays reach a much larger market through e-commerce, as the geographical loca=on of thecompany is not anymore cri=cal to customer availability. As the e-commerce market grows evenlarger, companies should be more aware of their visual presenta=on on the website to gainconsumer trust. Previous studies show that colour and typographic choices are important factors inwhether a webpage is perceived trustworthy. Previous research gives insight to how different genderroles and age groups relate to the internet and have different usage pa<erns.This study was carried out using a visual content analysis and a ques=onnaire. The results of thevisual content analysis gave the prerequisites for crea=on of the fic=onal webpage layouts withdifferent colours and typefaces that were further used in the ques=onnaire. A total of twelve ecommercewebpage were created for the ques=onnaire to inves=gate which colours and typefacesare experienced to be most credible.The study indicated even results between age groups and gender roles in terms of experience ofcredibility regarding colour and typography choices on e-commerce websites. The results showedtendencies that the orange as well as yellow webdesigns were the least credible according torespondents in this study. Green, blue, red, and pink were considered more credible than orangeand yellow designs. The study also indicated that sans serif typeface was considered slightly morecredible than serif typeface.
Zajaczkowski, Erica Lea. "Information, Design, and Technology:How They Work Together to Inform a Museum Visitor." University of Akron / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=akron1407780595.
Повний текст джерелаVorster, Lize. "Shared mental models as a cultural phenomenon : fact or fiction? Using the card-sorting method to investigate the shared mental models of web users." Thesis, Stellenbosch : University of Stellenbosch, 2006. http://hdl.handle.net/10019.1/1049.
Повний текст джерелаENGLISH ABSTRACT: In this study, the mental models of the target audience of the FACT web site (official Stellenbosch University HIV/Aids web site) were investigated and compared with the structure of the web site (representing the mental model of the expert). The target audience were divided into six groups representing three different race groups (white, coloured and black) and the two sexes (male and female).
Ericson, Jessica, and Aurora Hammam. "Har den digitala pizzamenyn en genomtänkt stil? : En analys av lågprispizzeriors design av menyer." Thesis, Högskolan Dalarna, Informatik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:du-34252.
Повний текст джерелаFor the creation of restaurant menus there are studies that show which recommendations you should use to achieve a well-designed menu. The purpose of the study is to investigate whether pizzeria personnel and designers create digital pizza menus consciously from the design recommendations that exists. This study is a qualitative research work and we have used a survey as strategy. Data collection methods that have been used to answer the study questions are literature search, a visual content analysis, group interviews and semi-structured interviews. One result from the interviews showed that the pizzeria personnel thinks that their menu design does not match their brand. The pizzeria personnel and customers have different perceptions about what the brand stands for. The group interviews show that the digital menus live up to customers expectation and their experience of the low-price pizza. The conclusions show that there are common and distinctive graphical elements. Most low-price pizzerias do not have a well thought out branding, although the pizzeria personnel and designers do not have consciousness regarding the design principles and recommendations.
Meyer, Oliver [Verfasser]. "aTool — Typographie als Quelle der Textstruktur / Oliver Meyer." Aachen : Shaker, 2006. http://d-nb.info/1170529178/34.
Повний текст джерелаLevinovic-Healy, Annah H. "Children reading in a post-typographic age: Two case studies." Thesis, Queensland University of Technology, 1999. https://eprints.qut.edu.au/36585/1/36585_Digitised%20Thesis.pdf.
Повний текст джерелаEsteves, Nuno Jorge Nunes. "Predisposition assessment modelling." Master's thesis, Faculdade de Ciências e Tecnologia, 2014. http://hdl.handle.net/10362/12194.
Повний текст джерелаOver the last decades outbreaks of the bark beetle Ips typographus (L.) assumed a high importance in forestry due to the economic losses caused, amounting to 3 million m3 the volume of wood damaged in 2009 in Austria. In natural systems, such events result from a dynamic interaction among several factors, the integrated analysis of which can depict the predisposition level of a stand, or site, to I. typographus outbreaks. The objective of this thesis was the development of a Predisposition Model for Rosalia Forest, located in the state (Land) of Vienna in Austria. Wind and snow storms are two of the main factors that lead to a higher level of risk, as high quantities of fallen timber become available, constituting a favourable breeding habitat for I. typographus communities to proliferate. Terrain and stand related data can be translated into parameters that are registered and studied using Geographic Information Systems, in order to obtain predisposition results to wind and snow damage and ultimately overall predisposition assessments to insect infestations. Stand and site related parameters from spatial and inventory data were analysed and scored according to an Assessment System previously formulated. In order to allow for different analysis and adjustments the Model was developed in a mask-like structure. Results on predisposition for the Rosalia Forest were spatially analysed and statistically processed. It was concluded that the majority of the stand area fell in the Medium predisposition class. This was due to the diversified age structure of the stand as well as to a relatively low proportion of the host species Picea abies present in this site. The model developed not only allows for the assessment of bark beetle predisposition according to an Assessment System based on an extensive compilation of literature, but can also be used as a working tool for further sites and scenarios by entities aiming at the management of the risk of I. typographus infestations.
Langonné, Joël. "Ceux qui "font" le journal : journalistes secrétaires de rédaction et ouvriers typographes à l'interface de la matérialité de l'information en presse quotidienne régionale." Thesis, Rennes 1, 2016. http://www.theses.fr/2016REN1G035/document.
Повний текст джерелаTo the simple question Who does what in a newspaper? this study – partially – answers by focusing on a particular aspect of the continuum of information production: the prepress – where the information provided by journalists is laid out and designed by sub-editors. This approach enables us to shed light on a unique collective of the newspaper. Indeed, until the end of the 90’s and the generalization of digitalization in the production lines of daily newspapers, sub-editors share their responsibilities and collaborate on a daily basis with a particular type of blue-collar workers: the typographers. In our opinion, sub-editors and typographers make the newspaper together, and in their own respective ways. How? What is there to do to make a newspaper, and how do – or don’t – journalists and blue-collars bind themselves to achieve their common goal?Our analysis of Who does what and how in a newspaper is divided into three parts. In a first part we describe The world of typographers (1). What supports do they lean on to work with their taste? What resources do they draw on to display their skills? In a similar way, in a second part we analyze The world of sub-editors (2). What is it made out of? What scripts do sub-editors turn to to perform at their best? A third part is dedicated to establishing parallels between these two distinctive worlds, wondering Do sub-editors and typographers form a common world (3)? Do these two ever-connected worlds share common bonds? The examples we present suggest that common worlds have existed at certain times and in non-linear ways. Our fieldwork provides us with fragments of this common world within a specific mediator: the layout.The description of who does what and how in a newspaper via what takes place at the crossroads of its material form enables us to reveal a collective object elaborated by a number of different people and things. Every day, newspapers are flexible enough to allow different perceptions to express themselves, and rigid enough to carry a collective formulation
Costa, Ricardo Jessé Santana da. "A influência da articulação tipográfica na legibilidade, leiturabilidade e usabilidade de um aplicativo de bulário: uma análise do aplicativo móvel MedSUS." Universidade Federal do Maranhão, 2017. http://tedebc.ufma.br:8080/jspui/handle/tede/1750.
Повний текст джерелаMade available in DSpace on 2017-07-19T19:10:18Z (GMT). No. of bitstreams: 1 RicardoCosta.pdf: 8300627 bytes, checksum: 1b02c04a1a94111338012bbd4c2b4e6f (MD5) Previous issue date: 2017-04-26
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
The typography is shown as a primary element when it comes to the transmission of reports via text. In the case of patient information leaflets, typography and its bad articulation can result in an inefficient readability and thus the misunderstanding of the information contained therein (Hammerschmidt, 2014, p. 218). Therefore it is understood that the research in question is relevant because it seeks to understand how the typographic articulation adopted in the mobile application MedSUS impacts on reading the patient information leaflets and comprehension. For this, a usability test was performed with smartphone with regular users (patients) in order to evaluate the readability and readability of texts found in the medication package inserts. A cooperative evaluation was then carried out with technical users (medical) to find relevant problems related to the MedSUS application interface. As a result, there was an improvement of satisfaction of regular users regarding the use of the application with the improved typographic aspects and the technical users evaluated as being of low utility the application in question for the use in medical care. Finally, recommendations are presented for the use of typography in the presentation of texts of drug inserts in mobile application MedSUS.
A tipografia se mostra como elemento primordial quando se trata da transmissão da informação através de texto. Em se tratando de bulas de medicamentos, a tipografia e sua má articulação podem resultar em uma ineficiente leiturabilidade e assim no mal entendimento das informações ali contidas (HAMMERSCHMIDT, 2014, p. 218). Por isso entende-se que a pesquisa em questão é relevante pois visa compreender como a articulação tipográfica adotada no aplicativo móvel MedSUS impacta na leitura das bulas de medicamentos e na compreensão das mesmas. Para isso, foi realizado um teste de usabilidade com smartphone com usuários comuns (pacientes) com o objetivo de avaliar a legibilidade e leiturabilidade dos textos encontrados nas bulas dos medicamentos. Em seguida foi realizada uma avaliação cooperativa com usuários técnicos (médicos) que visou encontrar problemas relevantes e relacionados à interface do aplicativo MedSUS. Como resultados, obteve-se uma melhora na satisfação dos usuários comuns com relação ao uso do aplicativo com os aspectos tipográficos aperfeiçoados e os usuários técnicos avaliaram como sendo de baixa utilidade o aplicativo em questão para o uso em atendimento médico. Por fim, são apresentados recomendações para o uso da tipografia na apresentação de textos das bulas de medicamentos no aplicativo móvel MedSUS.
Pouspin, Marion. "Les pièces gothiques en langue française (XVe-XVIe siècles) : un nouveau média entre tradition et modernité : de la production à la réception." Paris, EHESS, 2012. http://www.theses.fr/2012EHES0024.
Повний текст джерелаThis research gives an account of the history of the « pièces gothiques ». By focusing on the production of these means of thin French black-letter printed brochures from the 1470s to the end of the sixteenth century, it is shown that these booklets played a special role in the transformation of the relationship between their readers and the authorities, and in the evolution of culture during the Renaissance. The « pièces gothiques » (over 2 200 are known) were a new kind of inexpensive book for a large audience, and were spread in the form of a series of small texts printed in French, heralding the new genres of « newspaper » and « popular book ». They were produced by some editors who adapted their publication to the news mechanisms of production and distribution of books then being seen following the invention of the printing press. The « pièces gothiques » were a sign of the appropriation and adaptation of this new technology of social communication (i. E. , the printed book) to editorial audacity and necessity, as well as to new cultural needs. Apart from the spread of information, they also tended to inculcate some of the norms and values that shaped the opinions and behaviour of their readers (or listeners). These texts therefore contributed to the development and functioning of two essential and complementary structures of the modern state: ideological legitimization and opinion
Артемчук, Віктор Васильович. "Удοскοналення управління підприємствοм на базі ERP-системи". Магістерська робота, 2021. https://dspace.znu.edu.ua/jspui/handle/12345/5798.
Повний текст джерелаUA : В кваліфікаційній роботі узагальненο теοретичні аспекти ефективнοсті впрοвадження ERP-систем на підприємстві. Прοаналізοванο екοнοмічну ефективність впрοвадження інфοрмаційних систем управління в пοліграфічній сфері. Запрοпοнοванο удοскοналення прοцесів управління типοграфією на базі ERP-cистеми.
EN : Theoretical aspects of the efficiency of ERP-systems implementation at the enterprise are generalized. The economic efficiency of the implementation of management information systems in the printing industry is analyzed. It is proposed to improve the processes of printing management on the basis of ERP-system.
Filatava, Hanna. "Visualização (de informação) dos Caminhos do Cinema Português." Master's thesis, 2021. http://hdl.handle.net/10316/98042.
Повний текст джерелаO cinema é uma importante forma de expressão artística que se tem tornado num dos mais importantes meios de comunicação dos dias de hoje. Em Portugal a produção cinematográfica é relativamente baixa e, para além disso, o cinema em Portugal está mais focado no cinema de autor do que comercial, o que faz com que haja algum distanciamento entre o público nacional e os seus cineastas. O festival Caminhos do Cinema Português tenta diminuir esse distanciamento ao criar eventos e sessões de cinema que facilitam o acesso do cinema português à população.Este trabalho foca-se na visualização da história do cinema português e da importância do festival Caminhos do Cinema Português dentro desta. O projeto consiste em analisar a história do cinema português contemporâneo relacionando intervenientes, audiências, prémios, festivais, financiamento e distribuidoras, e relacionar essa informação com a história do festival Caminhos do Cinema Português. É explorado de que modo se pode representar, através da visualização de informação, a história do cinema português e dos prémios dos filmes portugueses, e é analisado de que forma o festival ajudou e contribuiu para as carreiras de filmes e cineastas. Também é explorado de que forma se pode utilizar tipografia para representar dados na visualização de informação.Esta dissertação tem como objetivo desenvolver um modelo de série temporal interativo com a incorporação da tipografia, e que integre uma linguagem que possa ser aplicada em diversos meios.
Cinema is an important form of artistic expression that has become one of the most important means of communication. In Portugal, film production is relatively low and, in addition, cinema in Portugal is more focused on the artistic side than the commercial one, which means that there is a significant distance between the national audience and its filmmakers. The Caminhos do Cinema Português festival tries to reduce this distance by creating events and cinema sessions that facilitate the access of Portuguese cinema to the population in Portugal.This project focuses on visualizing the history of Portuguese cinema and the importance of the Caminhos do Cinema Português festival within it. The project consists of analyzing the history of contemporary Portuguese cinema, relating its stakeholders, audiences, awards, festivals, financing and distributors, and relating this information to the history of the Caminhos do Cinema Português festival. It explores how the history of Portuguese film production and Portuguese film awards can be represented, through the visualization of information, and it analyzes how the festival helped and contributed to the careers of films and filmmakers. It is also explored how typography can be used to represent data in the visualization of information.The objective of this dissertation is to develop an interactive time series visualization model with the incorporation of typography, and that integrates a language that can be applied in different media.