Дисертації з теми "Transnational Writing"
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Sorensen, Steven W. "Space and memory in Asian transnational writing." Thesis, Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38762018.
Повний текст джерелаPlaut, Shayna Gilana. "Writing/righting truths across borders : learning from transnational peoples' journalism and politics." Thesis, University of British Columbia, 2014. http://hdl.handle.net/2429/50567.
Повний текст джерелаEducation, Faculty of
Educational Studies (EDST), Department of
Graduate
Marcus, Hilary Jennifer. "Between fact and fiction: Writing by American women in a transnational context." W&M ScholarWorks, 2010. https://scholarworks.wm.edu/etd/1539623555.
Повний текст джерелаSharma, Ashma. "Transnational lives, relational selves: South Asian diasporic memoirs." Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/154324.
Повний текст джерелаKnowles, Sam Blyth. "Between travel writing and transnational literature : Michael Ondaatje, Vikram Seth, and Amitav Ghosh." Thesis, University of Leeds, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.589006.
Повний текст джерелаHuber, Kate. "Transnational Translation: Foreign Language in the Travel Writing of Cooper, Melville, and Twain." Diss., Temple University Libraries, 2013. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/216589.
Повний текст джерелаPh.D.
This dissertation examines the representation of foreign language in nineteenth-century American travel writing, analyzing how authors conceptualize the act of translation as they address the multilingualism encountered abroad. The three major figures in this study--James Fenimore Cooper, Herman Melville, and Mark Twain--all use moments of cross-cultural contact and transference to theorize the permeability of the language barrier, seeking a mean between the oversimplification of the translator's task and a capitulation to the utter incomprehensibility of the Other. These moments of translation contribute to a complex interplay of not only linguistic but also cultural and economic exchange. Charting the changes in American travel to both the "civilized" world of Europe and the "savage" lands of the Southern and Eastern hemispheres, this project will examine the attitudes of cosmopolitanism and colonialism that distinguished Western from non-Western travel at the beginning of the century and then demonstrate how the once distinct representations of European and non-European languages converge by the century's end, with the result that all kinds of linguistic difference are viewed as either too easily translatable or utterly incomprehensible. Integrating the histories of cosmopolitanism and imperialism, my study of the representation of foreign language in travel writing demonstrates that both the compulsion to translate and a capitulation to incomprehensibility prove equally antagonistic to cultural difference. By mapping the changing conventions of translation through the representative narratives of three canonical figures, "Transnational Translation" traces a shift in American attitudes toward the foreign as the cosmopolitanism of Cooper and Melville transforms into Twain's attitude of both cultural and linguistic nationalism.
Temple University--Theses
Griffiths, Jacquelynn Kleist. "Persuasion and resistance: how migrant women use life writing." Diss., University of Iowa, 2016. https://ir.uiowa.edu/etd/2215.
Повний текст джерелаKellett, Brandi Bingham. "Haunting Witnesses: Diasporic Consciousness in African American and Caribbean Writing." Scholarly Repository, 2010. http://scholarlyrepository.miami.edu/oa_dissertations/510.
Повний текст джерелаRichards, Constance S. "Toward a transnational feminist writing and reading practice : Virginia Woolf, Alice Walker, and Zoë Wicomb /." The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487940308432471.
Повний текст джерелаMurray, Joshua M. "No Definite Destination: Transnational Liminality in Harlem Renaissance Lives and Writings." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1461257721.
Повний текст джерелаTucker, Amanda. "At Home in the World: Globalism in Modern Irish Writing." Scholarly Repository, 2008. http://scholarlyrepository.miami.edu/oa_dissertations/44.
Повний текст джерелаNaidu, Sam. "Towards a transnational feminist aesthetic: an analysis of selected prose writing by women of the South Asian diaspora." Thesis, Rhodes University, 2007. http://hdl.handle.net/10962/d1012941.
Повний текст джерелаBeutel, Mirja [Verfasser]. "Teaching Cosmopolitanism through Transnational Literature in English : An Empirical Evaluation of Studentsʼ Competence Development in a Life-Writing Approach to Teaching Literature / Mirja Beutel". Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2018. http://d-nb.info/1173661115/34.
Повний текст джерелаAydogdu, Zeynep. "Modernity, Multiculturalism, and Racialization in Transnational America: Autobiography and Fiction by Immigrant Muslim Women Before and After 9/11." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1557191593344128.
Повний текст джерелаLangdell, Sebastian James. "Religious reform, transnational poetics, and literary tradition in the work of Thomas Hoccleve." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:a2e8eb46-5d08-405d-baa9-24e0400a47d8.
Повний текст джерелаHarding, Warren. "Dubbin' the Literary Canon: Writin' and Soundin' A Transnational Caribbean Experience." Oberlin College Honors Theses / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1370484912.
Повний текст джерелаButcher, Santana Kasey. "From the Classroom to the Movement: Schoolgirl Narratives and Cultural Citizenship in American Literature." Miami University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=miami1468956893.
Повний текст джерелаKarmi, Sali. "'Many kinds of strong voices' : transnational encounters and literary ambassadorship in the fiction of Margaret Atwood and Hanan Al-Shaykh." Thesis, University of Exeter, 2008. http://hdl.handle.net/10036/68634.
Повний текст джерелаKulbaga, Theresa A. "Trans/national subjects genre, gender, and geopolitics in contemporary American autobiography /." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1150386546.
Повний текст джерелаZerman, Ece. "Nouvelles pratiques de représentation de soi de la fin de l’Empire ottoman à la république de Turquie : écrits du for privé, photographies, intérieurs." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH166.
Повний текст джерелаThis thesis aims to study egodocuments in a period of political and social transformations, from the 1890s to the 1930s. Our study is based on case studies: A diary, almanacs, letters, photo albums, interior photographies as well as a series of published sources. From the end of the 19th century, new forms of self-representation developed in the Ottoman Empire, often related to emergent political discourses. The diffusion of photography and the new techniques of reproduction of texts and images contributed to the development of these new forms of self-representation. Our aim is to analyze written and visual tools of self-representation, that are most of the time intermingled, in an all-encompassing approach. The study of this documentation enables us to analyze, at the individual level, the ways in which the subjects of this study made experience of a world in transformation, constructed and preserved their memories, imagined their future. This also allows us to follow the transnational circulation of objects and practices, as well as their adaption and reappropriation by a “new social base”. Our sources are also the objects of our study. We are also interested in the materialities and uses of these documents as well as in what they tell us on the experiences, emotions, senses and the mise-en-scène or the performance of the self
Ju-TingHsu and 許茹婷. "Over the Sea: Transnational Writing of Geling Yan’s Novel." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/87226320715598561696.
Повний текст джерелаBeverley, Andrea. "Grounds for telling it : transnational feminism and Canadian women's writing." Thèse, 2010. http://hdl.handle.net/1866/4843.
Повний текст джерелаThis dissertation explores connections between contemporary Canadian women’s writing and transnational feminism. The category of the transnational is increasingly important within Canadian literary criticism, but it is infrequently evoked in relation to feminism. Throughout this thesis, I develop a transnational feminist reading methodology that can be brought to bear on Canadian women’s writing, even as the literature itself participates in and nuances transnational feminist mobilizations of concepts such as complicity, collaboration, silence, and difference. Furthermore, my transnational feminist reading strategy provides a method for the rehistoricization of certain texts and moments in Canadian women’s writing that further allows scholars to trace a genealogy of anti-essentialist feminist expression in Canadian literature. To this end, I read texts by Daphne Marlatt, Dionne Brand, and Suzette Mayr, alongside Tessera, a collectively-edited journal, and conference proceedings from the 1988 Telling It conference; these texts speak to national and colonial critique, post-colonial and diasporic identities, and the potentials of feminist collaboration across various borders. In the first chapter, I situate my reading methodology by arguing for a transnational feminist understanding of Tessera, a bilingual feminist journal that began publishing in 1984. My second chapter examines the collectively-edited publication that emerged from Telling It in the context of North American feminist evocations of difference in recent decades. Notably, my research on Telling It benefits from rarely-accessed archival material that grounds my discussion of the gaps and silences of collective work. In my third chapter, I perform a close reading of Daphne Marlatt’s 1979 multi-genre text “In the Month of Hungry Ghosts” as it explores the complex connections between colonialism, post-colonialism, complicity and globalization. The subject of my fourth chapter is the 1994 film Listening for Something…, a transnational feminist collaboration between Dionne Brand and Adrienne Rich. Finally, my fifth chapter discusses the place of the transnational in relation to the regional, the national – and the monstrous in the context of Suzette Mayr’s Venous Hum. In all of these close textual readings, my dissertation asks how Canadian women writers represent, theorize, and critique the kinds of collaboration across differences that lie at the heart of transnational feminist action. My research is therefore located at the crossroads of Canadian literature, contemporary feminist theory, and postcolonial and globalization studies. The vibrant field of transnational feminist theory is relevant to this disciplinary intersection and, furthermore, contemporary Canadian women’s writing provides important interventions from which to imagine transnational feminist collaboration.
Hopfer, Sabina. "Der traum vom Moulin Rouge: transnational literature and words in flight ; and, Soulträume." Thesis, 2005. http://hdl.handle.net/2440/69463.
Повний текст джерелаThesis (Ph.D.) -- University of Adelaide, School of Humanities, 2005
Mather, Mary Lynn. "Point of view in a divided society: “The parts” (a novel) and “Putting ‘The Parts’ Together” (an exegesis)." Thesis, 2015. http://hdl.handle.net/2440/97248.
Повний текст джерелаThesis (Ph.D.) -- University of Adelaide, School of Humanities, 2015
Lin, Ya-Chiung, and 林雅瓊. "Homeland Affection, National History, Global View: Study on the Female Transnational Dietary Writing of Wen-Yueh Lin,Jewel Tsai, and Ang Li." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/06194860589595092613.
Повний текст джерела國立中興大學
台灣文學研究所
98
This theses attempts to show the dietary map of homeland, colony, and globality from the experiences of Wen-Yueh Lin, Jewel Tsai, and Ang Li''s dieting writing works. The writer, Wen-Yueh Lin, has the dietary background from Shanghai, Taipei, and Japan. She used her her artistic exquisite writing way and bilingual experiences between Japanese and Mandarin to build up the city with tasty-scenery. Through her cuisine, it not only warmed up the affection with friends, relatives, and teachers, but delivered her feeling about the memory of her homeland. Jewel Tsai, born and grew up in Taiwan, studied in United Kingdom, and now lives in Hong Kong where had been colonized by UK. Tsai, as dual identity of local and immigrate, observed the social cultural images in Hong Kong by visiting traditional markets, supermarkets, restaurants, and country-sides. By culture studied viewpoint, she found that there were wars of food between countries and journey of colonial and immigrate food in the history of food. Through all these, she gained reflection and selfness from the dietary history and culture.She had been inspired from the diet culture and then developed a philosophy of new life. Ang Li began her pursuit and imagine about the diet from Lukong, where is dark and closed. In the reality, she becomes a glutton, also as gamer and gourmet, to enjoy all the fine cuisines from the whole wide world. In her dietary imagine, she is not deeply describing the relation from food to personal body and the gender, but expand to the social and national imagine, even more its impact into the global consumer culture. This theses interactively cut into three writers'' dietary writings by four ways: body, time, space, and symbol. They have different living attitudes and writing style. In their diet map, it could be shown that Lin emphasizes on the natural humanity; Tsai focus on the culture and history of the diet; and Ang Li pays close attention to global economy, politics, sex, and gender awareness.
(8786567), Sweta Baniya. "COMPARATIVE STUDY OF NETWORKED COMMUNITIES, CRISIS COMMUNICATION, AND TECHNOLOGY: RHETORIC OF DISASTER IN THE NEPAL EARTHQUAKE AND HURRICANE MARIA." Thesis, 2020.
Знайти повний текст джерелаIn April and May 2015 Nepal suffered two massive earthquakes of 7.5 and 6 5 magnitudes in the Richter scale, killing 8856 and injuring 22309. Two years later in September 2017, Puerto Rico underwent the Category 5 Hurricane Maria, killing an estimate of 800 to 8000 people and displacing hundreds of thousands of Puerto Ricans (Kishore et al., 2018). This dissertation project is the comparative study of Nepal’s and Puerto Rico’s networked communities, their actors, participants (Potts, 2014), and the users (Ingraham, 2015; Johnson, 1998) who used crisis communication practices to address the havoc created by the disaster. Using a mixed-methods research approach and with framework created with the Assemblage Theory (DeLanda, 2016), I argue that disasters create situations in which various networked communities are formed into transnational assemblages along with an emergence of innovative digital technical and professional communication practices.
Boughattas, Imen. "Captive bodies, dissident voices : carcerality and resistance in third-world women's narratives." Thesis, 2020. http://hdl.handle.net/1866/25565.
Повний текст джерелаThis dissertation seeks to produce new understandings of the “carceral” as a mode of subject formation and social production that captures and contains subjects, collectivities, emancipatory alternatives, and imaginative capacities. Drawing on “Third-World” women’s narratives (We Lived to Tell : Azadeh Agah, Sousan Mehr, Shadi Parsi, 2007 ; Memoirs from the Women’s Prison : Nawal El Saadawi, 1984 ; Imaginary Maps : Mahasweta Devi, 1994 ; Zoo City : Lauren Beukes, 2010 ; Moxyland : Lauren Beukes, 2008), this dissertation investigates multiple tropes and sites of imprisonment, enclosure, subjection, and immobilization that reinforce carceral logics and impede collective agency. Through a multidisciplinary examination of carceral arrangements that include punitive institutions, heteronormative nation states, patriarchal discourses, sexual trafficking, debt bondage, global capital, political dehumanization, digital surveillance, and corporate violence, this dissertation offers a gendered critique of the local and global, micropolitical and macropolitical mechanisms of violence against captive subjects and precarious communities. The dissertation also invites a rereading of carceral narratives that enable the reinvention of vocabularies, ethics, and practices of resistance and the emergence of collective liberatory projects that transgress the political, social, discursive, and epistemological confines of the neoliberal agenda. Through its different theoretical frameworks, this dissertation engages in a critical dialogue between literary, feminist, postcolonial, and materialist studies in order to elucidate new ways of thinking about carcerality, freedom, and resistance.
Chiang, Yi-Shan, and 江宜珊. "Transnational Travel Experiences in Women''s Graphic Travel Writings-Take Yu Beauty''s FUN Holiday, Wake up in One Corner of the Globe and Travel: The World of 19-year-old for Example." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/6aegcb.
Повний текст джерела國立中興大學
台灣文學與跨國文化研究所
101
The increasing opportunity for Taiwanese women to travel abroad leads to the trend of women’s travel writings. Graphic travel books whose contents include pictures and travel writings highly developed in the publishing market. Women’s graphic travel writings as a kind of travel products become to show concrete results of Taiwanese women’s transnational travel experience. My research explores three women''s graphic travel books: Yu Beauty''s FUN Holiday, Wake up in One Corner of the Globe and Travel: The World of 19-year-old. The discussion of gender, globalization and capitalism in this research will be interwoven with women’s own lives in different ages, their transnational travel experiences, and women’s graphic travel writings in Taiwan. The first section with the focus on gender examine the reasons and purposes for women to travel abroad, and the difficulties faced by female travelers in transnational trips and their solutions to overcome the being-questioned identity. The second part explores how female travelers respond to travel experiences that have been deeply affected by globalization and transnational capitalism. Highly developed transportation and information networks lead female travelers to cross national boundaries. The commercialization of sensory feast experienced by female travelers shows class-bounded characteristics of consuming tastes deeply packed by capitalism and globalization but, sometimes, they trust their own taste to enjoy exotic diet culture. Through graphic travel writings, female travelers show their surrender, reflection and criticism of globalization and capitalism in different ways. The third part demonstrates the rendezvous of transnational travel writing and women’s life energy. Taiwanese female travelers continue dialogue with the Self and the Other throughout transnational trips. In the gaze of the inner self, Taiwanese female travelers rethink the life experiences and obtain the growth of their inner selves. Women’s graphic travel writings with different packaging and marketing practices show various concerns with readership, which separates graphic travel publishing markets. Through transnational travel experience in women’s graphic travel writings, three Taiwanese female travelers with distinct identities and in different life stages provide an alternative world view from the mobile transnational perspective.
Kizimchuk, Stephanie. "Mizrahi Memoirs: History, Memory, and Identity in Displacement." Phd thesis, 2017. http://hdl.handle.net/1885/132609.
Повний текст джерела