Дисертації: "Traditional sources"

1

Earls, Michael Warmington. "Architecture : the sources of the traditional architecture of the eastern province of Saudi Arabia." Thesis, University of Newcastle Upon Tyne, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.480915.

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2

Gervais, Michael Jude. "Traditional News Sources and Mobile Media| Will the Millennial Generation's Use of Alternative News Sources Change How Journalism Is Taught in Higher Education?" Thesis, University of Louisiana at Lafayette, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10618188.

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There are currently five sources on news and information in the United States. The Internet is slowly taking over as the number one source of news and information for students who are currently attending college. With the popularity of social media, the Millennial generation college student is turning away from the traditional news media. One of the primary challenges for educational leaders in journalism courses is to understand what types of news today’s generation finds favorable, why are they so attracted to the non-traditional news sources, and what changes can be implemented into the classrooms.

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3

Mushkat, Danita. "Rethinking Jewish vitality, exploring sources of significance, affection and change in traditional Jewish ritual observance." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ59078.pdf.

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4

Al, Hamad Zaid Fayez. "The Architecture of the Mosque with reference to the early Practice (622-720) and Traditional Sources." Thesis, Manchester Metropolitan University, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.491237.

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The mosque is the principal house of worship in Islam. Though pre-eminently a place of congregational prayer, it is also a focus for education and social interaction. This makes it the most significant building-type in Islamic architecture. Current practice, however, reveals considerable confusion over the design principles that are considered applicable and appropriate to the contemporary mosque. The aim of the current research is to help resolve his confusion through systematic study of historic mosque buildings and their components.

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5

Levitz, Ephraim. "The concept of fatherhood in traditional Jewish sources and its impact on current views of fatherhood." Doctoral thesis, University of Cape Town, 2014. http://hdl.handle.net/11427/12889.

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Includes bibliographical references.
This thesis proposes that Jewish children brought up in observant families have advantage over children who grow up in secular households. The thesis shows that it is not necessarily due to the religious scriptures, to which they are exposed, nor to the commandments, which the families adhere to; rather to the fact that observant men who follow the traditional way of life are more available to their children, and their presence and familial responsibilities bring about stability that helps the children to flourish. The research is a cross section between ancient religious text and Modern Hebrew literature. Through the prism of the traditional Jewish perspective of fathering, it examines all depictions of fatherhood in the works of the prizewinning Israeli author, Haim Sabato. As a leading member of the observant Orthodox community and an accomplished contemporary writer, Sabato's works serve as a great testament of life within traditional communities. The role of the father in society has changed dramatically in the last few decades. In many countries, the numbers of births per year have consistently dropped. The percentages of children being raised in fatherless homes has risen steadily. Statistics point to a myriad of challenges amongst the children in these families. Despite the trends in the broader society, the observant Jewish community has displayed a strong commitment to the institution of marriage, as set down in the tradition. Men marry at an earlier age and the number of children remains above the average. The incidence of divorce is lower, and child abandonment is rare. The research provides an understanding of the Jewish way of life. The focus of the research centers on the behaviors of the father towards the son. Through close reading and analysis, this research shows the impact of the tradition on the Jewish male's attitude towards fathering, and highlights those aspects of the tradition that have helped maintain the availability of the "traditional" father and its impact on the stability of the home.

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6

Traore, Sidi Yaya. "Le renouvellement des sources du droit des affaires." Thesis, Pau, 2019. http://www.theses.fr/2019PAUU2052/document.

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Dans quelle mesure le renouvellement des sources du droit des affaires influe-t-il sur son évolution ? Telle est la question à laquelle cette étude s’efforce de répondre. L’intérêt d’examiner une telle question se pose aujourd’hui comme une nécessité pour deux raisons principales. La première est que ce domaine du droit est marqué par un foisonnement normatif sans précédent. Effectivement, outre l’émergence de nouvelles sources dans cette branche du droit, on assiste parallèlement à la mutation de ses sources traditionnelles que sont : la loi, la jurisprudence et les usages. Parmi les nouvelles sources, un grand nombre relève du droit souple. La thèse démontre comment celles-ci peuvent être admises au Panthéon des sources de la vie des affaires. La deuxième tient à la mondialisation, qui exacerbe la concurrence entre systèmes juridiques au « sein et en dehors de l’Union européenne ». Dans ce contexte, il est important de vérifier si le renouveau des sources du droit des affaires français favorise ou handicape sa compétitivité. En conséquence, la codification du droit des affaires, son attractivité, son assise épistémologique sont examinées sous le prisme du renouveau des sources de ce domaine du droit. La recherche montre, un droit des affaires renouvelé par ses sources, car celles-ci le rendent plus flexible, l’unifie et renforce son assise épistémologique. Mais ce renouveau doit aussitôt être relativisé, car il génère corrélativement aux avancées qui viennent d’être évoquées de l’insécurité juridique dans la vie des affaires.L’étude propose une approche renouvelée des sources du droit des affaires, et suggère une nouvelle définition du concept de source formelle. Elle ambitionne ainsi de contribuer à l’évolution de la théorie générale des sources du droit
To what extent does the renewal of business law sources influence its development? This is the question this study seeks to answer. The need to address such an issue arises today as a necessity for two main reasons. The first is that this area of law is marked by an unprecedented proliferation of standards. Indeed, in addition to the emergence of new sources in this branch of law, we are witnessing a parallel shift in its traditional sources: law, jurisprudence and practices. Many of the new sources are soft law. This thesis demonstrates how they can be admitted to the pantheon of the sources of the business world. The second is globalization, which exacerbates competition between legal systems "within and outside the European Union". In this context, it is important to verify whether the renewal of the sources of French business law favours or hinders its competitiveness. Consequently, the codification of business law, its attractiveness and its epistemological basis are examined from the perspective of the renewal of the sources of this field of law. Research shows that business law is renewed by its sources, because they make it more flexible, unify it and strengthen its epistemological basis. This renewal must however be put into perspective as it generates legal uncertainty in business world as a consequence of the aforementioned developments.The study proposes a renewed approach to the sources of business law, and suggests a new definition of the concept of formal source. In this way, it aims to contribute to the evolution of the general theory of the sources of law

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7

Son, Bonghee. "Towards the 'receptive' body : an exploration of the principles of Korean traditional sources for contemporary psychophysical performer training." Thesis, University of Exeter, 2014. http://hdl.handle.net/10871/18434.

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The purpose of this thesis is to explore the principles of selected Korean training sources for contemporary psychophysical performer training towards the development of a performer’s ‘receptive’ body. Those training sources are including Ocheubub, a martial art Taekkyun, and Bongsan Masked Dance training. More specifically this thesis explores the following questions: What is the meaning of a performer’s ‘receptive’ body as understood through an exploration of selected Korean source traditions (Ocheubub, a martial art Taekkyun, and Bongsan Masked Dance training)? How can the practices and principles of the training sources be understood and transmitted from ‘traditional’ to ‘contemporary’ theatre practice in Korea? How has the notion of a performer’s ‘receptivity’ been understood or used by key theatre practitioners including Grotowski, Barba, Suzuki, Lee, Oida, and Zeami in their training? The practical investigation was carried out as a series of three projects which focused on the performer’s ‘being in the moment on stage’ as a point of departure to work as a performer. The principles of the training sources have been used to facilitate the performer’s internal readiness or preparation centering on being from the invisible (Sang, portent or sign) to the visible (Hyoung, a form or style) in working with improvisation and generating material for performance. In adapting the original source training, this thesis has developed a set of devised exercises and practices which examine and develop those underlying key principles as a framework for training, improvisation, and performance.

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8

Mestaoui, Lobna. "Tradition orale et esthétique romanesque dans les trois premiers romans d'Ahmadou kourouma : les Soleils des Indépendances (1968), Monne, outrages et défis (1990), En attendant le vote des bêtes sauvages (1998) : les sources d'un imaginaire." Thesis, Paris Est, 2009. http://www.theses.fr/2009PEST0072.

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Le présent travail tente de démontrer comment l’œuvre d’Ahmadou Kourouma est traversée par le discours oral et traditionnel. Le substrat culturel vernaculaire structure l’œuvre et la modèle aboutissant à une poétique hybride, synthèse de deux traditions littéraires ( orale et écrite) et de deux univers symboliques( le terroir malinké et l’héritage occidental colonial). La question identitaire demeure au centre de nos interrogations sur Kourouma. Toutes ces analyses insistent sur l’importance accordée au terroir et à son apport dans l’émergence d’une écriture de l’intériorité. Notre propos s’articule en trois grands axes qui révèlent la densité des références culturelles dans les romans de cet auteur et le rôle qu’elles jouent dans l’élaboration d’un ancrage identitaire et d’une esthétique débridée
This thesis tries to demonstrate how the work of Ahmadou Kourouma crosses both oral and traditional speech. A cultural vernacular substratum structures the work and moulds it, culminating in a poetical hybrid; a synthesis of two literary traditions (oral and written) and of two symbolic universes (the Malinké legacy and the western colonial influence). The question of identity forms the crux of our examination of Kourouma. This analysis highlights the importance given to the Malinké origins and contributes to the emergence of a “interiority”. writing style. This research concentrates on three main themes which reveal the density of cultural references in the novels of this author and the roles which they play in anchoring a strong cultural identity and a rich aesthetical style

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9

Olds, Allyson Leigh. "Integrating local and traditional knowledge and historical sources to characterize run timing and abundance of eulachon in the Chilkat and Chilkoot rivers." Thesis, University of Alaska Fairbanks, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10143731.

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Eulachon smelt Thaleichthys pacificus are anadromous forage fish of the North Pacific Ocean that annually spawn in coastal rivers of North America in late winter and early spring. These spawning runs range from northern California to southwestern Alaska and provide important resources to nearby communities, indigenous cultures, and wildlife predators. However, eulachon life history is not well understood or documented throughout their range. In recent years, concerns for eulachon population abundances in the southern portions of their range have led to federal protection. Though there are no federal listings in Alaska, there have been local concerns documented for eulachon runs of the Chilkat and Chilkoot rivers since approximately 1990. However, eulachon run timing and abundance trends are difficult to detect due to limited available data and variability in eulachon runs. To document baseline information and explore patterns of eulachon runs of the Chilkat and Chilkoot rivers, we sought local and traditional knowledge from residents of nearby communities to document information about local uses, run timing, abundance, and wildlife observations related to eulachon runs. Observations of eulachon runs were integrated with historical records from newspaper articles and scientific reports to construct temporal trends in eulachon run timing and abundance.

Based on the findings of this study, annual eulachon runs of the Chilkat and Chilkoot rivers generally occur for about a week or two between mid-April and mid-May. The arrival dates of eulachon runs often vary from year to year, but the timing appears to have shifted earlier, from mid-May to mid-April, over the past couple of decades. Abundance records were not sufficient to quantify trends. However, qualitative information regarding abundance did not suggest any clear trends in eulachon abundances of the Chilkat and Chilkoot rivers over the years, nor did there appear to be prominent local concerns about abundance declines. Many respondents suggested that eulachon populations were naturally too variable to be able to describe trends in abundance. Interviews also provided insight into local perspectives on eulachon life history and ecology. These results suggest that variability in eulachon run timing and abundance could be related to environmental conditions, including tidal height, river habitat, and water temperature. For a data-limited species like eulachon, integrating local observations and historical records offers a promising approach to documenting baseline information and improving the scientific understanding of eulachon runs and other environmental phenomena.

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10

Галинська, Юлія Вікторівна, Юлия Викторовна Галинская, Yuliia Viktorivna Halynska, Тетяна Вікторівна Бондар, Татьяна Викторовна Бондарь, and Tetiana Viktorivna Bondar. "Combined electricity pricing model taking into account the “green tariff” and traditional factors." Thesis, EDP Sciences - Web of Conferences, 2021. https://essuir.sumdu.edu.ua/handle/123456789/86319.

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https://www.e3s-conferences.org/articles/e3sconf/pdf/2021/10/e3sconf_icies2020_00019.pdf
У статті запропоновано нову оптимізаційну модель системних взаємозв’язків та ефектів при формуванні цінової політики на електроенергію з комбінованих джерел електроенергії з урахуванням показників антропогенного впливу та невідновлюваних ресурсів, соціально-екологічних та економічних інтересів суспільства в умовах розподілу рентного доходу. Модель у кінцевому результаті передбачає формування комбінованої моделі тарифоутворення в енергетиці, згідно з якою тарифи на електроенергію для кінцевого споживача відповідного регіону будуть поєднувати як ринкові ціни на енергію, виробленої з альтернативних джерел, так і ціни на енергію, отриману з традиційних джерел. Автори удосконалили науково-методичний підхід до виявлення, формалізації та кількісної оцінки мультиплікаційних ефектів, що виникають у результаті поєднання невідновлюваних та відновлюваних джерел електроенергії. Також у статті вдосконалено науково-методичний підхід до оцінки переваг комбінування різних джерел електроенергії та їх переваг при формуванні цінової політики в рамках єдиної енергетичної стратегії.
В статье предлагается новая оптимизационная модель системных взаимосвязей и эффектов при формировании ценовой политики на электроэнергию из комбинированных источников электроэнергии с учетом показателей антропогенного воздействия и невозобновляемых ресурсов, социально-экологических и экономических интересов общества в распределении рентного дохода. Модель в конечном результате предусматривает формирование комбинированной модели тарифообразования в энергетическом секторе, согласно которой тарифы на электроэнергию для конечного потребителя соответствующего региона будут объединять как рыночные цены на энергию, произведенной из альтернативных источников, так и цены на энергию, которая генерируется из традиционных источников. Авторы усовершенствовали научный и методологический подход к выявлению, формализации и количественной оценке мультипликативных эффектов, возникающих в результате сочетания невозобновляемых и возобновляемых источников электроэнергии. Также в статье совершенствуется научно-методический подход к оценке преимуществ объединения разных источников электроэнергии и их преимуществ при формировании ценовой политики в рамках единой энергетической стратегии.
The article proposes a new optimization model of systemic relationships and effects in the formation of a pricing policy for electricity from combined sources of electricity, taking into account indicators of anthropogenic impact and non-renewable resources, socio-environmental and economic interests of society in the distribution of rental income. The model in the end result provides for the formation of a combined model of tariff setting in the energy sector, according to which electricity tariffs for the end user of the corresponding region will combine both market prices for energy generated from alternative sources and prices for energy generated from traditional sources. The authors improved the scientific and methodological approach to identify, formalize and quantify the multiplier effects that arise as a result of a combination of non-renewable and renewable sources of electricity. Also, the article improves the scientific and methodological approach to assessing the benefits of combining different sources of electricity and their advantages when forming a pricing policy within a single energy strategy.

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11

Mériaux, Maelle. "Histoires de plantes : les sources ethnobotaniques orales et écrites de Haute-Bretagne, de la fin du XIXe siècle à nos jours." Thesis, Rennes 2, 2018. http://www.theses.fr/2018REN20050/document.

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À une époque où la notion de patrimoine culturel immatériel est de plus en plus utilisée à l’échelle internationale, les populations s’approprient le concept localement. Il en va ainsi en Bretagne. La musique et la danse bretonne sont pleines de vitalité, tout en ayant conservé leur aspect patrimonial ; les autres éléments du patrimoine culturel immatériel pourraient-ils connaître une même revitalisation ? Notre thèse traite des témoignages sur l’ethnobotanique en Haute-Bretagne, c’est-à-dire relatifs aux savoirs et savoir-faire populaires liés aux plantes. Ils sont étudiés à travers l’analyse d’archives orales conservées au sein du milieu associatif et issues d’enquêtes et de collectages. Ce sont les plantes citées dans les recueils des folkloristes haut-bretons, à la fin du XIXe siècle, qui reviennent le plus souvent dans les archives sonores, un siècle plus tard. Les enregistrements de témoignages ethnobotaniques et les recueils des folkloristes, peu précis sur les modalités des savoirs, visent davantage à la sauvegarde des connaissances qu’à leur possible revitalisation. Par le dépôt patrimonial dans des structures de conservation, elles connaissent une première forme de valorisation, à travers leur traitement documentaire. Celui-ci opère une mise à distance, en transformant les témoignages en archives. Les archives orales, jusqu’alors considérées comme de simples matériaux de terrain, accèdent ainsi à de multiples possibilités de réutilisations. Elles créent chez l’auditeur un sentiment d’appartenance et lui permettent de renouer avec la tradition orale
At a time when the concept of intangible cultural heritage is increasingly used internationally, it also applies locally. This is the case in Brittany where folk music and dance are very much alive and popular all while maintaining their traditional characteristics. Could other types of intangible cultural heritage undergo a similar revitalization? This thesis examines recordings relating to ethnobotanical knowledge in eastern Brittany, namely folk knowledge and practices involving plants. The work was carried out by analyzing oral archives, compiled through interviews and fieldwork, that had been preserved in community organizations. These recordings predominantly refer to the same plants folklorists documented in eastern Brittany at the end of the 19th century. The oral accounts and information gathered by folklorists a century earlier don’t give details such as specific formulations, method of preparation, doses, etc. They aimed more at preserving general knowledge about these traditions than at the possibility of reviving them. Preserving these traditions by documenting them is an initial form of recognition. Documentation transforms accounts into archives. Oral archives, formerly considered simple field work, thus come to offer many possibilities for reuse. They give the listener a sense of belonging and make it possible to reconnect with the oral tradition

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12

Bennaji, Yousef. "Echoes of the fall of the Umayyads in traditional and modern sources : a case study of the final eight years of the Umayyad Empire with some reference to Gramsci's theory of cultural hegemony." Thesis, University of Exeter, 2015. http://hdl.handle.net/10871/20845.

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The prolonged decline of the Umayyads is among the most intriguing episodes in Muslim history, and has generated a lasting impact on subsequent Muslim socio-political and religious thinking. The early sources for the Umayyad period comprise various conflicting reports, and problems of reconstruction become more complex since most sources were composed during Abbāsid times, meaning they were generally hostile towards the Umayyads. The time frame of the study covers the last eight years of the Umayyad empire; more precisely the period from the death of Hishām b. Abd al-Malik (d. 125/743) to the end of the Umayyad era 132/750. Meticulous and careful examination of the pre-modern sources, combined with modern research approaches has helped in identifying the objectives of various early historiographers in their descriptions of Umayyad decline. The study focuses primarily on analysing the pre-modern sources (specifically al-Ya'qubi, al-Tabari, al-Mas'udi, Ibn Athir and Ibn Khaldun) and applies a thematic approach to the source materials, through which the various strands that defined and illustrated that decline can be followed. This makes it possible to evaluate how extensively each of three themes (the role of religious movements, the mawāli, and al-'asabiya) was dealt with in the early historiographies and to what extent they differ from one another. The development of religious ideas and how they contributed to the fall of the Umayyads and the rise of oppositional forces is also central in this regard and three religious movements (the 'Abbasids, Khawarij, and Qadariya) are explored. On the basis of the information gleaned from comparing the writings of the early historiographers, the study has also adopted a comparative study of modern historiography and approaches in assessing the Umayyad fall. Gramsci’s theory of cultural hegemony is used to explain and interpret aspects of the formation and development of the Umayyad period; it can also be used to assess the viability of the ideology, organisation and strategy of the early oppositional movements as a counter-hegemonic ideological force.

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Bloche, Michaël. "Le chartrier de l'abbaye de la Trinité de Fécamp : étude et édition critique, 928/929 - 1190 : postérité du fonds." Thesis, Normandie, 2019. http://www.theses.fr/2019NORMC037.

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L’abbaye de la Trinité de Fécamp est durant la période ducale l’une des principales abbayes bénédictines normandes. La présente thèse en étudie et édite le chartrier, ainsi que les archives de ses prieurés, jusqu’en 1190, date de l’arrivée sur le siège abbatial de Raoul d’Argences (1190-1219). Le corpus de l’édition (tome II), hors Annexes (tome III : faux avérés, lettres de gouvernement et affaires, statistiques, etc.), compte 308 entrées, dont 224 actes dont le texte est parvenu jusqu’à nous et 84 deperdita et actions juridiques ayant pu faire l’objet d’actes. Le chartrier est principalement conservé aux Archives départementales de la Seine-Maritime, mais le Palais Bénédictine de Fécamp conserve également de nombreux actes, notamment du XIe siècle. Le tome I s’attache à en étudier l’histoire, jusqu’à nos jours, en explorant le devenir du fonds au Moyen Âge et à l’époque moderne, son éclatement partiel à la Révolution et au XIXe siècle, et, entre autres, l’acquisition d’une partie par le Palais Bénédictine. Les cartulaires du monastère sont analysés, notamment le Livre rouge, cartulaire perdu de la fin du XIe ou du début du XIIe siècle, reconstitué en Annexes. Une partie est par ailleurs consacrée à la diplomatique des actes des abbés et du convent : caractères internes (formulaire) et externes (particulièrement les sceaux). Une autre partie est dédiée aux faux, et quelques études de cas, enfin, sont consacrées à la question des actes avec objets de tradition et à certains actes du chartrier pour l’abbaye Notre-Dame de Bernay, « fille » de Fécamp
The abbey of Holy Trinity is, during the ducal period, one of the most prominent Norman Benedictine abbeys. This thesis studies and publishes its muniments as well as the archives of its priories up until 1190 and Raoul of Argences’ (1190-1219) appointment as abbot. The corpus of the critical edition (vol.II), beside the annexes (vol. III : proved forgeries, letters of administration, statistics, etc.), includes 308 entries, including 224 charters whose text has survived and 84 deperdita and legal actions that may have resulted in charters. The muniments are mainly kept at the Archives départementales de la Seine-Maritime, but the Palais Bénédictine in Fécamp keeps many charters as well, notably from the 11th century. Volume I studies their history, up to the present day, by investigating their fate during the Middle Ages and the early modern period, their partial dispersion during the French Revolution and the 19th century and, among other aspects, the acquisition of part of them by the Palais Bénédictine. The monastery’s cartularies are looked into, especially the Red Book, a late 11th or early 12th century lost cartulary, which is reconstituted in the annexes. A section is dedicated to the diplomatic of the abbots’ and the abbey’s charters : internal (common forms) and external (especially the seals) features. Another section is devoted to the forgeries, and, lastly, some case studies tackle the subject of the charters with traditional symbolic objects attached and some charters from the muniments for the abbey of Our Lady of Bernay, “daughter” of Fécamp

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14

Petrulevich, Aleksandra. "At Jómi och Jómsborg: slaviska namn i fornnordiska källor? : En etymologisk undersökning." Thesis, Uppsala University, Department of Scandinavian Languages, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-126636.

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I denna uppsats undersöks ett flertal ortnamnsformer som förekommer i olika tyska, slaviska och skandinaviska källor och betecknar ett och samma ställe, nämligen staden Wolin belägen på sydspetsen av ön Wolin i polska Pommern. Syftet med arbetet är dels att fastställa etymologin av två av Wolin-namnen, at Jómi och Jómsborg, dels att förklara hur alla ortnamnsformer som betecknar staden Wolin hänger ihop och bestämma vilka faktorer som orsakade en sådan namnmångfald. Undersökningens material utgörs framför allt av de Wolin-namnformer som förekommer i de skandinaviska och de med dessa relaterade tyska källorna. Materialet analyseras i stort sett enligt den traditionella namntolkningsmetoden. Det visar sig att formen at Jómi sannolikt härstammar från det pommerska naturnamnet *Jǫma (˂ jǫma f. ’grop; dike’) som betecknade Stora bukten, en del av Szczecinbukten. Sammansättningen Jómsborg är en sekundär form som bildats från at Jómi enligt standardmodellen: dat. (at) Jómi > gen. Jóms + efterleden -borg. Alla ortnamnsformer som betecknar staden Wolin i primära källor är relaterade till varandra: vissa av dem är etymologiskt besläktade, vissa endast ”referentiellt”, dvs. de betecknar ett och samma ställe. Uppkomsten av ett så stort antal Wolin-ortnamnsformer kan i första hand förklaras genom att formerna i fråga har olika ursprung, att det fanns olika namnbrukarkretsar som använde olika former för att hänvisa till samma stad och att det uppstod olika stavningsvarianter och sammansatta namn under de primära formernas senare utveckling.

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Brandt, Sheila Ann. "Information source selection of traditional and distance students." [Pensacola, Fla.] : University of West Florida, 2008. http://purl.fcla.edu/fcla/etd/WFE0000098.

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Costache, George Daniel. "Rethinking traditional source concepts in a digital economy." Thesis, Uppsala universitet, Juridiska institutionen, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-383617.

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The purpose of this thesis is to provide meaningful understanding of the current state of business activities, which generates the need for implementing new taxing measures, analyse the challenges arising from this need, as well as their cause. Furthermore, the aforementioned challenges will be explained in the context of existing traditional taxing systems and proposed measures will be analysed. After reading this thesis, the goal is for the reader to be able to understand current trends and to gain an idea of how states might try to harmonize their taxing systems in order to meet the requirements set out by the rapid digitalization of companies.

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Morray-Jones, Christopher Richard Ashmore. "Merkabah mysticism anf Talmudic tradition : a study of the traditions concerning hammerkabah and ma'aseh merkabah in tannaitic and amoraic sources." Thesis, University of Cambridge, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.293381.

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Petrulevich, Alexandra. "At Jómi och Jómsborg: slaviska namn i fornnordiska källor? : En etymologisk undersökning." Thesis, Uppsala universitet, Institutionen för nordiska språk, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-126636.

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I denna uppsats undersöks ett flertal ortnamnsformer som förekommer i olika tyska, slaviska och skandinaviska källor och betecknar ett och samma ställe, nämligen staden Wolin belägen på sydspetsen av ön Wolin i polska Pommern. Syftet med arbetet är dels att fastställa etymologin av två av Wolin-namnen, at Jómi och Jómsborg, dels att förklara hur alla ortnamnsformer som betecknar staden Wolin hänger ihop och bestämma vilka faktorer som orsakade en sådan namnmångfald. Undersökningens material utgörs framför allt av de Wolin-namnformer som förekommer i de skandinaviska och de med dessa relaterade tyska källorna. Materialet analyseras i stort sett enligt den traditionella namntolkningsmetoden. Det visar sig att formen at Jómi sannolikt härstammar från det pommerska naturnamnet *Jǫma (˂ jǫma f. ’grop; dike’) som betecknade Stora bukten, en del av Szczecinbukten. Sammansättningen Jómsborg är en sekundär form som bildats från at Jómi enligt standardmodellen: dat. (at) Jómi > gen. Jóms + efterleden -borg. Alla ortnamnsformer som betecknar staden Wolin i primära källor är relaterade till varandra: vissa av dem är etymologiskt besläktade, vissa endast ”referentiellt”, dvs. de betecknar ett och samma ställe. Uppkomsten av ett så stort antal Wolin-ortnamnsformer kan i första hand förklaras genom att formerna i fråga har olika ursprung, att det fanns olika namnbrukarkretsar som använde olika former för att hänvisa till samma stad och att det uppstod olika stavningsvarianter och sammansatta namn under de primära formernas senare utveckling.

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Quillet, Anne-Marie. "Le Sāmavidhānabrāhmaṇa dans la tradition sāmavédique." Thesis, Paris, EPHE, 2015. http://www.theses.fr/2015EPHE4084/document.

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La thèse présente en premier lieu l'historique de la découverte du texte, les sources textuelles, les différentes éditions et commentaires du sāmavidhānabrāhmaṇa. La partie succédante de l'étude expose le corpus du sāmaveda qui, à ce jour, compte cent sāmagrantha avec une recension la plus complète possible et une présentation de chaque œuvre. Puis quelques notions-racines sont revisitées afin de mieux circonscrire le pouvoir d'expression du Mot intuitif dans son application sāman. La manière dont s'exécute le stotra, cette louange chantée, est décryptée jusqu'à son emploi particulier dans le yajña et la place de l'udgātṛ. S'il est des variantes justifiées entre les deux sam̐hitā (ṛc, sāma) celles-ci sont relevées pour leur pertinence au texte, puisque chaque résultante de l'action est déclenchée par le chant de l'ardent. Un examen de l'éthique de vie, l'art de vie, la biosphère, l'environnement sociétal et économique du quotidien qui émane de ce texte indatable, permet de saisir aussi l'évolution de la culture indo-iranienne depuis la proto-histoire dans sa tradition orale. En dernière partie de ce volume est présentée la composition textuelle du sāmavidhānabrāhmaṇa. Un accent est mis tout particulièrement sur ses traits remarquables. Les études historiques, philologiques et épistémologiques sont revisitées au regard de leur contexte. Le volume se clôt par le chapitre douze portant sur les questions ouvertes soulevées par le texte. Le deuxième volume présente le texte sanskrit des trois éditions du sāmavidhānabrāhmaṇa, texte devanāgarī en mode continu et translittéré en mode padapāṭha reconstruit
The thesis first presents the history of the discovery of the text, the textual sources, the different editions and comments on sāmavidhānabrāhmaṇa. The succeeding part of the study presents the corpus of the sāmaveda which, to date, counts hundred sāmagrantha in the most comprehensive review possible and a presentation of each work. Then a few basic concepts are revisited in order to define in a better way the power of expression of the intuitive Word in its application sāman. The ways and means the stotra is executed, this chanted praise, is decrypted unto its specific employment in the yajña and the udgātṛ in his place. If there have been justified variations between the two sam̐hitā (ṛc, sāma), these have been taken up as regards their relevancy throughout the text, since each resultant of action is triggered by the chant of the ardent one. A review of the ethics of life, the art of life, the biosphere, the societal and economic environment of everyday life that emerge from this undatable text also allows us to capture the evolution of the Indo-Iranian culture since the proto-history in its oral tradition. In the final part of this volume is presented the textual life of the sāmavidhānabrāhmaṇa. Emphasis is specially laid on its remarkable traits. The historical, philological and epistemological studies are reconsidered from their context. The volume ends with chapter twelve which deals with open questions raised by the text. The second volume presents the Sanskrit text of the three available editions of sāmavidhānabrāhmaṇa, continuous devanāgarī text, and then transliterated in reconstructed padapāṭha mode

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Hempel, Charlotte. "The laws of the Damascus document : sources, tradition and redaction /." Leiden ; Boston ; Köln : Brill, 1998. http://catalogue.bnf.fr/ark:/12148/cb37032103r.

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St-Amour, Patrick. "La cosmologie de l'Antre des Nymphes. Ses sources et ses traditions." Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/34278.

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L'Antre des Nymphes, un texte datant de la fin du troisième siècle de notre ère écrit par Porphyre de Tyr, nous transmet une exégèse à propos d'un passage de l'Odyssée (XIII, 102-112) d'Homère. Cette thèse couvre spécifiquement la cosmologie du texte de Porphyre et discute de ses sources pythagoriciennes, néo-platoniciennes, et mithriaques. En première partie, cette thèse aborde l’arrière-plan philosophique de l’auteur de l’Antre des Nymphes et discute de la cosmologie pythagoricienne de ses origines jusqu’aux néo-platonicien. Au deuxième chapitre, le texte de Porphyre fait l’objet d’une étude directe et approfondie. Les différentes notions cosmologiques sont analysées afin d’établir l’imaginaire cosmogonique et cosmologique du texte. En tierce partie, les notions mithriaques sont mises en relation, autant avec la tradition philosophique gréco- romaine qu’avec les apports du chercheur Roger Beck.

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Heal, Kristian Sheridan. "Tradition and transformation : Genesis 37 and 39 in early Syriac sources." Thesis, University of Birmingham, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.602444.

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Johnson, Diane Louise. "Claudius Aelianus' Varia historia and the tradition of the miscellany." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq25073.pdf.

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Bourehla, Hedia. "La tradition orale, source d'inspiration à la création cinématographique arabe." Paris 1, 1997. http://www.theses.fr/1997PA010604.

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La tradition orale est un mode de communication traditionnelle qui a joué un rôle primordial quant à la transmission du savoir et des connaissances dans la culture arabo-musulmane. L'avènement de l'Islam et son expansion a permis à la société arabe de passer d'une culture orale à une culture visuelle, celle de l'écrit et de la représentation malgré l'opposition religieuse aux arts de l'image. Plusieurs formes de représentation sont apparues. On peut citer la calligraphie qui est devenue un moyen de figurer par l'écrit, la miniature, la peinture, le théâtre d'ombres, le théâtre occidental et les arts de l'image fixe et en mouvement. L'adoption de ces nouvelles formes de communication par la société arabe a permis à la tradition orale d'affirmer son pouvoir d'adaptation et d'être une source d'inspiration pour ses artistes créateurs. En revanche, elle a fait perdre à la tradition orale sa place d'autrefois - l'unique gardienne de la mémoire collective-. La création audiovisuelle comme un des supports d'adaptation de la tradition orale, a rencontré plusieurs problèmes car c'est une technique étrangère à la société arabe. Des initiatives de sauvegarde et de revalorisation de ce patrimoine traditionnel ont été faites par des producteurs et des cinéastes arabes. Le cinéma et la télévision peuvent être les meilleurs moyens pour préserver des éléments de la tradition orale. Toutefois, le passage du récit oral au récit cinématographique entrainera nécessairement une modification de la forme du langage, du temps et de l'espace. L'analyse des films inspirés de la tradition orale démontre d'une part, que l'attitude du cinéaste envers son patrimoine varie d'une personne à l'autre car elle suit ses exigences morales et intellectuelles. D'autre part, que le récit oral et le conte peut être producteur de nouvelles formes narratives dans le cinéma arabe et une des sources de son authenticité
The oral tradition is a mode of traditional way of communication that has played a key role as a vehicle of the knowledge transmission in the arabo-islamic culture. The advent of the Islam and its expansion has led to a major change from an "oral type culture" to a "visual type culture" based mainly on written documents, and image figuration, thus, dispite the religion opposition to the image reproduction. Among the many representation modes that had appeared at that time, calligraphy, which became a new artistic way of writing, the miniature, the painting, the shadow theater, the western theater and in general arts of the image ether fixed or in movement, were from the most important artistic changes. Those new communication moves had evolved as major ways of communication, the oral tradition which had been the unique vehicle for the collective memory storage has to adapt effectively itself to remain as a source of inspiration for artists and creators. One of the most obvious new adaptation mode of the oral tradition that had appeared, the audiovisual creation was one from the most significant. But the audiovisual creation faced many problems mainly because it was a technique imported from foreigner countries. Many trials of the safeguard of the oral tradition have been carried out by several producers and film makers from the oral world the cinema and the television indeed way and do represent the best way to preserve the basic elements of the oral tradition. However the transition from an oral tradition to an image representation tradition (i. E. Cinematographic account) will necessarly lead to a change in the langage form. The analysis of some films made directors form the arab culture, and inspired from earther oral traditio, illustrates the different attitude of the arab film directors towards the inherited patrimony which varies from one to another depending on this moral and intellectual standards in life. Nevertheless, and despite the difficulties faced by the arab oral tradition in integrating completly transmission mode (i. E, cinema), the oral account can without doubt generate new narrative forms in the arab cinema and can be one of the most significant source of its authenticity

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Dellow, Rebecca. "'Fiddlers' Tunebooks' : vernacular instrumental manuscript sources, 1860-c1880 : paradigmatic of folk music tradition?" Thesis, University of Sheffield, 2018. http://etheses.whiterose.ac.uk/22115/.

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Fiddlers’ Tunebooks are handwritten manuscript books preserving remnants of a largely amateur, monophonic, instrumental practice. These sources are vastly under-explored academically, reflecting a wider omission in scholarship of instrumental music participated in by ‘ordinary’ people in nineteenth-century England. The tunebooks generate interest amongst current folk music enthusiasts, and as such can be subject to a “burden of expectation”, in the belief that they represent folk music tradition. Yet both the concepts of tradition and folk music are problematic. By considering folk music from both an inherited perspective and a modern scholarly interpretation, this thesis examines the place of the tunebooks in notions of English folk music tradition. A historical musicological methodology is applied to three post-1850 case-study manuscripts drawing specifically on source studies, archival research and quantitative analysis. The study explores compilers’ demographic traits and examines content, establishing the existence of a heterogeneous repertoire copied from contemporary textual sources directly into the tunebooks. This raises important questions regarding the role played by publishers and the concept of continuous survival in notions of tradition. A significant finding reveals the interaction between aural and literate practices, having important implications in the inward and outward transmission and in wider historical application. The function of both the manuscripts and the musical practice is explored and the compilers’ acquisition of skill and sources is examined. This results in the ‘re-discovery’ of Musical Circulating Libraries, and identifies a binary route to skill acquisition, largely defined by environment. Acknowledging the contention surrounding terms such as folk, popular and tradition, and the subtle interaction of aurality and literacy, this study concludes that the manuscripts contribute to wider historical discourse and do have a place in notions of folk music tradition, moreover that their textual nature provides a unique perspective from which to observe the process.

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Branislav, Šojić. "Ispitivanje lipolitičkih i oksidativnih promena u tradicionalnoj fermentisanoj kobasici (Petrovačka kobasica) tokom standardizacije bezbednosti i kvaliteta." Phd thesis, Univerzitet u Novom Sadu, Tehnološki fakultet Novi Sad, 2013. https://www.cris.uns.ac.rs/record.jsf?recordId=85267&source=NDLTD&language=en.

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Zadatak ove doktorske disertacije bio je da se utvrdi tok i intenzitet lipolitičkih i oksidativnih promena u tradicionalnoj fermentisanoj kobasici (Petrovačka kobasica) tokom procesa razvoja tehnologije i standardizacije bezbednosti i kvaliteta ovog proizvoda, u cilju dobijanja bezbednog proizvoda, standardnog, vrhunskog kvaliteta, koji bi se kontinuirano mogao proizvoditi i plasirati, na naše i tržište Evropske Unije.U cilju realizacije postavljenog zadatka tokom tri proizvodne sezone izrađeno je trinaest modela Petrovačke kobasice kako bi se ispitao uticaj više varijabilnih faktora (proizvodna sezona, vreme otkoštavanja, način pripreme nadeva, vrsta omotača, sušenje i zrenje u tradicionalnim i kontrolisanim uslovima, dodatak starter kulture, način pakovanja i dužina skladištenja) na kvantitativne promene na lipidima, kao i na tok i intenzitet lipolitičkih i oksidativnih promena, te posledično i na profil mirisa i ukusa, kao važne karakteristike senzornog kvaliteta. Kvantitativne promene na lipidima tokom procesa proizvodnje Petrovačke kobasice utvrđene su određivanjem više parametara, kao što su sadržaj ukupnih lipida, masnokiselinski sastav i sadržaj ukupnog holesterola. Lipolitičke promene tokom procesa dimljenja, fermentacije, sušenja, zrenja i skladištenja praćene su određivanjem sadržaja slobodnih masnih kiselina, dok su oksidativne promene kvantifikovane preko sadržaja sekundarnih produkataoksidacije lipida, malondialdehida i zasićenih alifatičnih aldehida. Na osnovu prikazanih rezultata može se zaključiti da u kobasicama izrađenim od ohlađenog mesa u uslovima sušenja i zrenja na nižim temperaturama (prosečna temperatura oko 10 ⁰C), kojeprati i sporiji pad vrednosti pH (60. dan pH≥5,3) dolazi do manjih lipolitičkih i oksidativnih promena na lipidima (kobasice B1 i B2 grupe). Ovaj model tradicionalne proizvodnje dovodi i do neznatnih oksidativnih promena i očuvanja poželjnih senzornihsvojstava mirisa i ukusa tokom dužeg vremena skladištenja (9 meseci od dana proizvodnje), te se može smatrati optimalnim modelom koji se mora preneti i u kontrolisane uslove proizvodnje. Takođe, zaključeno je da pakovanje u vakuumu i u modifikovanoj atmosferi, te upotreba komercijalne starter kulture, dovodi do smanjenjaintenziteta oksidativnih promena na lipidima, tokom skladištenja, odnosno celokupnog procesa proizvodnje Petrovačke kobasice. Dovodeći u vezu nastale produkte oksidacijelipida sa senzornim profilom mirisa i ukusa može se zaključiti da vrednosti malondialdehida do 1,3 mg/kg ne utiču na značajnije narušavanje senzornih svojstavamirisa i ukusa Petrovačke kobasice.
The aim of this PhD thesis was to determine the course and intensity of the lipolytic and oxidative changes in traditional fermented sausage (Petrovac sausage) throughout the process of technology development, as well as the standardization of safety and quality of this product in order to obtain safe product of standard, superior quality, which could be continuously produced and placed on the market of our country as well as the market of European Union.In order to realize the aim, during three seasons of production thirteen models of Petrovac sausage were produced with the aim to investigate multiple variable factors (season of production, time of deboning, filling preparation method, type of casings, drying and ripening in traditional and controled conditions, starter culture addition, packaging and storage period) on lipid quality changes, as well as on the course and intensity of lipolytic and oxidative changes and, consequently, the odor and flavor profile as important characteristics of sensory quality.Quality changes on lipids during production of Petrovac sausage were determined using multiple parameters, such as the content of total lipids, fatty acids composition and content of total cholesterol. The lipolytic changes throughout the process of smoking, fermentation, drying, ripening and storage were monitored through the content of free fatty acids, while the oxidative changes were quantified based on the content of secondary products of lipid peroxidation, malondialdehyde and saturated aliphatic aldehydes. Based on the presented results it could be concluded that in the sausages made of cooled meat in the conditions of drying and ripening in lower temperatures (average temperature about 10 0C), which are followed by the slower drop of pH values (60. day pH ≥5.3) comes to a lesser lipolytic and oxidative changes in lipids (sausages of B1 and B2 groups). This model of production results inslight oxidative changes and the preservation of favourable sensory properties of odor and flavor during longer storage period (9 months since the date of production), so it could be considered as the optimal model, that should also be applied in the controled conditions of production.It was also concluded that vacuum packaging and modified atmosphere packaging, as well as the usage of starter culture results in the decrease of intensity of oxidative changes on lipids throughout the entire production process of Petrovac sausage. Correlating the created products of lipid peroxidation with the sensory profile of odor and flavor, it could be concluded that the content of malondialdehyde up to 1.3mg/kg has no significant effect on the deterioration of sensory properties of odor and flavor of Petrovac sausage.

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Guillorel, Eva. "La complainte et la plainte : chansons de tradition orale et archives criminelles : deux regards croisés sur la Bretagne d’Ancien Régime (16e-18e siècles)." Rennes 2, 2008. http://www.theses.fr/2008REN20050.

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Cette recherche porte sur l’analyse approfondie d’une source jusqu’à présent peu exploitée par les historiens – la chanson de tradition orale –, dont l’apport est évalué en lien étroit avec les archives écrites et iconographiques qui constituent habituellement le fondement des études historiques. La comparaison avec les archives criminelles, d’une grande pertinence, a fait l’objet d’une attention particulière. L’enjeu est de montrer l’intérêt de croiser sources orales et écrites pour renouveler la connaissance de la société bretonne entre les 16e et 18e siècles. La critique détaillée des sources est suivie par une application des acquis méthodologiques mis en évidence. Celle-ci embrasse de larges domaines d’étude ayant trait à la culture matérielle, aux comportements sociaux et politiques, à la circulation des hommes et des idées ou encore aux sensibilités religieuses. Au croisement des sources s’ajoute l’interaction entre les méthodes d’analyse : si cette étude s’inscrit résolument dans une démarche d’historien, elle est enrichie par les acquis d’autres disciplines, notamment de l’ethnologie
This study examines a source which has been often neglected by historians up until now: songs from the oral tradition. It considers how this documentation can be used in order to renew our knowledge of Breton society between the sixteenth and the eighteenth centuries. Breton songs must be analysed by comparing them constantly to written and iconographic archives, which usually form the basis of historical research. The comparison with judicial archives is particularly relevant and has been strongly developed. This methodological approach is completed by an application of conclusions in a large field of research including material culture, social and political behaviour, mobility of people and ideas and religious attitudes. This study lies at the intersection of several scientific heritages : it is first and foremost linked to a historical approach, but it is opened to other disciplines such as ethnology

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Arazi, Noemie. "Tracing history in the inland Niger Delta of Mali : archaeology, oral traditions and written sources." Thesis, University College London (University of London), 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.426077.

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Srinivasan, Jayendran. "Anonymous source usage in traditional and public journalism during 2004 election campaign a content analysis study /." Morgantown, W. Va. : [West Virginia University Libraries], 2006. https://eidr.wvu.edu/etd/documentdata.eTD?documentid=4621.

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Thesis (M.S.)--West Virginia University, 2006.
Title from document title page. Document formatted into pages; contains v, 45 p. : ill Includes abstract. Includes bibliographical references (p. 35-37).

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Robson, Peter. "Thomas Hardy and his writings as a source for the study of traditional culture in Dorset." Thesis, University of Sheffield, 2004. http://etheses.whiterose.ac.uk/10276/.

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Thomas Hardy's fiction and verse contain numerous references to traditional culture, in all its aspects, but this body of material has attracted very little attention since Firor's Folkways in Thomas Hardy, published over seventy years ago. The neglect of Hardy's work by folklorists is judged to stem from a suspicion of fictional material and a belief that Firor's seemingly comprehensive review leaves no scope for further consideration. This study sets out to establish the importance of Hardy as a source, first by assessing the reliability of the folklore references in his work and, secondly, by considering all examples of his writings, both published and unpublished, many of which were not available to Firor for her study. References by Hardy to traditional culture are set out in chapter 2, classified on a basis developed at the National Centre for English Cultural Tradition. Chapter 3 then demonstrates that, with very few exceptions, the traditions recorded by Hardy are likely to be genuine. A review of the range and significance of Hardy's references follows, from which it is clear that the detailed consideration of a restricted range of subjects is likely to be more profitable than a general commentary in assessing Hardy's worth in this field. The subject of west gallery bands is then considered in detail and Hardy's writings on this subject are compared to other accounts, mostly brought together here for the first time, to demonstrate how Hardy complements and extends knowledge of the subject. A similar approach is then adopted, first in respect of mummers' plays and then of witchcraft. These major chapters are followed by some shorter notes on other traditions, less extensively documented by Hardy, but equally illustrative of the value of his testimony. Finally, the extent of Hardy's contribution to the subject is appraised and further avenues for research are outlined.

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Kahn, Andrew. "The classical Roman tradition in Russia c. 1750-1840 : studies in its sources and character." Thesis, University of Oxford, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.334253.

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32

Black, Michael Thomas. "The theology of the corporation : sources and history of the corporate relation in Christian tradition." Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:552b2250-f462-490c-8156-29cf430431af.

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This essay presents evidence that the institution of the corporation has its origins and its main developmental 'epochs' in Judaeo-Christian theology. The notion of the nahala as the institutional symbol of the Covenant between YHWH and Israel is a primal example of the corporate relationship in its creation of an identity independent of its members, its demand for radical accountability on the part of its members, and in its provision of immunity for those who act in its name. On the basis of the same Covenant, St. Paul transforms an ancillary aspect of Roman Law, the peculium, into the central relationship of the Christian world through its implicit use as the institutional background to the concept of the Body of Christ. The exceptional nature of this relationship allows the medieval Franciscans and the papal curia to create what had been lacking in Roman Law, an institution which can own property but which cannot be owned. This relationship is subsequently theorized as the Eternal Covenant by Reformed theologians and successfully tested in one of the greatest theological/social experiments ever recorded, the 17^th century settlement of North America. The alternative 'secular' explanation of the corporation provided by 19^th century legal philosophy relies implicitly on the theological foundations of the corporation and remains incoherent without these foundations. The theological history of the corporation was recovered in the findings of 20^th century social scientists, who also identified corporate finance as the central corporate activity in line with its Levitical origins. Although the law of the corporation is secular, the way in which this law was made a central component of modern life is theological. Without a recovery of this theological context, the corporation is likely to continue as a serious social problem in need of severe constraint.

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33

Ameille, Brice. "L’impressionnisme et la peinture ancienne : Itinéraire d’une avant-garde face à la tradition." Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040088.

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Encore souvent perçu comme une véritable révolution esthétique, l’impressionnisme fait depuis quelques années l’objet d’une importante recontextualisation visant à remettre en question cette vision. Sans dénier au mouvement ses apports novateurs, cette thèse étudie la relation de ses membres avec la tradition picturale. S’appuyant sur un important corpus de textes critiques, de revues spécialisées et de catalogues d’exposition de l’époque, ainsi que sur de très nombreuses comparaisons iconographiques étayées, elle dégage quatre grandes sources d’inspiration : le XVIe siècle vénitien, le XVIIe siècle espagnol, le XVIIe siècle néerlandais, et le XVIIIe siècle français. C’est à l’aune de ce rapport à la peinture ancienne, et par le biais d’une typologie des différents positionnements à son égard, que la « crise » connue par l’impressionnisme au début des années 1880 est réexaminée, et que, plus généralement, une nouvelle approche du mouvement est proposée
Impressionism is often perceived as a genuine aesthetic revolution. However, over the course of past years, it has been reconsidered and this vision called into question. Without rejecting the groundbreaking characteristics of Impressionism, this thesis studies the relationship between the Impressionists and pictorial tradition. Referring to a large corpus of reviews, specialized articles, exhibition catalogs of the period, and supported by many iconographic analogies, it lists four major inspirations: the Venetian 16th century, the Spanish 17th century, the Dutch 17th century, and the French 18th century. In the light of this connection between Impressionism and Ancient painting, and with the help of a typology summing up the different positions regarding this connection, this thesis reexamines the crisis that Impressionism underwent during the early 1880’s and suggests a new approach to the movement

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34

Onkan, Evagle Joseph. "Les sources de l'éducation traditionnelle chez les Bakoko de la vallée de la Sanaga." Paris 4, 1999. http://www.theses.fr/1999PA040127.

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Le dérèglement des systèmes éducatifs hypothèque le présent et l'avenir des pays africains. Ailleurs, l’éducation qui assure la pérennité des valeurs d'un peuple, est fondée sur une vision rétrospective et prospective. Après bientôt 40 ans d'indépendance, il n'y a toujours pas au Cameroun et en Afrique en général de concept d'éducation clairement défini, de type d'hommes ou de femmes à former et encore moins de type de société à bâtir. Une telle navigation à vue provient surtout de l'absence d'ancrage du système dans son socle naturel. L'objectif de cette étude sur « les sources de l'éducation traditionnelle chez les basoo (Bakoko) de la vallée de la Sanaga » est de montrer, à partir d'un exemple concret des valeurs pédagogiques du terroir, que nos pays ne pourront relever les multiples défis qui les interpellent qu'en fondant leur éducation sur les acquis des sociétés endogènes constitutives. Certes, la vision traditionnelle de l'éducation a d'indéniables limitations, notamment l'absence de mixité, la primauté du mâle et la tyrannie des anciens qui débouchent sur une société fondamentalement géronto-phallocratique. Mais elle recèle des valeurs incontestables, telles la pédagogie par l'exemple, le culte de l'effort et la quête de l'excellence propres à redynamiser le système postcolonial actuellement en pleine déliquescence.

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35

Musch, Tilman. "Espaces nomades, paroles et regards bouriates : l'éleveur face à ses environnements à partir des sources orales." Paris, INALCO, 2007. http://www.theses.fr/2007INAL0002.

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La thèse retrace la construction d'espaces nomades à partir de témoignages oraux bouriates (chansons, épopées, voeux, devinettes, proverbes) qui représentent la mémoire collective de ce peuple. Sont abordées une "topographie nomade" et "une sociographie nomade". Les caractéristique de la première sont: un espace construit à partir de la bipolarité des points cardinaux nord-sud; une géographie des montagnes et des eaux représentant une filiation du quotidien au mythique; une bipolarité verticale entre ciel et terre symbolisée, entre autres, par le piquet d'attache pour chevaux ou créée par le feu du foyer; le mouvement solaire comme déterminant de chaque mouvement nomade; une symbolique particulière de l'espace de la yourte par rapport à l'espace universel. Les caractéristiques de la "sociographie nomade" sont: le rôle important de la famille et des ancêtres fournissant des repères dans l'espace et dans le temps; le rôle double de l'amour permettant à la fois la cosmisation de l'espace et des transgressions hors de l'espace social; la symbolique du départ et de l'arrivée lors du mariage d'une jeune fille; l'importance du cheval en tant que moyen de dépasser les frontières spatiales et de s'approprier l'espace. La thèse présente un corpus de témoignages oraux collectés par l'auteur auprès des Bouriates d'Aga, de la Mongolie, de la Sèlèngè, des Bouriates de l'Ouest et des immigrés rentrés de Chine
The graduation deals with nomadic conceptions of space based on buryat folklore (songs, epics, wishes, riddles, proverbs), representing the collective memory of the Buryat. A "nomadic topography" and a "nomadic sociography" are elaborated. The characteristics of the "nomadic topography" are: the construction of space by a south-north bipolarity; a geography of rivers and mountains showing the continuity from the common to the mythic; a vertical bipolarity of heaven and earth symbolised among other things by the stake to tie up horses or created by the hearth fire; the course of the sun determining the nomadic move; a particular symbolism of the yurt's interior with regard to universal space. The characteristics of the "nomadic sociography" are: the importance of family and ancestors as spatial and temporal references; the double role of love both allowing to make space men's homeland and leading to transgressions out of social space; the symbolism of the bride's departure and arrival during the buryat marriage; the importance of the horse as a mean to transgress spatial limits and to appropriate space. The graduation includes a folklore collection realized by the author from Aga-, Sèlèngè and Western-Buryat, Buryat in Mongolia and Buryat having returned from China

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36

McCormack, Meghan E. "Close to the Source." ScholarWorks@UNO, 2011. http://scholarworks.uno.edu/td/1372.

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Abstract Close to the Source is comprised of a series of nonfiction vignettes about the artisan, agricultural, and culinary methods of Italy. In Close to the Source the human relationship with nature, food, and art is reexamined while a series of rich characters help bring the material to life. Through interviews, research, and first-hand experiences, the author attempts to archive fading artisan and food-related techniques and rituals. In the process, a cultural critique about the importance of the practical arts in contemporary times emerges. The thesis contains four sections: Terra/Land; Art and Artisans; Pane/Bread; and Compagnia/Company.

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37

Billian, Hannah Ellyse. "Fecal Matters: Fate and transport of traditional fecal indicator bacteria and source-tracking targets in septic drainfields." Thesis, Virginia Tech, 2016. http://hdl.handle.net/10919/73782.

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Between 1970 and 2010 almost one-third of drinking water related waterborne disease outbreaks reported to the US Centers for Disease Control and Prevention were associated with systems dependent on untreated groundwater (i.e., most commonly, household wells). This is unsurprising, given that numerous past efforts to monitor household well water quality have indicated a high prevalence of fecal coliforms and/or E. coli at the point of use. Non-point sources of pollution, including septic tank leakages and poorly constructed drain fields, have been identified as the leading risk factors associated with outbreaks in households dependent on groundwater. Ideally, the integration of emerging source tracking (ST) analyses in well monitoring programs could be used to identify whether the presence of fecal indicator bacteria (FIB) is associated with human or non-human sources in order to inform remediation strategies. However, the application of ST to groundwater has been limited, and the interpretation of data is consequently difficult. This research compares the fate and transport of FIB (E. coli and enterococci) with a chemical (optical brighteners, OB) and a molecular (Bacteroides HF183) ST target in order to evaluate their potential use as indicators of water quality issues in private drinking water systems. Eighteen PVC soil columns were constructed in an outdoor soil column facility to represent small-scale septic drainfield models; they received synchronized doses of primary-treated wastewater twice daily and were monitored bi-weekly over a 7-month period. Columns were subject to variable influent loading rates of wastewater effluent, and differing degrees of soil compromisation (i.e. synthetic solution channels). Results show that while column effluent volume and constituent levels were related to dosage, they were not always related to soil compromisation (ANOVA, p < 0.05). E. coli and enterococci concentrations were associated with effluent volume and OB levels (Spearman's rank, p < 0.05). The presence of Bacteroides HF183 was not strongly associated with the other measured ST target levels (Point-biserial correlation, p < 0.05). Findings from this study suggest surface water ST methodologies may have a role in groundwater quality monitoring efforts. Quantifying the relative recovery of ST targets and FIB from controlled groundwater simulations will assist in the development of strategies to identify non-point sources of human wastewater pollution efficiently and effectively to inform remediation.
Master of Science

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38

Zafeiris, Konstantinos A. "The 'Synopsis chronike' and its place in the Byzantine chronicle tradition : its sources (Creation -1081 CE) /." St Andrews, 2007. http://hdl.handle.net/10023/457.

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39

Zafeiris, Konstantinos. "The 'Synopsis Chronike' and its place in the Byzantine chronicle tradition : its sources (Creation – 1081 CE)." Thesis, University of St Andrews, 2007. http://hdl.handle.net/10023/457.

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The subject of this thesis is the Synopsis Chronike (or Synopsis Sathas), a Byzantine chronicle of the thirteenth century that conveys the history of the world, starting from Adam and concluding with the recapture of Constantinople in 1261. The study focuses on the first part of the text (Adam – Nikephoros Botaneiates), and more specifically on the comprehensive presentation and analysis of the whole corpus of its sources, passage by passage, in order to reconstruct the background of the chronicle and to determine its place in the Byzantine chronicle tradition. Following the introductory first chapter, which sets out the aims of the thesis and establishes its methodology, chapter two offers an overview of the chronicle itself, and a first discussion of the main issues it presents: the key characteristics of its narrative structure, its manuscript tradition, and – mainly – the problem of its authorship, with special reference to the commonly supposed author, Theodore Skoutariotes, bishop of Kyzikos. Chapter three conveys a detailed presentation of the results of our research; following the discussion of the sources and influences of the proem, it attempts to place each passage of the Synopsis Chronike in the context of any related texts, which are then identified as 'main sources', 'other sources' and 'parallel passages', depending on their link to the Synopsis Chronike. Chapter four discusses individually each text that appears as a source of the Synopsis Chronike, and locates its place amongst the whole corpus of the sources. Furthermore, it examines the passages for which we were not able to identify a main source, and suggests possible sources that have not survived. Finally, the concluding chapter of the thesis summarises the earlier discussion, and attempts to combine the different pieces of information, and to provide an overall picture of the background of the Synopsis Chronike in order to establish – to the degree that it is possible – its position in the Byzantine chronicle tradition.

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40

Hultgren, Stephen. "Narrative elements in the double tradition : a study of their place within the framework of the gospel narrative /." Berlin : W. de Gruyter, 2002. http://catalogue.bnf.fr/ark:/12148/cb39300197m.

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41

Vesna, Ivkov. "Komparativna proučavanja tradicionalnih instrumentalnih melodija Srba u Bačkoj." Phd thesis, Univerzitet u Novom Sadu, Akademija umetnosti u Novom Sadu, 2013. http://www.cris.uns.ac.rs/record.jsf?recordId=94818&source=NDLTD&language=en.

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42

Dijon, Emmanuelle. "La tradition dans la musique d'Ernest Bloch (1880-1959) : aspects historiques, esthétiques et stylistiques de l'oeuvre du compositeu." Paris 4, 1997. http://www.theses.fr/1997PA040027.

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L'œuvre d’Ernest Bloch, encore peu connue en France, est déroutante par sa diversité. Pourtant, il semble qu'un point commun cimente sa création. En effet, tout au long de sa carrière, Ernest Bloch a accordé une valeur sacro-sainte à la tradition. Cette étude se propose d'examiner l'esthétique et le style du compositeur selon cet éclairage. La tripartition chronologique de ce travail souligne les trois orientations majeures du compositeur. De nombreuses références à la correspondance d’Ernest Bloch sont effectuées, tant dans le texte, que dans les annexes. Dans la première partie, "la tradition culturelle juive, premier facteur d'évolution et de singularisation", Ernest Bloch est d'abord situé dans le nationalisme musical, puis dans l'histoire de la musique juive avant d'examiner les caractéristiques juives de sa musique. L'analyse du quatuor à cordes no 1 (1916) clôt cette première partie. Le second volet "la période de l'entre-deux guerres : entre néoclassicisme et romantisme", tente de mettre en évidence le tournant que prend l'œuvre d’Ernest Bloch, influencée par les formes et les genres du passé. Avant l'analyse, les inspirations esthétiques du compositeur sont d'abord mises en évidence. Parmi les œuvres étudiées figurent la suite pour alto et piano (1919), la sonate no 1 pour piano et violon (1920) et le quintette no 1 (1923). Dans la troisième partie "après 1945 : la tradition contrapuntique facteur de sublimation", l'accent est mis sur les quatuors à cordes du compositeur. Nourri de son expérience pédagogique, faisant référence aux grands maitres du passe, Ernest Bloch applique l'art polyphonique à la formation du quatuor, genre initiatique par excellence
The work of Ernest Bloch, still little known in France, is disconcerting by his diversity. Yet, it seems that a common point unifies his creation. Indeed, all along his career, he attached a sacro-saint value to the principle of tradition. This study proposes to examinate the composer music's style and aesthetic according to this subject. The chronogical tripartition underlines the composer's three major orientations. Many references to Ernest Bloch’s correspondence are made both in the text and in the annexed. In the first part "the Jewish cultural tradition, first factor of evolution and singularisation", Ernest Bloch is initially situated in musical nationalism, then in Jewish musical history before examinating the Jewish characteristics of his music. The analysis of the strings quartet no 1 ends this first part. The second section "the interwar years: between neoclassicism and romanticism", tries to reveal the new direction of Ernest Bloch’s work, influenced by forms and genres of the past. Before analysis, the composer's aesthetical inspirations are summarized. Among the analysis we can mention the suite for alto and piano (1919), the sonata for violin and piano no 1 (1920) and the quintet no 1 (1923). In the third part "after 1945, the contrapunctical tradition, factor of sublimation", the accent is placed on the composer's strings quartets (no 2, 3, 4, and 5). Improved by his intense pedagogical experience, which makes reference to the great masters of the past, Ernest Bloch practices the art of polyphony to the quartet formation, the initiatory genre par excellence

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43

Hsu, Kuang-Tai. "Nicolaus Steno and his sources : the legacy of the medical and chemical traditions in his early geological writings /." Full-text version available from OU Domain via ProQuest Digital Dissertations, 1992.

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44

Lumlerdkij, N. "Thai traditional medicine as a source for cancer prevention : from local concepts to the discovery of potential chemopreventive extracts." Thesis, University College London (University of London), 2018. http://discovery.ucl.ac.uk/10041406/.

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Cancer chemoprevention aims to prevent, delay, or reverse carcinogenesis. Thai Traditional Medicine (TTM) could be a source for cancer chemopreventive agents and – more broadly –could play a role in cancer prevention. Using an ethnopharmacology approach this thesis aims to understand the pharmacological basis of some of these botanical drugs and to discover new extracts which could be useful in cancer prevention. Interviews with 33 TTM practitioners revealed the five characteristics of cancer in TTM (mareng), which is described as an accumulation of waste, chronic inflammation, chronic illnesses (krasai), bad condition of body fluids (‘luead’ and ‘namlueang’), and imbalance of dhātu si. Further analysis of preventive methods led to the five strategies for preventing mareng. To link TTM actions to pharmacology, we proposed that three strategies, removal of waste, liver protection, and prevention from krasai, can be linked to the antioxidant system. After screening of fifty-two extracts, fifteen exhibited protective effect in a liver cancer cell line. Among them, ethanol extracts of Thunbergia laurifolia leaves (TLe) and Senegalia rugata leaves (SR1e) exhibited the most potent activities in the induction of NQO1 enzyme and glutathione. Upregulation of antioxidant genes and radical scavenging were among their protective mechanisms. While TLe induced NQO1 expression, SR1e upregulated the expression of Nrf2. Both extracts did not induce CYP1A1 expression nor reduce cell viability of primary rat hepatocytes which provided preliminary safety profile. Using HPLC-HRMS-SPE-ttNMR, we could identify some active constituents in the extracts. This is the first report analysing how cancer is perceived in TTM, what prevention strategies are used, linking this to pharmacological models, and on chemopreventive properties of TLe and SR1e and some of their constituents. The evidence supports the potential use of these medicinal plants in cancer prevention. Future work should be performed with more TTM practitioners and use in vivo models.

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Sissao, Alain-Joseph. "La littérature orale moaaga comme source d'inspiration de quelques romans burkinabé." Paris 12, 1995. http://www.theses.fr/1995PA120022.

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Ce travail s'attache a elucider le processus de creation de quelques romanciers de la litterature ecrite burkinabe contemporaine. La conjecture principale de ce travail est articulee autour de cette assertion : la litterature orale moaaga constitue la source d'inspiration de cette litterature ecrite. A cet effet, notre investigation nous a conduit a relever le fait que celle-ci se nourrit des soubassements culturels de la litterature orale moaaga. L'exploration se fait autour des fondements culturels et linguistiques de la litterature orale des moosele proverbe, la devinette ou conte court, le nom de guerre, la fable, la novuelle, qui constituent le socle e'inspiration des romanciers. Ces genres non narratifs et genres narratifs apparaissent comme le niveau le plus dominant de l'emprunt de la tradition orale moaaga. A un niveau inferieur de l'emprunt, les narrateurs traditionnels, plus discrets, sont utilises comme de reels temoins de la litterature orale moaaga. La transformation des discours integres et de leur polyphonie est au centre de la question de l'intertextualite. Pour ce faire, l'examen de quelques motifs cles tires de la litterature orale et du folklore moaaga permettent de devoiler l'influence subtile de la litterature traditionnelle moaaga. Les romanciers burkinabe reinjectent ainsi la tradition orale moaaga tout en adaptant leur creation a une situation nouvelle qui n'est plus celle de l'afrique traditionnelle, mais plutot celle de l'afrique moderne en pleine mutation. Comme des stigmates, la parole artisique traditionnelle moaaga revient sans cesse a traves les schemes mentaux
This work aims at elucidating the process of creation in contemporay burkinabe written literature by some novelists. The main conjecture of this work is articulated around this assertion : the moaaga oral literature is a source of inspiration for this written literature. To this end, our investigation has led us to conclude that the latter gets is material from the cultural sub-foundations of moaaga oral literature. The exploration is done around linguistic and cultural base of the oral literature of the moose - the proverb, riddle of short tale, the war name, fable , short story - which make up the base of inspiration for the novelists. These narrative and non narrative types appear as the most dominant level of borrowxing from moaaga oral tradition. At a lower level of borrowing, the traditional narrotors, more discreet, are used as real witnesses of moaaga oral literature. The transformation of integrated speeches and their polyphony is at the centre of the question of intertextuality. For this, the examination of some key motifs drawn from oral literature and moaaga folklore univeil the subtle influence of moaaga traditional literature. The burkinabe novelists this reingject the moaaga oral traditional while adapting their creation to the new situation which is no longer thart of traditional africa, but rather that of modern africa in the midist of change

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46

Djaé, Oulovavo Mohamed. "Le pluralisme juridique de la justice et ses limites dans l'Union des Comores." Thesis, Lyon, 2018. http://www.theses.fr/2018LYSE2037/document.

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Première partie : La pluralité des juridictions : une pluralité assumée et organiséeTitre I : La composition de l’appareil de justiceTitre II : L’organisation des juridictions dans l’optique d’un ordre juridictionnelDeuxième partie : Le juge comorien face aux impératifs de justiceTitre I : Le respect des fondements de la justiceTitre II : Le juge comorien à la jonction d’un pluralisme désordonné
Part 1: The plurality of courts: an assumed and organized pluralityTitle I: The composition of the judicial systemTitle II: The organisation of the courts from the perspective of a jurisdictional systemPart 2: The Comorian judge facing justice dutiesTitle I: The observations of the foundation of justiceTitle II: The Comorian judge in junction of a disordered pluralism

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47

Milorad, Kenjalović. "Tradicionalno narodno pjevanje sjeverozapadne Bosne sa posebnim akcentom na Ojkači." Phd thesis, Univerzitet u Novom Sadu, Akademija umetnosti u Novom Sadu, 2014. http://www.cris.uns.ac.rs/record.jsf?recordId=90316&source=NDLTD&language=en.

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Анотація:

Uvodno poglavlje je svojevrstan prolog u kojem se ukazuje na istorijske okolnosti pod kojim se istraživano područje formiralo kao istorijsko-geografska oblast, na mnoge administrativne, odnosno teritorijalne promene, na izolovanost, ali i na česta ratna pustošenja koja su imala znatan uticaj na socijalnu i etničku strukturu stanovništva koje je u skladu sa svojim dinarskim poreklom do danas zadržalo svoj identitet, kako na planu materijalne, tako i na planu duhovne kulture Načelno je predstavljena tematika ovog rada, uz obrazloženja o opravdanosti odabira teme.Studija je zasnovana na terenskim istraživanjima obavljenim u 44 naselja ove oblasti. Uz to, u radu je korišćena i građa akademika Vlade Miloševića koja potiče iz desetak naselja. Transkribovane su 194 pesme, kako dvoglasne, starijeg i novijeg sloja, tako i one jednoglasne (uspavanke, tužbalice, svatovske, putničke i dr.).Ovde se detaljno govori o najznačajnijim karakteristikama tradicionalnog narodnog pevanja severozapadne Bosne, unošenjem svojevrsnog reda u ono što se do sada znalo o ovom pevanju, najviše iz tekstova akademika Vlade Miloševića, ali i iz istraživanja nekolicine istraživača koji su se ovim pevanjem bavili u novije vreme. Ova studija iznosi i niz novih podataka do kojih se došlo na osnovu vlastitog istraživanja autora.Posebna pažnja posvećena je i "ojkači" kao tradicionalnoj pesmi Bosanske Krajine, gde se ističe da je u pitanju naziv koji po svom obliku podseća na tradicionalni ("ojkanje"), ali i na to da je on u osnovi nov, srodan onom "izvorno pevanje (pesma)" kojepostoji i u Srbiji. To se potkrepljuje činjenicom da etnomuzikolog Vlado Milošević ojkaču ne pominje ni jedan jedini put, kao i kazivanjima pevača koji se sećaju vremena kada ovaj termin nije postojao u njihovoj praksi.Kao značajnim, u ovoj studiji se govori o karakteristikama stiha, karakteristikama tempa, tonskim karakteristikama, kao i sazvučnim karakteristikama (sa oblicima dvoglasa, heterofonijom i heterofonijom-bordunom kad su u pitanju stariji oblici dvoglasa, te homofonijom, kod novijih dvoglasnih oblika pevanja).
Preface is the sort of prologue in which it was referred to historical circumstances on which the field of research was formed as the historical and geographical domain, upon many administrative and territorial changes, isolation, and the frequent wartime devastation which had important influence on the social and ethnic structure of the population, who had held its identity up to date in accordance with the origin from Dinara Mountain, in the field of material and spiritual culture.The theme of this work is shown in principle with the explanation of validity of choosing the topic.The study is based on the field researches that are made in the 44 settlements of the mentioned area. Besides, academician Vlado Milosevic’s inheritance which originates from ten of the settlements had been used in this work. In the study 194 songs had been transcribed, two voices songs both past and present layer, and single voice songs (lullabies, laments, wedding, travel etc.)The most important characteristics of traditional folk singing in northwest Bosnia here are explained in details, introducing a kind of order in what was so far known about this type of singing, mostly from academician Vlado Milosevic’s texts and from the professional work of few researchers who were recently dealt with this type of singing.Special attention is paid on the traditional song from Bosanska Krajina called “ojkača”. It is emphasized that the title recalls to the traditional way of singing called “ojkanje”, and the fact it is basically new and related to the term “traditional singing” which also exists in Serbia.It is corroborated with the fact thatethnomusicologist Vlado Milosevic not even once mentioned “ojkača” song and with the sayings of the singers who remember the period when this term has not existed in their field of work.This study significantly talks about characteristics of the verse, the characteristics of the tempo, tonal characteristics, as well as comprehensive characteristics (with the forms of two voices singing, heterophony and bordun heterophony when it is about the elder forms of two voices singing and homophony as in the modern forms of two voices singing).

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Snežana, Škaljac. "Uticaj različitih tehnoloških parametara na formiranje boje tradicionalne fermentisane kobasice (Petrovačka kobasica) tokom standardizacije bezbednosti i kvaliteta." Phd thesis, Univerzitet u Novom Sadu, Tehnološki fakultet Novi Sad, 2014. https://www.cris.uns.ac.rs/record.jsf?recordId=90521&source=NDLTD&language=en.

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Анотація:

Zadatak ove doktorske disertacije je bio da se utvrdi uticaj različitih tehnoloških parametara na formiranje boje Petrovačke kobasice, kao i da se modelovanjem tradicionalne tehnologije utvrdi zavisnost između brojnih tehnoloških parametara i optimalnog kvaliteta boje ovog tradicionalnog proizvoda, radi standardizacije kvaliteta i bezbednosti, a u cilju dobijanja prepoznatljivog proizvoda vrhunskog kvaliteta koji bi se kontinuirano proizvodio.U cilju realizacije postavljenih zadataka tokom tri proizvodne sezone je izrađeno 13 modela Petrovačke kobasice kako bi se ispitao uticaj sledećih varijabilnih tehnoloških parametara: proizvodne sezone, vremena otkoštavanja mesa post mortem, vrste upotrebljenog omotača (prirodni i veštački), ručnog i mašinskog mešanja, dimljenja u tradicionalnim i kontrolisanim uslovima, sušenja i zrenja u tradicionalnim i kontrolisanim uslovima, dodatka izolovane autohtone starter kulture, vremena skladištenja i načina pakovanja (neupakovane, pakovane u vakuumu i modifikovanoj atmosferi) na proces formiranja boje.Formiranje boje Petrovačke kobasice tokom procesa dimljenja, sušenja i skladištenja praćeno je određivanjem instrumentalnih pokazatelja boje (L*, a*, b*, h, C*, R, BI i ΔE) na površini i preseku Petrovačkih kobasica. Utvrđeni su brojni tehnološki parametri (vrednost pH, sadržaj vlage, sadržaj ukupnih masti, sadržaj ukupnog pepela i sadržaj hlorida), pokazatelji senzornog kvaliteta (spoljašnji izgled i stanje omotača, boja i održivost boje na preseku, ukupan senzorni kvalitet) i kvalitet ljute začinske paprike. Analizom rezultata dobijenih u ovim ispitivanjima zaključeno je da su kobasice izrađene od ohlađenog mesa dimljene i sušene u tradicionalnim uslovima (B1 i B2 grupe) imale optimalan kvalitet boje i bile vrhunskog (zaštićenog) senzornog kvaliteta. Niže temperature (8,30°C-10,7°C) tokom procesa dimljenja i sušenja, sporiji pad vrednosti pH, od 5,69 (nadev) do ~5,4 (na kraju procesa fermentacije) i sadržaj hlorida ~ 3% u gotovom proizvodu, uz dodatak kvalitetne ljute začinske paprike omogućili su formiranje optimalne boje ove grupe kobasica. Optimalnu boju preseka kobasica karakterišu numerički manje vrednosti instrumentalnih pokazatelja boje (L*, a*, b*, h, C* i BI) u odnosu na kobasice sa nižim senzornim ocenama za boju. Tokom skladištenja (od kraja sušenja do 270. dana proizvodnje) utvrđene su manje promene instrumentalnih pokazatelja boje na površini i preseku Petrovačkih kobasica kada su skladištene upakovane (vakuum i modifikovana atmosfera) u poređenju sa neupakovanim. Pakovanje u vakuumu i modifikovanoj atmosferi je dobro rešenje za očuvanje optimalnih karakteristika boje kobasica, jer su upakovane kobasice B1 i B2 grupe skladištene 4 meseca od završetka procesa sušenja (od 90. do 210. dana od dana proizvodnje) bez promena senzornog kvaliteta boje, a zatim su do kraja perioda skladištenja (270. dana proizvodnje) promene bile neznatne.Uzimajuću u obzir da su ova istraživanja deo šire koncipitranih istraživanja razvoja tradicionalne tehnologije proizvodnje Petrovačke kobasice i standardizacije kvaliteta i bezbednosti, ispitan je uticaj varijabilnih tehnoloških parametara i na formiranje policikličnih aromatičnih ugljovodonika u Petrovačkoj kobasici, kao veoma važnih pokazatelja zdravstvene bezbednosti kobasica.Jedan od najznačajnijih rezultata u ovim istraživanjima je da benzo[a]piren nije detektovan ni u jednom uzorku Petrovačke kobasice. Takođe je zaključeno da je Petrovačka kobasica dimljena na tradicionalan način, kao i u industrijskim uslovima bezbedna za potrošače sa aspekta sadržaja policikličnih aromatičnih ugljovodonika, jer su svi ispitani uzorci kobasica ispunjavali uslove propisane domaćim i evropskim propisima.
The aim of this Ph.D. dissertation was to determine the influence of various technological parameters on the colour formation of Petrovačka kobasica, as well as to define correlation between number of technological parameters and optimal colour quality of traditional product (by modelling traditional technology), in order to standardize quality and safety, and consequently with the main goal to obtain a recognizable high quality product that could be continuously produced throughout the whole year period.To achieve the defined tasks in three production season 13 models of Petrovačka kobasica were produced in order to examine the effect of the following variable technological parameters: production season, post mortem time of meat deboning, type of the casing (natural and artificial), manual or mechanical mixing, smoking in traditional and controlled conditions, drying and ripening in traditional and controlled conditions, the addition of isolated indigenous starter culture, and storage time and packaging (unwrapped, packed in vacuum and modified atmosphere) in the process of colour formation.Colour formation of Petrovačka kobasica during smoking and drying processes and storage was followed by determination of instrumental colour parameters (L*, a*, b*, h, C*, R, BI and ΔE) on the surface and cut cross section of Petrovačka kobasica. The number of technological parameters (pH, content of moisture, total fat, total ash and chloride), indicators of sensory quality (sausage appearance and condition of casing, colour and colour stability at the cut cross section, the overall sensory quality) and quality of red hot paprika powder were determined. Analysing the results obtained in these studies it was concluded that sausages produced from chilled meat and smoked in traditional conditions (sausages of B1 and B2 groups) had the optimal colour quality and superior (protected) sensory quality. Lower temperatures (8.30°C-10.7°C) during smoking and drying processes, slower decrease of pH value from 5.69 (raw sausage after stuffing) to ~ 5.4 (at the end of the fermentation process) and the chloride content ~ 3% in the final product, with the addition of high quality red hot paprika powder enable the formation of the optimal colour of these groups of sausages. Optimal colour of cut cross section of sausages was characterized with numerically smaller values of instrumental colour parameters (L*, a*, b*, h, C* and BI) in relation to sausages with lower scores for sensory evaluated colour. During storage (from the end of drying process up to 270 days of production), minor changes of instrumental colour characteristics on the surface and cut cross section of Petrovačka kobasica were noted when sausages were stored packed in vacuum or modified atmosphere, compared with unpackaged ones. Packing in vacuum and modified atmosphere is a good solution for the preservation of optimal colour characteristics, as packaged sausages of B1 and B2 groups stored for 4 months from the end of the drying process (from 90 to 210 days from the date of production) had no changes in sensory evaluated colour quality. Further, until the end of storage (270 days of production) just minor changes of this sensory parameter were noticed.Considering that these investigations are a part of wider conceived researches of development of traditional technology of Petrovačka kobasica and standardization of quality and safety, the influence of variable technological parameters on the formation of polycyclic aromatic hydrocarbons in Petrovačka kobasica, as a very important indicator of health safety of sausage, were also studied.One of the most important results of these researches is that benzo[a]pyrene was not detected in any sample of Petrovačka kobasica. It was also concluded that Petrovačka kobasica smoked in traditional way, as well as in industrial conditions was safe for consumers in the terms of the content of polycyclic aromatic hydrocarbons, as all samples of analysed sausages meet the requirements defined by national and European regulations.

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Bretagne, Valérie. "Les Ateliers d'insertion par la pratique artistique (Adipa) : entre instrument d'insertion traditionnelle et source d'innovation sociale." Thesis, Nancy 2, 2007. http://www.theses.fr/2007NAN21014/document.

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La thèse porte sur l'intervention d'artistes dans les ateliers d'insertion sociale. Un ancrage théorique interactionniste permet de montrer en quoi le modèle traditionnel de l'insertion est déstabilisé par la présence d'artistes. Le matériau recueilli est d'ordre qualitatif. Les acteurs interrogés rassemblent des tribunitiens (porteurs de changement), des ambivalents (oscillant entre tradition et innovation) et des conservateurs (s'opposant au changement). La première partie montre en quoi les tribunitiens perturbent les valeurs et les normes de l'insertion traditionnelle. La seconde partie montre en quoi ils perturbent les pratiques et les modes de conduite. La troisième partie se centre sur le type d'innovation proposé par les porteurs du changement. Tandis que les ambivalents proposent le développement d'une insertion culturelle perçue comme un nouveau sas, les tribunitiens proposent l'émergence d'une insertion citoyenne. Mais si cette dernière proposition ouvre des alternatives à la statique du système, elle est aussi porteuse d'une forme utopique qui, si elle passait à l'état de pratique sociale légitime, pourrait renforcer le processus de marginalisation des bénéficiaires de l'aide sociale
The thesis relates to the intervention of artists in the workshops of social integration. A theoretical anchoring interactionnist makes it possible to show in what the traditional model of insertion is destabilized by the presence of artists. The material collected is of a qualitative nature. The questioned actors gather tribunitiens (carrying change), the ambivalents (oscillating between tradition and innovation) and of the conservatives (being opposed to the change). The first part shows in what the tribunitiens disturb the values and the standards of traditional insertion. The second part shows in what they disturb the practices and the modes of control. The third part is centered on the type of innovation proposed by the carriers of the change. While the ambivalent ones propose the development of a cultural insertion perceived like a new hopper, the tribunitiens propose the emergence of a citizen insertion. But if this last proposal opens alternatives to the statics of the system, it is also carrying a utopian form which, if it passed in a state of social practice legitimate, could reinforce the process of marginalisation of the recipients of the social assistance

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Schwartz-Kates, Deborah. "The Gauchesco tradition as a source of national identity in Argentine art music (ca.1890-1955) /." Ann Arbor (Mich.) : UMI, 2005. http://catalogue.bnf.fr/ark:/12148/cb40036343n.

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