Статті в журналах: "Thomas, Rover"

1

Hobby, Elaine. "No stolen object, but her own: Aphra Behn's Rover and Thomas Killigrew's Thomaso." Women's Writing 6, no. 1 (March 1999): 113–27. http://dx.doi.org/10.1080/09699089900200056.

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2

Morvan, Arnaud. "Rêve et réminiscences plurielles dans l’art de Rover Thomas (Australie)." Cahiers d'anthropologie sociale N° 17, no. 2 (2018): 198. http://dx.doi.org/10.3917/cas.017.0198.

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3

Thomas, Roger E. "Roger E. Thomas Comments." American Journal of Public Health 109, no. 12 (December 2019): 1784–85. http://dx.doi.org/10.2105/ajph.2019.305386.

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4

Demoule, Jean-Paul. "Reply to Roger Thomas." Public Archaeology 2, no. 4 (January 2002): 239–40. http://dx.doi.org/10.1179/pua.2002.2.4.239.

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5

Thomas, Roger. "Remarks by Roger Thomas." Proceedings of the ASIL Annual Meeting 82 (1988): 479–82. http://dx.doi.org/10.1017/s0272503700074036.

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6

Bennett, John. "A Tallis Patron?" Royal Musical Association Research Chronicle 21 (1988): 41–44. http://dx.doi.org/10.1080/14723808.1988.10540926.

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When Thomas Tallis died in 1585 he left his wife Joan his heir. Joan Tallis's will (12 June 1587) bequeathed ‘to Anthony Roper esquier one guilte bowl with the cover thereunto belonging in respect of his good favours showed to my late husband and me'—her first bequest, and the only one of hers or Thomas's to a person of rank. Who was Anthony Roper, what was the connection, and can it throw any light on the composer? The point does not seem to have been picked up hitherto in Tallis literature.

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7

McCutcheon, Elizabeth. "Decoding the Alice Alington-Margaret More Roper Letters." Moreana 57 (Number 214), no. 2 (December 2020): 144–70. http://dx.doi.org/10.3366/more.2020.0082.

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Interpreting the letters characterized as written by Alice Alington and Margaret Roper in 1534 has proved perplexing since their first publication (1557), when the editor wrote, “It is not certainly known” whether Thomas More or Roper wrote the letter to Alington. Did Roper, More, or both write it? This study looks at both letters from a variety of perspectives, pointing out many reasons that complicate reading them before focusing on the personal and political circumstances, the structural knot of wise/foolish, and the writing styles of father and daughter, including an analysis of Roper's known writing, characteristically empathic (rather than concerned with organization or structure). It agrees that More was the chief writer, but that Roper might well have written some, though not all, of her speeches, and that she was involved in their discussions and as More's personal representative. Finally, it suggests both letters constitute a mini-dialogue.

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8

Baumann, Uwe. "William Roper : Das Leben des Thomas Morus." Moreana 24 (Number 94), no. 2 (June 1987): 53–54. http://dx.doi.org/10.3366/more.1987.24.2.13.

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9

KERR, FERGUS. "AFTER WITTGENSTEIN, ST. THOMAS by Roger Pouivet." New Blackfriars 89, no. 1023 (September 2008): 628–29. http://dx.doi.org/10.1111/j.1741-2005.2008.00257_5.x.

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10

Alford, Roger. "In Memoriam: Thomas Walde—by Roger Alford." Proceedings of the ASIL Annual Meeting 103 (2009): 523–24. http://dx.doi.org/10.1017/s0272503700035096.

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11

Olivares Merino, Eugenio M. "Charles V’s ‘Encomium Mori’ as Reported By Ambassador Elyot." Grove - Working Papers on English Studies 27 (December 14, 2020): 71–82. http://dx.doi.org/10.17561/grove.v27.a5.

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William Roper is the author of the first and most influential biography of Sir Thomas More, his father-in-law, finished in 1557. As stated in this source, shortly after More’s execution for high treason at the Tower of London (1535), the Emperor Charles V met Thomas Elyot then serving as ambassador at the imperial court. The content of this meeting was later on disclosed by Elyot himself to some members of More’s closest circle, among them Roper himself, whose testimony has remained the ultimate source of the episode. As soon as Charles had come to know about More’s execution, he communicated the news to Elyot and shared with him his admiration for the ex-Chancellor. Several scholars, however, have questioned the reliability of Roper’s memory in the light of historical evidence for Elyot’s whereabouts at the time of More’s death. This paper revises the main stances in the discussion of this episode, and brings into consideration other issues that might cast some light, not only on the details of this story, but also on the relationship between these two Thomases (More and Elyot) and Charles, the most powerful ruler in Europe at the time.

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12

Johansson, Joakim. "Roger Klinth & Thomas Johansson: Nya svenska fäder." NORMA 6, no. 02 (December 5, 2011): 195–200. http://dx.doi.org/10.18261/issn1890-2146-2011-02-08.

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13

Farstad, Gunhild R. "Roger Klinth og Thomas Johansson: Nya svenska fäder." NORMA 5, no. 02 (January 10, 2011): 184–87. http://dx.doi.org/10.18261/issn1890-2146-2010-02-08.

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14

Milhous, Judith, and Robert D. Hume. "Librettist versus Composer: The Property Rights to Arne's Henry and Emma and Don Saverio." Journal of the Royal Musical Association 122, no. 1 (1997): 52–67. http://dx.doi.org/10.1093/jrma/122.1.52.

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Little attention has ever been paid to a pair of mid-career flops by Thomas Augustine Arne. Henry and Emma died in one night in 1749; Don Saverio struggled through three nights amidst hisses in 1750. Roger Fiske points out in a brief discussion that the latter is of some historical significance: it was a pioneering attempt to mount an English form of opera buffa on the London stage. Ten years later, Arne's Thomas and Sally was to succeed in persuading London audiences to accept such conventions, but in 1750 the time was apparently not yet ripe. These obscure failures have not attracted much critical notice, because while librettos of both survive, only the overture to Henry and Emma and one song from Don Saverio are extant.

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15

Chassay, Jean-François. "Les technologies de la voix : espace culturel et hybridation dans Le mal de Vienne de Rober Racine." Études 22, no. 3 (August 29, 2006): 548–56. http://dx.doi.org/10.7202/201325ar.

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Résumé Dans Le mal de Vienne de Rober Racine, Studd, le personnage central, est obsédé par l'écrivain Thomas Bernhard. Mais de manière générale, c'est la culture dans son ensemble qui le hante. À travers les « technologies de la voix » qui reviennent de manière récurrente dans ce roman (du magnétophone au téléphone en passant par la radio), Racine propose une lecture singulière de la culture dans l'univers postindustriel où le relativisme occupe une place centrale.

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16

McConica, James, and Jerome Steele Dees. "Sir Thomas Elyot and Roger Ascham: A Reference Guide." Modern Language Review 80, no. 4 (October 1985): 900. http://dx.doi.org/10.2307/3728972.

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17

CRONK, N. "Review. Roger de Piles' Theory of Art. Puttfarken, Thomas." French Studies 41, no. 4 (October 1, 1987): 452. http://dx.doi.org/10.1093/fs/41.4.452.

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18

Ramirez Jaco, Beatriz, and Armando Henrique Norman. "A filosofia da Medicina de Família e Comunidade segundo Ian McWhinney e Roger Neighbour." Revista Brasileira de Medicina de Família e Comunidade 15, no. 42 (April 30, 2020): 1991. http://dx.doi.org/10.5712/rbmfc15(42)1991.

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Introdução: O presente artigo revisita os pressupostos filosóficos da Medicina de Família e Comunidade (MFC) a partir dos escritos de Ian McWhinney e Roger Neighbour. Objetivo: Fortalecer a discussão sobre as bases teóricas da MFC na academia e nos programas de residência em MFC. Métodos: Trata-se de um ensaio reflexivo que compara e analisa dois dos principais livros da MFC: o clássico “Manual de Medicina de Família” de Ian McWhinney e “The inner physician: why and how to practise ‘Big Picture Medicine’” de Roger Neighbour. Resultados e Discussão: Ian McWhinney e Roger Neighbour utilizam a epistemologia de Thomas Kuhn para propor um paradigma diferente à medicina. Nesse processo, os autores desenvolveram propostas distintas, porém complementares, que optamos por categorizar em: (a) paradigma organísmico de McWhinney e quântico de Neighbour; (b) distinção entre a prática generalista e a do especialista focal; e (c) relação médico-paciente e consigo mesmo. Conclusão: Para navegar nas incertezas da prática generalista é necessário fomentar e refletir a respeito da essência do MFC, tanto nos cursos de graduação quanto nos programas de residência, para formar profissionais sensíveis à condição humana.

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19

Schilereff, Fabio. "Roger Nutt and Michael Dauphinais (Editors); Thomas Aquinas, Biblical Theologian." Incarnate Word 9, no. 1 (2022): 182–85. http://dx.doi.org/10.5840/tiw2022918.

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20

Houston, W. J. "The Books of Leviticus and Numbers. Ed. by THOMAS ROMER." Journal of Theological Studies 61, no. 1 (November 4, 2009): 244–49. http://dx.doi.org/10.1093/jts/flp147.

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21

Dunagin, Amy. "Tory Defenses of English Music: Thomas Tudway and Roger North." Eighteenth-Century Life 40, no. 2 (April 2016): 36–65. http://dx.doi.org/10.1215/00982601-3483876.

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22

Brass, Paul R. "Response to Reviews by Thomas Hansen, A.R.Momin, and Roger Petersen." Ethnicities 6, no. 1 (March 2006): 114–17. http://dx.doi.org/10.1177/146879680600600108.

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23

Kearney, Dutton. "“Little in Common”? Law and Literature in Thomas More’s “A Dialogue on Conscience”." Moreana 46 (Number 176), no. 1 (June 2009): 133–42. http://dx.doi.org/10.3366/more.2009.46.1.11.

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This article examines the letter from Margaret Roper to Alice Alington, which is commonly referred to as Thomas More’s “Dialogue on Conscience.” Within this dialogue, More recites two tales, one about the man named Company, and another about how a thief tricks a magistrate. While most readers of the dialogue identify More with Company, the story about Company is merely a digression, a red herring to distract readers from his surprisingly straightforward indictment of Henry VIII. More is not Company, but rather the magistrate who has been arrested under a false law, the Act of Succession.

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24

Olivares-Merino, Eugenio M. "Some Notes about Mary Roper Clar(c)ke Bassett and her Translation of Eusebius." Moreana 46 (Number 177-, no. 2-3 (December 2009): 146–80. http://dx.doi.org/10.3366/more.2009.46.2-3.9.

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Mary Clar(c)ke Bassett (née Roper) was Thomas More granddaughter. From her mother Margaret, she inherited a taste for writing: Mary’s translation of his grandfather’s History of the Passion, included by William Rastell in More’s English works (1557), was the only text by a woman to appear in print during the reign of Mary Tudor. However, this paper will not deal with the aforementioned work, but rather with a less well known text that has also come down to us: a translation of Eusebius’ Historia Ecclesiastica, attributed to “Maria Clarcke” (Harleian MS. 1860) and preserved in the British Museum.

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25

McKenzie, Steven L., and Norbert Lohfink. "Die Vater Israels im Deuteronomium: mit einer Stellungnahme von Thomas Romer." Journal of Biblical Literature 112, no. 1 (1993): 128. http://dx.doi.org/10.2307/3267874.

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26

Collins, John. "Thomas James Wise and the Trial Book Fallacy. Roger C. Lewis." Papers of the Bibliographical Society of America 90, no. 2 (June 1996): 236. http://dx.doi.org/10.1086/pbsa.90.2.24304852.

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27

van Leer, Bram. "Computational Methods for Fluid Flow (Roger Peyret and Thomas D. Taylor)." SIAM Review 28, no. 3 (September 1986): 440–42. http://dx.doi.org/10.1137/1028147.

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28

Livesey, Steven J. "Compendium of the Study of Theology. Roger Bacon , Thomas S. Maloney." Isis 82, no. 1 (March 1991): 123–24. http://dx.doi.org/10.1086/355666.

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29

Curtright, Travis. "Thomas More as author of Margaret Roper's letter to Alice Alington." Moreana 56 (Number 211), no. 1 (June 2019): 1–27. http://dx.doi.org/10.3366/more.2019.0048.

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Why would Sir Thomas More write a letter to Alice Alington under the name of Margaret More Roper? To answer that question, this essay examines the political and familial circumstances of the letter's composition, its artfully concealed design of forensic oratory, and use of indirect argument. A careful analysis of the letter's rhetorical strategy will reveal further that More crafted his defense of conscience with allusion to the question of counsel from Utopia, whether or not a philosopher should enter into a king's service. In the Alington letter, from More's position as an imprisoned, former Chancellor of England, he revised civic humanism's call for political engagement into a powerful statement of defiance against King Henry VIII.

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30

Carmichael, Stephen W. "Out with the Old, In with the New." Microscopy Today 11, no. 1 (February 2003): 3–4. http://dx.doi.org/10.1017/s1551929500052251.

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Temporal resolution has long been a challenge to microscopists. Certainly, spatial resolution has occupied center stage, but we're all concerned about what happens over time in a biologic system, for example, a cell. Tags such as green fluorescent protein (GFP) have been used with confocal microscopy and other light microscopic techniques to achieve outstanding temporal resolution, but good spatial and temporal resolution have proven to be difficult to achieve simultaneously. This has been accomplished in a remarkable study by Guido Gaietta, Thomas Deerinck, Stephen Adams, James Bouwer, Oded Tour, Dale Laird, Gina Sosinsky, Roger Tsien, and Mark Ellisman, who demonstrated a pulse-chase technique that correlates with both fluorescence and electron microscopy.

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31

Rosser-Owen, Daoud. "Islam and Global Dialogue." American Journal of Islam and Society 24, no. 1 (January 1, 2007): 127–40. http://dx.doi.org/10.35632/ajis.v24i1.1578.

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Edited by Dr Roger Boase with Foreword by HRH Prince Hassan binTalal. Essays by John Bowden, Diana Eck, Muhammad Legenhausen,Francis Robinson, William Dalrymple, Akbar Ahmed, Fred Halliday,Jonathan Sacks, Antony Sullivan, Robert Crane, Khaled Abou El Fadl,Tony Bayfield, Norman Solomon, Marcus Braybrooke, Frank Gelli,Murad Hofmann, Roger Boase, Jeremy Henzell-Thomas, MahmudAyoub, Wendell Berry.SPEAKERSRoger Boase: The question that we are discussing this evening is “What rolecan religion play in promoting peace instead of war and other forms of violence?”This is the one of the main questions that my book Islam and GlobalDialogue seeks to answer.I began the book in October 2001 after participating in a conferenceorganised by the Association of Muslim Social Scientists, entitled “Unityand Diversity: Islam, Muslims, and the Challenge of Pluralism.” Alreadybefore 11 September 2001 Islam was widely portrayed in the media as a belligerentand intolerant religion, incompatible with democracy and civilisedvalues. Half of those who responded to an opinion poll in the United Statesin the year 2000 thought that Islam supported terrorism.There was, and still is, much discussion about holy war, as if war canever be holy! I do not now intend to define jihad. That would take too long ...

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32

Sander-Regier, Renate. "The Life of Sir Thomas More par William Roper en trois langues." Moreana 24 (Number 93), no. 1 (February 1987): 99–102. http://dx.doi.org/10.3366/more.1987.24.1.13.

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33

Nöth, Winfried. "Natural signs from Plato to Thomas A. Sebeok." Chinese Semiotic Studies 17, no. 4 (November 1, 2021): 551–73. http://dx.doi.org/10.1515/css-2021-2042.

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Abstract The paper pays tribute to Thomas A. Sebeok with an inquiry into the place of the semiotics of nature within his system of “global semiotics” and of natural signs within his typology of signs, which distinguishes “six species of signs.” It complements Sebeok’s theory of natural signs with a historical study of semiotic definitions of natural signs in four chapters. The first, “Natural signs from Plato to the Scholastics” focuses on Plato’s Cratylus, Aristotle’s “On Interpretation,” Augustine of Hippo, and the Scholastics, in particular Roger Bacon’s distinction between natural and “given” signs. The second, “Natural signs in 20th century analytical and cognitive philosophy,” discusses Rollin’s Natural and conventional meaning as well as the definitions of natural signs proposed by Jerzy Pelc, David S. Clarke, Laird Addis, and in Ruth Garret Millikan’s teleosemiotics. The third, “Structuralist strategies of excluding natural signs from semiotics” discusses how natural signs were excluded from cultural semiotics in the writings of Roland Barthes (Mythologies), Algirdas J. Greimas, and in Umberto Eco’s early semiotic writings. The fourth investigates how C. S. Peirce overcomes the dualism of nature and convention in his general theory of signs founded on evolutionary principles. The paper concludes with reflections on Sebeok’s theory of modeling as the distinctive feature of human semiosis.

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34

Peltonen, Salla, Hanna Lahdenperä, Roger Holmström, Trygve Söderling, Anna Möller-Sibelius, and Anna Bohlin. "Recensioner." AVAIN - Kirjallisuudentutkimuksen aikakauslehti, no. 3 (September 1, 2013): 60–78. http://dx.doi.org/10.30665/av.74920.

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Salla Peltonen Att läsa queert Katri Kivilaakso, Ann-Sofie Lönngren & Rita Paqvalén (red.): Queera läsningar. Litteraturvetenskap möter queerteori Hanna Lahdenperä Teori i samarbete med litteratur Maria Margareta Österholm: Ett flicklaboratorium i valda bitar. Skeva flickor i svenskspråkig prosa från 1980 till 2005 Roger Holmström Aforistikens kluvna konst Martin Welander: Grå verklighet, gyllne fantasi. Skapandets problematik i R. R. Eklunds aforistiska författarskap Trygve Söderling Henrik Tikkanen som forskningsobjekt och vän Johan Wrede: Tikkanens blick. En essä om Henrik Tikkanens författarskap, livsöde och personlighet Anna Möller-Sibelius Motsättningarna i och bakom Hemmers idyll Thomas Ek: Ljuset har djup. Jarl Hemmer och idyllen Anna Bohlin Ett standardverk om Elin Wägner Helena Forsås-Scott: Re-Writing the Script: Gender and Community in Elin Wägner

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35

Lister, Rodney. "Bolcom, Gann and other Americans." Tempo 60, no. 235 (January 2006): 37–39. http://dx.doi.org/10.1017/s0040298206260042.

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WILLIAM BOLCOM: Songs of Innocence and of Experience. Christine Brewer, Measha Brueggergosman, Hana Davidson, Linda Hohenfeld, Carmen Pelton (sops), Joan Morris (mezzo-sop), Marietta Simpson (con), Thomas Young (ten), Nmon Ford (bar), Nathan Lee Graham (speaker/vocals), Tommy Morgan (harmonica), Peter ‘Madcat’ Ruth (harmonica and vocals), Jeremy Kittel (fiddle), The University of Michigan Musical Society Choral Union, Chamber Choir, University Choir, Orpheus Singers, Michigan State University Children’s Choir, Contemporary Directions Ensemble, University Symphony Orchestra c. Leonard Slatkin. Naxos 8.559216-18.AARON COPLAND: Inscape. ROGER SESSIONS: Symphony No. 8. GEORGE PERLE: Transcendental Modulations. BERNARD RANDS: …where the murmurs die… . The American Symphony Orchestra c. Leon Botstein. New World 80631-2.KYLE GANN: Nude Rolling Down an Escalator: Studies for Disklavier. New World 80633-2.

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36

Jensen, Mikkel. "Michael Moore, an American Populist?" Anafora 9, no. 2 (2022): 241–64. http://dx.doi.org/10.29162/anafora.v9i2.2.

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This article contextualizes the films of Michael Moore in the tradition of American populism. Extending in particular from historian Thomas Frank’s argument in People without Power that populism can usefully be understood as a particular American tradition of leftism, the article traces how three of Moore’s films—Roger & Me (1989), Sicko (2007), and Capitalism: A Love Story (2009)—articulate political concerns that overlap with the political beliefs of American populism. The article also explores some of the populist elements in Moore’s style and argues that there is good reason to see Michael Moore as a twenty-first-century American populist but that any attempt to do so must remain clear about the definitions of populism used to make this contextualist argument.

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37

García García, Luciano. "From Lives to Discurso in the biographies of Thomas More: Roper, Harpsfield and Herrera." Sederi, no. 31 (2021): 7–30. http://dx.doi.org/10.34136/sederi.2021.1.

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This article compares the books about the Lifes of Thomas More written by Roper and Harpsfield and the work Tomás Moro by Fernando de Herrera. The comparison is taken as a case in point of the divergent early development of the biographical genre in England and in Spain. The three texts were written by Catholic humanists, but under different contexts, which produced different kinds of text. Roper’s and Harpsfield’s Catholicism, marked by a close contact with the Morean tradition, the English form of Counter-Reformation under Mary, and the Elizabethan reversion to Protestantism, makes them drift towards an early form of modern biography. Fernando de Herrera, however, sets out to write his text from the background of the Spanish Counter-Reformation and a different discursive and textual conception of life writing.

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38

Flamarique, Lourdes. "ROSER, ANDREAS; MOHRS, THOMAS (eds.), Kant-Konkordanz, 10 volúmenes, Olms Verlag, Hildesheim, 1992." Anuario Filosófico 26, no. 3 (October 4, 2018): 753–54. http://dx.doi.org/10.15581/009.26.31224.

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39

Roache, Patrick J. "Book Review: Computational Methodsfor Fluid Flow, by Roger Peyret and Thomas D. Taylor." AIAA Journal 24, no. 6 (June 1986): 1053–54. http://dx.doi.org/10.2514/3.48681.

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40

Allmon, Warren D. "Presentation of the 2019 Paleontological Society Pojeta Award to Roger D. K. Thomas." Journal of Paleontology 94, no. 5 (August 21, 2020): 1008. http://dx.doi.org/10.1017/jpa.2020.49.

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41

Marshall, Sherrin. "The Holy Household: Women and Morals in Reformation Augsburg. Lyndal Roper , Keith Thomas." Journal of Modern History 65, no. 4 (December 1993): 887–89. http://dx.doi.org/10.1086/244765.

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42

Colley, John. "Henrician Homer: English Verse Translations from the Iliad and Odyssey, 1531–1545." Translation and Literature 31, no. 2 (July 2022): 149–78. http://dx.doi.org/10.3366/tal.2022.0507.

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Verse translations from the Iliad and Odyssey embedded in Thomas Elyot’s Gouernour, Roger Ascham’s Toxophilus, and Nicholas Udall’s Apophthegmes might seem the poor cousins of longer and better-known Homer translations by poets such as George Chapman. But this article, which pays close literary-critical attention to Elyot’s, Ascham’s, and Udall’s Homer translations, argues that they play an important and mostly untold part in a larger story concerning the translation of Homer into English, not to mention the vernacular translation of ancient Greek literature in England in the sixteenth century. These fragmentary translations reveal that early Tudor writers had a wider array of options in their methods of classical translation than has hitherto been appreciated. They also call for more nuanced consideration of the diverse intellectual, political, and literary contexts that spurred poetic innovation in late Henrician England.

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43

Fitton, Ben. "The strange monumentality of some artworks or something." Art & the Public Sphere 10, no. 1 (July 1, 2021): 71–85. http://dx.doi.org/10.1386/aps_00049_1.

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This article investigates the idea that sometimes artworks become strange monuments: occasionally to themselves. It begins with an overview of how various artworks have taken on aspects of monumentality, setting up a number of coordinates for thought ‐ energy, appropriation, fiction, resurrection and so on. It then turns to the contested status of Rachel Whiteread’s House (1993), paying attention to the ways in which its potential to endure as a conventional public monument was denied, leaving behind a strange set of digital monuments in its afterlife. It goes on to contrast the tomb-like preservation of Roger Hiorns’ Seizure ([2008] 2013) at the Yorkshire Sculpture Park with the rhetoric surrounding its initial staging in Southwark. This logic of preservation is compared with how Thomas Hirschhorn has revisited his early monument works, and his claims regarding their eternal life.

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Hübinger, Gangolf. "Karl Lamprecht: A German Academic Life, 1856-1915. Roger Chickering , Thomas A. Brady, Jr." Journal of Modern History 68, no. 1 (March 1996): 241–43. http://dx.doi.org/10.1086/245331.

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45

Cardoso, Rosane, and Marina Oliveira. "O ogro no espelho: Hanibbal Lecter e o mito do homem selvagem." Revista Criação & Crítica, no. 18 (June 30, 2017): 108. http://dx.doi.org/10.11606/issn.1984-1124.v0i18p108-122.

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O canibalismo é uma prática tão antiga quanto a humanidade e compreende muitos desdobramentos. Manifestou-se em períodos de fome intensa, em rituais pagãos e em representações artísticas. Tabu incontestável no Ocidente é visto atualmente como crime hediondo. Na literatura, a personagem que geralmente sintetiza esse tipo de barbárie é o ogro, criatura de índole perversa que quer devorar aqueles que atravessam seu caminho. O canibal/ogro adquire várias formas, de deuses primitivos, passando pela bruxa ou pela madrasta má dos contos de fadas até versões vampirescas. Este artigo discute o canibalismo na narrativa contemporânea, considerando o fascínio que provoca Hannibal Lecter, personagem central dos best-sellers de Thomas Harris e de exitosas narrativas audiovisuais. Colocando o renomado psiquiatra e serial killer na posição de ogro contemporâneo, analisa-se a sua relação, como ogro, com um mito ancestral, o mito do homem selvagem discutido pelo antropólogo Roger Bartra.

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Salmon, Vivian. "Thomas Harriot (1560–1621) and the English origins of Algonkian linguistics." Historiographia Linguistica 19, no. 1 (January 1, 1992): 25–56. http://dx.doi.org/10.1075/hl.19.1.03sal.

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Summary Thomas Harriot (1560–1621) was an outstanding mathematician and astronomer whose scientific writings – had they not been allowed to remain in manuscript – would long ago have earned for him an international esteem comparable with that of Galileo and Kepler. Only in recent decades has his status been recognised by scientists, but not, so far, by linguists. Yet he was the first English traveller to North America known to have recorded an indigenous language, for which he devised a dictionary and a phonetic alphabet. He also recorded a large number of Algonkin words during his stay in North Carolina in 1585–86, some of which are found in the account of his travels which he published in 1588, more than fifty years before Roger Williams’s (1603?-1683) Key into the Language of America (1643), which has often been regarded as the first such work. The manuscripts of the dictionary and the phonetic alphabet were thought to be lost, until a few years ago a sketch of the phonetic alphabet was found; and in 1988 a detailed holograph copy came to light. The present paper, while describing this recent discovery, provides a brief survey of linguistic relationships between speakers of North Carolina Algonkin and English colonists between 1586 and the arrival of the Mayflower pilgrims in 1621, and traces Harriot’s influence on later 17th-century linguists.

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Degos, Jean‐Guy, and Richard Mattessich. "Accounting Research in the French Language Area: The First Half of the 20th Century." Review of Accounting and Finance 2, no. 4 (April 1, 2003): 110–28. http://dx.doi.org/10.1108/eb043394.

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This paper offers a general survey of accounting literature in the French language area of the first half of the 20th century: After a general Introduction, referring mainly to renowned French authors of past centuries, it deals first with historical accounting research (Dupont, de Roover, Gomberg, Vlaemminck, etc). Then come publications in financial accounting theory and its application (Faure, Dumarchey, Delaporte, Penglaou, de Fages de Latour, etc.), followed by a section on cost accounting and managerial control (Julhiet, de Fage de Latour, Detoeuf, Satet, Bournisien, Brunei, Sauvegrai, etc.). Alarger Section is devoted to inflationary problems (Delavelle, Raffegeau and Lacout, Bayard, Léger, Faure, Thomas, Bisson, Dumarchey, Durand, Beaupère, Ratier, etc.). Another large section refers to charts of accounts and public supervision (Otlet, Faure, Blairon, Detoeuf, Caujolle, Fourastié, Gabriel, Chardonnet, Gamier, etc.). The paper closes with a concise general conclusion about this period of transition from a mainly traditional agricultural to an industrial society with its costing problems, its organizational control, and its greater service orientation.

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Gross, Alan G. "Do Disputes over Priority Tell Us Anything about Science?" Science in Context 11, no. 2 (1998): 161–79. http://dx.doi.org/10.1017/s0269889700002970.

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The ArgumentConflicts between scientists over credit for their discoveries are conflicts, not merely in, but of science because discovery is not a historical event, but a retrospective social judgment. There is no objective moment of discovery; rather, discovery is established by means of a hermeneutics, a way of reading scientific articles. The priority conflict between Roger Guillemin and Andrew Schally over the discovery of the brain hormone, TRF, serves as an example. The work of Robert Merton, Thomas Kuhn, Augustine Brannigan, and Grygory Markus shows that scientists read scientific articles by means of the application of a set of pragmatic rules that subtend the normative requirements of what counts as a scientific discovery. In other words, there is a hermeneutics of science, but it is internal to that form of life. Recategorization of priority conflicts has an impact on our view of scientific controversy generally. The impact is the revision of the boundary lines of scientific controversy and the further specification of its fine-structure.

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Torrance, Alexis. "Thomas Aquinas and the Greek Fathers ed. by Michael Dauphinais, Andrew Hofer, and Roger Nutt." Thomist: A Speculative Quarterly Review 85, no. 1 (2021): 154–59. http://dx.doi.org/10.1353/tho.2021.0007.

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Easterling, John F. "Book Review: Roger E. Hedlund. Christianity Made in India: From Apostle Thomas to Mother Teresa." Missiology: An International Review 47, no. 1 (January 2019): 94–95. http://dx.doi.org/10.1177/0091829618824132k.

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