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Статті в журналах з теми "Thinking in interiority":
1
Descutner, David. "Interiority: Thinking Inside the Box." Wide Angle 20, no. 4 (1998): 3–7. http://dx.doi.org/10.1353/wan.1998.0041.
2
K. SOZGEN, Ecehan. "RE-THINKING THE URBAN: THE THEORY OF AFFECT AND URBAN INTERIORITY AS A WAY OF THINKING NEW POSSIBILITIES." Urbanizm, no. 27 (September 9, 2022): 45–59. http://dx.doi.org/10.58225/urbanizm.2022-27-45-59.
Анотація:
Body interacts with the space through undefinable, unpredictable actions and behaviors. Predictability disappears when the performativity of the body is taken into account. By dissolving and decoding the boundaries of space, the body challenges spatial dichotomy and prepares the new possibilities of thinking and understanding. Space becomes productive with new lines of escape and possibilities. Design as a temporary moment of intensity in the rhythm of daily life, on the other hand, recalls the affect that has been postponed in the academic field in architecture. At this point, affect theory together with the concept of interiority create a new discussion on space by questioning the existing theories. Affect plays a role in the spatial production of urban interiority; at the same time, urban interiority nourishes the affect. Exploring the neglected dimensions of our daily lives and the relational aspects of experience that produce and shape it, thinking about body, subjectivity and desire with non-representational theory in the focus of space: this is where the study turns towards the theory of affect. It produces a new understanding of relationality and space built with interactions between human/non-human, body and city, reflecting on different subjectivities and a different perspective to understand the city. It lays the groundwork for the appropriation of cities through their affective capacities and layers. In any case, it is not enough to think on urban space and architectural practice within disciplinary boundaries; they are in a constant state of formation and construction under the influence of different parameters. This study aims to rethink the concept of urban interiority through affect theory and aims to multiply questions about different becoming and possibilities rather than seeking answers.
3
Reynolds, Anthony. "Thinking the Ghost: Tragedy and the History of Theory." Derrida Today 14, no. 1 (May 2021): 49–66. http://dx.doi.org/10.3366/drt.2021.0252.
Анотація:
In this paper I examine the role of tragedy in the ancient emergence of philosophical interiority and in the recent return of exteriority that marks the birth of theory. I argue that tragedy names a kind of epistemic threshold between systems of knowledge predicated on exteriority and interiority. I conclude by arguing that Derrida's late effort to articulate a messianic model of the tragic in Specters of Marx and elsewhere, his effort to “think the ghost,” both confirms and complicates tragedy's place in the history of theory.
4
Oliffe, John L., Genevieve Creighton, Steve Robertson, Alex Broom, Emily K. Jenkins, John S. Ogrodniczuk, and Olivier Ferlatte. "Injury, Interiority, and Isolation in Men’s Suicidality." American Journal of Men's Health 11, no. 4 (November 24, 2016): 888–99. http://dx.doi.org/10.1177/1557988316679576.
Анотація:
Men’s high suicide rates have been linked to individual risk factors including history of being abused as a child, single marital status, and financial difficulties. While it has also been suggested that the normative influences of hegemonic masculinities are implicated in men’s suicide, the gendered experiences of male suicidality are poorly understood. In the current photovoice study, 20 men who previously had suicidal thoughts, plans, and/or attempts were interviewed as a means to better understanding the connections between masculinities and their experiences of suicidality. The study findings revealed injury, interiority, and isolation as interconnected themes characterizing men’s suicidality. Injury comprised an array of childhood and/or cumulative traumas that fueled men’s ruminating thoughts inhibiting recovery and limiting hopes for improved life quality. In attempting to blunt these traumas, many men described self-injuring through the overuse of alcohol and other drugs. The interiority theme revealed how suicidal thoughts can fuel hopelessness amid summonsing remedies from within. The challenges to self-manage, especially when experiencing muddled thinking and negative thought were evident, and led some participants to summons exterior resources to counter suicidality. Isolation included separateness from others, and was linked to abandonment issues and not having a job and/or partner. Self-isolating also featured as a protection strategy to avoid troubling others and/or reducing exposure to additional noxious stimuli. The study findings suggest multiple intervention points and strategies, the majority of which are premised on promoting men’s social connectedness. The destigmatizing value of photovoice methods is also discussed.
5
Ruda, Frank. "Philosophy and Politics – An Odd Couple." Bajo Palabra, no. 32 (June 5, 2023): 57–76. http://dx.doi.org/10.15366/bp2023.32.003.
Анотація:
The article addresses the strange relationship between politics and philosophy, a relationship that is determined by peculiar asymmetries, by critically discussing the work of French anthropologist, Sylvan Lazarus. It demonstrates from a Hegelian perspective that philosophy is able to think that and what “politics thinks” in a historically singular way and thereby does not fall prey to the criticisms raised against it from the “thinking of politics in its interiority” (Lazarus).
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Faye, Michel. "Edith Stein entre Husserl et Thomas d’Aquin." Revista Portuguesa de Filosofia 78, no. 1-2 (July 31, 2022): 245–78. http://dx.doi.org/10.17990/rpf/2022_78_1_0245.
Анотація:
Edith Stein was first one of Husserl’s disciples and adopted her method of “eidetic reduction” (as a way to reach the essence of things). She then discovered Thomas of Aquinas’ metaphysics, a realism which Husserl’s later work seemed to betray. However Edith Stein’s Thomism is not a literal return to the thinking of Aquinas: indeed, her fidelity to Husserl’s essentialism drove her to a conception of being withought which the me-subject plays an essential role in the way to the knowledge of the truth. On can then wonder if the philosophical work of Edith Stein leads to a genuine synthesis between the two sources of her thinking. Our hypothesis is that saint Augustine’s metaphysics enables her to articulate the theocentrical vision of the world, coming from Thomism, and a philosophy of mind taken from Husserl, for which the truth cannot only be discovered in the interiority of her consciousness. Thus can we characterize Edith Stein’s thinking as the expression of “Augustinian Thomism”.
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Moss-Wellington, Wyatt. "Picturing the Autobiographical Imagination: Emotion, Memory and Metacognition in Inside Out." Film-Philosophy 25, no. 2 (June 2021): 187–206. http://dx.doi.org/10.3366/film.2021.0168.
Анотація:
Inside Out (Pete Docter & Ronnie Del Carmen, 2015) develops novel cinematic means for representing memory, emotion and imagination, their interior relationships and their social expression. Its unique animated language both playfully represents pre-teenage metacognition, and is itself a manner of metacognitive interrogation. Inside Out motivates this language to ask two questions: an explicit question regarding the social function of sadness, and a more implicit question regarding how one can identify agency, and thereby a sense of developing selfhood, between one’s memories, emotions, facets of personality, and future-thinking imagination. Both the complexity of the language Inside Out develops to ask these questions, and the complicated answers the film provides, ultimately serve as a manner of recognition of the effortfulness of finding one’s place in the world. This article talks sequentially through the complex representative systems Inside Out advances in order to pay homage to the ways in which metacognitive cinema – as well as discussions and hermeneutic readings around that cinema – can make viewers feel recognised for invisible, internal labour that is existentially difficult to share due to its very interiority; an interiority that is reconstructed in imaginative processes such as autobiographical reminiscence, and filmic animation.
8
Poot, Tine, Els De Vos, and Maarten Van Acker. "Thinking beyond dualities in public space: the unfolding of urban interiority as a set of interdisciplinary lenses." Interiors 9, no. 3 (September 2, 2018): 324–45. http://dx.doi.org/10.1080/20419112.2019.1622235.
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Smith, Vanessa. "Possible Persons: Dickensian Character, Violent Play." PMLA/Publications of the Modern Language Association of America 137, no. 2 (March 2022): 215–29. http://dx.doi.org/10.1632/s0030812922000037.
Анотація:
AbstractThis essay proposes a new way of thinking about Dickens's “little” characters in The Old Curiosity Shop and Our Mutual Friend, referencing Melanie Klein's “play-technique.” Klein was the first to theorize the anxious aggressive child and to posit a complex object relating in which the damage and repair of toys mediated and modulated the unmanageability of infantile emotion. Dickensian characterization, often criticized as object-like and lacking complex interiority, can be understood to intuit the developmental dynamics that Klein would locate in interactions between the child and the thing. Dickens's increasingly interiorized protagonists are surrounded and mirrored by toylike figures that problematize the thesis of novelistic maturation, proving as essential to the depiction of a complex psychology as internal monologue or achieved Bildung.
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Kessler, Diane C. "Hiding in Plain Sight." Journal of Ecumenical Studies 58, no. 2 (March 2023): 140–50. http://dx.doi.org/10.1353/ecu.2023.a902001.
Анотація:
precis: The fruits of the ecumenical movement often are harvested without thinking about who planted the seeds, who watered the soil, and what ingredients are necessary to make the ground rich for ecumenical gleaning. The result: no "move" in the movement! The ecumenical impulse is not fruitful unless it is conscious, intentional, habitual, and embodied. This essay draws on insights from the study document of the Joint Working Group's Ninth Report, "Be Renewed in the Spirit: The Spiritual Roots of Ecumenism," exploring the relationship between and among interiority, intentionality, and action. It considers practices of prayer and formation that nurture these qualities of spirituality and how they enable the aim of the ecumenical movement to promote Christian unity for the sake of the world.
Дисертації з теми "Thinking in interiority":
1
Houtondji-Mbama, Graziela. "Représentation des espaces de la berge lagunaire : enquête d’anthropologie politique auprès des expulsés de Xwlacodji à Cotonou au Bénin." Electronic Thesis or Diss., Paris 8, 2019. http://www.theses.fr/2019PA080095.
Анотація:
En 2012, l’Etat béninois rasait les habitations des quartiers de la berge lagunaire de Cotonou au motif de l’assainissement urbain. Cette thèse propose une anthropologie politique du point de vue des victimes de cette intervention gouvernementale et repère chez elles les termes de la pensée en intériorité que Sylvain Lazarus a placée au centre de ses travaux. Le terrain de l’étude dégage des catégories de cette pensée pour percevoir le décalage entre les formes de pensée des gens, d’une part, et le discours institutionnel, de l’autre. L’enquête découvre que la gestion des projets urbains, quand ils existent, est caractérisée par les relations de pouvoir. Les enjeux du « déguerpissement » ne se situent donc pas uniquement au plan économique et urbanistique, ils traversent aussi le champ politique. Par ailleurs, cette analyse des destructions du quartier Placodji amène à séparer la question de la gestion des déchets urbains de celle de la spéculation foncière, et d’identifier les prescriptions que les gens formulent. Ce point de vue à distance des institutions révèle certains mots nommés « problématiques », dont la fonction est d’exprimer le rapport des gens à l’Etat. La thèse explicite la capacité des victimes à cerner les ambigüités des projets de développement présentés par les experts et met en exergue la disjonction de pensée et de lexique à l’origine d’une crise de gouvernance urbaine et des contestations populairesIn 2012, the government of Benin broke the houses of the lagoon areas of Cotonou because of urban sanitation. This PhD dissertation proposes a political anthropology from the point of view of the victims of this government intervention and identifies in them the terms of the interiority thought that Sylvain Lazarus has placed in his work. The research shows that those thought categories to perceive the discrepancy between people's forms of thought and institutional discourse. Urban development projects, is characterized by power relations. The eviction problems aren’t therefore only economical and urban development, they also cross the political field. Moreoer, this analysis of the destruction of the Placodji area leads to the separation the issue of urban waste management from that of land speculation, and to identify the requirements that people proposed. This view out of institution views reveals some "problematic" words whose function is to express the relationship between people and government. The PhD dissertation explains the ability of victims to identify the ambiguities of the development projects presented by the experts and highlights the disjunction of thought and lexicon at the origin of a crisis of urban governance and popular protests
Книги з теми "Thinking in interiority":
1
Longenbach, James. The Sound of Shakespeare Thinking. Edited by Jonathan Post. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199607747.013.0036.
Анотація:
Thinking, Freud argued, begins as a pre-conscious activity, although we paradoxically become aware of it only in consciousness: whatever we know about thinking is already a representation of thinking. This chapter argues that Shakespeare in this sense invented what we most commonly recognize as the verbal embodiment of thinking. Contrasting 3 Henry VI with King John, it shows how, in the latter play, Shakespeare first constructed his signature representation of interiority in the highly disjunctive, self-revising speech of the Bastard. Moving on to examine the more fully ripened version of this kind of speech in King Lear and The Tempest, this chapter then shows how Shakespeare’s representations of thinking have inflected not only the history of the lyric poem in English (from Keats’s ‘Ode to a Nightingale’ to Louise Gluck’s ‘Before the Storm’) but also the novel (Virginia Woolf’s Mrs. Dalloway).
2
Attiwill, Suzie. Framing – ?interior. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474429344.003.0004.
Анотація:
This chapter presents a series of exhibition and curatorial projects situated in the discipline of interior design that experimented with questions of interior and interiority, subject and object relations, spatial and temporal conditions. Deleuze’s critique of interior and interiority as isolated, pre-existing entities provokes a thinking and doing otherwise where space and subjectivity, interior and exterior are unquestioned givens. Thinking through practising with Deleuze, the technique of framing is re-posed as a technique of interiorization where interior and interiority are productions in exteriority; the frame as a fold of an outside that involves processes of selection and arrangement. Deleuze’s book Foucault and the ‘Outside-interior’ and Elizabeth Grosz’s Chaos, Territory, Art. Deleuze and the Framing of the Earth are key references. The chapter poses ‘?interior’ – with reference to Deleuze’s ?-being – as a problematic to be addressed through designing interior – each time anew.
3
Bromley, James M. Clothing and Queer Style in Early Modern English Drama. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198867821.001.0001.
Анотація:
This book examines ‘queer style’ or forms of masculinity grounded in superficiality, inauthenticity, affectation, and the display of the extravagantly clothed body in early modern English city comedies. Queer style destabilizes distinctions between able-bodied and disabled, human and nonhuman, and the past and the present—distinctions that have structured normative ways of thinking about sexuality. Glimpsing the worldmaking potential of queer style, plays by Ben Jonson, George Chapman, Thomas Middleton, and Thomas Dekker imagine alternatives to the prevailing modes of subjectivity, sociability, and eroticism in early modern London. While the characters associated with queer style are situated in a hostile generic and historical context, this book draws on recent work on disability, materiality, and queer temporality to rethink their relationship to those contexts so as to access the utopian possibilities of early modern queer style. These theoretical frameworks also help bring into relief how the attachments and pleasures of early modern sartorial extravagance can estrange us from the epistemologies of sexuality that narrow current thinking about sexuality and its relationship to authenticity, pedagogy, interiority, and privacy.
4
Faragher, Megan. Public Opinion Polling in Mid-Century British Literature. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192898975.001.0001.
Анотація:
Whereas modernist writers lauded the consecrated realm of subjective interiority, mid-century writers were engrossed by the materialization of the collective mind. An obsession with group thinking was fueled by the establishment of academic sociology and the ubiquitous infiltration of public opinion research into a bevy of cultural and governmental institutions. As authors witnessed the materialization of the once-opaque realm of public consciousness for the first time, their writings imagined the potentialities of such technologies for the body politic. Polling opened new horizons for mass politics. Public Opinion Polling in Mid-Century British Literature: The Psychographic Turn traces this most crucial period of group psychology’s evolution—the mid-century—when “psychography,” a term originating in Victorian spiritualism, transformed into a scientific praxis. The imbrication of British writers within a growing institutionalized public opinion infrastructure bolstered an aesthetic turn towards collectivity and an interest in the political ramifications of meta-psychological discourse. Examining works by H.G. Wells, Evelyn Waugh, Val Gielgud, Olaf Stapledon, Virginia Woolf, Naomi Mitchison, Celia Fremlin, Cecil Day-Lewis, and Elizabeth Bowen, this book utilizes extensive archival research to trace the embeddedness of writers within public opinion institutions, providing a new explanation for the new “material” turn so often associated with interwar writing.
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Noakes, Lucy, Claire Langhamer, and Claudia Siebrecht, eds. Total War. British Academy, 2020. http://dx.doi.org/10.5871/bacad/9780197266663.001.0001.
Анотація:
War is often lived through and remembered as a time of heightened emotional intensity. This edited collection places the emotions of war centre stage. It explores emotional responses in particular wartime locations, maps national and transnational emotional cultures, and proposes new ways of deploying emotion as an analytical device. Whilst grief and fear are among the emotions most immediately associated with the rhetoric, experience, and memory of war, this collection suggests that feelings such as love, shame, pride, jealousy, anger, and resentment also merit attention. This book explores the status and uses of emotion as a category of historical and contemporaneous analysis. It goes beyond the cataloguing of discrete feelings to consider the use of emotion to understand the past. It considers the emotional agency of historical actors and the contexts, modes, and time frames in which they communicated their feelings. Wartime provides a dynamic context for thinking through the possibilities and limitations of the emotional approach. This collection provides case studies that explain how emotional registers respond to world events. These range from First World War Germany, interwar France, and Second World War Britain to the Greek Civil War and to the post-war world. Several chapters trace the emotional legacy of war across different conflicts and to the present day: they show how past, present, and possible futures intersect in the emotions of a moment. They also reveal links between the intimate, the national, and the international, between interiority and sociality, and between conflict and its aftermath.
Частини книг з теми "Thinking in interiority":
1
Haschemi Yekani, Elahe. "Foundations: Defoe and Equiano." In Familial Feeling, 69–121. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-58641-6_2.
Анотація:
AbstractThis chapter discusses Daniel Defoe’s Robinson Crusoe and Olaudah Equiano’s The Interesting Narrative as foundational texts of emergent enlightenment thinking about the subject in relation to modernity and slavery. The aesthetics of their entangled foundational tonality is characterised by self-reflexive descriptions of psychological interiority, a retrospective temporal framework, religious conversion, and a belief in the emerging modern market economy. While both self-made men develop an emotive claim to Britishness, the representation of familial feelings remains stifled. In contrast to insular adventurer Robinson Crusoe, former slave Olaudah Equiano’s life story is much more strongly reliant on bonds to establish commonality. Moreover, their constructions of masculinity are spatially distinct. While Equiano’s “oceanic” identity is mostly formed in movement on the sea, Crusoe’s “insular” version seems to fend off any form of Otherness. For Equiano claiming familiarity is instrumental in the process of being recognised as a citizen, for Crusoe, the flight from familial obligations is part of the narrative appeal of his adventure. Thus, this chapter argues that while Black writing is often dismissed as imitative, it is in fact the marginalised perspective of the ex-slave that can be considered foundational of a more realistic description of intersubjectivity in English writing.
2
O'Shaughnessy, Brian. "Interiority and Thinking." In Consciousness and the World, 233–64. Oxford University Press, 2003. http://dx.doi.org/10.1093/0199256721.003.0007.
3
"Cultivating Interiority: Thinking and Therapeutic Arguments." In The Capacity to be Displaced: Resilience, Mission, and Inner Strength, 137–72. BRILL, 2017. http://dx.doi.org/10.1163/9789004342453_008.
4
Potter, Claire. "Fishing and Thinking, or An Interiority of My Own." In Thinking with Irigaray, 201–20. SUNY Press, 2011. http://dx.doi.org/10.1515/9781438439181-011.
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"Chapter 30 Subjectivity, Interiority, and Exteriority: Kierkegaard and Levinas." In Thinking with Kierkegaard, 513–29. De Gruyter, 2022. http://dx.doi.org/10.1515/9783110793895-036.
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Howard, Yetta. "The Experimental Interiors of Alison Bechdel’s Are You My Mother?" In The Comics of Alison Bechdel, 135–47. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496825773.003.0010.
Анотація:
Before Alison Bechdel became widely read with the publication and subsequent Broadway adaptation of Fun Home (2006), her work reflected non-mainstream-oriented queer experience and the alternative comix legacy exemplified in Dykes to Watch Out For (1983–2008). In this spirit, this chapter takes Bechdel’s Are You My Mother? (2012) as its subject, but does so by thinking alternatively about how the book works as a graphic narrative pertaining to queer erotics and its associated relational contexts. What this essay will conceptualize as the text’s avant-garde aesthetics of interiority refers to qualities of the text that deploy representations of interiority that exceed and complicate the explicitly clinical or strictly psychoanalytic approaches to Are You My Mother?; an aesthetics of interiority, this chapter will show, more readily accommodates the formations and disruptions that accompany the queer “self” in—and as—the text. “Interiority” as defined here thus signifies textual-spatial instances of queer constructions of the “self.” This chapter contends that interiority is infinitely open-ended, resists closure, and ultimately provides a way out that the text uses as its own beginning and/or revision of a conclusion.
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Van Dijck, Cedric. "Introduction." In Modernism, Material Culture and the First World War, 1–15. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399507868.003.0001.
Анотація:
This chapter introduces the key argument behind the book: that modernist writers were fascinated with the material culture of the First World War and began thinking of their writings as material objects in their own right. It positions this argument against a dominant scholarly trend to conceive of the impact of the war on modernism in terms of interiority and shell shock.
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Ostas, Magdalena. "Interiority and Expression in Dickinson’s Lyrics, Magdalena Ostas." In The Poetry of Emily Dickinson, 59–82. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190651190.003.0003.
Анотація:
The argument in this chapter is that Dickinson’s poetics of inner life makes us see anew the long-standing philosophical problem of expression. Dickinson’s poetry invests itself in an understanding of subjectivity that rearranges the anchors we often turn to in thinking about how lives and identities take on shape in expressive forms. Poetry forces this essentially inward poet to conclude that introspection leads to blindness and rather than to self-knowledge and understanding. Dickinson presents us with a new picture of a human subject unable to find comfort or satisfaction in pursuing itself on the inside. Poetry, instead, gives Dickinson evidence of herself and allows her to encounter the particular what and how of her own inner life as it takes shape outside of her. What literature and philosophy at their crossroads can gain by engaging the idea that poems probe hypotheses about subjectivity is a central concern in the readings.
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Oulanne, Laura. "Djuna Barnes and Queer Interiorities." In How Literature Comes to Matter, edited by Sten Pultz Moslund, Marlene Karlsson Marcussen, and Martin Karlsson Pedersen, 153–71. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474461313.003.0008.
Анотація:
This chapter discusses the notion of interiority as a metaphor for human subjectivity and as a concrete material condition of dwelling and embodiment in two short stories and one piece of journalistic writing by modernist author Djuna Barnes. The chapter approaches Barnes’s writing through a combination of queer and feminist phenomenology and New Materialist approaches to the ‘trans-corporeal’ and ‘intra-active’ relationship between the human body and its environment. It explores the ways her stories of desire, death, and family relations, as well as her journalistic report of undergoing force-feeding, use the topos of interiority to queer normative notions of domesticity, embodiment and sexuality, while also reimagining the foundations of the human subject. The reading suggests how literary, experimental uses of language such as Barnes’ can help reconfigure normative ways of thinking about human bodies relating to each other and to the nonhuman world, thereby complementing theoretical and scientific ways of producing knowledge.
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Mignolo, Walter D. "An Other Tongue, An Other Thinking, An Other Logic." In Local Histories/Global Designs. Princeton University Press, 2012. http://dx.doi.org/10.23943/princeton/9780691156095.003.0009.
Анотація:
This afterword extends the observations from previous chapters, which distinguished postmodern from post-Occidental thinking as a critique of modernity from the interior borders (postmodernism) and from the exterior borders of the modern/colonial world (post-Occidentalism), to deconstruction and to world system analysis. Postmodern criticism of modernity as well as world system analysis is generated from the interior borders of the system—that is, they provide a Eurocentric critique of Eurocentrism. The colonial epistemic difference is located some place else, not in the interiority of modernity defined by its imperial conflicts and self-critiqued from a postmodern perspective. On the contrary, the epistemic colonial difference emerges in the exteriority of the modern/colonial world, and in that particular form of exteriority that comprises the Chicano/as and Latino/as in United States—a consequence of the national conflicts between Mexico and the United States in 1848 and of the imperial conflicts between the United States and Spain in 1898.
Тези доповідей конференцій з теми "Thinking in interiority":
1
Hoyos, David, Waleska Sigüenza, Iñigo Capellán-Pérez, Álvaro Campos, and David Álvarez-Antelo. "A collaborative game-based learning to enhance ecological economics teaching." In Fifth International Conference on Higher Education Advances. Valencia: Universitat Politècnica València, 2019. http://dx.doi.org/10.4995/head19.2019.9468.
Анотація:
Game-based learning refers to the use of game thinking and mechanics to engage and motivate students in the learning process. We applied this innovative concept to complement the theoretical sessions of an introductory course on ecological economics in the Faculty of Economics and Business of the University of the Basque Country (UPV/EHU). A participatory simulation game originally developed by Capellán-Pérez et al. (2019) in the context of energy and sustainability education was adapted for this course; and at the same time, the theoretical sessions were reshaped to enhance the learning experience of the gaming. The pedagogical effect of the whole course was evaluated with a previous and posterior questionnaire. The results show that this combined strategy is especially suited to motivate and engage students into the discipline of ecological economics, as well as in order to promote team work and collaborative thinking. We also observed that students gained a better global vision and interrelation between the topics discussed during the course and a greater capacity to understand and interiorise the global socio-environmental crisis that humanity is currently facing