Статті в журналах з теми "Theatre for all audiences"
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Zehra, Shamail, Kiran Karamat, and Niza Qureshi. "THEATRE IN THE DIGITAL AGE: CHALLENGES AND AUDIENCE VIEWING EXPERIENCES." Pakistan Journal of Social Research 05, no. 01 (March 4, 2023): 609–16. http://dx.doi.org/10.52567/pjsr.v5i01.1384.
Повний текст джерелаPukelytė, Ina. "Front Theatre and Variety Theatre in Lithuania During World War II." Art History & Criticism 16, no. 1 (December 1, 2020): 95–104. http://dx.doi.org/10.2478/mik-2020-0006.
Повний текст джерелаCaldwell, Niall, and Kathryn Nicholson. "Star quality: celebrity casting in London West End theatres." Arts Marketing: An International Journal 4, no. 1/2 (September 30, 2014): 136–55. http://dx.doi.org/10.1108/am-10-2013-0022.
Повний текст джерелаBennett, Susan. "Theatre Audiences, Redux." Theatre Survey 47, no. 2 (September 12, 2006): 225–30. http://dx.doi.org/10.1017/s0040557406000196.
Повний текст джерелаHarvey, Dustin. "Theatre for Small Audiences." Canadian Theatre Review 126 (March 2006): 45–47. http://dx.doi.org/10.3138/ctr.126.008.
Повний текст джерелаBird, Kym, and Ed Nyman. "Quipping Against the Pricks: Comedy, Community and Popular Theatre." Canadian Theatre Review 77 (December 1993): 8–12. http://dx.doi.org/10.3138/ctr.77.002.
Повний текст джерелаMahoney, Alison M. "Oily Cart's Space to Be: Exploring the Carer's Role in Sensory Theatre for Neurodiverse Audiences during COVID-19." Theatre Survey 62, no. 3 (August 23, 2021): 340–43. http://dx.doi.org/10.1017/s0040557421000260.
Повний текст джерелаBannerman, Marian White. "TYA in Canada: Navigating the Paradoxes." Canadian Theatre Review 133 (March 2008): 53–61. http://dx.doi.org/10.3138/ctr.133.008.
Повний текст джерелаMcClelland, Graeme. "When in Quarantine: Bringing Theatre Home with Boca del Lupo." Canadian Theatre Review 191 (August 1, 2022): 100–102. http://dx.doi.org/10.3138/ctr.191.016.
Повний текст джерелаDUTT, BISHNUPRIYA. "Introduction." Theatre Research International 42, no. 3 (October 2017): 323–26. http://dx.doi.org/10.1017/s030788331700061x.
Повний текст джерелаFurlong, Anne. "Shared communicative acts in theatre texts in performance." International Journal of Literary Linguistics 9, no. 3 (July 12, 2020): 1–23. http://dx.doi.org/10.15462/ijll.v9i3.121.
Повний текст джерелаFurlong, Anne. "Shared communicative acts in theatre texts in performance." International Journal of Literary Linguistics 9, no. 3 (July 12, 2020): 1–23. http://dx.doi.org/10.15462/ijll.v9i3.121.
Повний текст джерелаBeauchamp, Hélène. "Theatre for Young Audiences in Japan – A Canadian Perspective." Canadian Theatre Review 85 (December 1995): 29–33. http://dx.doi.org/10.3138/ctr.85.007.
Повний текст джерелаSchneider, Robert, and Nathan Schneider. "A Dive and a Dance with Kabuki Vaudeville: Taishū Engeki Comes Back!" New Theatre Quarterly 36, no. 3 (August 2020): 256–71. http://dx.doi.org/10.1017/s0266464x20000470.
Повний текст джерелаSamitov, Dmitry G. "THE FIRST REGIONAL THEATRES OF THE UNITED STATES AS AN ALTERNATIVE TO BROADWAY COMMERCIALISM." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 40 (2020): 190–96. http://dx.doi.org/10.17223/22220836/40/16.
Повний текст джерелаWartemann, Geesche. "“Not All Performing Is Acting”1: Models of Theatre as Research in Contemporary Theatre for Young Audiences." Youth Theatre Journal 27, no. 2 (July 2013): 121–29. http://dx.doi.org/10.1080/08929092.2013.837700.
Повний текст джерелаO’donnell, Darren. "The Talking Creature: Adventures with Audiences." Canadian Theatre Review 119 (June 2004): 13–15. http://dx.doi.org/10.3138/ctr.119.003.
Повний текст джерелаMakarova, A. "No, It’s All Wrong! Director’s Theatre in Opera: Fidelity to the Work, Fidelity to the Audience." Versus 2, no. 6 (September 18, 2023): 95–108. http://dx.doi.org/10.58186/2782-3660-2022-2-6-95-108.
Повний текст джерелаPlowright, Poh Sim. "The Birdwoman and the Puppet King: a Study of Inversion in Chinese Theatre." New Theatre Quarterly 13, no. 50 (May 1997): 106–18. http://dx.doi.org/10.1017/s0266464x0001099x.
Повний текст джерелаWolf, Stacy. "Talking About Pornography, Talking About Theatre: Ethnography, Critical Pedagogy, and the Production of ‘Educated’ Audiences ofEtta Jenksin Madison." Theatre Research International 19, no. 1 (1994): 29–36. http://dx.doi.org/10.1017/s0307883300018794.
Повний текст джерелаOjoniyi, Bode. "Postdigital theatre: Beyond digital alienation of live theatre on the Nigerian performance space." Nigeria Theatre Journal: A Journal of the Society of Nigeria Theatre Artists 23, no. 2 (March 7, 2024): 161–75. http://dx.doi.org/10.4314/ntj.v23i2.5.
Повний текст джерелаMoher, Frank, Connie Gault, Bruce McManus, and Anne Nothof. "The Third Ascent, Sky, The Chinese Man Said Goodbye." Canadian Theatre Review 63 (June 1990): 70–72. http://dx.doi.org/10.3138/ctr.63.010.
Повний текст джерелаAsst. Prof. Hadeel Aziz Mohammed Ridha, (Ph.D.) * and Prof Salih M. Hameed (Ph.D.). "Re-entering the Absurd in the Twenty First Century: A Study in Richard Nelson's Pandemic Trilogy The Apple Family." International Journal for Humanities & Social Sciences (IJHS), no. 1 (June 30, 2023): 6–13. http://dx.doi.org/10.69792/ijhs.23.1.2.
Повний текст джерелаIacobuţe, Ramona-Petronela. "Theater Festivals - a Collective Archive." Theatrical Colloquia 9, no. 2 (December 1, 2019): 216–23. http://dx.doi.org/10.2478/tco-2019-0028.
Повний текст джерелаKempe, Andrew J. "Widening Participation in Theatre through ‘Relaxed Performances’." New Theatre Quarterly 31, no. 1 (January 30, 2015): 59–69. http://dx.doi.org/10.1017/s0266464x15000068.
Повний текст джерелаFanyam, Joel Avaungwa, and Bem Alfred Abugh. "Making theatre in digital spaces: The imperative of Ijov Mbakuv on social media platforms." Nigeria Theatre Journal: A Journal of the Society of Nigeria Theatre Artists 23, no. 2 (March 7, 2024): 137–46. http://dx.doi.org/10.4314/ntj.v23i2.3.
Повний текст джерелаFilewod, Alan. "Celebrating Twenty Years." Canadian Theatre Review 79-80 (June 1994): 3. http://dx.doi.org/10.3138/ctr.79-80.fm.
Повний текст джерелаBeauchamp, Hélène. "Forms and Functions of Scenography: Theatre productions for young audiences in Quebec." Canadian Theatre Review 70 (March 1992): 15–19. http://dx.doi.org/10.3138/ctr.70.003.
Повний текст джерелаSidnell, Michael J. "Where We Are Now: Festival de théâtre des Amériques, 2003." Canadian Theatre Review 117 (January 2004): 66–71. http://dx.doi.org/10.3138/ctr.117.016.
Повний текст джерелаRewa, Natalie. "Le Festival international du théâtre de jeune publics: Growing Up." Canadian Theatre Review 45 (December 1985): 44–49. http://dx.doi.org/10.3138/ctr.45.006.
Повний текст джерелаSEDGMAN, KIRSTY. "Audience Experience in an Anti-expert Age: A Survey of Theatre Audience Research." Theatre Research International 42, no. 3 (October 2017): 307–22. http://dx.doi.org/10.1017/s0307883317000608.
Повний текст джерелаAyres, Peter. "Shakespeare in St John’s." Canadian Theatre Review 54 (March 1988): 34–38. http://dx.doi.org/10.3138/ctr.54.007.
Повний текст джерелаMiles, Patrick. "Cheshire Cats in the Theatre: a Translator and the Fringe Experience." New Theatre Quarterly 16, no. 4 (November 2000): 359–63. http://dx.doi.org/10.1017/s0266464x0001410x.
Повний текст джерелаPage, Malcolm. "The Growth of Professional Theatre in Vancouver, 1963-1999." Canadian Theatre Review 101 (January 2000): 15–18. http://dx.doi.org/10.3138/ctr.101.003.
Повний текст джерелаHatley, Barbara. "Contemporary Indonesian Theatre in the Regions: Stage Idiom and Social Referentiality." Theatre Research International 19, no. 1 (1994): 17–28. http://dx.doi.org/10.1017/s0307883300018782.
Повний текст джерелаSkjoldager-Nielsen, Daria. "Theatre Talks." Nordic Theatre Studies 33, no. 2 (June 17, 2022): 58–71. http://dx.doi.org/10.7146/nts.v33i2.132872.
Повний текст джерелаMd Khir, Roselina Johari. "Developing Theatre for the Young in Malaysia: Benefits and Challenges." Jurai Sembah 1, no. 1 (June 16, 2020): 1–7. http://dx.doi.org/10.37134/juraisembah.vol1.1.1.2020.
Повний текст джерелаAvram, Cristi. "Theatre for Young Audiences – 3 Texts Mihai Ignat – Selma Dragoş – Andrei Ursu." Theatrical Colloquia 8, no. 2 (December 1, 2018): 401–9. http://dx.doi.org/10.2478/tco-2018-0030.
Повний текст джерелаCornici, Antonella. "3. National Theatre Live. The Beginning of a Revolution." Review of Artistic Education 25, no. 1 (March 1, 2023): 120–25. http://dx.doi.org/10.2478/rae-2023-0017.
Повний текст джерелаBrewster, Yvonne. "Drawing the Black and White Line: Defining Black Women's Theatre." New Theatre Quarterly 7, no. 28 (November 1991): 361–68. http://dx.doi.org/10.1017/s0266464x00006060.
Повний текст джерелаVandenbroucke, Russell. "Making Theatre during COVID-19." Harold Pinter Review 5, no. 1 (May 1, 2021): 17–27. http://dx.doi.org/10.5325/haropintrevi.5.2021.0017.
Повний текст джерелаKrstić, Nataša. "А New Theatre Experience: Page Experience Signals". AM Journal of Art and Media Studies, № 26 (15 жовтня 2021): 129–41. http://dx.doi.org/10.25038/am.v0i26.476.
Повний текст джерелаSaddlemyer, Ann, and John Ripley. "Early Stages: Theatre in Ontario 1800-1914." Canadian Theatre Review 72 (September 1992): 82–83. http://dx.doi.org/10.3138/ctr.72.018.
Повний текст джерелаCOX, EMMA. "Victimhood, Hope and the Refugee Narrative: Affective Dialectics in Magnet Theatre'sEvery Year, Every Day, I Am Walking." Theatre Research International 37, no. 2 (May 3, 2012): 118–33. http://dx.doi.org/10.1017/s030788331200003x.
Повний текст джерелаNa-pombejra, Dangkamon. "Confronting Otherness through Theatre: On Directing The Merchant of Venice for Thai Audiences." Manusya: Journal of Humanities 23, no. 3 (December 23, 2020): 335–51. http://dx.doi.org/10.1163/26659077-02303004.
Повний текст джерелаGreen, Reina. "The Challenges of Park Performance: Pericles in Halifax’s Point Pleasant." Canadian Theatre Review 128 (September 2006): 47–52. http://dx.doi.org/10.3138/ctr.128.010.
Повний текст джерелаBickis, Heidi. "Expanding the Margins of Our Narrative: A Review." Canadian Theatre Review 125 (January 2006): 124–28. http://dx.doi.org/10.3138/ctr.125.022.
Повний текст джерелаQamaniq, David, and Cindy Cowan. "On Independence and Survival." Canadian Theatre Review 73 (December 1992): 18–21. http://dx.doi.org/10.3138/ctr.73.006.
Повний текст джерелаGoldhill, Simon. "Reading Performance Criticism." Greece and Rome 36, no. 2 (October 1989): 172–82. http://dx.doi.org/10.1017/s0017383500029740.
Повний текст джерелаDan, Marcela Livia. "Cum a transformat pandemia artele?" Symbolon 23, SI (2022): 57–64. http://dx.doi.org/10.46522/s.2022.s1.6.
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