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Готові списки джерел за темами / Tīfāšī

Добірка наукової літератури з теми "Tīfāšī"

Автор: Grafiati

Опубліковано: 7 липня 2024

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Зміст

Статті в журналах
Дисертації
Книги
Частини книг

Статті в журналах з теми "Tīfāšī":

1

Lucena Romero, Miguel Ángel. "La dietética afrodisíaca a través del Manifiesto de los secretos del coito de al-Šayzarī (s. XIII)." Anuario de Estudios Medievales 51, no. 2 (December 27, 2021): 781–800. http://dx.doi.org/10.3989/aem.2021.51.2.10.

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En este artículo analizamos el uso de los afrodisíacos en una de las obras más completas redactas durante la Edad Media islámica, es decir, El manifiesto de los secretos del coito del damasceno al-Šayzarī (s. XIII). El objetivo principal de este trabajo es conectar la importante labor que desempeña el factor culinario y la higiene sexual en la sociedad islámica con las artes amatorias, recogidas estas en el género erótico árabe e islámico de ‘ilm al-bāh. Este autor deja en nuestras manos un auténtico compendio sobre las artes médico-amatorias, recopilando, ex profeso, una rica erudición de autores precedentes y contemporáneos como Galeno, al-Ṭabarī, al-Rāzī, Avicena al-Ṭūsī o al-Tīfāšī.

2

Poché. "UN NOUVEAU REGARD SUR LA MUSIQUE D'AL-ANDALUS: LE MANUSCRIT D'AL-TĪFĀSHĪ." Revista de Musicología 16, no. 1 (1993): 367. http://dx.doi.org/10.2307/20795895.

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3

Kahl, Oliver. "Armin Schopen and Karl W. Strauss,Aḥmad ibn Yūsuf at-Tīfāšīs “Buch der königlichen Steine”: Eine Mineralienkunde für die arabischen Herrscher des 7./13. Jahrhunderts". Journal of Semitic Studies 60, № 2 (липень 2015): 514–16. http://dx.doi.org/10.1093/jss/fgv021.

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4

Lettinck, Paul. "SCIENCE IN ADAB LITERATURE." Arabic Sciences and Philosophy 21, no. 1 (February 18, 2011): 149–63. http://dx.doi.org/10.1017/s0957423910000159.

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Анотація:

AbstractBooks belonging to adab literature present material about a variety of subjects, considered from various points of view, such as religious, scientific, historical, literary, etc. They contain knowledge and at the same time entertainment for educated people. Here we consider the content of two adab works, insofar as they discuss subjects from the scientific point of view: (an extract of) Faṣl al-Khiṭāb by al-Tīfāshī (d. 1253) and Mabāhij al-fikar wa-manāhij al-ʿibar by al-Waṭwāṭ (d. 1318).Al-Tīfāshī's work discusses astronomical and meteorological subjects. The passages on astronomy give the usual Aristotelian cosmological picture of the world in a simplified version for non-specialists. The passages on meteorological subjects explain these phenomena in agreement with Aristotle's theory of the double exhalation, and it appears that they are based to a large extent on Ibn Sīnā's interpretation of this theory.The book of al-Waṭwāṭ consists of four sections, which deal with the heaven, the earth, animals and plants respectively. One chapter of the first section deals with meteorological phenomena and presents a survey of the explanations current in his time, such as may be found in the works of al-Kindī and Ibn Sīnā.One will probably not find new and original scientific ideas in the adab literature, but one gets an impression of how besides knowledge of Qurʾān, ḥadīth, poetry and literary prose scientific knowledge was a part of the education of a certain class of people, also of those whose special interest was not science. It also appears that the subjects of science were not restricted to those which were useful for religion and Muslim society. Science was an integrated activity in society, pursued for intellectual satisfaction and pleasure in knowledge, and most groups in that society held that there was nothing in it that would be incompatible with Islam as a religion. This would support the ‘appropriation thesis’ defended by Sabra, that science in medieval Islamic society was well assimilated and widely accepted, as opposed to the the ‘marginality thesis’ adopted by von Grünebaum, that science was a marginal activity, restricted to small elite circles and not rooted in society.

5

Reynolds, Dwight F. "The Musical Modes of al-Andalus." Oriens, May 4, 2023, 1–22. http://dx.doi.org/10.1163/18778372-12340021.

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Abstract The 13th-century Tunisian author Aḥmad at-Tīfāšī describes in his work Mutʿat al-asmāʿ fī ʿilm as-samāʿ a system of melodic modes used in al-Andalus. This essay represents a preliminary attempt to situate at-Tīfāšī’s Andalusi modes within the broader historical development of medieval Arab modal systems and to explore their relationship to the modern modes of North Africa commonly referred to as Andalusi. This is, however, primarily an exploration of terminology or nomenclature rather than of the melodic characteristics of the modes themselves, since the sources examined here give little to no information about the internal features of the individual modes.

6

Forster, Regula. "Schopen, Armin / Strauß, Karl W.: Aḥmad ibn Yūsuf at-Tīfāšīs „Buch der königlichen Steine“. Eine Mineralienkunde für die arabischen Herrscher des 7./13. Jahrhunderts. 2014." Orientalistische Literaturzeitung 112, № 4-5 (14 листопада 2017). http://dx.doi.org/10.1515/olzg-2017-0127.

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Дисертації з теми "Tīfāšī":

1

Daoues, Khalil. "L'écriture de la sexualité dans l'œuvre romanesque d'Andréa de Nerciat et dans les Délices des cœurs d'Ahmad Al Tifachi." Electronic Thesis or Diss., Sorbonne université, 2024. http://www.theses.fr/2024SORUL011.

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Notre étude porte sur l'écriture de la sexualité dans l'œuvre romanesque d'Andréa de Nerciat et dans Les Délices des cœurs d'Ahmad Al Tifachi. Les deux écrivains se rattachent à des traditions éminemment subversives. En dépit des différences génériques et formelles entre leurs ouvrages, Ahmad Al Tifachi et Nerciat dialoguent en effet avec les romanciers, les poètes, les théologiens et les politiciens de leur époque. Par ailleurs, ils associent volontiers l'obscène au comique. L'humour se manifeste à travers l'onomastique, les néologismes, les jeux de mots et les anecdotes. La parodie et la théâtralité vont de pair avec un rire carnavalesque qui renverse l'ordre établi. En dépit de cette dimension subversive, l'écriture de la sexualité constitue un reflet de la représentation commune des différentes pratiques sexuelles. La représentation de la masculinité et de la féminité illustre la complexité des rapports entre les deux sexes. En outre, la marginalité de telle ou telle pratique sexuelle témoigne des différences culturelles entre les deux écrivains
Our study focuses on the writing of sexuality in the novels of Andréa de Nerciat and Ahmad Al Tifachi's Délices des cœurs. Both writers belong to eminently subversive traditions. Despite the generic and formal differences between their works, Ahmad Al Tifachi and Nerciat were in dialogue with the novelists, poets, theologians and politicians of their time. Moreover, they readily associate the obscene with the comic. Humor manifests itself in onomastics, neologisms, puns and anecdotes. Parody and theatricality go hand in hand with carnivalesque laughter that overturns the established order. Despitethis subversive dimension, writing about sexuality is a reflection of the commonrepresentation of different sexual practices. The representation of masculinity and femininity illustrates the complexity of relations between the sexes. Moreover, the marginality of particular sexual practices reflects the cultural differences between the two writers

Книги з теми "Tīfāšī":

1

ʻAbbāsī, al-Maḥjūb. Tīfāwīn n tūzūnīn: Dīwān shiʻr. [Rabat]: al-Maʻhad al-Malakī lil-Thaqāfah al-Amāzīghīyah, 2011.

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2

Mistāwī, Muḥammad. Tīfāwīn: Amthāl wa-ḥikāyāt Amāzighīyah muʻarrabah. [Morocco]: Mistāwī, 1985.

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3

Jaʻfarī, Muḥammad al-ʻArabī. Tīfāwīn n tūddart: Nūr al-ḥayāh : dīwān shiʻr Amāzīghī. 8-ме вид. [Agadir?]: Muḥammad al-ʻArabī al-Jaʻfarī, 2011.

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4

Khātamī, Sayyid Riz̤ā. Qūrmāghahʹʼī rū-yi tīfāl: Majmūʻah-i shiʻr. 8-ме вид. Tihrān: Nashr-i Chashmah, 2010.

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5

Strauss, Karl W., та Armin Schopen. Aḥmad ibn Yūsuf at-Tīfāšīs, "Buch der königlichen Steine": Eine Mineralienkunde für die arabischen Herrscher des 7./13. Jahrhunderts. Wiesbaden: Harrassowitz, 2014.

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Частини книг з теми "Tīfāšī":

1

"Appendix: Ibn Khurdādhbih’s Passage Quoted by al-Tīfāshī". У Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān, 282–83. BRILL, 2021. http://dx.doi.org/10.1163/9789004465497_109.

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2

"Ibn al-Ṭaḥḥān’s Passage Quoted by al-Tīfāshī". У Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān, 257–58. BRILL, 2021. http://dx.doi.org/10.1163/9789004465497_101.

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3

"On Dance, Its Types and Names [Ibn al-Ṭaḥḥān’s Passage Quoted by al-Tīfāshī][fols. 100a–100b; ZY 112]". У Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān, 256. BRILL, 2021. http://dx.doi.org/10.1163/9789004465497_100.

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4

Sawa, George Dimitri. "The Necessary Conditions of the Excellent Singer and His Good Standing with Listeners [fols. 56–58; al-Sillāmī 167–168]". У <i>Mutʿat al-asmāʿ fī ʿilm al-samāʿ<i>, The Ears’ Pleasure and the Science of Listening to Music by Aḥmad b. Yūsuf al-Tīfāshī al-Qafṣī (580-651/1184-1253), 82–84. BRILL, 2023. http://dx.doi.org/10.1163/9789004542785_024.

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5

Sawa, George Dimitri. "Melodies That Resemble the Meanings and Suit the Poems [fols. 45–47; al-Sillāmī 149–150]". У <i>Mutʿat al-asmāʿ fī ʿilm al-samāʿ<i>, The Ears’ Pleasure and the Science of Listening to Music by Aḥmad b. Yūsuf al-Tīfāshī al-Qafṣī (580-651/1184-1253), 68–69. BRILL, 2023. http://dx.doi.org/10.1163/9789004542785_017.

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6

Sawa, George Dimitri. "What Songs the Singer Should Start with at the Beginning of His Performance in the Majlis [fols. 55–56; al-Sillāmī 165–166]". У <i>Mutʿat al-asmāʿ fī ʿilm al-samāʿ<i>, The Ears’ Pleasure and the Science of Listening to Music by Aḥmad b. Yūsuf al-Tīfāshī al-Qafṣī (580-651/1184-1253), 80–81. BRILL, 2023. http://dx.doi.org/10.1163/9789004542785_023.

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7

Sawa, George Dimitri. "Good and Bad, Stated or Implied Song Themes [fols. 58–60; al-Sillāmī 169–170]". У <i>Mutʿat al-asmāʿ fī ʿilm al-samāʿ<i>, The Ears’ Pleasure and the Science of Listening to Music by Aḥmad b. Yūsuf al-Tīfāshī al-Qafṣī (580-651/1184-1253), 85–86. BRILL, 2023. http://dx.doi.org/10.1163/9789004542785_025.

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8

Sawa, George Dimitri. "The Poetical Qualities That Complete the Pleasure of the Listener When Added to Music [fols. 11–12; al-Sillāmī 71–72]". У <i>Mutʿat al-asmāʿ fī ʿilm al-samāʿ<i>, The Ears’ Pleasure and the Science of Listening to Music by Aḥmad b. Yūsuf al-Tīfāshī al-Qafṣī (580-651/1184-1253), 12–13. BRILL, 2023. http://dx.doi.org/10.1163/9789004542785_007.

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9

Sawa, George Dimitri. "Good Satires Mentioned about Mediocre Singers and Wind Players (Zamara) [fols. 145–146; al-Sillāmī 267–272]". У <i>Mutʿat al-asmāʿ fī ʿilm al-samāʿ<i>, The Ears’ Pleasure and the Science of Listening to Music by Aḥmad b. Yūsuf al-Tīfāshī al-Qafṣī (580-651/1184-1253), 156–58. BRILL, 2023. http://dx.doi.org/10.1163/9789004542785_047.

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10

Sawa, George Dimitri. "The Process of Composition [fols. 52–54; al-Sillāmī 159–161]". У <i>Mutʿat al-asmāʿ fī ʿilm al-samāʿ<i>, The Ears’ Pleasure and the Science of Listening to Music by Aḥmad b. Yūsuf al-Tīfāshī al-Qafṣī (580-651/1184-1253), 76–78. BRILL, 2023. http://dx.doi.org/10.1163/9789004542785_021.

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