Дисертації з теми "Traditional Art and Craft"
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Choudhury, Anamika. "Traditional art and craft of Sub- Himalayan Darjeeling: historical study." Thesis, University of North Bengal, 2019. http://ir.nbu.ac.in/handle/123456789/4026.
Повний текст джерелаCapps, Jonathan Michael. "Transcending Traditions with Glass Orbs in Art." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1469127095.
Повний текст джерелаHockemeyer, L. "Italian ceramics 1945-1958 : a synthesis of avant-garde ideals, craft traditions and popular culture." Thesis, Kingston University, 2008. http://eprints.kingston.ac.uk/20224/.
Повний текст джерелаSummatavet, Kärt. "Folk tradition and artistic inspiration : a woman's life in traditional Estonian jewelry and crafts as told by Anne and Roosi /." [Helsinki] : University of Art and Design Helsinki, 2005. http://www.loc.gov/catdir/toc/fy0805/2008400416.html.
Повний текст джерелаWang, Yu Hsin, and n/a. "Learning from the past, providing for our future : an exploration of traditional Paiwanese craft as inspiration for contemporary ceramics." Swinburne University of Technology, 2006. http://adt.lib.swin.edu.au./public/adt-VSWT20070205.101252.
Повний текст джерелаWang, Yu-Hsin. "Learning from the past, providing for our future an exploration of traditional Paiwanese craft as inspiration for contemporary ceramics /." Australasian Digital Thesis Program, 2006. http://adt.lib.swin.edu.au/public/adt-VSWT20070205.101252/index.html.
Повний текст джерелаSubmitted in total fulfillment of the requirements of the degree of Professional Doctorate in Design, National Institute for Design Research, Faculty of Design, Swinburne University of Technology - 2006. Typescript. Bibliography: p. 133-139.
Al-Boloushi, Laila. "The problems and prospects of incorporating a living craft tradition (Al-Sadu) inspired by Islamic geometric design into art higher education courses in Kuwait." Thesis, University of Exeter, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.529275.
Повний текст джерелаDonlin, Jane. "The dialectics of textile hand production : In search of poetic content : an enquiry into the position of the traditional textile crafts." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2011. https://ro.ecu.edu.au/theses/439.
Повний текст джерелаBush, Melissa. "Home Sweet Home: An Infinite Grid of Memory and Repressed Abuse Trauma." Master's thesis, University of Central Florida, 2013. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5611.
Повний текст джерелаM.F.A.
Masters
Visual Arts and Design
Arts and Humanities
Emerging Media; Studio Art and the Computer
Zoran, Amit (Amit Shlomo). "Hybrid re Assembage : bridging traditional craft and digital design." Thesis, Massachusetts Institute of Technology, 2013. http://hdl.handle.net/1721.1/91860.
Повний текст джерелаTitle as it appears in MIT degrees awarded booklet, September 18, 2013: Hybrid reAssembage: introducing traditional practice into contemporary design Cataloged from PDF version of thesis. Title as it appears in MIT degrees awarded booklet, September 18, 2013: Hybrid reAssembage: introducing traditional practice into contemporary design.
Includes bibliographical references.
Hybrid reAssemblage is a design gestalt that lies at the cross-section of digital design practice and the tactile qualities of traditional craft. It spans a territory in which the value of artifacts is produced through automated production as well as human subjectivity. This work is an exploration of two divergent realms: that of emerging computational technologies, and traditional hand-hewn practice. Hybrid reAssemblage proposes a new way of thinking about the machine, as generator of control and efficiency, and the unpredictable and singular nature of the raw and the manual. I illustrate Hybrid reAssemblage through three diverse projects: FreeD is a digital handheld milling device for carving, guided and monitored by a computer while preserving the maker's freedom to manipulate the work in many creative ways. It reintroduces craft techniques to digital fabrication, proposing a hybrid human-computer interaction experience. In addition to the technology, I present a user study, demonstrating how FreeD enables personalization and expression as an inherent part of the fabrication process. Chameleon Guitar exploits a selection of acoustic properties via a set of replaceable resonators and by a simulated shape, merging real-wood acoustic qualities with a simulated guitar body. It marries digital freedom with the uniqueness of acoustic instruments, and demonstrates a hybrid functionality platform. Focusing on the production of sonic qualities, this project is evaluated acoustically, pointing to the significance of attention to detail such as craft and wood qualities. Finally, Fused Crafts is a collection of artifacts that are part handcrafted and part 3D printed, visually demonstrating the potential of combining these practices to create hybrid aesthetics. I illustrate this visual concept with two examples: intentionally broken ceramic artifacts with 3D printed restoration, and 3D printed structure that is designed to allow the application of hand-woven patterns. This project is a search for an approach where both technologies can benefit from each other aesthetically, enriching the final product with new qualities. This dissertation begins with a contextual background, leading to the presentation of the projects. In the last part, I evaluate the work through feedback received from a panel of design, craft, and HCI experts.
Amit Zoran.
Ph. D.
Barmby, James Thomas. "The art and craft of university coordination." Thesis, University of British Columbia, 2013. http://hdl.handle.net/2429/45690.
Повний текст джерелаHein, Dawn Michelle. "The art and craft of the interior." Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1209805.
Повний текст джерелаDepartment of Architecture
Isbister, Vianna. "The Art and Craft of Aerial Dance." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/honors/558.
Повний текст джерелаSollevi, Anna. "Craft Reality." Thesis, Konstfack, Textil, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5835.
Повний текст джерелаBhattacharjee, Samita. "Poly'nAsia a fashionable fusion of Tongan & Indian textile traditions : this exegesis is submitted to Auckland University of Technology in partial fulfilment of the degree of Master of Art and Design (Fashion Design ), February 2005." Full thesis. Abstract, 2005.
Знайти повний текст джерелаAgrawal, Harshit S. M. Massachusetts Institute of Technology. "InterWoven : integrating traditional basket weaving craft into computer aided design." Thesis, Massachusetts Institute of Technology, 2016. http://hdl.handle.net/1721.1/106063.
Повний текст джерелаCataloged from PDF version of thesis.
Includes bibliographical references (pages 83-87).
The need and desire to create objects is built into human civilization throughout history. The immense diversity of cultures in the world has led to the development of tremendously diverse design and making traditions. Each of these reflects unique imagination threads in our collective thought process and carries immense value in the growth of it. These days, we are witnessing a rise in the digital maker movement, propelled by digital fabrication machines like 3D printers. These are democratizing manufacturing, however, a point to note is that all of the CAD (computer aided design) software tools to design objects for digital fabrication have been developed in an industrial context. This inherently means that these tools support operations like extrude, revolve etc., but not traditional operations like weaving techniques (plaiting, twining etc.) for example. Digital design language therefore lacks a representation of the diverse making traditions and as such these are not accessible to people to design with. This projects to a subsequent decline in usage of these traditional methods resulting in them slowly fading out. Instead, modem design tools should celebrate the diversity of making traditions and harness the strength of digital means combining it with traditional operations and aesthetics to create objects that were not possible with either of them individually. Through this thesis, I explore questions around how traditional making practices can be incorporated in CAD tools. How can one approach the design of such a tool and what is the variety of design possibilities this opens up, once the traditional and modern techniques inter-weave. I present InterWoven, a CAD tool that aids people in creating designs using traditional basket-weaving techniques.
by Harshit Agrawal.
S.M.
Grajewski, Zachary T. "Hybrid Craft: Designing a workflow for traditional and digital craftsmen." University of Cincinnati / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1439310578.
Повний текст джерелаPacker, Carolyn E. "The Evolution of Craft in Contemporary Feminist Art." Scholarship @ Claremont, 2010. http://scholarship.claremont.edu/scripps_theses/23.
Повний текст джерелаAstfalck, Jivan. "Narrative structures in body-related craft objects." Thesis, University of the Arts London, 2007. http://ualresearchonline.arts.ac.uk/7411/.
Повний текст джерелаBin, Khairani Mohd Zahuri. "Contemporary art, craft and hybridity : Malaysian encounters and responses." Thesis, Sheffield Hallam University, 2011. http://shura.shu.ac.uk/19907/.
Повний текст джерелаBoismenu, Nicholas. "Indirect Measure." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etd/3351.
Повний текст джерелаVerschooren, Karen A. (Karen Annemie). ".art : situating Internet art in the traditional institution for contemporary art." Thesis, Massachusetts Institute of Technology, 2007. http://hdl.handle.net/1721.1/39149.
Повний текст джерелаIncludes bibliographical references (p. 187-202).
This thesis provides a critical analysis of the relation between Internet art and the traditional institution for contemporary art in the North American and West-European regions. Thirteen years after its inception as an art form, the Internet art world finds itself in a developmental stage and its relation to the traditional institution for contemporary art is accordingly. Through an elaborate discussion of the key players, institutions and discourses on aesthetics, economics and exhibition methodologies, this sociological analysis of the past and current situation hopes to offer a solid ground for extrapolation and predictions for Internet art's future as an art world in its relation to the traditional art institutions.
by Karen A. Verschooren.
S.M.
Josephson, Codi Lea. "Mama said sew: stitched samplers, contemporary art and domestic craft." Thesis, University of Iowa, 2010. https://ir.uiowa.edu/etd/827.
Повний текст джерелаLiguori, Samantha. "Stingray : an exploration into the art and craft of playwriting." Honors in the Major Thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/579.
Повний текст джерелаB.A.
Bachelors
Arts and Humanities
Theatre Studies
54 p.
Furniss, Beverly. "Stitched in time: a progressive interpretation of embroidery." AUT University, 2009. http://hdl.handle.net/10292/947.
Повний текст джерелаDuque, Cuartas Alejandro. "Colombia's Classical Guitar Repertoire: Traditional, Traditional-Popular, and Art Music Idioms." Thesis, Griffith University, 2020. http://hdl.handle.net/10072/394724.
Повний текст джерелаThesis (Masters)
Master of Music Research (MMusRes)
Queensland Conservatorium
Arts, Education and Law
Full Text
Wallace, Kyle S. "An Exploratory Study of Learning Journeys for Makers in the Fields of Art, Craft andDesign: An Investigation of the Blurred Boundaries between Art, Craft, and Design." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1460024614.
Повний текст джерелаCooper, Julie A. "Changing the Traditional High School Photography Curriculum: Integrating Traditional and Digital Technologies." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/art_design_theses/68.
Повний текст джерелаStinchfield, Bryan T. "A THEORY OF ENTREPRENEURIAL WORK: ART, CRAFT, ENGINEERING, BRICOLAGE, AND BROKERAGE." Available to subscribers only, 2009. http://proquest.umi.com/pqdweb?did=1967978691&sid=1&Fmt=2&clientId=1509&RQT=309&VName=PQD.
Повний текст джерелаMashigoane, Mncedisi Siseko. "Art as craft and politics : the literature of Mongane Wally Serote." Master's thesis, University of Cape Town, 2000. http://hdl.handle.net/11427/7875.
Повний текст джерелаFuhrman, Anne Mary. "The Craft of Portraiture in Eighteenth-Century America." W&M ScholarWorks, 1992. https://scholarworks.wm.edu/etd/1539625718.
Повний текст джерелаFadorsen, Stephanie Alexandra. "American Art Pottery: Ohio's Influence on Transforming a Local Craft into a World Renowned Fine Art." Kent State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=kent1342890450.
Повний текст джерелаRemond, Jaya Marie-Paule. "The Kunstbüchlein: Printed Artists' Manuals and the Transmission of Craft in Renaissance Germany." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11676.
Повний текст джерелаHistory of Art and Architecture
Johns, Melissa. "Tenacious Threads: Crazy Quilts as an Expressive Medium for Making Art." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/art_design_theses/94.
Повний текст джерелаDamian, Michelle Rodgers Bradley. "Archaeology through Art: Japanese Vernacular Craft in Late Edo-Period Woodblock Prints." [Greenville, N.C.] : East Carolina University, 2010. http://hdl.handle.net/10342/2738.
Повний текст джерелаMorton, Jennifer Heather. "Desert voices, pitjantjatjara women's art and craft production in Ernabella, South Australia." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq22544.pdf.
Повний текст джерелаMahlaba, Siphelele Nadia, and K. D. Ige. "Economic development and women empowerment in Zamimpilo art and craft co-operative." Thesis, University of Zululand, 2018. http://hdl.handle.net/10530/1849.
Повний текст джерелаDevelopment agencies, non-government Organizations (NGOs) and government organizations around the world aim for the betterment of women in all spheres of their lives. Empowerment has been considered the main focal point towards the achievement of the wellbeing of women. The study was about cooperatives and women empowerment. It investigated the extent to which participation, empowerment, capacitation and benefits of membership contribute in enabling cooperatives to empower women. This study applied the Capability Approach (CA) in an attempt to understand the need and importance of capabilities to women in a cooperative. The quality of life of an individual is analysed in terms of the core concepts of functionings and capability, thus the CA focuses directly on the quality of life that individuals are actually able to achieve. The Capability Approach proposed that the most vital thing to deliberate when valuing well-being is what people are actually able to do. Capacitation to disadvantaged people is very important in that it ensures services and assistants directly meet their needs. Participatory planning can be regarded as an instrument for identifying the needs of all persons within a community, a way of constructing harmony, and means of empowering deprived or marginalised groups. Participatory development has created the need that there should be inclusion of everyone concerned in the decision making that enables the utilization of all ideas and experiences especially of the poor in rural communities and that they should have influence in the decision making process. The study hypothesized that the perceived level of participation; empowerment and capacitation will determine the benefit of membership in a cooperative. The survey was conducted using a Five-Level Likert scale to decipher respondents’ perceptions of level of participation, empowerment, capacitation, and perceived benefits. In the beginning of analysis, responses (N=110) were reduced using Principal Components Analysis (PCA) to determine how questionnaire items contributed to variables under consideration, variables extracted were correlated and regressed. A linear regression analysis was used to describe how a benefit of membership mediates the relationship between participation, empowerment and capacitation. iii The results showed that members’ perceived levels of empowerment mediate their Perceived Benefits of membership (PERBEME). This shows how benefits of membership in a cooperative are determined and empowerment experienced. Cooperatives have a potential of empowering women and that is achieved through democratic operation, where members equally participate in the daily business. The findings showed a correlation between independent and dependent variables. The findings further demonstrated that capacitation, empowerment and participation, influence change on the benefits of membership in a co-operative.
National Research Foundation (NRF)
Calvert, Isaac W. "Investigating the One-on-One Master-Apprentice Relationship: A Case Study in Traditional Craft Apprenticeship." BYU ScholarsArchive, 2014. https://scholarsarchive.byu.edu/etd/4154.
Повний текст джерелаMak, Wai-man Stephanie. "Chinese arts and craft complex in Ladder Street, Sheung Wan." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25945178.
Повний текст джерелаLewis-Nash, Robert J. "Old Fields and New Fields: Ceramics and the Expanded Field of Sculpture." Oberlin College Honors Theses / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin150695125608167.
Повний текст джерелаGleason, Caitlin. "Maintenance, Craft and Prototype: Andrea Zittel’s Technologies for Living." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11993.
Повний текст джерелаThe contemporary artistic practice of Andrea Zittel incorporates a variety of working methods and mediums in making objects that slip easily from one context to another. Zittel's artworks, which range from textiles to found objects, domestic implements and architectural structures, are simultaneously featured in museum collections and used functionally in everyday life. Focusing on her artistic endeavors in New York in 1990s, this study investigates the slippery nature of Zittel's work through the lens of the equally slippery concept of technology. In order to interrogate such intersections, I will examine three of Zittel's projects: Repair Work (1991), A-Z Personal Uniforms (1991-present) and the A-Z Escape Vehicle (1996). These cases exemplify how Zittel's engagement with technology creates a dialogue between her work and artistic and historical movements of the past, while also engaging and critiquing contemporary culture.
Committee in charge: Albert Narath, Chairperson; Kate Mondloch, Member; Allison Carruth, Member
Alstorp, Paulina. "Ensam är stark!?" Thesis, Konstfack, Ädellab/Metallformgivning, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-4629.
Повний текст джерелаHar tagit bort bilder av upphovsrättsliga skäl
Yan, Keyu. "Craft or Avant-garde? Contemporary Chinese Fiber Art at the Thirteenth Lausanne International Tapestry Biennale." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1595538262296012.
Повний текст джерелаMarchand, Trevor Hugh James. "Moulding minaret makers : a study of apprenticeship and spatial cognition with traditional builders in Sana'a, Yemen." Thesis, SOAS, University of London, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.324917.
Повний текст джерелаPetrosky, Natalie E. "Little Moving Windows." Kent State University Honors College / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1344224872.
Повний текст джерелаFregonese, Margherita <1995>. "Internationalization strategies of craft-based and art-based SMEs: the Fornasetti case study." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15790.
Повний текст джерелаShelton, Meaghan L. "Intricate, infinite: Addressing the ineffable aspects of women's experience through the lens of traditional craft practice." Thesis, Queensland University of Technology, 2018. https://eprints.qut.edu.au/119698/1/Meaghan_Shelton_Thesis.pdf.
Повний текст джерелаBallard, Daniel Isaiah. "Traditional Pottery in Ghana." Digital Archive @ GSU, 2007. http://digitalarchive.gsu.edu/art_design_theses/19.
Повний текст джерелаThome, Hannah R. "Ravelry.com: Augmenting Fiber Craft Communities and Social Making with Web 2.0." Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1524488670252085.
Повний текст джерелаLang, Gabrielle A. "Creating an Authentic Aesthetic: A Study of Craft Consumption and Domestic Ideologies." University of Cincinnati / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1459438658.
Повний текст джерела